Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[smaller rectangular] képek

666 találat
  • / 17
  • kép/oldal:
RF
A Red and white rounded rectangular badge with bold 3d red text reading APRIL SALE and smaller word SPECIAL on top, glossy promotional sign-stock-foto
RF
A Retro style rectangular badge with dotted border and bold 3d yellow text reading health day and smaller white world on dark blue background.-stock-foto
RF
A Rectangular dark blue sign with dotted white border and bold 3d orange text reading clients day and smaller white text international above-stock-foto
RM
Sign libror Paul Hofer; Münger, Rudolf (1862–1929), graphic artist; Witke-Jeżewski, Dominik (1862–1944), buildings; Swiss; castles; towers; animals; Swiss graphics; coats of arms; landscapes; lions; Bern (Switzerland); heraldic animals; Hofer, Paul (fl. ca. 1903); bookplate; heraldry; heraldic-text bookplates; coats of arms; 1903; Bern; graphic print; graphics; bookplate; height 8.3 cm; width 7.5 cm, A rectangular sheet with a smaller ornate rectangular vignette centered on it, showing a heraldic shield topped by flowing mantling and a lion rampant crest; the shield contains a patterned lower-stock-foto
RM
Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879) and Fabian Sarnecki (1800–1894); subject: Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); related to Dominik Witke-Jeżewski (1862–1944) and his depiction/iconography of Poniatowski, portraits, busts; Polish graphic art, print graphic; male portrait; dated 1832–1833, Paris; dimensions: 11.2 × 9.5 cm and 13.8 × 10.7 cm., A rectangular grayish-brown sheet with a textured surface and a darker narrow border surrounding it, containing a smaller white rectangular print centered near the top showing a-stock-foto
RM
Grodzisk. Parish Church of St. Anne. Reconstruction project never realized. Front elevation. Wojciechowski, Jarosław (1874–1942). Churches, Grodzisk Mazowiecki (Masovian Voivodeship). Modernism, traditionalism. Scale in meters at the bottom. 1913. Architectural drawing/design. Height 40.7 cm, width 26.3 cm., A detailed ink drawing of a church façade centered on the page, rendered in black lines on a pale beige background; the building shows a tall central tower with a rounded cupola and a smaller cross-topped spire, flanked by lower pitched roofs and rectangular towers, with arched windows, a-stock-foto
RM
Psary. Church. Bottom plan; Wojciechowski, Jarosław (1874–1942); churches; Psary (Greater Poland Voivodeship); architectural designs; towns; modernism (style); bottom scale: 10 meters = 6 cm; 30 Polish ells = 10.2 cm; explanations; 1909; drawing; architectural drawing; architectural design; height 36.5 cm; width 23 cm, A vertical architectural floor plan drawn on an off-white sheet with a narrow gray border, showing a symmetrical building outline in black ink with thick black wall sections and thin fine-line interior details; the plan features a central large rectangular nave area flanked by-stock-foto
RM
Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew; Maślankiewicz (fl. 1927). Subject: elections; type: leaflet; theme: Judaica; Provisional Jewish National Council (1918–?); Legislative Sejm (1919–1922); date: 1919; dimensions: height 23.2 cm, width 15.5 cm., A single aged rectangular sheet of beige paper with darker printed areas and visible wear along the edges, showing a few small torn sections at the bottom and a slightly uneven border; the page contains a large-stock-foto
RM
Botanical Garden in Warsaw. Chapel at the site of the cornerstone for the construction of the Temple of Divine Providence, graphic artist, 1861 (earlier dating 1840), graphic, height 16.7 cm, width 22.3 cm., A rectangular sepia-toned mount surrounds a central white sheet with a detailed black-and-white etched landscape scene. The etched scene shows a group of stone archways partially covered by dense foliage and vine-like growth, with a few trees nearby including tall, slender trees and fuller, weeping trees with drooping branches. In front of the arches a person in period clothing stands near-stock-foto
RM
The Heart of Jesus surrounded by the Arma Christi, Piotrowski, Jan Onufry (fl. 1754–1765), graphic artist. Arma Christi (attribute). The Heart of Jesus. I Monuments of domestic engraving, 1754–1768. Vilnius. Graphic; graphic matrix/plate. Height 8.7 cm, width 5.5 cm., A rectangular metal plate with a warm brown and copper tone fills the frame, showing an oval central design surrounded by decorative borders and scrollwork in similar metallic shades; within the oval is a stylized heart topped with a crown of thorns and a cross above it, with radiating lines and a halo-like pattern, and a smaller-stock-foto
RM
