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[small rectangular object] képek

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A small rectangular home aquarium sits on a dark tabletop as tiny fish swim by a black rock and red coral ornament. Green glass pebbles line the botto-stock-foto
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Simple line illustration of a rectangular cleaning sponge with rounded corners and small porous holes.-stock-foto
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Rustic wooden stand holding a small blackboard with handwritten white chalk text reading Cards, isolated on a clean white background with ample copy s-stock-foto
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Miniature wooden table blackboard sign featuring handwritten white chalk Pull text, isolated on a clean white background with copy space, perfect for-stock-foto
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Two small square and rectangular dark wooden serving or cutting boards with handles lying on a textured black surface, providing a minimalist composit-stock-foto
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Dark wooden serving board featuring a small handle and raised rectangular edge, providing a rustic and minimalist presentation surface on a textured b-stock-foto
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White product retail packaging blank mockup template-stock-foto
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closed white rectangular cardboard box isolated white background, matte paper material with lid, mock-up template side view with shadow-stock-foto
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empty white rectangular cardboard box isolated white background, clean matte paper texture with lid placed on side, mock-up template with shadow-stock-foto
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Leaning mature teacher guiding kids in classroom at wooden table, with small item and yellow shirts-stock-foto
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Closed black plastic hard case with handle for tools or equipment, isolated on white.-stock-foto
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Closed black plastic hard case with handle for tools or equipment, isolated on white.-stock-foto
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Closed black plastic hard case with handle for tools or equipment, isolated on white.-stock-foto
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Closed black plastic hard case with handle for tools or equipment, isolated on white.-stock-foto
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Chittorgarh, India - March 21, 2022: A row of painted Hindu memorial urns with religious motifs is arranged along a roadside at the base of a rocky cliff, with sparse trees and dry vegetation visible.-stock-foto
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Person holding small rectangular wooden plate template, minimal object for branding or engraving design. Selective focus.-stock-foto
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Simple black hard plastic equipment storage box isolated on a white background.-stock-foto
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Graphic artist; angel heads; allegorical-symbolic bookplate; religious bookplate; lilies; Eye of Providence (iconographic); dogs; swords (weapons); IHS monogram; Dominicans (order); monastic libraries; bookplate; Catholic Church (institution); oval; religious orders; 2nd half of the 18th century; graphic print; height 9.1 cm; width 7.2 cm, The image shows a rectangular engraved plate with an oval central scene surrounded by a dark hatched border and four cherubic faces at the corners with wings extending toward the oval; inside the oval is a radiating pattern of fine lines and a small standing-stock-foto
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Eight of Hearts — A Forest Under Fire, Tański, Czesław (1862–1942), illustrator; forest landscapes; drawing; playing card design (hearts suit); trees; forests; Poland; 1916–1917; World War I (1914–1918)., A pale gray background holds a grid of illustrated rectangular cards with decorative borders, each card featuring hand-drawn scenes in muted tones and overlaid with suit symbols in black or red; overall colors include gray, white, black, red, brown, beige, blue, yellow, and green. The top row shows three vertical cards with scenes: a dark cannon-like object amid foliage and small figures with-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., A flat rectangular object with a central dark gray or black textured panel surrounded by off-white flaps on all sides, the flaps having cut corners and slight discoloration spots; the dark panel shows several thin black ribbon-like strips resting on its surface and subtle surface scratches and creases; the surrounding background is black, and there are small areas of light brown or tan staining near the edges of the off-white-stock-foto
