Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[small rectangular structure] képek

758 találat
  • / 19
  • kép/oldal:
RF
Stone wall surface with light gray stones, scattered brown painted stones, porous mortar, and rectangular uneven stones-stock-foto
RF
A small urban utility building with white painted brick, minimal windows and ventilation grilles, sitting beside a road and industrial overpass. Weath-stock-foto
RF
White multi-pane window on a beige plaster wall. Minimalist facade with a metal ventilation grate and a small electrical box at the bottom-stock-foto
RF
Closeup image of a plumbing valve with a black cap placed inside a blue rectangular wall box on a rough cement wall.-stock-foto
RF
Black office chair placed by a small desk in a minimalist modern room with tiled flooring. Mobile photo-stock-foto
RF
A repeating pattern of light gray vertical panels with small, light-colored rectangular protrusions spaced evenly along their length, creating a minim-stock-foto
RF
Chittorgarh, India - March 21, 2022: A row of painted Hindu memorial urns with religious motifs is arranged along a roadside at the base of a rocky cliff, with sparse trees and dry vegetation visible.-stock-foto
RF
Wood clad balcony at night, San Domenico ski resort, Italian Alps-stock-foto
RF
Aerial view of a winter pine forest in Poland. A rectangular clearing and diagonal shadows cut through snow. A road runs left. A small farmstead sits-stock-foto
RF
Blue pool tile mosaic pattern with small rectangular grid creating a clean minimal swimming pool background-stock-foto
RM
Arch of Septimio Seuere, et del Campidoglio. Veuë de l'Arque de Septimio Seuere, et du Capitole. Silvestre, Israël (1621-1691), graphic artist, France. Arch of Septimius Severus (Rome), Capitol (Rome), architectural views, 17th century, before 1690, graphic, height 12.2 cm, width 24.9 cm, A centered rectangular print mounted on a larger off-white matte, showing an architectural scene in black ink with fine line etching; the print depicts a stone archway structure in the foreground with ornate carvings and a gated opening, flanked by ruins and steps leading up to it, and a group of classical-stock-foto
RM
Masted Boats at the Shore, Hübner, Ulrich (1872–1932), illustrator, 1910, drawing, Germany; modernism (style); subject: boats, ports; height 25.3 cm, width 31.4 cm; Sachs, Carl (1858–1943)., The image shows a detailed black-and-white etching of a ruined stone structure with crumbling walls, arches, and a tall tower partially covered in vegetation; a few small human figures stand or walk near the base of the ruins, and there is a lone column fragment with an ornate capital to the left; foliage grows on and around the masonry, and clouded sky lines form a textured backdrop; in the upper left-stock-foto
RM
Krzysztof Przybyła's granary in Kazimierz Dolny; Feliks Jabłczyński (1865–1928), graphic artist; subject: cities, landscapes, architectural studies, streets, views, public buildings, cityscapes, granaries, architectural views, city views; location depicted: Kazimierz Dolny (Lublin Voivodeship); Polish graphics; date: ca. 1924; medium: graphic matrix/graphic plate; dimensions: height 8.8 cm, width 7.5 cm., A sketched architectural scene rendered in grayscale tones shows a large building with steep, varied roofs and pointed gables, with a taller, tower-like structure rising behind it; the-stock-foto
RM
Canal with a wooden bridge among trees; by Feliks Jabłczyński (1865–1928); Polish graphic artist; Polish graphics; landscapes; wooden bridges; 1919–1920; graphic plate; height 9.7 cm, width 12.1 cm, A pale beige rectangular sheet with a hand-drawn scene in dark gray lines, showing a landscape with a group of trees of various sizes, a few bushy rounded treetops, and several thin trunks. In the midground a simple bridge or low structure spans across a stretch of water reflected below, with vertical and horizontal hatch marks suggesting texture. The foreground contains a scattering of grasses and-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous issue for Marcus Aurelius, 121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAVSTINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CONSECRATIO. After 176 CE, Roman Empire. Coin; diameter 17.0–17.5 mm; weight 3.15 g; axis 180°., A round metallic object with a weathered silver-gray surface, showing a raised central rectangular structure with vertical grooves and a stepped base; the object has irregular edges and subtle surface scratches, with-stock-foto
RM
Denarius, Faustina the Elder (98–141; Roman empress 138–141) (posthumous); issuer: Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Faustina I in drapery facing right, inscription DIVA · FAVSTINA. Reverse: Six-column façade of the temple of Divine Faustina with a statue of the empress in the middle, inscription AED · DIV · FAVSTINAE. After 141, Rome, Roman Empire (27 BC–476). Coin; diameter 16.5–18.0 mm, weight 3.15 g, axis 195°., A circular metal coin with a worn surface showing a raised design of a small rectangular structure with columns and a triangular pediment, surrounded-stock-foto
RM
Denarius, after 161. Obverse: Head of Antoninus Pius without a covering facing right, inscription 'DIVVS ANTONINVS' all around. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription 'CONSECRATIO' all around. Issuers: Marcus Aurelius (121–180), Lucius Verus (130–169); posthumous depiction of Antoninus Pius (86–161). Iconography: garlands, head of the emperor, statues, funeral pyre. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0 mm, weight 3.25 g, axis 180°., A round metallic object with a dark gray, slightly uneven surface and worn-stock-foto
