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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints; prayers; Our Lady of Częstochowa (painting); blessed; 1867; Paris; graphic; graphic matrix; graphic plate; height 25.3 cm; width 19.6 cm; thickness 0.2 cm, A rectangular metal plate with a slightly raised rim and rounded corners, shown flat against a neutral background; the surface is mottled with a range of gray tones, including pale silver, mid-gray, and darker gray areas, with a few faint brownish stains and spots of darker-stock-foto
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The Death of Grażyna, illustration for 'Grażyna' by Adam Mickiewicz. Rymwid finds the dying Grażyna (lines 971–976). Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing printed on a block covered with primer, further developed in pen, ink, pencil, and highlights added with white gouache; the block is ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A roughly rectangular wooden block with worn, textured sides and a marbled top surface rests on a smooth reflective surface; the wood shows brown and tan-stock-foto
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The Death of Grażyna, illustration for 'Grażyna' by Adam Mickiewicz. Rymwid finds the dying Grażyna (lines 971–976). Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing was printed on a block covered with primer, then further developed in pen, ink, pencil, with highlights added in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A flat, roughly rectangular wooden slab with rounded top corners, showing visible growth rings and a split running from near the top toward the-stock-foto
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The Death of Grażyna, illustration for 'Grażyna' by Adam Mickiewicz. Rymwid finds the dying Grażyna (lines 971–976). Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing printed on a block covered with primer, further developed in pen, ink, pencil, with highlights in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A roughly rectangular wooden panel with a central vertical crack shows a detailed monochrome drawing of a reclining scene. The image includes a seated bearded-stock-foto
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View of St. Mary's Basilica in Gdańsk from Piwna Street; verso: View of a medieval building in the Italian type. Artist: Feliks Jabłczyński (1865–1928), graphic artist. Subjects: tenement houses, cities, landscapes, cityscapes, architectural studies, views, churches, streets, towers. Depicts Church of the Assumption of the Blessed Virgin Mary in Gdańsk. Polish graphic art, ca. 1924. Medium: graphic matrix/graphic plate. Dimensions: height 8.6 cm, width 6.7 cm., A textured rectangular surface with a dominant dark gray to black color showing rough, scratched, and grooved patterns across it, with-stock-foto
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Denarius, Crispina (164–192?, Roman empress 178–192) and Commodus (161–192, Roman emperor 177–192) — issuer: Commodus. Draped bust of Crispina facing right, inscription CRISPINA AVG around; reverse: rectangular altar with flame, inscription DIS · GENI · TALI · BVS around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter 16.5–17.0 mm, weight 3.00 g, axis 0°., A roughly circular metallic object with an uneven edge photographed against a white background, showing a worn surface with a recessed square area in the center and raised rim around it; the metal appears silvery gray with-stock-foto
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Fragment of a double-sided Drohiczyn seal. On one side a probably two-pronged shape is visible; on the other an illegible drawing. 11th–13th century. Drohiczyn, Poland., A roughly rectangular irregularly shaped rock fragment with rough, pitted texture and uneven edges, showing a mottled mix of gray, dark gray, light gray, and brown tones across its surface.-stock-foto
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Drohiczyn seal; town seals; customs seals; guild seals; customs house seals; seals with a cross; official seals. Fragment of a double-sided Drohiczyn seal: on one side, fragments of a two-toothed figure; on the other side, three arms of an undefined figure. 11th–13th century, Drohiczyn, Poland., A roughly rectangular rock with an uneven, textured surface sits against a white background; the rock shows a mix of gray and dark gray tones with areas of lighter gray streaking and subtle brownish spots, and its edges are irregular and slightly rounded.-stock-foto
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Sestertius, Marcus Aurelius (121–180, Roman emperor 161–180), posthumously issued; issuer: Commodus (161–192, Roman emperor 177–192). Obverse: Head of Marcus Aurelius bare, facing right, legend around. Reverse: Funeral pyre with four tiers topped by a quadriga in which the emperor stands; legend all around, in SC fields. After 180, Roman Empire (27 BC–476), Rome. Coin: diameter 26.5–27.0 mm, weight 20.79 g, axis 180°., A roughly circular, worn object with a mottled dark brown and bronze surface, showing uneven texture and patches of darker and lighter brown; its edges are irregular and-stock-foto