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Boy sitting at a table, reading a book; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); reading (genre scene), human types, genre scenes, character studies, children, boys, inkwells; 1802, Amsterdam; graphic; graphic matrix/plate; height 8.4 cm, width 6.1 cm, A worn rectangular metal plate with a textured, warm golden-orange surface sits against a neutral gray background; etched into the plate is a detailed line drawing of a seated person in profile facing left, holding a small object close to their face with both hands and leaning slightly forward, wearing-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata; Mary (mother of Jesus Christ); Turkiewicz, Roman (fl. 1935); devotional articles; Virgin Mary and Child (iconographic); anchors; Immaculata (iconographic); winged putti (iconographic); Mary (mother of Jesus Christ) – monograms; after 1800; graphic; graphic matrix; graphic plate; height 10.8 cm; width 12.5 cm, A rectangular copper plate with a brown and reddish-brown patina fills the image, showing two rectangular engraved panels aligned vertically, each containing an oval portrait scene with fine linework. The upper oval-stock-foto
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Church on a hill; Pusch, Bronisław (fl. ca. 1841–ca. 1878), graphic artist; Witke-Jeżewski, Dominik (1862–1944); churches; 1850–1900; Warsaw; plaque; height 15.1 cm; width 10.6 cm, A rectangular, flat object with rough, uneven edges and a raised border, showing a pitted, textured surface in shades of brown with hints of reddish brown and small areas of greenish discoloration; the edges appear darker and more granular, and the background around the object is a light gray.-stock-foto
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Karawaka and prayer text. Spiritual Protection Against the Mormon Air. Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. Tyszkiewicz, Konstanty (1806–1868). Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic; graphic matrix/plate. Height 15.5 cm, width 20.6 cm., A rectangular flat object with a worn, mottled surface showing a mix of coppery brown and dark black patches, with the darker areas forming irregular speckles and larger blotches across the surface; the edges are slightly rounded and show similar wear, and there is a small-stock-foto
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Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
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Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Łohojsk — graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A worn rectangular object with rounded corners showing a dark, mottled surface in shades of black and deep brown with areas of lighter brown and ochre along the edges; a small rectangular paper label with a decorative blue border and a white center is affixed near the top edge, and there is a faint chalky or pale marking across the lower half in a light grayish color.-stock-foto
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Crucifixion. Graphic artist, Łohojsk. Image of Christ crucified; at the bottom, an empty cartouche made of a rocailles ornament. The image belongs to a series of graphic compositions depicting images that are objects of cult, most made by anonymous engravers, often in monastery engraving workshops. After 1750. Graphic matrix/plate. Height 10.7 cm; width 6.3 cm., A rectangular object with worn, mottled surfaces showing large irregular patches of black over a brown base, edges rounded and showing coppery brown exposed areas, a worn white and blue rectangular label near the top right, a few small-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular wooden block with visible grain and a light brown color rests on a smooth reflective surface that shows a soft reflected image. On top of the block sits a flat circular object with a slightly irregular edge in dark gray to black tones, appearing slightly worn or smudged. The background is a uniform muted gray that-stock-foto
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Portrait of Ludwik Plater, Reymond M., Plater, Ludwik (1775–1846), 1918, Lausanne, graphic plate; dimensions: height 9.2 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.2 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular block with a round, slightly raised circular top sits on a smooth surface. The block shows a worn, textured appearance with areas of dark and light contrast; the top is dark, almost black, while the sides display a mix of tan, beige, and brown with darker smudges and patches. The surface around the object is a uniform gray with a subtle reflection of the-stock-foto
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Photograph of Wiktor Brodzki's sculpture 'Christ Blessing' (ca. 1861), sculptor Wiktor Brodzki (born 1817/1825/1826–1904), photographed in Rome ca. 1868 by Lorenzo Suscipj (Rome; photographic studio; 183?-1901), albumen photographic print, subject Jesus Christ blessing, religious/sacred sculpture, height 23 cm, width 15.8 cm., A light-colored statue of a robed, long-haired figure stands against a dark brown background, with the figure's right arm raised and the left arm lowered holding a small object; the robe shows flowing folds and a belted waist, and the figure has a beard and serene facial-stock-foto
