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Aktuális sajtó tartalmak és illusztrációs fotók

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Four speech bubble icons in red orange blue purple. Includes rectangular with quotes block with arrows rounded rectangle with small quotes and circula-stock-foto
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Four speech bubble icons in red orange blue purple. Includes rectangular with quotes block with arrows rounded rectangle with small quotes and circula-stock-foto
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A handwritten NO Entry warning written in white chalk on a small rectangular blackboard sign mounted on a wooden stand, isolated on white background w-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 23.2 cm, width 15.5 cm, A single sheet of thin, worn paper lies centered on a light cream background, showing a translucent, uneven brown-beige color with areas of darker discoloration and small spots. The paper has rough, slightly torn edges at the bottom and a creased corner on the lower right, with faint vertical and-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew; Maślankiewicz (fl. 1927). Subject: elections; type: leaflet; theme: Judaica; Provisional Jewish National Council (1918–?); Legislative Sejm (1919–1922); date: 1919; dimensions: height 23.2 cm, width 15.5 cm., A single aged rectangular sheet of beige paper with darker printed areas and visible wear along the edges, showing a few small torn sections at the bottom and a slightly uneven border; the page contains a large-stock-foto
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Portrait of Eduard Paulus, author; Krukowa, Magdalena; Paulus, Eduard (1837–1907); iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A small rectangular block of wood rests on a smooth reflective surface, showing natural wood grain in brown tones on one visible face and a charred or darkened black surface on the top and one side; the top edge is uneven with rough worn areas and chips, and the wood block casts a soft reflection on the gray surface beneath.-stock-foto
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Portrait of Eduard Paulus, author; Krukowa, Magdalena; iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A rectangular wooden panel with a warm brown surface showing wood grain, scratches, and worn edges, featuring a few areas of dark black smudges and stains mostly along the right and top edges; the panel bears several flowing dark markings and curved strokes in black ink across the surface, and a small pale rectangular label near the bottom center; the corners show slight wear and the overall texture-stock-foto
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The Apocalyptic Woman, Dürer, Albrecht (1471–1528), graphic artist, religious scenes, Apocalypse of St. John (Bible), New Testament (Bible), The Apocalyptic Woman, God the Father, 1511, graphic, height 39.0 cm, width 27.5 cm, A single sheet of aged paper with a narrow left margin and a wide right margin, mostly filled with a block of dense dark brown or black printed text in a serif style occupying the left two‑thirds of the page; the background of the sheet is an off‑white to light beige with scattered small brown spots and age marks, a few darker smudges near the lower edge, and a faint-stock-foto
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Twelve-Year-Old Jesus in the Temple, illustrator Jan Gebethner, Jesus in the Temple (Bible; New Testament), 1859–1880, woodcut block, height 25.4 cm, width 35.5 cm, thickness 2.2 cm, A rectangular wooden panel with a patchwork of square and rectangular veneer pieces showing concentric grain rings in brown and tan tones, bordered by a worn beige paper or tape around the edges; several small areas of surface wear and peeling with lighter beige and off-white patches, a few darker brown blemishes and smudges, and a small blue oval stamp mark; overall colors visible include shades of brown, tan,-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of a bookplate; Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; Polish bookplates; medical bookplates; illustrative bookplates; snakes (zool.); Aesculapian snake (mythological); chalices; jugs; on the reverse of the block there is the lower fragment of another bookplate crossed out and cut into two parts EX LIBRIS negatively engraved by Ludwik Tyrowicz, 1940, Lviv; bookplate; graphic; graphic matrix; woodcut block; height 6.0 cm; width 4.2 cm; thickness 2.2 cm., A small rectangular wooden box sits on a-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of another bookplate crossed out and cut into two parts EX LIBRIS, MVZEVM POKUCKIE. Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist. Negatively engraved by Ludwik Tyrowicz, 1940, Lviv. Bookplate, graphic matrix, woodcut block; woodcut block height 6.0 cm, width 4.2 cm, thickness 2.2 cm. Motifs: illustrative medical bookplate featuring snakes (zool.), Aesculapian snake (mythological), chalices, jugs., A rectangular dark gray block with carved incised lines forms an abstract design; the surface shows worn-stock-foto
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Bookplate by Józef Starzyński; verso: upper fragment of another bookplate, crossed out and cut into two parts, inscribed 'EX LIBRIS' (negatively engraved) by Ludwik Tyrowicz, 1940, Lviv. Woodcut graphic matrix (block); material: woodcut; subject: sculptors, figures; style: illustrative Polish bookplate; dimensions: height 6 cm, width 4.1 cm, thickness 2.2 cm. Makers: Józef Starzyński (1890–1961), Ludwik Tyrowicz (1901–1958)., A small rectangular block sits on a pale background; the block has a dark brown top and sides with visible carved or textured markings, and a lighter beige label attached-stock-foto
