Aktuális sajtó tartalmak és illusztrációs fotók

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Hispanic man flexes bicep while walking on busy city street lined with buildings during daytime; strength confidence.-stock-foto
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Inuit shown in the area of Nome, Alaska, ca. 1906-1907-stock-foto
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Inuit shown in the area of Nome, Alaska, ca. 1906-1907-stock-foto
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Inuit shown in the area of Nome, Alaska, ca. 1906-1907-stock-foto
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A pre-Hispanic Native American twined tumpline from the Fremont Culture.  Natural History Museum of Utah.  It is made of yucca cordage, sinew and huma-stock-foto
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Strong climbers hand gripping a quarry wall-stock-foto
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Strong climbers hand gripping a quarry wall-stock-foto
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Strong climbers hand gripping a quarry wall-stock-foto
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Strong climbers hand gripping a quarry wall-stock-foto
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Unrecognizable man in apron cuts fat and sinews from pork shoulder meat-stock-foto
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Fresh raw pork shoulder blade isolated on white background-stock-foto
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Gerhard Siegel (Mime) in DAS RHEINGOLD by Wagner at The Royal Opera, Covent Garden London WC2  24/09/2012  conductor: Antonio Pappano  set design: Stefanos Lazaridis  costumes: Marie-Jeanne Lecca  lighting: Wolfgang Gobbel  director: Keith Warner-stock-foto
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Stewed Beef Tendon-stock-foto
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Stewed Beef Tendon-stock-foto
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Stewed Beef Tendon-stock-foto
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Stewed Beef Tendon-stock-foto
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Stewed Beef Tendon-stock-foto
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Native American Mask Headgear Mascot Illustration. Isolated on White Background. Cultural Symbol of strength and bravery. Honor. Pride.Feathers.Tribal-stock-foto
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Moccasins, c. 1890, 3 1/4 x 9 1/8 x 3 in. (8.26 x 23.18 x 7.62 cm), Animal hide, sinew, cotton, glass beads, United States, 19th century, Pikuni moccasin construction and beadwork techniques are similar to those of their tribal neighbors, the A'ani (Gros Ventre) and the Nehiiyawak (Plains Cree). All three tribes use the chevron design on the vamps of their moccasins, and often use the spot stitch technique-stock-foto
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Moccasins, 1900, 2 x 6 x 2 1/2 in. (5.08 x 15.24 x 6.35 cm), Animal hide, sinew, glass beads, United States, 20th century-stock-foto
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Moccasins, c. 1875-1890, 4 x 9 1/2 x 3 1/8 in. (10.16 x 24.13 x 7.94 cm), Hide, sinew, beads, pigment, United States, 19th century, The Inuna-ina (Arapaho), like the Tsistsistas (Cheyenne), were divided into two groups and put on separate reservations by the federal government around 1870. Despite these difficulties, the Inuna-ina continued to produce fine beadwork; and they continue that tradition today-stock-foto
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Moccasins, 19th-20th century, 3 1/4 x 9 x 4 in. (8.26 x 22.86 x 10.16 cm), Hide, sinew, cotton, velvet, glass beads, United States, 19th-20th century-stock-foto
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Jacket, c. 1900, 32 x 59 1/2 in. (81.3 x 151.1 cm), Buckskin, beads, sinew, United States, 19th-20th century-stock-foto
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Woman’s fish-skin festival coat (hukht), 19th century, Unknown Nivkh, 54 3/4 × 42 1/2 in. (139.07 × 107.95 cm), Cloth: fish skin, sinew (reindeer), cotton thread; appliqué and embroidery, Russia, 19th century-stock-foto
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Pair of seal-skin boots for a woman (tukar-ker), early 19th century, Unknown Sakhalin Ainu, 13 3/8 × 11 1/4 in. (33.97 × 28.58 cm) (each, approximately), Cloth: seal skin; sinew sewing, cotton appliqué and embroidery, Russia, 19th century-stock-foto
