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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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Edinburgh, Scotland. Sat 14 March 2026. Dr Paul Newton-Jackson directs the vocal consort Mater Matris in ‘Cantate Domino | New Reconstructions from the Dunkeld Music Book’, a concert of elaborate sacred works from 16th century Scotland. The music comes from a manuscript known as the “Dunkeld Music Book”, copied at an unknown location in Scotland on the eve of the Reformation, which Dr Paul Newton-Jackson has been researching in his role as postdoctoral fellow at the University of Leuven in Belgium and a member of the University of Edinburgh’s Centre for Historical Reconstruction Research.-stock-foto
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A formal portrait of King Henry VIII, painted by the workshop of Hans Holbein the Younger. The monarch is depicted in opulent crimson robes trimmed with fur, wearing a bonnet and holding a staff, symbolizing his power during the Tudor period.-stock-foto
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Henry Nelson O'Neil's painting captures Catherine of Aragon kneeling before Henry VIII during the Legatine Court at Blackfriars. She pleads for her marriage to be recognised, a pivotal moment in Tudor history and the English Reformation.-stock-foto
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A full-length historical portrait by Richard Burchett (1815-1875) depicting King Henry VIII. The monarch stands in opulent Tudor attire, symbolising power and authority, against an ornate background.-stock-foto
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British (English) School; Henry VIII, artist unknown. A powerful portrait of King Henry VIII of England, depicted in opulent royal attire including a jewelled chain and plumed hat.-stock-foto
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A formal portrait of King Henry VIII, painted in the Tudor style by an unknown artist. The King is depicted with a serious expression, adorned in rich, opulent clothing including a fur-lined robe and elaborate gold chain, signifying his royal status and power.-stock-foto
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A vintage engraving depicting Act 3, the divorce scene, from Camille Saint-Saëns' opera 'Henry VIII' as performed at the Paris Opéra. The detailed scene shows the court proceedings within a grand, high-ceilinged Tudor-style hall.-stock-foto
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A bust portrait of Henry VIII of England, painted by Hans Holbein the Younger. The monarch is depicted in opulent robes, showing his wealth and authority through intricate gold brocade and jewels, characteristic of the Tudor era.-stock-foto
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A striking portrait of King Henry VIII of England by Hans Holbein the Younger. The monarch is depicted in opulent attire, showing his wealth and power during the Tudor period of the 16th century.-stock-foto
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Henry VIII, Wenceslaus Hollar, Bohemia, 1647-stock-foto
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Giffard House. In the 1700's it was illegal for Catholics to worship in public so the Giffard family included a "private" chapel - February 2026-stock-foto
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Spanish Netherlands. Flanders. Inquisitorial trial. Holy Office. 16th-17th century. Engraving, 19th century.-stock-foto
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Spanish Netherlands. Flanders. Inquisitorial trial. Holy Office. 16th-17th century. Engraving, 19th century.-stock-foto
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Athaulf (c. 370-415). King of the Visigoths from 410-415. Engraving, 19th century.-stock-foto
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Athaulf (c. 370-415). King of the Visigoths from 410-415. Engraving, 19th century.-stock-foto
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Engraving by Gustave Lesestre depicting Thomas Müntzer being led to the scaffold for his execution. The illustration was made in 1863 for the Dictionn-stock-foto
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Henry VIII (1491 – 1547) King of England,-stock-foto
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Lichfield Cathedral, The Close, Lichfield, Staffordshire, England. - 17 February 2026 Picture by Andrew Higgins/Thousand Word Media-stock-foto
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Lichfield Cathedral, The Close, Lichfield, Staffordshire, England. - 17 February 2026 Picture by Andrew Higgins/Thousand Word Media-stock-foto
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Lichfield Cathedral, The Close, Lichfield, Staffordshire, England. - 17 February 2026 Picture by Andrew Higgins/Thousand Word Media-stock-foto
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Lichfield Cathedral, The Close, Lichfield, Staffordshire, England. - 17 February 2026 Picture by Andrew Higgins/Thousand Word Media-stock-foto
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Wittenberg, Germany. 17th Feb, 2026. An oversized cross adorns the snow-covered Luther Garden. The garden is a park with rows of trees arranged in a radial pattern and a symbolic "Luther rose" with a cross. It was created for the 500th anniversary of the Reformation in 2017. (Aerial view with drone) Credit: Jan Woitas/dpa/Alamy Live News-stock-foto
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Wittenberg, Germany. 17th Feb, 2026. An oversized cross adorns the snow-covered Luther Garden. The garden is a park with rows of trees arranged in a radial pattern and a symbolic "Luther rose" with a cross. It was created for the 500th anniversary of the Reformation in 2017. (Aerial view with drone) Credit: Jan Woitas/dpa/Alamy Live News-stock-foto
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Wittenberg, Germany. 17th Feb, 2026. An oversized cross adorns the snow-covered Luther Garden. The garden is a park with rows of trees arranged in a radial pattern and a symbolic "Luther rose" with a cross. It was created for the 500th anniversary of the Reformation in 2017. (Aerial view with drone) Credit: Jan Woitas/dpa/Alamy Live News-stock-foto
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Amsterdam, Netherlands. 16 February 2026 vast Gothic interior of Amsterdam’s Oude Kerk, featuring medieval wooden vaults, towering columns, and sunlig-stock-foto
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'Iconoclasm in a Church', Dirck van Delen, 1630. It shows the 1566 destruction of Catholic religious and sacred artefacts by fanatical Protestants-stock-foto
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The 1513 map of North and West Africa by Martin Waldseemüller is a historically significant, detailed cartographic work included in the Strasbourg edition of Ptolemy's Geographia. It represents an early 16th-century, Ptolemaic-influenced view of the region, focusing on the Mediterranean coast, Sahara, and Atlantic coastline,-stock-foto
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William Tyndale Statue by Joseph Edgar Boehm, in Whitehall Gardens, London, with the historic Whitehall Court building, Victoria Embankment, London.-stock-foto
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William Tyndale Statue by Joseph Edgar Boehm, in Whitehall Gardens, London, with the historic Whitehall Court building, Victoria Embankment, London.-stock-foto
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