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Close up POV of black polystyrene foam packaging insert with two rectangular compartments held by hand isolated on neutral background showing protective custom design-stock-foto
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Showing red jagged line plot declining on dashboard maroon gridlines, with two teal blocks-stock-foto
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Showing turquoise pool and two-story house in backyard, with lounge chairs and digital overlays-stock-foto
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Nordhorn, Germany - Feb 17 2026 A man holds two German temporary number plates with the code "NOH 0428." The number plates display yellow sections wit-stock-foto
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Showing two diagonal strands crossing starfield with yellow orange nodes black links blue streaks-stock-foto
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Displaying layered HUD panels filling control screen, showing two-line chart, radar globe, heatmap-stock-foto
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Showing two-story house with pool and two black sun loungers in backyard, with turquoise labels-stock-foto
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Sarcophagus of Margareta Brahe, Duchess of Hesse-Homburg; engraving by Johann Philipp Thelott (1638–1671), German; depicts coffins and hourglasses; Margareta Abrahamsdotter Brahe (Duchess of Hesse-Homburg; 1603–1669); after 1669; print; 32 cm × 45.2 cm., An engraved scene showing an ornate sarcophagus resting on two rectangular stone plinths in a large interior space, with a patterned floor beneath; the sarcophagus has decorative relief panels including sculpted lion heads and intricate scrollwork, and its angled lid bears carved ornamentation and cartouches; behind it are paneled walls and-stock-foto
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Aug. F. Ammann; Tullberg; Hasse Werner (1844–1929), draughtsman; Hildebrandt, Adolf Matthias (1844–1918), draughtsman. Bookplate with landscape, flowers, plant ornaments, city views, defensive and sacred architecture (including Grossmünster, Zurich, and Tower of London). German and Swedish/Great Britain/Zurich influences; ornaments. Ammann, August Julius Ferdinand (1850–1924). 19th/20th century. Print, typographical impression; bookplate. Height 13.1 cm, width 10.0 cm., A vertical rectangular print on a light gray background showing an ornate framed composition with two circular vignettes-stock-foto
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Two of Spades — August von Mackensen, German Field Marshal; Paul von Hindenburg, German Field Marshal; General Erich Ludendorff. Illustrator: Czesław Tański (1862–1942). Playing card (Two of Spades), drawing, uniforms, officers; style/iconography of Mackensen, Hindenburg, Ludendorff. Poland, Warsaw, 1916–1917., A light gray background sheet holds a grid of five small mounted rectangular illustrations and one larger illustration below, each with visible drawn scenes; the top row shows four portrait-style vignettes with figures in historical military uniforms and civilian clothes, featuring a-stock-foto
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Four of Spades — German sailors shelling enemy ships; Tański, Czesław (1862–1942), illustrator; World War I (1914–1918); repossession; ships; playing cards; Navy; boats; Poland; spades (card suits); 1916–1917; Warsaw; drawing, A gray background with a grid-like arrangement of illustrated rectangular cards mounted in two rows; the cards feature detailed hand-drawn scenes with muted tones and brighter accents, showing people, animals, vehicles, and landscapes. Predominant colors visible include gray, beige, black, white, red, brown, blue, green, and yellow. Several cards have prominent red-stock-foto
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Six of Hearts - French soldiers carrying a wounded man on a stretcher, Tański, Czesław (1862-1942), illustrator, World War I (1914-1918), playing cards, hearts (card suits), French army, stretcher, wounded, wounded soldiers, Poland, 1916–1917, Warsaw, drawing, A rectangular sheet with a muted gray-green background holds a grid of illustrated playing-card-sized images mounted in two rows, each showing small scenes with card suit symbols; the sheet edges and mounting frame are visible in darker gray. The small images contain a variety of scenes rendered in sketchy, watercolor-like tones-stock-foto