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Portrait of Piotr Le Brun, Jr., draughtsman; male portrait; painter Piotr Le Brun (1802–1879) — iconography, illustration; 1878–1879; Warsaw; woodcut block; height 12.6 cm, width 10.1 cm, thickness 2.2 cm, A small rectangular block sits on a smooth surface, showing a top layer with an uneven, dark, glossy material and sides of lighter, worn wood; the top appears textured and irregular with shades of dark gray and black, and the wooden sides display tones of brown and tan with some darker streaks; the background and surface are a uniform soft gray.-stock-foto
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Portrait of Piotr Le Brun, Jr., draughtsman; male portrait of painter Piotr Le Brun (1802–1879); dated 1878–1879; Warsaw; woodcut block; dimensions: height 12.6 cm, width 10.1 cm, thickness 2.2 cm., A small rectangular block rests on a smooth surface with a muted gray background; the block has a top surface that appears dark and slightly glossy with uneven texture and subtle circular and wavy marks, while the sides show warm brown and tan tones with darker smudges and worn areas; the overall color palette includes shades of gray, dark charcoal, brown, tan, and faint beige, and there is a soft-stock-foto
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Portrait of Piotr Le Brun, Jr., draughtsman; male portrait; painter Piotr Le Brun (1802–1879) — iconography, illustration, 1878–1879; Warsaw; woodcut block; height 12.6 cm, width 10.1 cm, thickness 2.2 cm, A dark rectangular plate occupies the image with the carved outline of a man's bust visible across its surface; the plate shows a textured pattern of fine carved lines forming the man's hair, facial features, collar, and jacket. The man's face is centered and oval with visible eyes, nose, and mouth defined by shallow grooves, and his hair is combed back. He wears a jacket with lapels and a-stock-foto
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Portrait of Franciszek Tournelle; draughtsman; male portrait; Tournelle, Franciszek (1818–1880) — iconography; architects; illustration; 1879–1880; woodcut block; height 14.2 cm, width 11.8 cm, thickness 2.4 cm, A rectangular wooden block with a dark top surface showing worn and uneven texture and a partial carved or embossed circular design, resting on a smooth gray background; the block's exposed sides show natural wood grain with lighter brown and tan tones, and the top has shades of dark gray and black with areas of lighter gray wear, while a few small cracks and rough edges appear along-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular block with a textured dark gray metal top and a worn light brown wooden base, showing wood grain and dark smudges, sits on a reflective surface. The metal top has raised decorative patterns and small-stock-foto
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Head of Christ in a Shadow Crown (Ad Sanctam Christi Coronam Antiphona), graphic artist; Jesus Christ, Vera Icon; 18th century; graphic matrix/graphic plate; height 8.9 cm, width 6.3 cm; maker: Konstanty Tyszkiewicz (1806–1868), A rectangular metal plate with rounded corners showing an engraved face with long wavy hair, a mustache and beard, and a crown of thorns; radiating lines form a halo around the head. The plate surface has a mottled patina in shades of brown, copper, greenish-blue, and darker brown spots, with areas of lighter wear and small scratches. Near the lower portion of the-stock-foto
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View of the palace in Romanów, by Gustav Friedrich Amalius Taubert (1755–1839), graphic print, 1828–1831. Neoclassical view showing the palace, gardens, garden gazebos and pavilions; includes filigree/illegible fragment. Graphic, height 39.2 cm, width 59.4 cm. Ukraine; Romanów., The image shows a detailed black ink architectural drawing of a large classical building with a central block flanked by symmetrical wings and columned facades, set behind a body of water and formal gardens in the foreground; there are a few small human figures near the building and garden, a small boat with a sail on-stock-foto
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Portrait of Józef Bem by Reymond M., oval, 1916. Graphic plate (graphic matrix) with overall dimensions: height 9.2 cm, width 6.3 cm, thickness 2.3 cm; matrix dimensions: height 9.2 cm, width 6.2 cm, thickness 0.2 cm. Subject: Józef Bem (1794–1850)., A small rectangular block of wood with rough textured faces in brown and dark brown tones sits on a smooth reflective surface, topped by a flat circular disc that is dark gray to black. The wood block shows areas of lighter tan and medium brown grain, while its top edges are darker brown to nearly black. The circular disc appears slightly worn-stock-foto
