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[small rectangular building] képek

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Stone wall surface with light gray stones, scattered brown painted stones, porous mortar, and rectangular uneven stones-stock-foto
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A small urban utility building with white painted brick, minimal windows and ventilation grilles, sitting beside a road and industrial overpass. Weath-stock-foto
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White multi-pane window on a beige plaster wall. Minimalist facade with a metal ventilation grate and a small electrical box at the bottom-stock-foto
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Closeup image of a plumbing valve with a black cap placed inside a blue rectangular wall box on a rough cement wall.-stock-foto
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A repeating pattern of light gray vertical panels with small, light-colored rectangular protrusions spaced evenly along their length, creating a minim-stock-foto
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Bikaner, India - March 31, 2022: A small courtyard at Junagarh Fort is shown with brown wooden doors, decorative lattice windows, upper floors, and a red domed tower visible above the walls under clear daylight.-stock-foto
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Bikaner, India - March 31, 2022: A small courtyard inside Junagarh Fort is shown with brown wooden doors, decorative lattice windows, and upper floors under daylight.-stock-foto
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Aerial view of a winter pine forest in Poland. A rectangular clearing and diagonal shadows cut through snow. A road runs left. A small farmstead sits-stock-foto
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A large statue in front of the palace of the Kalisz Voivodeship Commission on St. Peter's Square; Joseph's Cathedral in Kalisz, organized on the occasion of the meeting of Emperor Wilhelm I and Tsar Alexander II; study for a painting by Antonio Sacchetti (1790–1870); studies for paintings of military maneuvers by Mathias Bersohn (1824–1908); depicts army, Prussians, Russians, rulers, monarchs' meeting, state ceremonies, mass scenes; city view of Kalisz (Greater Poland Voivodeship) showing churches, palaces, city square and urban/residential/sacred architecture in a classicist style; Italian an-stock-foto
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Monument erected to Prince Józef Poniatowski in Leipzig, Arldt, Carl Wilhelm (1809-1868), graphic artist; Vecchio del, Pietro (1768-1829), publisher; Braunsdorf, J. (fl. ca 1840-1910), publisher; Napoleonic era (1799-1815); monuments; Leipzig (Germany); Poniatowski, Józef Antoni (1763-1813); death; boats; Reichenbach-Gerhard garden (Leipzig); Poniatowski, Józef Antoni (1763-1813) - iconography; German, Polish graphics; Prince Józef Poniatowski Monument (Leipzig); 1840-1850; Dresden; Leipzig; graphics; graphic print; height 17.3 cm, width 21.2 cm; height 26.7 cm, width 36.1 cm, A rectangular pr-stock-foto
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Grodzisk. Parish Church of St. Anne. Reconstruction project never realized. Bottom plan. Wojciechowski, Jarosław (1874–1942). Churches, Grodzisk Mazowiecki (Masovian Voivodeship). Modernism, traditionalism. Scale in meters at the bottom. 1913. Drawing; architectural design; architectural drawing. Height 40.7 cm; width 26.3 cm., A vertical architectural drawing on light beige paper framed by narrow margins shows a detailed black ink floor plan of a large rectangular building with a rounded apse at the top and a protruding entrance area at the bottom. The plan features a grid of columns and vaul-stock-foto
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Landscape, pl. 8, 1896. Etching/graphic by Otto Gampert (1842–1924). Rural landscape, filigrees (Van Gelder Zonen), dry seals. Munich. Height 12.7 cm, width 20.5 cm., A small rectangular monochrome scene sits near the center of a larger off-white sheet, depicting a landscape with a group of trees and a low building partially obscured by foliage, surrounded by textured ground and a cloudy sky; the surrounding sheet shows uneven deckled edges and scattered small spots. The visible colors are off-white, gray, and black.-stock-foto