RM
Denarius of Lucius Verus (130–169; Roman emperor 161–169) and Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, drapery on the left shoulder, right; inscription DIVVS ANTONINVS. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. After 161 CE, Roman Empire (Rome). Coin: diameter 16.5–18.0 mm, weight 2.95 g, axis 180°., A small round metallic object with a dull gray color sits against a plain white-stock-foto
RM
Denarius, Marcus Aurelius (121–180, Roman emperor 161–180) and Lucius Verus (130–169, Roman emperor 161–169), issuer; posthumous Antoninus Pius (86–161, Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, with drapery on the left shoulder, inscription DIVVS ANTONINVS around. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription CONSECRATIO around. After 161 CE, Roman Empire (27 BC–476). Rome. Coin (denarius): diameter 16.5–17.0 mm, weight 3.25 g, axis 0°., A round, dark gray coin with uneven edges rests on a-stock-foto
RM
Denarius, posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161), Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers. Obverse: Head of Antoninus Pius without a covering facing right, inscribed 'DIVVS ANTONINVS' around. Reverse: Cuboid altar with two doors and finials in the form of horns, inscribed 'DIV OP IO' around. After 161 CE. Roman Empire. Rome. Coin. Diameter 15.0–17.5 mm, weight 2.58 g, axis 180°., A round, dark gray metal coin with a raised central design resembling a rectangular structure with two vertical-stock-foto
RM
Denarius, posthumous; obverse: head of Antoninus Pius bare to right, inscribed DIVVS · ANTONIN; reverse: rectangular altar with pair of doors and a finial in the form of horns, inscribed DIVO · PIO; issuers: Lucius Verus and Marcus Aurelius; after 161 CE; Roman Empire (27 BCE–476 CE), Rome; coin; diameter 16.5–17.0 mm; weight 3.20 g; axis 180°., A round metallic object with a dark gray surface sits centered against a white background; the object shows an embossed rectangular structure with a roof-like top and a base, and within the rectangle there are two panels each containing a few small-stock-foto
RM
Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer), Lucius Verus (130–169; Roman emperor 161–169) (issuer). Obverse: Head of Antoninus Pius bare, right, inscription DIVVS • ANTONINVS. Reverse: Rectangular altar with two doors and a finial in the form of horns, inscription DIVO • PIO. After 161, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0 mm; weight 3.25 g; axis 180°., A circular metallic object with a worn surface, shown against a plain white background, displaying darker gray and lighter silver tones; the-stock-foto
RM
Denarius, posthumous issue after Antoninus Pius (86–161); also associated with Lucius Verus (130–169) and Marcus Aurelius (121–180). Obverse: head of Antoninus Pius bare, drapery on left shoulder, right; legend DIVVS·ANTONINVS. Reverse: rectangular altar with two doors and a finial in the form of horns; legend DIVO·PIO. After 161 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 17.0 mm, weight 3.35 g, axis 195°., A round metallic object with a worn surface showing a raised rectangular structure in the center resembling a small building or framed panel, with vertical and horizontal lines-stock-foto
RM
Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of the emperor in a laurel wreath facing right; legend ANTONINVS · AVG · PIVS · PP. Reverse: facade of a temple with eight columns, with statues (possibly of Divine Augustus and Livia?) in the middle and two on the sides; legend TEMPLVM · DIV · AVG · REST and inscription COS IIII. Date: 145–161. Roman Empire, Rome. Coin. Diameter 16.0–17.0 mm; weight 3.00 g; axis 210°., A round metallic object with a worn surface sits against a white background; the object appears silver-gray with darker gray tarnish and lighter-stock-foto
RM
Denarius of Hadrian (76–138; Roman emperor 117–138). Obverse: bust of Hadrian with laurel wreath facing right; rim inscription 'IMPCAESARTRAIANHADRIANVSAVG'. Reverse: galley sailing left; rim inscription 'PM TR P COS III'. Coin pierced for suspension. Date: 119–122. Place: Rome, Roman Empire (27 BC–476). Medium: silver coin. Weight: 3.10 g., A circular, worn metallic object with a small hole near the top edge, showing an embossed design of a boat-like shape with a curved prow and a rectangular structure above it; the surface is textured and uneven with signs of wear and slight chipping at the-stock-foto
RM
Sestertius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Lucius Verus (130–169; Roman emperor 161–169) (issuer), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Head of Antoninus Pius without a covering to the right, inscription DIVVS ANTONINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues; on the top a quadriga carried by the emperor, inscription CONSECRATIO; in exergue, SC. After 161. Roman Empire, Rome. Coin; bronze; diameter ~30–31 mm; weight 23.15 g; axis 0°., A round coin with a worn brown and dark brown patina showing a-stock-foto
RM
Denarius, after 161. Obverse: Head of Antoninus Pius without a covering, with drapery on the left shoulder, right; inscription DIVVS A NINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. Issuers: Marcus Aurelius (121–180) and Lucius Verus (130–169); Antoninus Pius (86–161) depicted posthumously. Roman Empire (27 BC–476), Rome. Coin; diameter 18.0 mm, weight 2.92 g, axis 195°., A small round object with a worn metallic surface in shades of dark gray and silver sits against a white background; the object shows an-stock-foto
RM
