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[small rectangular label] képek

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Two amber glass craft lager beer bottles featuring clean minimalist white rectangular labels with bold Beer Lager typography, placed on a smooth warm-stock-foto
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Vertical planner style card featuring todays focus text centered inside a rounded rectangular frame with small registration marks and a circular tab a-stock-foto
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Decorative horizontal tag illustration featuring mini label text centered inside a rounded rectangular frame with a side tab and small punched hole.-stock-foto
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Minimal note card illustration featuring little moments text on layered paper cards placed inside a shallow rectangular tray.-stock-foto
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Retro label illustration featuring hand crafted text centered inside a decorative rectangular border with fine lines and corner dots.-stock-foto
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Rectangular title card illustration featuring simple things text inside a hand drawn border with small green leaf accents around the frame.-stock-foto
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Charming handwritten chalk text reads Be Right Back on a small isolated blackboard mounted on a wooden pedestal stand, offering clean copy space on wh-stock-foto
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A handwritten Log-Out message written in white chalk on a small rectangular blackboard sign on a wooden pedestal stand isolated on a clean white backg-stock-foto
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Charming rustic wooden stand holding a small rectangular blackboard sign with handwritten chalk text reading Check-Out, isolated on a clean white back-stock-foto
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A rustic wooden stand holds a small blackboard sign with handwritten chalk INFO text, isolated on a clean white background offering ample copy space f-stock-foto
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Rustic wooden stand holding a small blackboard with handwritten white chalk text reading Cards, isolated on a clean white background with ample copy s-stock-foto
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A small wooden stand holds a rectangular blackboard sign with the word self handwritten in white chalk, isolated on a clean white background with copy-stock-foto
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Handwritten chalk word Cash on a small blackboard mounted on a wooden stand with round base, isolated on white background, offering clean copy space f-stock-foto
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A charming rustic wooden stand holds a small blackboard sign with handwritten Tips in white chalk, isolated on a clean white background with ample cop-stock-foto
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Miniature wooden table blackboard sign featuring handwritten white chalk Pull text, isolated on a clean white background with copy space, perfect for-stock-foto
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A charming handwritten chalk Push message written on a small blackboard sign mounted on a wooden stand, isolated on a clean white background with gene-stock-foto
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A rustic wooden tabletop blackboard sign with handwritten NO Exit text in white chalk, isolated on a clean white background offering generous copy spa-stock-foto
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A handwritten NO Entry warning written in white chalk on a small rectangular blackboard sign mounted on a wooden stand, isolated on white background w-stock-foto
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Rustic wooden table stand holding a blackboard sign with handwritten Drop Here chalk lettering, isolated on white background with ample copy space for-stock-foto
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Miniature wooden stand blackboard sign with handwritten chalk Exit lettering and directional arrow isolated on white background, offering copy space f-stock-foto
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Person holding small rectangular wooden plate template, minimal object for branding or engraving design. Selective focus.-stock-foto
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Portrait of Eduard Paulus, author; Krukowa, Magdalena; iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A rectangular wooden panel with a warm brown surface showing wood grain, scratches, and worn edges, featuring a few areas of dark black smudges and stains mostly along the right and top edges; the panel bears several flowing dark markings and curved strokes in black ink across the surface, and a small pale rectangular label near the bottom center; the corners show slight wear and the overall texture-stock-foto