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Three of Clubs - Indian Intelligence; Tański, Czesław (1862-1942), illustrator; playing cards; World War I (1914–1918); British Army; clubs (card suit); horses; Poland; 1916–1917; Warsaw; drawing; army; repossession; albums; drawing., A pale bluish-gray mount holds a grid of illustrated rectangular cards arranged in rows, each card framed by narrow margins; the cards depict various scenes in muted watercolor and ink with visible brushstrokes and pencil lines, featuring a night sky scene with dark blue and black tones and red heart shapes, an ornate interior with cream, beige, gold and red acce-stock-foto
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Three of Spades - German Soldiers Requisitioning Property from a Peasant Family, Tański, Czesław (1862–1942), illustrator; albums; repossession; World War I (1914–1918); army; playing cards; spades (card suit); requisitions (genre scenes); village; peasants; horses; soldiers; Poland; 1916–1917; Warsaw; drawing, A pale gray background page holds a grid of illustrated rectangular cards mounted in two rows, each card bordered by white and featuring small stylized suit symbols in red or black; the cards show a variety of scenes including a dark night scene with beams of light and red heart symbols-stock-foto
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Vestigia delle Terme di Tito. A young man on horseback with a wreath on his horse. Quadro from the vault decoration of room 21, Carlone, Marco (1742-1796), graphic artist; Smuglewicz, Franciszek (1745-1807), graphic artist; Mirri, Ludovico (1738-1786), publisher. Ancient architecture, Rome (Italy); traces (archaeol.); traces of decoration; Golden House of Nero (Rome); Baths of Titus (Rome); horses; grotesques (ornament); laurel wreaths; Vestigia delle Terme di Tito, 1776 — illustration; Italian graphics; Italian; antiquity; archaeology; board marked no. 54, in a graphic album, page 28, 1776, R-stock-foto
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Church of the Blessed Virgin Mary of the Small Market Square, Wyczółkowski, Leon (1852–1936), graphic artist; Cotty, Jan, publisher (printing house and lithographic plant, Warsaw; 1863–1939); Warsaw Artistic Society, publisher (1899–ca.1918); St. Mary’s Church (Kraków); Krakow (1915); Poland; churches (architecture); Krakow (Lesser Poland Voivodeship); architectural views; Polish graphics; St. Barbara's Church (Krakow). Drawing made on stone with pen and ink. Wyczółkowski used either chalk or pen and ink. Thick, stiff, directional, chalked paper. 1915. Warsaw. Graphic print. Height 22.5 cm; wi-stock-foto
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Arkadya, Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; landscapes, prayer (genre scenes), forest landscapes, Arkadia (Łódź Voivodeship), crucifixes, garden architecture, monks, staffage, parks (gardens), neo-Gothic, English parks. View of the Gothic House in Arkadia near Nieborów. Illustration for the magazine Gabinet Czynia is a collection of novels, romances and articles devoted to science and entertainment, Warsaw, 1835, volume II, plate between pages 40 and 41; ca. 1835. Graphic plate; height 10.5 cm, width 12.8 cm., A rectangular metal plate with a recessed central panel conta-stock-foto
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Church on a hill; artist: Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; associated/related artist: Witke-Jeżewski, Dominik (1862–1944); subject: churches; date: 1850–1900; location: Warsaw; plaque; height 15.1 cm, width 10.6 cm, A rectangular metal plate with uneven, slightly torn edges shows an engraved scene of a classical church with a tall ornate tower rising from a central building, flanked by steep-roofed structures and trees; an arched bridge or aqueduct leads toward the building across a textured foreground that suggests vegetation and a small group of figures; the plate su-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure surrou-stock-foto
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Portrait of Pope Pius VII (inscription at bottom: 'Pius Septimus RP Electus Anno 1800'). Engraving by John Alais (ca. 1778–fl. ca. 1820), stippled copperplate technique, after 1799, London. Composition in an oval with a dotted background enclosed in a linear (dotted) frame. Depicts Pius VII (1740–1823); biographical details included in the image text: son of Count Scipio and Marchioness Giovanna Chini; became a cardinal in 1785 and took over the diocese of Imola; noted for building churches, hospitals, and colleges; had good relations with Polish legionnaires in Imola; elected pope in 1800; co-stock-foto
