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Portrait of Grand Duke Nicholas Mikhailovich Romanov of Russia (1859–1919), press photograph, 28 August 1914, during World War I.-stock-foto
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The Minuteman Revolutionary War Veterans Memorial, honoring those who served from 1775 to 1783, stands proudly at Pensacola Veterans Memorial Park.-stock-foto
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Photograph of Liberty Hall, headquarters of the Irish Citizen Army and a key revolutionary site, after British bombardment during the Easter Rising of 1916. Severely damaged, Liberty Hall had been a symbol of Irish labor and republican activism under James Connolly. Its shelling and destruction represented both the suppression of the rebellion and the targeting of Dublin’s revolutionary landmarks-stock-foto
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Reproduction of the 1916 Proclamation of the Irish Republic, issued by the Provisional Government during the Easter Rising in Dublin. Signed by seven leaders including Patrick Pearse and James Connolly, it declared Ireland’s independence from Britain. This historic document is one of the most iconic texts in modern Irish history, symbolizing the revolutionary ideals of the Easter Rising and marking the birth of Irish republicanism in the 20th century.-stock-foto
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Historical American Flags with British Union Jack.-stock-foto
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Bennington Battle Day Poster with Revolutionary Soldier and Classic Star Background-stock-foto
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Elegant Bennington Battle Day Poster with Heritage Colors-stock-foto
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Bennington Battle Day Layout with Stars on Dark Blue Background-stock-foto
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Patriotic Bennington Battle Day Poster with Bold Typography and USA Flag-stock-foto
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ALEXANDRIA, Virginia — A memorial marker honors Revolutionary War patriots buried in Saint Mary's Catholic Cemetery, the oldest public Catholic cemetery in Virginia and the oldest active cemetery in Alexandria. The cemetery dates to 1795 and is associated with Saint Mary's Catholic Church, established the same year as the oldest Catholic parish in the Commonwealth of Virginia. The memorial commemorates five Revolutionary War veterans interred in the cemetery: Francis Ignatius Hagen of the 3rd Virginia Regiment, Lawrence Hurdle of the Maryland Line, Pierre La Croix who served in both the French-stock-foto
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ALEXANDRIA, Virginia — A memorial marker honors Revolutionary War patriots buried in Saint Mary's Catholic Cemetery, the oldest public Catholic cemetery in Virginia and the oldest active cemetery in Alexandria. The cemetery dates to 1795 and is associated with Saint Mary's Catholic Church, established the same year as the oldest Catholic parish in the Commonwealth of Virginia. The memorial commemorates five Revolutionary War veterans interred in the cemetery: Francis Ignatius Hagen of the 3rd Virginia Regiment, Lawrence Hurdle of the Maryland Line, Pierre La Croix who served in both the French-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit displays artifacts and stories from the American Revolution, including information about Sergeant Major William Seymour of the Delaware Regiment. Seymour served in major Southern Theater battles including Cowpens, Guilford Courthouse, and Eutaw Springs, documenting his experiences in a journal that describes soldiers marching hundreds of miles, many barefoot, enduring hardships 'with the greatest patience imaginable.' The temporary exhibition commemorates the U.S. Army's 250th Birthday and the upcoming 250-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit at the National Museum of the United States Army features the story of Private Cato Vernon (Varnum), an enslaved person who enlisted in the 1st Rhode Island Regiment at age 16 in 1778. Vernon, owned by merchant William Vernon, later changed his surname to Varnum after his former regiment commander and earned his freedom through military service. He fought in the battles of Monmouth, Newport, and Yorktown during his five years of service, receiving the badge of distinction for 'bravery, fidelity, and good c-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit at the National Museum of the United States Army features the story of Private Cato Vernon (Varnum), an enslaved person who enlisted in the 1st Rhode Island Regiment at age 16 in 1778. Vernon, owned by merchant William Vernon, later changed his surname to Varnum after his former regiment commander and earned his freedom through military service. He fought in the battles of Monmouth, Newport, and Yorktown during his five years of service, receiving the badge of distinction for 'bravery, fidelity, and good c-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit displays figures of Anna Maria Lane and her husband John Lane, who both served during the American Revolution. Anna Maria Lane, depicted as a camp follower, was one of the few women known to have fought in the war and was wounded at the Battle of Germantown, later receiving a pension from Virginia for her 