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Bookplate by Józef Starzyński; verso: upper fragment of another bookplate, crossed out and cut into two parts, inscribed 'EX LIBRIS' (negatively engraved) by Ludwik Tyrowicz, 1940, Lviv. Woodcut graphic matrix (block); material: woodcut; subject: sculptors, figures; style: illustrative Polish bookplate; dimensions: height 6 cm, width 4.1 cm, thickness 2.2 cm. Makers: Józef Starzyński (1890–1961), Ludwik Tyrowicz (1901–1958)., A small rectangular block sits on a pale background; the block has a dark brown top and sides with visible carved or textured markings, and a lighter beige label attached-stock-foto
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The Heart of Jesus surrounded by the Arma Christi, Piotrowski, Jan Onufry (fl. 1754–1765), graphic artist; Arma Christi (attribute); The Heart of Jesus; Tyszkiewicz, Konstanty (1806–1868). I Monuments of domestic engraving, 1754–1768; Vilnius; graphic; graphic matrix/plate; height 8.7 cm, width 5.5 cm, A rectangular dark surface with a rough, worn texture showing patches where a brown underlayer is exposed, a small decorative stamp-like label with blue and white edging affixed near the top, a few areas of lighter beige and ochre discoloration, and a faint pale marking toward the lower area;-stock-foto
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Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and-stock-foto
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Karawaka and prayer text. Spiritual Protection Against the Mormon Air. Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. Tyszkiewicz, Konstanty (1806–1868). Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic; graphic matrix/plate. Height 15.5 cm, width 20.6 cm., A rectangular flat object with a worn, mottled surface showing a mix of coppery brown and dark black patches, with the darker areas forming irregular speckles and larger blotches across the surface; the edges are slightly rounded and show similar wear, and there is a small-stock-foto
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Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
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Mater Dei; Mary (mother of Jesus Christ) with Jesus Christ; graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). Engraving made in the stippled etching technique — drawing with the sharp tip of a needle on the varnish covering a copper plate (the punctures reach the surface of the plate) then the etching matrix; a few etching lines visible in the hair of both figures. Etched inscription. 1st quarter of the 19th century. Graphic matrix/plate. Height 16 cm, width 15.6 cm., A worn rectangular metal plate with rounded corners occupying most of the frame, showing a mottled surface of-stock-foto
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S. Marya. (Maria with baby Jesus on a crescent). Jesus Christ; Mary (mother of Jesus Christ); Mother of God; Baby Jesus. Religious, devotional scene: the Mother of God shown in a bust on the rim of the moon, with baby Jesus holding a cross. Engraving by Stanisław Czerski (1777–1833), made by the priest in Salanty, Samogitia; produced c. 1822–1832. Inscribed with Samogitian text for parishioners. Graphic matrix/plate; dimensions: height 7.6 cm, width 5.2 cm., A rectangular metal plate with a worn, mottled surface showing patches of dark gray and black, with areas of exposed coppery brown and-stock-foto
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S. Marya Mot. Diewa (Maria — Immaculate Conception), by Stanisław Czerski (1777–1833), engraving, 1822–1832. Depicts Mary trampling a snake (devil) with a lily in her hand; composition enclosed in a double linear frame. Engraved by Father Stanisław Czerski in Salanty, Samogitia; he engraved images of saints with Samogitian inscriptions for his parishioners. Graphic matrix/plate; height 7.7 cm, width 5.4 cm., A rectangular dark metal plate with an uneven, mottled surface showing areas of black, dark brown, and coppery bronze discoloration, with worn edges and a small light gray label with a-stock-foto
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S. Apolonia (Saint Apolonia). Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saints. Engraving, 1822–1832. Graphic plate (graphic matrix). Height 7.5 cm; width 5.1 cm., A rectangular metal plate with worn, mottled surfaces showing patches of dark black corrosion interspersed with exposed coppery brown areas, with a few rounded darker spots and some lighter scratched streaks; a small blue and light gray decorative label is attached near the top edge; the plate is set against a neutral gray background and has a thin raised border with slightly rounded-stock-foto
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Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Łohojsk — graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A worn rectangular object with rounded corners showing a dark, mottled surface in shades of black and deep brown with areas of lighter brown and ochre along the edges; a small rectangular paper label with a decorative blue border and a white center is affixed near the top edge, and there is a faint chalky or pale marking across the lower half in a light grayish color.-stock-foto