Denarius, Hadrian (76–138; Roman emperor 117–138). Obverse: head of Hadrian in laurel wreath facing right; rim inscription HADRIANVS AVGVSTVS. Reverse: Concordia seated left, dressed in a long robe, holding a patera in her outstretched right hand, with her left hand resting on the figure of Spes on a small base at the back of the chair; rim inscription COS III. Date: 125–128. Roman Empire (27 BC–476). Rome. Coin; weight 3.03 g., A circular, worn metallic object in shades of gray with an uneven edge sits against a white background; faint raised markings create an outline resembling a seated-stock-foto
RM
Denarius, posthumous portrait of Faustina the Elder (98–141; Roman empress 138–141); issuer Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Faustina I draped, facing right, legend DIVA • FAVSTINA. Reverse: Six-column façade of the temple of Divine Faustina with a statue of the empress in the middle, legend AED • DIVSTINAE (circumferential). After 141 CE, Roman Empire. Coin: diameter 16.5–17.5 mm, weight 3.15 g, axis 180°., A round, worn coin with an uneven edge shown against a white background, the coin surface appearing dark gray with lighter gray highlights; the center of-stock-foto
RM
Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Bust of Antoninus Pius in a cloak (paludamentum) and a laurel wreath facing right; legend ANTONINVS AV, PIVS PP TR P XXIII. Reverse: Facade of a temple with eight columns, with two statues (Divine Augustus and Livia); legend TEMPLVM DIV AVG REST and COS IIII. Iconography: statues, paludamentums, ancient temples, head of the emperor in a laurel wreath. Date: 159–160. Roman Empire (27 BC–476), Rome. Coin: silver, diameter 16.0–17.5 mm, weight 3.20 g, axis 210°., A round metallic object with a dark gray, slightly worn surface,-stock-foto
RM
Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: conjoined busts; legend ADV. DIVVS ANTONINVS; emperor's head on the right; pearled border. Reverse: CONSECRATIO; four-tiered funeral pyre decorated with garlands and topped with a quadriga; pearled border. After 161 CE, Roman Empire (27 BC–476), Rome. Silver coin, weight 3.16 g, axis 180°., A round, worn metallic object with an uneven edge, showing a central raised stepped structure with several rectangular tiers; the surface has a textured, aged appearance-stock-foto
RM
Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue featuring Antoninus Pius (86–161; Roman emperor 138–161). Obverse: heads/busts of the emperors; legend ADV. DIVVS NTONINVS; head of the emperor right within pearl border. Reverse: square altar with inscription DIVO PIO within pearl border. After 161, Rome, Roman Empire (27 BC–476). Coin, weight 3.40 g, axis 180°., A round, weathered metal object with an uneven edge and a patina of brown and dark bronze tones, showing areas of greenish corrosion; the surface bears a raised central motif resembling a simple rectangular-stock-foto
RM
Denarius, Antoninus Pius (86–161; Roman emperor 138–161), posthumous issue for Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: imperial head of Antoninus Pius right; pearled border; inscription 'ADV. DIVVS ANTONINVS' (abbreviated). Reverse: CONSECRATIO — four-tiered funeral pyre decorated with garlands and topped with a quadriga; pearled border. After 166 CE, Roman Empire (27 BC–476), Rome. Coin; weight 3.17 g; axis 180°., A round metallic object with an uneven edge and worn surface, showing a raised multi-tiered structure in the center with rectangular and arched shapes and small-stock-foto
RM
Denarius of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: Emperor's head in a laurel wreath facing right, inscribed 'ANTONINVS AVG PIVS PP'. Reverse: Winged lightning over the throne, inscribed 'C O S I I I'. Silver coin, weight 3.10 g, dated 145–161, Roman Empire (27 BC–476). Iconography: busts, lightning over the throne., A round metallic object with a worn, slightly irregular edge, showing a raised central design that resembles a simple rectangular structure with short legs and a curved element inside; above the structure is a horizontal ornamental band with rounded indentations-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer active 1710–1763. Tea bowl with a rectangular base, semicircular arched sides at the top, a circular opening and a short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry by brick-red draperies suspended on plant branches. The cartouches contain purple camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) on a rocky-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (1710–1763), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. The cartouches feature landscape miniatures with architecture and staffage painted in purple camaieu: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger faces are cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches contain purple-camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) a structure-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer possibly Koenigliche Porzellain Fabrique; porcelain tea bowl with rectangular base, semicircular arched sides, circular opening and short hoop neck (lid missing). On larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid-closure missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped along the axis of symmetry with brick-red draperies suspended on both sides on plant branches. The cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on-stock-foto
RF
Close up sturdy dark metal casing frame with regular pattern of small rectangular hole grid for effective air flow ventilation showing solid industria-stock-foto
next page