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View of the palace in Romanów, by Gustav Friedrich Amalius Taubert (1755–1839), graphic print, 1828–1831. Neoclassical view showing the palace, gardens, garden gazebos and pavilions; includes filigree/illegible fragment. Graphic, height 39.2 cm, width 59.4 cm. Ukraine; Romanów., The image shows a detailed black ink architectural drawing of a large classical building with a central block flanked by symmetrical wings and columned facades, set behind a body of water and formal gardens in the foreground; there are a few small human figures near the building and garden, a small boat with a sail on-stock-foto
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Vignette: man against the backdrop of architecture. Karęga, Ignacy (fl. ca. 1764–1800). A man in a hat is digging the ground with a shovel; next to him and in front of him are two faintly visible human figures. Architectural fragments flank both sides in the background. On the right side a plaque with the inscription facing the scene: 'QUID QUID SUBTERRA, EST IN APRICUM PROFERET AETAS.' 1701–1800. Graphic plate., A rectangular metal plate with a warm copper color shows an engraved scene framed by a narrow border. The engraving depicts a figure wearing a hat and loose clothing leaning forward w-stock-foto
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View of the Basilica of St. John Lateran. Engraving by Francesco Rinaldi (graphic artist, fl. 1786–1830), plate etched 1824–1826; published ca. 1830 by Giacomo Antonelli. Plate from a publication of vedute of Rome (published as Nuova raccolta delle principali vedute antiche e moderne dell'alma città di Roma e sue vicinanze). Collaboration on the project included Achille and Pietro Parboni; Gaetano Cottafavi and Pietro Ruga also collaborated. The publication contains prints depicting views of Rome, Lazio, Frascati, Cori, and Bracciano; variant editions/print counts and dates (including c.1833 a-stock-foto
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Church of the Transfiguration of the Lord near Płock, graphic artist Józef Oziębłowski (Vilnius; lithographic workshop; 1833–1863). Lithograph depicting the Church of St. Spas, built by architect Iaan and funded in 1120 by Princess Euphrosyne of Polotsk (St. Eufrozyna; secular name Przedsława; 1102–1173), who was the first abbess of the monastery she founded, founded other monasteries, established schools, and died on pilgrimage to Jerusalem; canonized by the Orthodox Church in 1547. Likely an illustration in a historical work; Oziębłowski’s studio produced book illustrations and collaborated-stock-foto
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City view inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, streets, gates, cityscapes, architectural studies; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10.4 cm, width 7.4 cm, A detailed monochrome sketch of a large stone building with a tall central tower and several pointed spires rising behind it, rendered in fine dark lines on a light gray, textured background; the building shows a pitched roof, arched gateway, and multiple rectangular windows, with architectural details indicated by crosshatching and ver-stock-foto
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View of St. Mary's Basilica in Gdańsk from Piwna Street; verso: View of a medieval building in the Italian type. Artist: Feliks Jabłczyński (1865–1928), graphic artist. Subjects: tenement houses, cities, landscapes, cityscapes, architectural studies, views, churches, streets, towers. Depicts Church of the Assumption of the Blessed Virgin Mary in Gdańsk. Polish graphic art, ca. 1924. Medium: graphic matrix/graphic plate. Dimensions: height 8.6 cm, width 6.7 cm., A textured rectangular surface with a dominant dark gray to black color showing rough, scratched, and grooved patterns across it, with-stock-foto
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Krzysztof Przybyła's granary in Kazimierz Dolny; Feliks Jabłczyński (1865–1928), graphic artist; subject: cities, landscapes, architectural studies, streets, views, public buildings, cityscapes, granaries, architectural views, city views; location depicted: Kazimierz Dolny (Lublin Voivodeship); Polish graphics; date: ca. 1924; medium: graphic matrix/graphic plate; dimensions: height 8.8 cm, width 7.5 cm., A sketched architectural scene rendered in grayscale tones shows a large building with steep, varied roofs and pointed gables, with a taller, tower-like structure rising behind it; the drawin-stock-foto