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Eight of Spades - Franz Joseph I, Emperor of Austria, King of Hungary; depiction by Tański, Czesław (1862–1942), illustrator; drawing; playing card (spades); shows coats of arms and uniforms; emperors; Austria-Hungary; Poland; dated 1916–1917; references World War I (1914–1918), A pale gray page with a grid of eight rectangular illustrated playing cards mounted in two rows showing a variety of scenes and figures, with a narrow neutral border around the page. The cards include imagery rendered in muted colors with areas of bright red and black for the suit symbols; one card shows a landscape-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of a bookplate; Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; Polish bookplates; medical bookplates; illustrative bookplates; snakes (zool.); Aesculapian snake (mythological); chalices; jugs; on the reverse of the block there is the lower fragment of another bookplate crossed out and cut into two parts EX LIBRIS negatively engraved by Ludwik Tyrowicz, 1940, Lviv; bookplate; graphic; graphic matrix; woodcut block; height 6.0 cm; width 4.2 cm; thickness 2.2 cm., A small rectangular wooden box sits on a-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of another bookplate crossed out and cut into two parts; Ignacy Łopieński (1865–1941), graphic artist; Ludwik Tyrowicz (1901–1958), graphic artist; motifs: snakes (zool.), Aesculapian snake (mythological), chalices, jugs; inscription EX LIBRIS, MVZEVM POKUCKIE negatively engraved by Ludwik Tyrowicz, 1940, Lviv; bookplate, graphic matrix, woodcut block; dimensions: height 6.0 cm, width 4.2 cm, thickness 2.2 cm., A rectangular wooden block with a dark black surface showing carved and gouged textures, scratches, and linear patterns, with exposed-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of another bookplate crossed out and cut into two parts EX LIBRIS, MVZEVM POKUCKIE; Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; negatively engraved by Ludwik Tyrowicz, 1940, Lviv; subject motifs: snakes (zool.), Aesculapian snake (mythological), chalices, jugs; medical bookplate, illustrative bookplate; bookplate, graphic matrix, woodcut block; height 6.0 cm, width 4.2 cm, thickness 2.2 cm, A rectangular dark plate with a carved recessed surface showing a stylized pedestal bowl and flowing shapes,-stock-foto
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Józef Starzyński bookplate; verso: fragment of another crossed-out bookplate cut into two parts reading EX LIBRIS, MVZEVM POKUCKIE, negatively engraved by Ludwik Tyrowicz, 1940, Lviv. Graphic woodcut block; height 6 cm, width 4.1 cm, thickness 2.2 cm. Subjects/styles: bookplate, graphic matrix, woodcut block, illustrative bookplate with figures; makers: Ignacy Łopieński (1865–1941), Ludwik Tyrowicz (1901–1958), Józef Starzyński (1890–1961)., A rectangular carved block with a worn surface showing a carved scene and mirrored carved letter shapes along one edge, with visible tool marks and-stock-foto
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Józef Starzyński bookplate; verso: upper fragment of another bookplate crossed out and cut into two parts, EX LIBRIS, MVZEVM POKUCKIE, negatively engraved by Ludwik Tyrowicz, 1940, Lviv. Makers: Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; Starzyński, Józef (1890–1961) — bookplate. Subject/genre: sculptors; Polish illustrative bookplates; figures. Medium/function: graphic matrix, woodcut block. Dimensions: height 6 cm, width 4.1 cm, thickness 2.2 cm., A rectangular carved block with a dark brown to near-black surface showing worn lighter brown-stock-foto
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Józef Starzyński bookplate; verso: upper fragment of another bookplate crossed out and cut into two parts reading 'EX LIBRIS, MVZEVM POKUCKIE' negatively engraved by Ludwik Tyrowicz, 1940, Lviv. Woodcut graphic matrix (block) for a bookplate: height 6 cm, width 4.1 cm, thickness 2.2 cm. Depicts sculptors; illustrative Polish bookplate figures; graphic artists Ignacy Łopieński (1865–1941) and Ludwik Tyrowicz (1901–1958) associated with the work., A rectangular dark gray carved block rests on a light gray background, showing a central recessed panel with an engraved scene of a person kneeling-stock-foto
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Types and Caricatures. A Series of Genre Scenes and Individual Figures in Two Rows; Płoński, Michał (1778–1812), graphic artist; human types, character studies, genre scenes, female figure studies, male figure studies, urban types, street scenes, children, mothers with children, traveling merchants; 1802; Amsterdam; graphic; graphic matrix/plate; height 9.6 cm, width 18.9 cm, A rectangular metal plate with a weathered, mottled surface showing large irregular dark patches and areas of reddish-brown and gray; a dark gray background surrounds the plate; the surface has several lighter gray-stock-foto
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Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata, Mary (mother of Jesus Christ), Turkiewicz, Roman (fl. 1935), devotional articles, Virgin Mary and Child (iconographic), anchors, Immaculata (iconographic), winged putti (iconographic), Mary (mother of Jesus Christ) - monograms, after 1800, graphic, graphic matrix, graphic plate, height 10.8 cm, width 12.5 cm, A rectangular surface with a rough, pitted texture showing a dominant brown color with areas of darker brown and black mottling, small shiny specks, and a few lighter brown and grayish spots; a slim neutral gray border-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata; Mary (mother of Jesus Christ); Turkiewicz, Roman (fl. 1935); devotional articles; Virgin Mary and Child (iconographic); anchors; Immaculata (iconographic); winged putti (iconographic); Mary (mother of Jesus Christ) – monograms; after 1800; graphic; graphic matrix; graphic plate; height 10.8 cm; width 12.5 cm, A rectangular copper plate with a brown and reddish-brown patina fills the image, showing two rectangular engraved panels aligned vertically, each containing an oval portrait scene with fine linework. The upper oval-stock-foto