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Denarius depicting legionary standards between vexillae; obverse: bust of Emperor Elagabalus in laurel wreath, armor and drapery facing right, inscription 'ANTONINVSPIVSFELAVG', pearl border; reverse: in the MILIT section two legionary standards between vexillae, inscription 'CON COR DIA', pearl border. Roman Empire, 218–222 CE, struck at Antioch on the Orontes. Coin; diameter 16.5–20.5 mm, weight 2.97 g., A roughly circular metallic object with irregular edges, showing a raised central design composed of a rectangular frame holding a group of vertical elongated elements topped with small-stock-foto
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Denarius, Marcus Aurelius (121–180; Roman Emperor 161–180), posthumously issued for Commodus (161–192; Roman Emperor 177–192) as issuer. Obverse: Head of Marcus Aurelius without a covering, facing right, inscription DIVVS M AN - ONINVS PIVS around. Reverse: Eagle stands on an altar decorated with a garland, facing right and turning its head left, inscription CONSECRATIO around. After 180 CE, Roman Empire (27 BCE–476 CE), Rome. Coin; diameter 17.5–18.5 mm, weight 3.20 g, axis 0°., A roughly circular metallic object with a worn, uneven edge, showing a raised depiction of a bird perched on a-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's head in a laurel wreath right; legend ANTONINVS AVG PIVS PP; pearl border. Reverse: Winged lightning above the throne; legend C O S I I I; pearl border. Silver coin, weight 3.25 g; Roman Empire, Rome; dated 145–161., A roughly circular metallic coin with an aged, dull silver-gray surface showing wear and small dents, featuring an incised rectangular design in the center that resembles a framed draped cloth or curtain suspended from a horizontal bar, with several short vertical and horizontal grooves around the edge-stock-foto
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Denarius - bracteate, Richard, Anthony (1841–1894). One-sided coin (bracteate) with AR punch. Design: gate with four rectangular and two triangular openings topped with a lily; at the gate corners a sphere; between the lily and the spheres a smaller sphere; under the arched vault a six-pointed star. Motifs: gates, spheres, stars, lilies. Attributed to the Teutonic Knights (Order), State of the Teutonic Order (1226–1525). Date: ca. 1257/1258–ca. 1267/1268. Diameter 17.1 mm; weight 0.18 g., A roughly circular, worn object with an uneven edge, showing a raised central design that resembles a-stock-foto
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Denarius - bracteate of Richard, Anthony (1841–1894). AR punch; one-sided coin. Design: gate with four rectangular and two triangular openings topped with a lily. At the gate's corners is one sphere; between the lily and the spheres is a smaller sphere. Under the arched vault of the gate is a six-pointed star. Motifs: gates, spheres, stars, lilies. Teutonic Knights (Order). Date: ca. 1257/1258–ca. 1267/1268. State of the Teutonic Order (1226–1525). Coin, diameter 17.1 mm, weight 0.18 g., A roughly circular, worn object with an uneven rim and surface texture, showing a raised central motif that-stock-foto
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Fortification plan; graphic artist; Chinese art; Chinese; maps; early 20th century; graphic print; height 62.5 cm; width 109.0 cm, A hand-drawn map-like scene showing a pale beige background with a winding blue river and a few smaller blue waterways, several square compound-like shapes outlined in gray with internal blue and red markings, a group of small rectangular beige structures near the river, a couple of irregular green ponds and some green grassy patches, a large roughly square green enclosure with a small beige object inside, intersecting brown and green roads or paths, a few small-stock-foto
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a rustic stone wall featuring an irregular, multicolored pattern of roughly rectangular and irregularly shaped stones in shades of beige, brown, gray,-stock-foto
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a rustic stone wall featuring an irregular, multicolored pattern of roughly rectangular and irregularly shaped stones in shades of beige, brown, gray,-stock-foto
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Rough stone wall with light brown blocks, bricked-up opening, and paved walkway. Signs of age and weathering visible. Copyspace.-stock-foto
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Rough stone wall with light brown blocks, bricked-up opening, and paved walkway. Signs of age and weathering visible. Copyspace.-stock-foto
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Corner of black newspaper was roughly torn into a rectangular shape-stock-foto