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Portrait of Józef Bem by Reymond M., oval, 1916, Lausanne; graphic plate; portrait of Józef Bem (1794–1850); dimensions — plate height 9.2 cm, width 6.3 cm, thickness 2.3 cm; graphic matrix height 9.2 cm, width 6.2 cm, thickness 0.2 cm., A small rectangular wooden block with worn, textured surfaces sits on a smooth reflective surface, topped by a flat, slightly raised circular disc. The wood shows natural grain and areas of darker and lighter coloration, with some rough edges and small chips. The circular top appears dark and matte with subtle surface marks and a thin raised rim. The-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular wooden block with visible grain and a light brown color rests on a smooth reflective surface that shows a soft reflected image. On top of the block sits a flat circular object with a slightly irregular edge in dark gray to black tones, appearing slightly worn or smudged. The background is a uniform muted gray that-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm; maker: Leon Wyczółkowski (1870–1927) — iconography., A small rectangular block with a worn, textured surface sits on a smooth reflective surface, topped by a slightly larger round dark disc that appears matte and scuffed; the block shows wood-like grain and rough edges with patches of darker discoloration, while the disc is gray-black. The background is a smooth,-stock-foto
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Portrait of Casimir Pulaski, Reymond M., 1916 — portrait bust in an oval; graphic plate/graphic matrix; dimensions: plate height 9.1 cm, width 6.3 cm, thickness 2.3 cm; matrix height 9 cm, width 6.3 cm, thickness 0.2 cm; subject: Kazimierz (Casimir) Pułaski (1746–1779)., A small rectangular block of wood with a darker top surface sits on a smooth reflective surface, topped by a round dark metal or stone disc; the block shows worn and rough textures with areas of lighter tan wood and darker brown to black discoloration, and the disc is dark gray to black with a slightly worn, matte finish.-stock-foto
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Portrait of Ludwik Plater, Reymond M., 1918, graphic plate; portrait of Ludwik Plater (1775–1846). Graphic plate dimensions: height 9.2 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.2 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular wooden block with worn and rough surfaces in brown and dark brown tones sits on a smooth reflective surface; on top of the block rests a flat round dark gray disk with slightly uneven edges; the block shows patches of lighter brown and areas of faded wear, and the scene has a muted gray background.-stock-foto
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Portrait of Ludwik Plater, Reymond M., Plater, Ludwik (1775–1846), 1918, Lausanne, graphic plate; dimensions: height 9.2 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.2 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular block with a round, slightly raised circular top sits on a smooth surface. The block shows a worn, textured appearance with areas of dark and light contrast; the top is dark, almost black, while the sides display a mix of tan, beige, and brown with darker smudges and patches. The surface around the object is a uniform gray with a subtle reflection of the-stock-foto
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The Death of Grażyna, illustration for 'Grażyna' by Adam Mickiewicz. Rymwid finds the dying Grażyna (lines 971–976). Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing was printed on a block covered with primer, then further developed in pen, ink, pencil, with highlights added in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A flat, roughly rectangular wooden slab with rounded top corners, showing visible growth rings and a split running from near the top toward the-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; draughtsman Władysław Niewiarowicz (1815–1891). Illustration to 'The Ballad of Alpuhar', lines 670–702: Spaniards—Muslim king Almanzor infects the Spaniards with the plague. The Spanish leader, in a defensive gesture with raised hands, retreats from the commander of Granada who is holding him down and lying at his feet. Before 1851, Paris; woodcut block; height 21.8 cm, width 13.6 cm, thickness 2.3 cm., A low rectangular wooden block with worn edges rests on a reflective-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; draughtsman Władysław Niewiarowicz (1815–1891). Illustration for 'The Ballad of Alpuhar,' lines 670–702: the Spanish leader, in a defensive gesture with raised hands, retreats from the commander of Granada who is holding him down and lying at his feet. Before 1851, Paris; woodcut block; height 21.8 cm, width 13.6 cm, thickness 2.3 cm., A vertical rectangular wooden panel composed of three joined planks with visible grain rings and knots, showing a warm tan to light brown-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz, draughtsman Władysław Niewiarowicz (1815–1891). Subjects: Spaniards, Song of the Alpuhara. Block prepared for cutting, unprinted variant. Before 1851, Paris. Woodcut block; height 17.1 cm, width 12 cm, thickness 2 cm., A rectangular block of wood with a smooth top surface and visible grain rests on a reflective gray surface, showing a few knots and patches on its sides and top; the wood displays shades of brown and tan with small areas of darker brown and a hint of reddish-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; draughtsman Władysław Niewiarowicz (1815–1891); uncut woodcut block prepared for cutting, unprinted variant; subject: Spaniards, Song of the Alpuhara; before 1851, Paris; woodcut block; height 17.1 cm, width 12 cm, thickness 2 cm., A rectangular wooden block with a natural brown wood grain and darker brown swirls on its top surface sits on a reflective gray surface against a smooth gray background. The block shows lighter tan and beige tones along its sides, with a few-stock-foto