Floral ornament, graphic artist, Łohojsk. Possibly a matrix for embossing leather. Before 1850. Matrix. Height 28.6 cm; width 20.6 cm., A rectangular metal plate with an overall brown and copper tone features an intricate engraved floral pattern covering its surface; a dense background of small etched dots contrasts with flowing vines, stylized leaves, and a variety of flower forms arranged in a repeating ornamental design, with larger decorative cartouche-like floral motifs interspersed among smaller blossoms and buds, and subtle variations of darker brown lines where the engraving cuts the-stock-foto
RM
Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A rectangular metal plate with rounded corners, primarily brass-colored with areas of darker and lighter patina, shows three circular engraved designs: a large circle near the top center with concentric patterned borders and fine horizontal hatch marks inside, and two smaller circles near the bottom with decorative corner motifs; the upper circle is connected-stock-foto
RM
Maltese Cross on a paludamentum under a ducal mitre with the Szreniawa coat of arms superimposed in an oval. A chain with a smaller Maltese Cross suspended beneath it is woven into the arms of the cross. Above and below the paludament are ribbons with an inscription. This bookplate imitates the composition of Hieronim Lubomirski's bookplate made a hundred years earlier; unlike that earlier plate, this was not a highly technical engraving. A variant exists with an identical composition differing only in the inscription. After 1796, graphic print, bookplate. Height 7.4 cm, width 6.1 cm; height-stock-foto
RM
Bookplate of Henryk Lubomirski (1777–1850). Heraldic bookplate showing a Maltese Cross on a paludamentum beneath a ducal mitre with the Szreniawa coat of arms superimposed in an oval. A chain with a smaller Maltese Cross suspended beneath it is woven into the arms of the cross. This bookplate imitates the composition of Hieronim Lubomirski's bookplate made a hundred years earlier. Unlike that earlier plate, it was not a high-quality engraving. Henryk Lubomirski used another mark which, omitting the phrase 'Ex Libris,' could have served as a collector's mark. After 1796; graphic print;-stock-foto
RM
Denarius of Lucius Verus (130–169; Roman emperor 161–169) and Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, drapery on the left shoulder, right; inscription DIVVS ANTONINVS. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. After 161 CE, Roman Empire (Rome). Coin: diameter 16.5–18.0 mm, weight 2.95 g, axis 180°., A small round metallic object with a dull gray color sits against a plain white-stock-foto
RM
Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180), issuer Marcus Aurelius and Lucius Verus (130–169; Roman emperor 161–169), issuer Lucius Verus, iconography: doors (architectural), altars, head of the emperor; obverse: head of Antoninus Pius bare, right, legend DIVV A TONINVS around; reverse: cuboidal altar with two doors and a finial in the form of horns, legend DI - O O around; after 161, Rome, Roman Empire (27 BC–476); coin; diameter 16.0 mm; weight 2.90 g; axis 15°., A small, round, dark gray coin with a slightly-stock-foto
RM
Denarius, posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161), featuring Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers. Obverse: head of Antoninus Pius bare, facing right, legend ANTONINVS around. Reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIVO · PIO around. After 161; Roman Empire (27 BC–476), Rome. Coin: diameter 16.5–17.5 mm, weight 3.00 g, axis 210°., A single round metallic object with a worn surface, showing a raised square design in the center containing a-stock-foto
RM
Denarius, posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161), featuring heads of Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers; obverse: head of Antoninus Pius bare, facing right, legend DIVVS ANTONINVS around; reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIV IO around. After 161, Roman Empire (27 BC–476), Rome. Coin. Diameter 15.5–16.0 mm, weight 2.88 g, axis 180°., A round, dark gray metal object with an uneven, slightly irregular edge is centered on a white-stock-foto
RM
Denarius, posthumous issue: Antoninus Pius (86–161; Roman emperor 138–161), Marcus Aurelius (121–180; Roman emperor 161–180), and Lucius Verus (130–169; Roman emperor 161–169) — obverse: head of Antoninus Pius bare, right, legend DIVVS ANTONINV; reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIV-OP-IO. After 161, Roman Empire (27 BC–476), Rome. Coin: diameter 16.0–16.5 mm, weight 3.00 g, axis 180°., A round metal object with a dark gray surface showing wear and irregular edges, featuring an embossed rectangular frame in the center with a smaller-stock-foto
RM
