Advanced search
Search

Editorial actual & illustrations

55 566 items
  • / 500
  • images/page:
RM
Kitchen Scene. Peter Wtewael. 1620s.-stock-photo
RF
CZECHOSLOVAKIA - 1952 March 28: 11 koruna dark blue on creme postage stamp depicting portrait of Jan Amos Komensky. 360th anniversary of the birth of Komensky, teacher and philosopher. He was a Czech scientist, pedagogue and theologian who is considered the father of modern education. He served as the last bishop of the Unity of the Brethren before becoming a religious refugee and one of the earliest champions of universal education. As an educator and theologian, he led schools and advised governments across Protestant Europe through the middle of the seventeenth century-stock-photo
RF
CZECHOSLOVAKIA - 1952 March 28: 1.50 koruna dark brown on creme postage stamp depicting portrait of Jan Amos Komensky. 360th anniversary of the birth of Komensky, teacher and philosopher. He was a Czech scientist, pedagogue and theologian who is considered the father of modern education. He served as the last bishop of the Unity of the Brethren before becoming a religious refugee and one of the earliest champions of universal education. As an educator and theologian, he led schools and advised governments across Protestant Europe through the middle of the seventeenth century-stock-photo
RM
Vertumnus and Pomona FRANCE second half of the sixteenth century French, Louvre France Fine Art Museum Paris.. ( Vertumnus, the god of gardens, is masquerading as an old woman in order to woo Pomona, the notoriously chaste goddess of orchards. The story, from Ovid’s ‘Metamorphoses’, was well-known in the seventeenth century. Fetti has chosen to depict the moment before Pomona fell in love with the handsome Vertumnus, when he threw off his disguise. )-stock-photo
RM
Vertumnus and Pomona FRANCE second half of the sixteenth century French, Louvre France Fine Art Museum Paris.. ( Vertumnus, the god of gardens, is masquerading as an old woman in order to woo Pomona, the notoriously chaste goddess of orchards. The story, from Ovid’s ‘Metamorphoses’, was well-known in the seventeenth century. Fetti has chosen to depict the moment before Pomona fell in love with the handsome Vertumnus, when he threw off his disguise. )-stock-photo
RM
Vertumnus and Pomona FRANCE second half of the sixteenth century French, Louvre France Fine Art Museum Paris.. ( Vertumnus, the god of gardens, is masquerading as an old woman in order to woo Pomona, the notoriously chaste goddess of orchards. The story, from Ovid’s ‘Metamorphoses’, was well-known in the seventeenth century. Fetti has chosen to depict the moment before Pomona fell in love with the handsome Vertumnus, when he threw off his disguise. )-stock-photo
RM
Man holding two carnations from Netherlands South ? first half of the sixteenth century Italy 17th seventeenth century Louvre France Fine Art Museum Paris.-stock-photo
RM
Man holding two carnations from Netherlands South ? first half of the sixteenth century Italy 17th seventeenth century Louvre France Fine Art Museum Paris.-stock-photo
RM
Man holding two carnations from Netherlands South ? first half of the sixteenth century Italy 17th seventeenth century Louvre France Fine Art Museum Paris.-stock-photo
RM
Seventeenth 17th century Flemish Peasants at a lawyer (The Payment of tithes - dimes ) 1617 Pieter Breughel the Younger French, Louvre France Fine Art Museum Paris. Seventeenth 17th century Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium.-stock-photo
RM
Seventeenth 17th century Flemish Peasants at a lawyer (The Payment of tithes - dimes ) 1617 Pieter Breughel the Younger French, Louvre France Fine Art Museum Paris. Seventeenth 17th century Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium.-stock-photo
RM
Seventeenth 17th century Flemish Peasants at a lawyer (The Payment of tithes - dimes ) 1617 Pieter Breughel the Younger French, Louvre France Fine Art Museum Paris. Seventeenth 17th century Pieter Brueghel the Younger 1564-1637, The Brueghel family ( Bruegel or Breughel ), Flemish painters 16th - 17th century, Belgian, Belgium.-stock-photo
RM
River Landscape with a View of Naarden. Salomon van Ruysdael. 1642.-stock-photo
RM
l-r: Carey Mulligan (Angelique), Henry Goodman (Argan), Kris Marshall (Cleante) in THE HYPOCHONDRIAC by Moliere at the Almeida Theatre, London N1 17/11/2005 in a new version by Richard Bean design: Giles Cadle lighting: Jean Kalman movement: Scarlett Mackmin director: Lindsay Posner-stock-photo
RM
the Troupe of Players in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
the Troupe of Players in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
front centre, l-r: Michael Bryant (Beralde), Daniel Massey (Argan), Polly James (Toinette) and the Players in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
the musicians of the Troupe of Players in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
the Troupe of Players in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
l-r: Polly James (Toinette), Anna Carteret (Beline), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Anna Carteret (Beline), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
left: Robert Oates (Monsieur Purgon) kneeling: Daniel Massey (Argan) standing right: Polly James (Toinette) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
l-r: Basil Henson (Monsieur Diafoirus), Michael Fenner (Thomas Diafoirus), Clive Arrindell (Cleante), Daniel Massey (Argan), Emily Morgan (Angelique) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
l-r: Clive Arrindell (Cleante), Emily Morgan (Angelique), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Emily Morgan (Angelique), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Emily Morgan (Angelique), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
l-r: Michael Fenner (Thomas Diafoirus), Daniel Massey (Argan), Polly James (Toinette) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Michael Fenner (Thomas Diafoirus), Emily Morgan (Angelique) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Daniel Massey (Argan), Emily Morgan (Louison) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
l-r: Polly James (Toinette), Emily Morgan (Angelique) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Daniel Massey (Argan), Polly James (Toinette) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Polly James (Toinette), Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Daniel Massey (Argan) in THE HYPOCHONDRIAC (Le Malade Imaginaire) by Moliere at the Olivier Theatre, National Theatre (NT), London SE1 22/10/1981 translated by Alan Drury design: John Bury lighting: Chris Ellis director: Michael Bogdanov-stock-photo
RM
Young Woman with a Violin (Saint Cecilia). Orazio Gentileschi. ca. 1612.-stock-photo
RM
Judith and Her Maidservant with the Head of Holofernes. Artemisia Gentileschi. ca.1623-1625.-stock-photo
RM
Mary Magdalene in Ecstasy. Artemisia Gentileschi. Between 1620 and 1625.-stock-photo
RM
Virgin with the Child. Artemisia Gentileschi. 1613 - 1614.-stock-photo
RM
Death of Cleopatra. Artemisia Gentileschi. 1613 or 1621-1622.-stock-photo
RM
Susanna and the Elders. Artemisia Gentileschi. circa 1610.-stock-photo
next page