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Peony and bindweed. On the left a sprig of peony, on the right a bindweed. Engraving made using the stipple etching technique with minor retouches with a stylus. Ca. 1800. Print from a graphic matrix/plate; height 20.4 cm, width 15.8 cm. Depicts two floral images; part of a series of graphic compositions depicting images of worship, portraits, views, plans, educational engravings and genre themes, often produced by anonymous engravers in Vilnius monastery engraving workshops., A rectangular metal plate with a weathered, mottled surface showing a range of coppery, brown, bronze, and purple-stock-foto
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Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
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Two tondos: Guardian Angel and the Holy Family, by Stanisław Pczycki (ca. 1769–1844), graphic artist. Guardian Angel; Holy Family, after 1805. Graphic plate, height 14.5 cm, width 20.5 cm., A rectangular metal plate with rounded corners showing a central vertical seam and a patina of pink, copper, brown, and gray tones, mottled with darker spots and streaks; on each side of the seam there is a circular engraved scene, the left circle depicting a group of people wearing draped clothing and cloaks standing outdoors with a landscape background and the right circle depicting a winged figure-stock-foto
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Monogram of Christ (IHS) and Mary (MARYA), Jan Nikodem Łopaciński (1747–1810), graphic artist. Two tied monograms: IHS and MARYA on one plate. Both compositions in identical rectangular frames entwined with a ribbon tied with a bow at the top center; next to the bows are garlands of flowers. Monograms placed next to each other, separated by a vertical line. Copperplate engraving, partially stippled (ribbon, leaves). Part of a series of graphic compositions depicting devotional images; many such works were made by engravers in Vilnius monastery workshops. Dated circa 1790–1810. Engraving,-stock-foto
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Angels adoring the Blessed Sacrament. The engraving depicts a chalice with a host within rays framed in the shape of a heart, with curtains in the background. The Blessed Sacrament is adored by two angels kneeling at the bottom. Image of the Blessed Sacrament which the angels worship. Part of a series of graphic compositions depicting images that are objects of worship, mostly made by anonymous engravers, often in Vilnius monastery engraving workshops. After 1700. Graphic plate (graphic matrix). Height 9.7 cm, width 6.3 cm. Made by graphic artist; attributed to engravers active in Lithuania (-stock-foto
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Angels adoring the Blessed Sacrament. The engraving depicts a chalice with a host within rays framed in the shape of a heart, with curtains in the background. The Blessed Sacrament is adored by two angels kneeling at the bottom. Part of a series of graphic compositions depicting images that are objects of worship, mostly made by anonymous engravers, often in Vilnius monastery engraving workshops; some engraved in Lublin and Ventspils, after 1700. Graphic plate (matrix); height 9.7 cm, width 6.3 cm., A rectangular metal plate with a worn, mottled surface showing areas of dark brown and black-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; draughtsman Władysław Niewiarowicz (1815–1891). Illustration to 'The Ballad of Alpuhar', lines 670–702: Spaniards—Muslim king Almanzor infects the Spaniards with the plague. The Spanish leader, in a defensive gesture with raised hands, retreats from the commander of Granada who is holding him down and lying at his feet. Before 1851, Paris; woodcut block; height 21.8 cm, width 13.6 cm, thickness 2.3 cm., A low rectangular wooden block with worn edges rests on a reflective-stock-foto
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Leading the prisoners, illustration to 'Konrad Wallenrod' by Adam Mickiewicz. Draughtsman: Władysław Niewiarowicz (1815–1891). Illustration titled 'Wajdelota's Novel — Leading prisoners,' to the lines: 'Where the Lithuanians were returning from, they were returning from a night excursion,' (lines 255–259). Three mounted warriors (two shown in profile, one seen from the back) are leading prisoners with their hands tied behind them, who walk between the horses. Before 1851, Paris. Woodcut block; height 15.2 cm, width 13.2 cm, thickness 2.3 cm., A worn rectangular block rests on a reflective-stock-foto