Denarius, Hadrian (76–138; Roman emperor 117–138). Obverse: bust of Hadrian right, laurel wreath in hair; rim inscription IMPCAESARTRAIANHADRIANVSAVG. Reverse: Liberalitas (personification) seated left on a platform, holding a tessera in his right hand; a citizen/Hadrian standing in front of the platform; rim inscription COS III; legend in field LIBERALAVG III. Date: 119–122. Rome, Roman Empire (27 BC–476). Coin; weight 2.85 g., A worn circular metal object with a gray and silver patina showing raised and recessed areas, featuring a central scene of a seated figure on a rectangular platform-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), issuer Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAV - STINA PIA. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, inscription CON - SECR - ATIO. After 176, Roman Empire (27 BC–476), Rome. Coin; weight 2.85 g; diameters 16.5 mm and 18.5 mm; axis 180 degrees., A round metallic object with a worn, uneven edge appears centered on a white background; the object shows a rectangular raised platform in the-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous). Issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery to the right, legend DIVA TINA PIA. Reverse: Rectangular altar with a pair of doors, legend C·CRATIO. After 176, Rome, Roman Empire (27 BC–476). Coin; diameter 16.0–17.0 mm, weight 1.98 g, axis 0°. Icons: altars, doors (architectural), busts of empresses., A round metallic object with an irregular edge, showing a recessed rectangular frame and a smaller raised rectangular shape in its center; the surface appears worn-stock-foto
RM
National tax notice; National Government; securities; National Government notice; January Uprising (1863–1864); personal receipts; Kingdom of Poland (1815–1918); Notice no. 33169; notification, without receipt, of the National Government regarding the fact that the resident of Hube should pay a one-off national tax of 1,500 złoty to the collector on June 15, 1863; 1863; Warsaw, Poland; security; receipt; dimensions: 1,102 mm × 2.66 mm, A worn rectangular piece of pale off-white paper is taped near the top center of a larger textured brown background, with a narrow strip of similarly pale tape-stock-foto
RM
Receipt of the Central National Committee, National Government; bearer receipt of the Main Cashier of the Central National Committee, series D no. 29890, issued for the sum of 166 zlotys and 20 groszy, January Uprising (1863–1864), Kingdom of Poland (1815–1918). On the reverse: two ink prints of seals of the National Government, Department of the Administration of the Provinces of Lithuania — one with an eagle and pursuit, the other with the motto 'Equality, Freedom, Independence' and two hands in a handshake. Signed with initials 'EM', 1863. Receipt/security; dimensions 250 × 1141 mm., The-stock-foto
RM
Denarius of Antoninus Pius (86–161; Roman emperor 138–161), obverse: head of the emperor in a laurel wreath facing right, inscription ONINVS AVG PI - VS PP TR P XVI all around; reverse: Annona (personification) stands left, holds ears of corn in her right hand, rests her left on a container (modius) standing on a ship, inscription C OS - IIII all around. Date: 153–155. Roman Empire (27 BC–476), Rome. Coin; diameter 17.5–19.0 mm, weight 2.98 g, axis 180°. Iconography: Antoninus Pius, personifications, modius, ships., A single round, worn metallic object with a dull gray color sits against a-stock-foto
RM
Denarius - bracteate, Gate I (iconographic). Maker: Anthony Richard (1841–1894). Depicts a gate with four rectangular and two triangular openings topped with a lily. At the corners of the gate are balls; between the lily and the corner balls is a smaller ball. Under the arched vault of the gate is a six-pointed star. Date: ca. 1257/1258–ca. 1267/1268. Issued by the State of the Teutonic Order (1226–1525). Coin (one-sided). Diameter 18.4 mm; weight 0.26 g., A round, worn object with an uneven rim and textured surface showing raised and indented areas; the object appears in shades of gray and-stock-foto
RM
Denarius - bracteate, Richard, Anthony (1841–1894). One-sided coin (bracteate) with AR punch. Design: gate with four rectangular and two triangular openings topped with a lily; at the gate corners a sphere; between the lily and the spheres a smaller sphere; under the arched vault a six-pointed star. Motifs: gates, spheres, stars, lilies. Attributed to the Teutonic Knights (Order), State of the Teutonic Order (1226–1525). Date: ca. 1257/1258–ca. 1267/1268. Diameter 17.1 mm; weight 0.18 g., A roughly circular, worn object with an uneven edge, showing a raised central design that resembles a-stock-foto
RM
Denarius - bracteate of Richard, Anthony (1841–1894). AR punch; one-sided coin. Design: gate with four rectangular and two triangular openings topped with a lily. At the gate's corners is one sphere; between the lily and the spheres is a smaller sphere. Under the arched vault of the gate is a six-pointed star. Motifs: gates, spheres, stars, lilies. Teutonic Knights (Order). Date: ca. 1257/1258–ca. 1267/1268. State of the Teutonic Order (1226–1525). Coin, diameter 17.1 mm, weight 0.18 g., A roughly circular, worn object with an uneven rim and surface texture, showing a raised central motif that-stock-foto
RM