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Denarius, posthumous issue after Antoninus Pius (86–161); also associated with Lucius Verus (130–169) and Marcus Aurelius (121–180). Obverse: head of Antoninus Pius bare, drapery on left shoulder, right; legend DIVVS·ANTONINVS. Reverse: rectangular altar with two doors and a finial in the form of horns; legend DIVO·PIO. After 161 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 17.0 mm, weight 3.35 g, axis 195°., A round metallic object with a worn surface showing a raised rectangular structure in the center resembling a small building or framed panel, with vertical and horizontal lines-stock-foto
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Denarius of Antoninus Pius (86–161; Roman emperor 138–161), issuer: Antoninus Pius. Obverse: head of the emperor in a laurel wreath facing right, legend 'ANTONINVS AVG - PIVS PP TR P XXII'. Reverse: facade of a temple with eight columns and two statues (Divine Augustus and Livia), legend 'TEMPLVM DIV A, EST' and episode inscription 'COS IIII.' Date: 158–159. Roman Empire, Rome. Coin: diameter 16.5–18.5 mm, weight 3.20 g, axis 15°., A circular metallic object with a worn, irregular edge showing several chips and dents; the surface is predominantly gray with darker and lighter patches; an emboss-stock-foto
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Business card case, goldsmith, Chinese art, Chinese, figurative scenes, Qing (1644–1911), bamboos, sages, monograms, early 20th century, China, varia, height 10.7 cm, width 7.0 cm, A rectangular silver object with a detachable lid, both decorated in low relief with a scene of figures and landscape elements; the lid shows a group of stylized trees and a small pavilion beside rocky ground, all rendered in silver tones on a neutral background. The main body displays several figures gathered around a table under overhanging bamboo-like branches, a shield-shaped cartouche with an engraved motif, a-stock-foto
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Beautiful Views of Longmen, graphic artist Witold Jabłoński (1901–1957); graphic print depicting landscapes with mountains, trees, and gazebos; inscriptions; early 20th century China; height 68.5 cm, width 135.5 cm; related person: Antonina Obrębska-Jabłońska (1901–1994)., A horizontal rectangular image showing an engraved landscape scene in black and off-white tones, with a large central mountain range rendered in white lines against a dark background, terraced slopes, rocky textures, and clusters of small building shapes nestled among trees; a group of winding cloud-like curls appears to the-stock-foto
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Close-up view of an empty white brick wall with a clean, repetitive masonry pattern. Textured white and grey small stone or granite bricks.-stock-foto
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Blank rectangular shop sign blue scalloped edges hanging from a metal bracket-stock-foto
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Close-up view of an empty white brick wall with a clean, repetitive masonry pattern. Textured white and grey small stone or granite bricks.-stock-foto
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A hand with a brush begins to paint with white paint the plastered slope of a small rectangular window near a gray wall, with a view of the winter-stock-foto
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Traditional two storey village house in Kerala, India, with weathered walls and tiled roof in a tropical rubber plantation setting-stock-foto
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Rectangular blocks of white material are stacked neatly on wooden shelves. Dust and small debris are visible on the surface. The storage area is well-stock-foto
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Church of Sant'Antonio Abate, a single-nave rectangular building with a non-original tile and roof covering. Campiglia Marittima, Tuscany, Italy-stock-foto
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Two small rectangular metal plaques with raised Braille dots mounted on textured painted wall, neutral indoor lighting, soft shadows, close-up view.-stock-foto
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BROEDERLAM, Melchior (active 1381-1409) The Annunciation (detail) 1393-99 Tempera on wood Mus?e des Beaux-Arts, Dijon At the moment of the Annunciation, Mary is sitting in a small pavilion attached to a much larger and much grander building behind. The slender rib vaults, the two windows surmounted by clover-leaf tracery, and the rectangular paving mark the style as Gothic. --- Keywords: -------------- Author: BROEDERLAM, Melchior Title: The Annunciation (detail) Time-line: 1351-1400 School: Flemish Form: painting Type: religious-stock-foto
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