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Dress, c. 1875, 47 × 45 in. (119.38 × 114.3 cm) (including fringe), Mountain sheep hide and sinew, glass beads, hemp, United States, 19th century, This dress was made in the late to mid-1800s by a Nez Perce woman artist for a young woman, and it is constructed from several hides. The artist retained the composition of the mountain goat form, including the tail and legs, in order to imbue the wearer with the qualities and power of the animal. In the early 1800s, a hank, or bundle, of pony beads (large, smooth glass beads), like those featured in this dress, were so highly prized-stock-foto
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Vest, c. 1800, 17 × 18 3/16 in. (43.18 × 46.2 cm), Sealskin, wool, bird quills, animal membranes, fur, United States or Canada, 18th-19th century, The Unangan and Alutiiq live on Kodiak Island and the lower part of Prince William Sound, in what is now Alaska. The woman who made this vest in the early 1800s used materials available in the Arctic, embellishing the basic sealskin garment with red wool from trade with Euro-Americans, bird quills, and other animal and bird parts that add color and texture. The zigzag designs on both sides are made from bird quills sewn onto the hide with sinew-stock-foto
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Pipe bag, late 19th century, 22 3/4 x 6 3/16 in. (57.79 x 15.72 cm) (without fringe or ties), Buckskin, beads, sinew, United States, 19th century-stock-foto
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Shirt, c. 1720-1750, 39 1/4 x 63 1/2 in. (99.7 x 161.29 cm) (including fringes, excluding pendants), possibly Antelope hide, pigments, cotton thread, sinew, United States, 18th century, This one-of-a-kind shirt was created in the 18th century by Native Americans living in the Great Lakes or Woodlands region. Early French explorers interacted and traded with Native American tribes in the area referred to as New France, a French colony that existed from 1534-1763. This area initially extended from the state of New York to Minnesota, and from Canada to Louisiana.-stock-foto
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Tendon, piece of sinew, section, 20X light micrograph. Stained with hematoxylin and eosin, under the microscope.-stock-foto
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Tendon, section, 20X light micrograph. Piece of sinew, stained with hematoxylin and eosin, under the microscope.-stock-foto
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USA - 1949 March 3: An 3 cent blue-green postage stamp depicting Pioneer and Red River Ox Cart. Minnesota Territory Issue. Centenary of the establishment of Minnesota Territory-stock-foto
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Prairie-style hide drum used at powwows and stomp dance cans on display at the First Americans Museum in Oklahoma City, Oklahoma.-stock-foto
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Display showing a backrest made by the Cheyenne with twigs and a Pawnee buckskin jacket with beads and porcupine quills. Photographed in the First Ame-stock-foto
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Traditional prairie-style hide drum and modern stomp dance cans on display in the First Americans Museum in Oklahoma City, Oklahoma.-stock-foto
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This image shows collagen, a fibrous protein that is the main component of the extracellular matrix (ECM). Collagen is a strong, rope-like molecule that forms stretch-resistant fibers. The most abundant protein in our body, collagen makes up about a quarter of our total protein mass. Among its many functions, it gives strength to our tendons, ligaments and bones and provides a scaffold for the healing of skin wounds. There are approximately 20 different types of collagen in our body, each tailored to the needs of specific tissues-stock-foto
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Muscle pain glyph icon. linear style sign for mobile concept and web design. Muscle spasm, ache glyph vector icon. Symbol, logo illustration. Vector g-stock-foto
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Muscle pain filled color icon. linear style sign for mobile concept and web design. Muscle spasm, ache filled color vector icon. Symbol, logo illustra-stock-foto
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Muscle pain line icon. linear style sign for mobile concept and web design. Muscle spasm, ache outline vector icon. Symbol, logo illustration. Vector-stock-foto
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Fresh Meat on the Bone in a Grey Garbage Can-stock-foto