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Recto: Our Lady the Spouse of the Holy Spirit (Sponsa Spiritus Sancti). Image of the Virgin Mary in a maphorion with her arms crossed on her breast under the dove of the Holy Spirit; pleated drapery in the background. Folds of veil and dress shaded by parallel and intersecting stylus lines. Enclosed in a rectangular double linear frame. Inscription at bottom: 'Sponsa Spiritus Sancti., A rectangular copper plate with rounded corners fills the image, showing a carved oval portrait of a person wearing a robe and a hat, surrounded by decorative floral and scrollwork engraving; the plate has a warm-stock-foto
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Saint Teresa of Avila; Teresa of Jesus (1515–1582) — iconography; Catholic saint. Saint in Carmelite habit kneeling before a crucifix, at the top left an angel with a wreath. Background, face and hands partially stippled. Graphic composition from a series depicting images that were objects of worship, mostly by anonymous engravers, often from monastery engraving workshops. After 1800, Vilnius. Graphic plate (matrix); height 8.6 cm, width 5.5 cm., A worn rectangular metal plate with a heavily weathered surface showing a mottled pattern of dark gray and rusty brown areas, with a few lighter gray-stock-foto
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Head of Christ in a Shadow Crown (Ad Sanctam Christi Coronam Antiphona), graphic artist, Jesus Christ, Vera Icon, 18th century; graphic matrix/plate; height 8.9 cm, width 6.3 cm., A rectangular, worn metal plate with a textured, cracked surface in shades of brown and copper, showing areas of darker brown and small patches of greenish corrosion; a small white, scalloped-edged label with a blue decorative border is affixed near the top right corner; the plate has rounded corners and a few shallow dents and scratches across its surface.-stock-foto
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Crucifixion. Graphic artist, Łohojsk. Image of Christ crucified; at the bottom, an empty cartouche made of a rocailles ornament. The image belongs to a series of graphic compositions depicting images that are objects of cult, most made by anonymous engravers, often in monastery engraving workshops. After 1750. Graphic matrix/plate. Height 10.7 cm; width 6.3 cm., A rectangular object with worn, mottled surfaces showing large irregular patches of black over a brown base, edges rounded and showing coppery brown exposed areas, a worn white and blue rectangular label near the top right, a few small-stock-foto
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Pieta with Arma Christi, graphic artist, Łohojsk; Pieta, Arma Christi (attribute); Tyszkiewicz, Konstanty (1806–1868); Monuments of domestic engraving, after 1800; graphic, graphic matrix, graphic plate; height 9.9 cm, width 6.6 cm, A rectangular dark metal plate with an uneven surface showing patches of worn brown metal beneath a mostly blackened coating, with a small decorative label in the top right corner that has a white center and a blue border, a few areas of lighter gray scuffing and small pitted marks across the surface, a worn strip of exposed coppery brown along the bottom edge, and-stock-foto
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Nikodemas pas Jezu nakti ateyn (Christ's Conversation with Nicodemus), Czerski, Stanisław (1777–1833), graphic artist; biblical scene depicting Nicodemus; after 1800; oil lamps; graphic; graphic matrix/graphic plate; height 7.6 cm, width 5.2 cm, A rectangular metal plate with a worn copper-colored surface and irregular black patches and spots across it, showing scratches and scuffs; a small rectangular label with a scalloped edge in the top area that includes blue and white tones; a few pale gray chalk-like marks on the upper portion; the edges of the plate are slightly rounded and show wear,-stock-foto
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Recto: Putti and attributes of science; verso: Our Lady of the Gate of Dawn (painting). Maker: Stanisław Pczycki (ca. 1769–1844), graphic artist. Date: 1750–1820. Medium: graphic matrix/graphic plate (engraving). Dimensions: height 9.4 cm, width 6.2 cm. Inscriptions: Recto: NMP Ostrobramska., A rectangular copper plate with uneven black residue and smudging across its surface, showing areas of exposed reddish-brown metal with lighter copper highlights and darker tarnished spots; a few small patches of purple and pale yellow discoloration are visible, and there is a white adhesive label with a-stock-foto
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Recto: Crucifixion; verso: Tondo with the image of a bust of a man in a tunic. The image belongs to a series of graphic compositions depicting images that are objects of cult, mostly made by anonymous engravers, often in monastery engraving workshops. Dates: recto 1790–1820; verso after 1700. Medium: graphic plate (graphic matrix). Dimensions: height 9.8 cm, width 6.8 cm., A rectangular metal plate with worn, mottled surfaces showing dark brown, black, and hints of reddish-brown areas, with a decorative circular embossed pattern faintly visible in the center and traces of other embossed-stock-foto
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