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Large roughly retangular rock with several small purple flowers in front of the rock-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Solid house stone wall of roughly hewn stone closeup as stone background-stock-foto
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Close-up of setts pavement, which are quarried stones that are cut into a roughly rectangular or square shape, Pitkäsilta, Helsinki, Finland.-stock-foto
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Close-up of setts pavement, which are quarried stones that are cut into a roughly rectangular or square shape, Pitkäsilta, Helsinki, Finland.-stock-foto
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Lion figurine 1st century B.C.–1st century A.D. Cypriot The figurine is mold-made and solid. The back is flat. The lion is seated upright, facing the viewer's right, on a low, roughly rectangular base.. Lion figurine 241304-stock-foto
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Over-lifesize bearded head wearing a conical helmet late 7th or early 6th century B.C. Cypriot The beard assumes a roughly rectangular shape. It is composed of four smooth strands separated by incised lines and rounded off at the bottom. The lips show a faint smile. The short wide nose and the stiff mouth have been partially restored in plaster. The eyeballs, that which protrude more at the top than below, are in the shape of half-moons; the arch of the eyebrows follows that of the upper eyelids. Two earrings were probably attached to each schematic and partially broken earlobe. The very flat-stock-foto
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Trial Piece with Relief of Head of Akhenaten ca. 1353–1336 B.C. New Kingdom, Amarna Period The slanting slitted eye, heavy everted lips, and drooping chin here recognizably signify the pharaoh Akhenaten.This piece is a 'sculptor's model' from Amarna. Such models are roughly rectangular slabs of stone on which the representation is theorized to be a master's model for his assistants to follow while decorating a wall with relief or, alternatively, an apprentice's study piece. At least in some instances, however, such pieces may have been intended or served secondarily as donations. For instance,-stock-foto
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Glass mosaic inlay fragment late 1st century B.C.–early 1st century A.D. Roman Deep purple, appearing reddish brown, and opaque white.Flat, roughly rectangular revetment plaque.Marbled mosaic pattern in purple ground with multiple white rods.Chipped at all four corners; polished upper side; pitting of surface bubbles; thick creamy weathering on underside and edges.The glass imitates Egyptian porphyry.. Glass mosaic inlay fragment. Roman. late 1st century B.C.–early 1st century A.D.. Glass; cast. Early Imperial. Glass-stock-foto
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Offering table from the mortuary temple of Amenemhat I ca. 1981–1952 B.C. Middle Kingdom This imposing offering table was found at the west end of a passage just outside the northern wall of the pyramid temple of King Amenemhat I at Lisht North. It must have been placed there by the quarrymen who - most probably in Ramesside times - dismantled the temple. Originally, the offering table presumably stood in the open court of the temple, its roughly shaped lower part (now removed) sunken into the ground. A rectangular libation basin is carved into the top of the object, as well as representations-stock-foto
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Glass serving dish Second half of the 1st–2nd century A.D. Roman Colourless with green tinge.Rim ground smooth; horizontal border with two raised lines on each side of shallow rectangular bowl; sides sloping in to flat bottom; two large horizontal handles with roughly cut hole at center of each and cut decoration along outer edge; at corners, four small incised circles; raised hollow foot of rectangular shape, made by applying thick trail to bottom of bowl and then ground smooth; trail applied at one corner and run all way around bottom.Broken and repaired across one handle and one end of the-stock-foto
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Glass marbled mosaic inlay 1st half of 1st century A.D. Roman Opaque orange with streaks of opaque red.Flat inlay, roughly rectangular; straight-edged short sides and irregular chipped long sides.Marbled mosaic pattern.Polished upper side; pitting of surface bubbles on upper side; dulling and patchy weathering on underside; creamy weathering on edges.. Glass marbled mosaic inlay. Roman. 1st half of 1st century A.D.. Glass; cast. Early Imperial, Julio-Claudian. Glass-stock-foto
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A fragment of a stone wall made of roughly hewn stone.-stock-foto
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Water Course in the grounds of Keele Hall-stock-foto
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