denarius - bracteate, gate I (iconographic), lilies, gates, balls, stars, one-sided coins, six-pointed star (iconographic), Teutonic Knights (order). Gate with four rectangular and two triangular openings topped with a lily. At the corners of the gate there is one ball. Between the lily and the balls there is one smaller ball. Under the arched vault of the gate, a six-pointed star. ca. 1257/1258 - ca. 1267/1268. State of the Teutonic Order (1226-1525). Coin (one-sided), diameter 18.4 mm, weight 0.26 g. Maker: Richard, Anthony (1841-1894), A round, worn metallic object with an uneven rim and-stock-foto
RM
Denarius - bracteate, gate (iconographic). Gate with four rectangular and two triangular openings topped with a lily. At the corners of the gate there is one ball; between the lily and the balls there is one smaller ball. Under the arched vault of the gate, a six-pointed star. One-sided coin (bracteate). Ca. 1257/1258–ca. 1267/1268. State of the Teutonic Order (1226–1525). Diameter 18.4 mm; weight 0.26 g. Maker: Richard, Anthony (1841–1894) noted in attribution. Iconographic keywords: lilies, gates, balls, stars, six-pointed star, Teutonic Knights., A circular, worn object with a raised rim-stock-foto
RM
Treasury Bond of the Kingdom of Poland No. 2061 for 1,000 złoty, issued by virtue of the resolutions of His Imperial and Royal Majesty of March 26 / April 7 and July 28 / August 9, 1834, without coupons for collecting interest. Fragment of the bond in Polish. Cancelled. 1834. Kingdom of Poland (1815–1863). Bond, security., A vertical fragment of a printed document on light beige paper with dark brown and black printed decorative lettering and ornate border designs, showing a rectangular layout with scalloped cutouts on the right edge; the left and top edges include a patterned beige border-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer active 1710–1763. Tea bowl with a rectangular base, semicircular arched sides at the top, a circular opening and a short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry by brick-red draperies suspended on plant branches. The cartouches contain purple camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) on a rocky-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (1710–1763), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. The cartouches feature landscape miniatures with architecture and staffage painted in purple camaieu: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger faces are cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches contain purple-camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) a structure-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer possibly Koenigliche Porzellain Fabrique; porcelain tea bowl with rectangular base, semicircular arched sides, circular opening and short hoop neck (lid missing). On larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid-closure missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped along the axis of symmetry with brick-red draperies suspended on both sides on plant branches. The cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on-stock-foto
RM
Fortification plan; graphic artist; Chinese art; Chinese; maps; early 20th century; graphic print; height 62.5 cm; width 109.0 cm, A hand-drawn map-like scene showing a pale beige background with a winding blue river and a few smaller blue waterways, several square compound-like shapes outlined in gray with internal blue and red markings, a group of small rectangular beige structures near the river, a couple of irregular green ponds and some green grassy patches, a large roughly square green enclosure with a small beige object inside, intersecting brown and green roads or paths, a few small-stock-foto
RM
Banner with depictions of various offerings in honor of one of the 84 mahasiddhas, Manibhadra; Tibetan Buddhist art; Tibetan, Mongolian; inscriptions; vajras, shells, gems, offerings; graphic; 1st half of the 20th century; Mongolia; height 32.0 cm, width 54.0 cm, A horizontal rectangular cloth with a worn beige background contains a central framed panel outlined in faded red and dark lines, filled with dense dark script around its border. Inside the panel, a symmetrical arrangement of decorative objects and stylized animals is depicted, including a central ornate bowl or vessel with flame-like-stock-foto
RM
Vipassi Buddha, Knothe, Jerzy (1917–2002), graphic print, Tibetan Buddhist art, Chinese, Chinese art, Buddhism, Chinese Buddhism; depicts Vipassī (Pāli), the twenty-second of twenty-eight Buddhas described in Chapter 27 of the Buddhavaṃsa (a text of the Khuddaka Nikāya in the Sutta Piṭaka of the Pāli Canon); dragon with pearl, inscriptions, lotus throne, peaches, lotuses, vajras; early 20th century, China; height 171.0 cm, width 70.0 cm., A tall monochrome image showing a vertical rectangular print with intricate linework and ornate borders on a light gray background; the central panel-stock-foto
RF
Close-up of a beige textured wall with a long, horizontal crack running across the middle, and a smaller vertical crack on the right.-stock-foto
next page