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Almanzor, king of the Muslims, infects the Spanish with the plague, illustration to 'Konrad Wallenrod' by Adam Mickiewicz. Draughtsman: Władysław Niewiarowicz (1815–1891). Subject: Spaniards; Song of the Alpuhara, illustration to 'Konrad Wallenrod'. Block prepared for cutting, unprinted variant. Artist/author: Adam Mickiewicz (1798–1855). Date: before 1851, Paris. Medium: woodcut block. Dimensions: height 17.1 cm, width 12 cm, thickness 2 cm., A worn rectangular wooden surface with rounded and slightly chipped corners showing visible growth rings and a few small cracks, marked by a few dark-stock-foto
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Walter tells his story to Aldona, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; illustrator Władysław Niewiarowicz (1815–1891). Illustration for the lines: 'Everything Walter said, a maiden catches with her ear' ('Wajdelota's novel, lines 1011–1020). Scene: inside, by the fireplace, four girls sit at spinning wheels, Walter stands behind Aldona's armchair. Before 1851, Paris; woodcut block; height 12.1 cm, width 12.3 cm, thickness 2.1 cm., A rectangular block with worn, rough edges rests on a smooth reflective surface, showing a top that appears darker and more textured than the sides-stock-foto
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Walter tells his story to Aldona, illustration to 'Konrad Wallenrod' by Adam Mickiewicz; illustrator: Władysław Niewiarowicz (1815–1891). Illustration for the lines: 'Everything Walter said, a maiden catches with her ear' ('Wajdelota's novel, lines 1011–1020). Scene: inside by the fireplace, four girls sit at spinning wheels, Walter stands behind Aldona's armchair. Before 1851, Paris. Woodcut block; height 12.1 cm, width 12.3 cm, thickness 2.1 cm., A rectangular block resting on a reflective surface, with worn, textured sides showing brown and tan tones with spots of darker brown and small-stock-foto
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Leading the prisoners, illustration to 'Konrad Wallenrod' by Adam Mickiewicz. Draughtsman: Władysław Niewiarowicz (1815–1891). Illustration titled 'Wajdelota's Novel — Leading prisoners,' to the lines: 'Where the Lithuanians were returning from, they were returning from a night excursion,' (lines 255–259). Three mounted warriors (two shown in profile, one seen from the back) are leading prisoners with their hands tied behind them, who walk between the horses. Before 1851, Paris. Woodcut block; height 15.2 cm, width 13.2 cm, thickness 2.3 cm., A worn rectangular block rests on a reflective-stock-foto
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The caretaker and the lion, illustration to Konrad Wallenrod by Adam Mickiewicz. Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). Konrad Wallenrod, Knight and Lion, illustration to Konrad Wallenrod, 'Obiór' lines 120–134. A symbolic scene illustrating the words about Wajdelota's influence on Konrad. Woodcut block, before 1851, height 11.8 cm, width 9.9 cm, thickness 2 cm. Signatures below the woodcut: left 'JT PODŁUG KH', right 'VC'., A rectangular block with rounded top edges sits on a reflective surface against a plain gray background; the block has a worn wooden-stock-foto
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The caretaker and the lion, illustration to 'Konrad Wallenrod' by Adam Mickiewicz. Artist: Władysław Niewiarowicz (draughtsman); Karol Hoffman. Uncut woodcut block, before 1851. Title/subject: 'Konrad Wallenrod, Knight and Lion,' illustrating lines 120–134 ('Obiór') — a symbolic scene of Wajdelota's influence on Konrad. Signatures below the woodcut: left 'JT PODŁUG KH', right 'VC'. Woodcut block dimensions: height 11.8 cm, width 9.9 cm, thickness 2 cm., A rectangular block with rounded top edges sits against a plain gray background; the top surface shows swirling marbled patterns in shades of-stock-foto
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The caretaker and the lion, illustration to 'Konrad Wallenrod' by Adam Mickiewicz. Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). Konrad Wallenrod, Knight and Lion, illustration to 'Konrad Wallenrod,' lines 'Obiór' 120–134. A symbolic scene illustrating Wajdelota's influence on Konrad. Woodcut block, before 1851, Paris; woodcut block height 11.8 cm, width 9.9 cm, thickness 2 cm. Signatures below the woodcut: left 'JT PODŁUG KH,' right 'VC.', A worn, rectangular wooden surface with beveled corners, showing circular sanding marks and a few scratches and scuffs; the-stock-foto
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Portrait of Ignacy Jasiński; makers: Aleksander Regulski (1839–1884), graphic artist, and Franciszek Tegazzo (1829–1879), graphic artist. Subject: Ignacy Jasiński (1833–1878). Iconography: painters; male portrait. Date: 1878–1879. Place: Warsaw. Medium: woodcut block. Dimensions: height 10.7 cm, width 9.9 cm, thickness 2.3 cm., A small rectangular block with a rough dark top surface and worn lighter brown sides sits on a smooth gray surface; the top appears textured and uneven in dark gray to black tones while the sides show various shades of tan and brown with some darker marks, and the scene-stock-foto
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