'extraordinary military service.' John Lane served as a private in the 3rd Connecticut Regiment and participated in battles including White Plains, Trenton, Princeton, Germantown, and the Siege of Savanna-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit displays figures of Anna Maria Lane and her husband John Lane, who both served during the American Revolution. Anna Maria Lane, depicted as a camp follower, was one of the few women known to have fought in the war and was wounded at the Battle of Germantown, later receiving a pension from Virginia for her 'extraordinary military service.' John Lane served as a private in the 3rd Connecticut Regiment and participated in battles including White Plains, Trenton, Princeton, Germantown, and the Siege of Savanna-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit displays figures of Anna Maria Lane and her husband John Lane, who both served during the American Revolution. Anna Maria Lane, depicted as a camp follower, was one of the few women known to have fought in the war and was wounded at the Battle of Germantown, later receiving a pension from Virginia for her 'extraordinary military service.' John Lane served as a private in the 3rd Connecticut Regiment and participated in battles including White Plains, Trenton, Princeton, Germantown, and the Siege of Savanna-stock-foto
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FORT BELVOIR, Virginia — The Call to Arms: The Soldier and the Revolutionary War exhibit in the Special Exhibition Gallery at the National Museum of the United States Army displays rare Revolutionary War artifacts from the original colonies, England, France, and Canada. The temporary exhibition commemorates the U.S. Army's 250th Birthday and the upcoming 250th anniversary of the Declaration of Independence, featuring stories of soldiers who became the nation's first veterans. The National Museum of the United States Army is the first comprehensive museum dedicated to telling the entire history-stock-foto
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UNITED STATES — A detailed view of a reproduction Revolutionary War era flag showing the distinctive red and white stripes that symbolized the American colonies. This type of flag, with its alternating red and white horizontal stripes, was among the earliest designs used during the American Revolution (1775-1783). The reproduction captures the historical textile patterns and coloration of flags from the period when the United States was fighting for independence from Great Britain.-stock-foto
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LORTON, Virginia — Wooden shingle roofing detail on one of the outbuildings at Gunston Hall, the historic plantation home of George Mason IV, author of the Virginia Declaration of Rights. The Georgian-style mansion, built between 1755-1759, features sophisticated architectural elements designed by English indentured servant William Buckland and is recognized as one of colonial America's most significant homes. Gunston Hall operates today as a museum owned by the Commonwealth of Virginia and administered by the National Society of Colonial Dames of America.-stock-foto
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ARLINGTON, Virginia — Members of The United States Army Old Guard Fife and Drum Corps perform during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps, established in 1960, serves as the Army's official ceremonial unit and is the oldest active fife and drum corps in the U.S. Armed Forces. The Twilight Tattoo is a military pageant featuring music, precision marching, and ceremonial demonstrations held during summer months, showcasing Army history through performances. Joint Base Myer-Henderson Hall is headquarters for the Militar-stock-foto
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ARLINGTON, Virginia — The Commander-in-Chief's Guard performs in historical uniforms during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Commander-in-Chief's Guard is a ceremonial unit that represents Continental Army soldiers from the American Revolutionary War era, wearing authentic reproductions of 18th-century military dress. The US Army Twilight Tattoo is a military pageant featuring music, marching, and historical demonstrations that showcases Army traditions and heritage. Joint Base Myer-Henderson Hall serves as home to the US Army's ceremonial u-stock-foto
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ARLINGTON, Virginia — Fife players perform with The United States Army Old Guard Fife and Drum Corps during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps is the Army's official ceremonial unit and the oldest active fife and drum corps in the Armed Forces, tracing its origins to 1960. The Twilight Tattoo is a military pageant featuring music, marching, and ceremonial demonstrations that showcases Army traditions and history. Joint Base Myer-Henderson Hall serves as headquarters for the Military District of Washington and hous-stock-foto
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ARLINGTON, Virginia — Members of The United States Army Old Guard Fife and Drum Corps march in precision formation during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps, officially known as the 3rd U.S. Infantry Regiment (The Old Guard) Fife and Drum Corps, performs in colonial-era uniforms representing the Continental Army of the American Revolution. The unit serves as the Army's official ceremonial unit and honor guard for Arlington National Cemetery. The Army Twilight Tattoo is a military pageant featuring music, marching,-stock-foto