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View of Krakow; illustration after Georg Braun (1542–1622) with draughtsmanship by Egidius van der Rye (fl. 1597–1605), Joris Hoefnagel (1542–1601), and Abraham Hogenberg (fl. 1608–1659). German print, 1617, album sheet; height 31.7 cm, width 50 cm. Historical cityscape showing Krakow and historical costumes. Hondius based a portrait of King John Casimir on one of two portraits by Daniel Schultz; one of those portraits depicted John Casimir in Polish costume and is known through prints. The print is accompanied by Latin text on a separate sheet., An aged rectangular sheet with a warm beige-stock-foto
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Vignette: man against the backdrop of architecture. Karęga, Ignacy (fl. ca. 1764–1800). A man in a hat is digging the ground with a shovel; next to him and in front of him are two faintly visible human figures. Architectural fragments appear on both sides in the background. On the right side a plaque with an inscription facing the representation: 'QUID QUID SUBTERRA, EST IN APRICUM PROFERET AETAS.' Date: 1701–1800. Graphic plate., A rectangular metal plate with rounded corners resting on a flat surface, showing a heavily textured and worn surface with scratches, pitting, and irregular crack--stock-foto
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Maltese Cross on a paludamentum under a ducal mitre with the Szreniawa coat of arms superimposed in an oval. A chain with a smaller Maltese Cross suspended beneath it is woven into the arms of the cross. Above and below the paludament are ribbons with an inscription. This bookplate imitates the composition of Hieronim Lubomirski's bookplate made a hundred years earlier; unlike that earlier plate, this was not a highly technical engraving. A variant exists with an identical composition differing only in the inscription. After 1796, graphic print, bookplate. Height 7.4 cm, width 6.1 cm; height-stock-foto
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Bookplate of Henryk Lubomirski (1777–1850). Heraldic bookplate showing a Maltese Cross on a paludamentum beneath a ducal mitre with the Szreniawa coat of arms superimposed in an oval. A chain with a smaller Maltese Cross suspended beneath it is woven into the arms of the cross. This bookplate imitates the composition of Hieronim Lubomirski's bookplate made a hundred years earlier. Unlike that earlier plate, it was not a high-quality engraving. Henryk Lubomirski used another mark which, omitting the phrase 'Ex Libris,' could have served as a collector's mark. After 1796; graphic print;-stock-foto
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Denarius, Crispina (164–192?; Roman empress 178–192), Commodus (161–192; Roman emperor 177–192) (issuer). Bust of Crispina in drapery facing right, inscription CRISPINA·AVGVSTA around; reverse: two hands clasped, inscription CON·CORD·IA around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter obverse 15.5 mm, reverse 18.5 mm; weight 2.55 g; axis 180°. Iconography: joined hands., A worn, irregularly shaped metallic object with a silvery-gray surface showing scratches and small dents, featuring a raised central design of two hands clasping each other and an elongated rectangular-stock-foto
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Denarius of Faustina the Younger (ca. 130–176; Roman empress 161–176), issuer Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: draped bust of Faustina II facing right, legend FAVSTINA AVGVSTA. Reverse: draped throne (pulvinar) on which sit two children — twins Commodus and Antoninus — with legend SAECVLI FELICIT. Date: 161–176. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0–17.5 mm, weight 3.12 g, axis 0°., A round metal object with a worn, uneven surface showing scratches and dents, primarily silver-gray in color with small areas of darker gray and subtle brownish discoloration-stock-foto
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sestertius, Faustina the Younger (ca. 130–176; Roman empress 161–176), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer); obverse: draped bust of Faustina II facing right, inscription FAVSTINA·AVG; reverse: draped throne (pulvinar) with two children (twins Commodus and Antoninus/Caesar) seated, inscription SAECVLI·FELICIT, in the SC section; date: 161–176; Roman Empire, Rome; coin: diameter 30.5–31.5 mm, weight 24.20 g, axis 15°., A round, dark brown coin with a slightly irregular edge showing a raised rectangular frame in the center containing a draped figure or object, with vertical-stock-foto
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Denarius of Faustina the Younger (ca. 130–176), wife of Marcus Aurelius (121–180). Obverse: bust of Faustina II draped, facing right, legend 'FAVSTINA - AVGVSTA'. Reverse: draped throne (pulvinar) with two children—twins Commodus and Antoninus—legend 'SAECVLI FELICIT'. Iconography: pulvinar with two children; thrones; Faustina the Younger iconography. Date: 161–176. Roman Empire (Rome). Coin: diameter 16.0–17.0 mm, weight 3.15 g, axis 195°., A round metallic object with a worn, uneven edge and a textured surface showing raised and recessed areas; the object is primarily silver-gray with darker-stock-foto
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