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Denarius of Elagabalus (204–222; Roman emperor 218–222), Roman Empire, 220–222. Obverse: Bust of Elagabalus with a laurel wreath and paludamentum facing right, inscription 'IMP ANTONINVS PIVS AVG', pearl border. Reverse: Elagabalus wearing a laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand and a club in his left; star in right field, inscription 'SACERD DEI SOLIS ELACAB', pearl border. Coin; diameter ~18–19 mm, weight 3.43 g., A circular metal coin in shades of gray with a raised rim and worn texture shows a standing robed figure at the center-stock-foto
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Denarius. Obv: Draped bust of Crispina facing right, inscription 'CRISPINA AVG'. Rev: Rectangular altar with flame, inscription 'DIS·GENI·TALI·BVS'. Issued by Commodus. Dates attributed 178–183. Roman Empire, Rome. Coin: diameter 16.5–17.0 mm, weight 3.00 g, axis 0°. Makers/figures: Crispina (164–192?, Roman empress 178–192), Commodus (161–192, Roman emperor 177–192)., A single circular metallic object with an uneven, worn edge shown against a white background, featuring the raised profile of a person in side view with visible facial features and braided hair, the surface showing areas of wear-stock-foto
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Denarius of Crispina (164–c.192), Roman empress (178–192). Issued under Emperor Commodus (161–192, reign 177–192). Obverse: Draped bust of Crispina facing right, inscription 'CRISPINA AVGV'. Reverse: Rectangular altar with flame, legend 'DIS GEN[TAL]BVS' (around). Date: 178–183. Roman Empire, Rome. Coin; diameter 17.0 mm, weight 3.10 g, axis 330°., A round metallic object with a worn, uneven surface and a raised rim, showing various scratches, dents, and shallow engravings; the metal appears silver-gray with darker gray patches and small areas of brownish tarnish; the object has an irregular-stock-foto
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Denarius, Crispina (164–192?, Roman empress 178–192) and Commodus (161–192, Roman emperor 177–192) — issuer: Commodus. Draped bust of Crispina facing right, inscription CRISPINA AVG around; reverse: rectangular altar with flame, inscription DIS · GENI · TALI · BVS around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter 16.5–17.0 mm, weight 3.00 g, axis 0°., A roughly circular metallic object with an uneven edge photographed against a white background, showing a worn surface with a recessed square area in the center and raised rim around it; the metal appears silvery gray with-stock-foto
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Denarius, Crispina (164–192?; Roman empress 178–192), Commodus (161–192; Roman emperor 177–192) (issuer). Bust of Crispina in drapery facing right, inscription CRISPINA·AVGVSTA around; reverse: two hands clasped, inscription CON·CORD·IA around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter obverse 15.5 mm, reverse 18.5 mm; weight 2.55 g; axis 180°. Iconography: joined hands., A worn, irregularly shaped metallic object with a silvery-gray surface showing scratches and small dents, featuring a raised central design of two hands clasping each other and an elongated rectangular-stock-foto
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Denarius of Faustina the Younger (ca. 130–176; Roman empress 161–176), issuer Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: draped bust of Faustina II facing right, legend FAVSTINA AVGVSTA. Reverse: draped throne (pulvinar) on which sit two children — twins Commodus and Antoninus — with legend SAECVLI FELICIT. Date: 161–176. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0–17.5 mm, weight 3.12 g, axis 0°., A round metal object with a worn, uneven surface showing scratches and dents, primarily silver-gray in color with small areas of darker gray and subtle brownish discoloration-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Bust of Faustina II in drapery facing right, legend 'DIVA FAVSTINA PIA' around. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, legend 'CONSECRATIO' around. After 176, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0–17.5 mm, weight 2.50 g, axis 180°., A round metallic object with a worn silver-gray surface showing a raised profile of a person facing right, with textured hair and a draped neckline, surrounded-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous issue for Marcus Aurelius, 121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAVSTINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CONSECRATIO. After 176 CE, Roman Empire. Coin; diameter 17.0–17.5 mm; weight 3.15 g; axis 180°., A round metallic object with a weathered silver-gray surface, showing a raised central rectangular structure with vertical grooves and a stepped base; the object has irregular edges and subtle surface scratches, with-stock-foto
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Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue for Commodus (161–192; Roman emperor 177–192) as issuer. Obverse: Head of Marcus Aurelius uncovered facing right, legend VVS M ANT - ONINVS PIVS (around). Reverse: Funeral pyre with four tiers, topped by a quadriga in which the emperor stands, legend CONSE - CRATI (around). Iconography: quadriga; emperor on quadriga; Marcus Aurelius — iconography; funeral pyre; Commodus. Date: after 180. Culture: Roman Empire. Place: Rome. Object type: coin (denarius). Materials/measurements: coin; diameter 18.5 mm; weight 3.10 g;-stock-foto
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