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ARLINGTON, Virginia — Soldiers portraying Revolutionary War-era Minutemen demonstrate historical uniforms and weapons during the US Army Twilight Tattoo ceremony at Summerall Field on Joint Base Myer-Henderson Hall. The Twilight Tattoo is a military pageant featuring historical reenactments that showcase American military heritage from the Revolutionary War through modern times. The free public performance is conducted by soldiers from the 3rd U.S. Infantry Regiment (The Old Guard) and other ceremonial units from the Military District of Washington. Joint Base Myer-Henderson Hall is located ad-stock-foto
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ARLINGTON, Virginia — A soldier from the United States Army Old Guard Fife and Drum Corps plays a valved trumpet during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The military musician performs on a brass instrument featuring standard piston valves while maintaining a distinctive curved shape that differs from conventional trumpets. The Old Guard Fife and Drum Corps members showcase their musical skills during ceremonial events, representing military musical traditions. Joint Base Myer-Henderson Hall serves as headquarters for the Old Guard, the Army's of-stock-foto
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ARLINGTON, Virginia — A soldier from the United States Army Old Guard Fife and Drum Corps plays a valved trumpet during the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The military musician performs on a brass instrument featuring standard piston valves while maintaining a distinctive curved shape that differs from conventional trumpets. The Old Guard Fife and Drum Corps members showcase their musical skills during ceremonial events, representing military musical traditions. Joint Base Myer-Henderson Hall serves as headquarters for the Old Guard, the Army's of-stock-foto
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ARLINGTON, Virginia — Members of The United States Army Old Guard Fife and Drum Corps perform at the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps is the Army's official ceremonial unit and the oldest active fife and drum corps in the Armed Forces, tracing its origins to 1960. The US Army Twilight Tattoo is a military pageant featuring music, marching, and ceremonial demonstrations held during summer months. Joint Base Myer-Henderson Hall serves as headquarters for the Military District of Washington and is home to the 3rd U.S.-stock-foto
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ARLINGTON, Virginia — Members of The United States Army Old Guard Fife and Drum Corps perform at the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps is the Army's official ceremonial unit and the oldest active fife and drum corps in the Armed Forces, tracing its origins to 1960. The US Army Twilight Tattoo is a military pageant featuring music, marching, and ceremonial demonstrations held during summer months. Joint Base Myer-Henderson Hall serves as headquarters for the Military District of Washington and is home to the 3rd U.S.-stock-foto
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ARLINGTON, Virginia — Members of The United States Army Old Guard Fife and Drum Corps perform at the US Army Twilight Tattoo at Summerall Field on Joint Base Myer-Henderson Hall. The Old Guard Fife and Drum Corps is the Army's official ceremonial unit and the oldest active fife and drum corps in the Armed Forces, tracing its origins to 1960. The US Army Twilight Tattoo is a military pageant featuring music, marching, and ceremonial demonstrations held during summer months. Joint Base Myer-Henderson Hall serves as headquarters for the Military District of Washington and is home to the 3rd U.S.-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — A stegosaurus mosaic adorns the main entrance to the National Zoo's Reptile Discovery Center, created through collaboration between architect Albert L. Harris, paleoartist Charles R. Knight, and concrete pioneer John Joseph Earley in 1931. The mosaic was executed using Earley's revolutionary concrete technique, which mixed colored aggregate directly into white Portland cement to create fade-resistant colors integral to the material. Knight, America's foremost paleoartist who worked at major natural history museums, designed the scientifically accurate stegosaurus based on exten-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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WASHINGTON DC — The historic mosaic arch by John Joseph Earley (1881-1945) is original to the 1928 front entrance of the Bird House at the Smithsonian National Zoo. Designed and fabricated by the renowned local artisan, the polychrome concrete mosaic depicts tropical birds, flowers and plants using Earley's revolutionary technique of embedding colored glass and marbles into concrete aggregate. Earley is widely recognized for pioneering the polychrome concrete mosaic process that elevated concrete from utilitarian construction material to artistic medium. His architectural concrete works are fo-stock-foto
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