Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[stepped rectangular structure] képek

53 találat
  • / 2
  • kép/oldal:
RM
Monument erected to Prince Józef Poniatowski in Leipzig; lithograph by Fritzsche, J. G.; Carl Patzschke (1813–1871); Louis Rocca (publisher, fl. ca. 1850–ca. 1870). Depicts the monument to Prince Józef Antoni Poniatowski (1763–1813) in the Reichenbach-Gerhard garden, Leipzig, with trees; Napoleonic era association (1799–1815). Includes coats of arms, Poland White Eagle. German graphic print, ca. 1860. Image dimensions: 16.5 × 21.0 cm (print), 28 × 37.1 cm (sheet)., The image shows a rectangular print centered on a larger off-white sheet with visible aging and subtle stains; within the print is-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous issue for Marcus Aurelius, 121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAVSTINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CONSECRATIO. After 176 CE, Roman Empire. Coin; diameter 17.0–17.5 mm; weight 3.15 g; axis 180°., A round metallic object with a weathered silver-gray surface, showing a raised central rectangular structure with vertical grooves and a stepped base; the object has irregular edges and subtle surface scratches, with-stock-foto
RM
Denarius, after 161 CE. Obverse: Head of Antoninus Pius bare, drapery on left shoulder, facing right, inscription DIVVS ANTONINV all around. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, inscription CO, C, ATIO all around. Issuers: Lucius Verus (130–169) and Marcus Aurelius (121–180); Antoninus Pius (86–161) depicted posthumously. Roman Empire, Rome. Silver coin; diameter 17.0–17.5 mm, weight 2.25 g, axis 180°., A round, worn object with an uneven edge in a dark gray color, showing a few surface cracks and a central raised stepped structure-stock-foto
RM
Denarius of Lucius Verus (130–169; Roman emperor 161–169) and Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue for Antoninus Pius (86–161; Roman emperor 138–161). Obverse: head of Antoninus Pius without a covering, drapery on the left shoulder, right; inscription DIVVS ANTONINVS. Reverse: funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. After 161 CE, Roman Empire (Rome). Coin: diameter 16.5–18.0 mm, weight 2.95 g, axis 180°., A small round metallic object with a dull gray color sits against a plain white-stock-foto
RM
Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer), Lucius Verus (130–169; Roman emperor 161–169) (issuer). Obverse: Head of Antoninus Pius bare, right, inscription DIVVS • ANTONINVS. Reverse: Rectangular altar with two doors and a finial in the form of horns, inscription DIVO • PIO. After 161, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0 mm; weight 3.25 g; axis 180°., A circular metallic object with a worn surface, shown against a plain white background, displaying darker gray and lighter silver tones; the-stock-foto
RM
Sestertius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Lucius Verus (130–169; Roman emperor 161–169) (issuer), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Head of Antoninus Pius without a covering to the right, inscription DIVVS ANTONINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues; on the top a quadriga carried by the emperor, inscription CONSECRATIO; in exergue, SC. After 161. Roman Empire, Rome. Coin; bronze; diameter ~30–31 mm; weight 23.15 g; axis 0°., A round coin with a worn brown and dark brown patina showing a-stock-foto
RM
Denarius, after 161. Obverse: Head of Antoninus Pius without a covering, with drapery on the left shoulder, right; inscription DIVVS A NINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top; inscription CONSECRATIO. Issuers: Marcus Aurelius (121–180) and Lucius Verus (130–169); Antoninus Pius (86–161) depicted posthumously. Roman Empire (27 BC–476), Rome. Coin; diameter 18.0 mm, weight 2.92 g, axis 195°., A small round object with a worn metallic surface in shades of dark gray and silver sits against a white background; the object shows an-stock-foto
RM
Denarius, Marcus Aurelius (121–180; Roman emperor 161–180), posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161). Obverse: conjoined busts; legend ADV. DIVVS ANTONINVS; emperor's head on the right; pearled border. Reverse: CONSECRATIO; four-tiered funeral pyre decorated with garlands and topped with a quadriga; pearled border. After 161 CE, Roman Empire (27 BC–476), Rome. Silver coin, weight 3.16 g, axis 180°., A round, worn metallic object with an uneven edge, showing a central raised stepped structure with several rectangular tiers; the surface has a textured, aged appearance-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer active 1710–1763. Tea bowl with a rectangular base, semicircular arched sides at the top, a circular opening and a short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry by brick-red draperies suspended on plant branches. The cartouches contain purple camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) on a rocky-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (1710–1763), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. The cartouches feature landscape miniatures with architecture and staffage painted in purple camaieu: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid missing). On the larger faces are cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches contain purple-camaieu landscape miniatures with architecture and staffage: (1) a multi-span bridge with a cross and a figure on the left; (2) a structure-stock-foto
RM
Four-sided tea bowl, Meissen (circa 1750), manufacturer possibly Koenigliche Porzellain Fabrique; porcelain tea bowl with rectangular base, semicircular arched sides, circular opening and short hoop neck (lid missing). On larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped and bottomed on the axis of symmetry with brick-red draperies suspended on plant branches. Cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on a-stock-foto
RM
Four-sided tea bowl, Koenigliche Porzellain Fabrique, Meissen (circa 1750), manufacturer. Tea bowl with a rectangular base, semicircular arched top, circular opening and short hoop neck (lid-closure missing). On the larger walls, cartouche frames with two purple draperies suspended at the sides on small flower bouquets and dry rocaille, topped along the axis of symmetry with brick-red draperies suspended on both sides on plant branches. The cartouches feature purple camaieu landscape miniatures with architecture and staffage: 1) a multi-span bridge with a cross and a figure on the left; 2) on-stock-foto
RF
A close-up, downward-angled view of the upper rows of the stepped foundation. The textured, weathered surfaces of the rectangular stone blocks are int-stock-foto
RF
Compact rectangular tiny house with dark wood cladding and sliding glass doors, stepped metal roof, and elevated pergola deck with seating, planters,-stock-foto
RF
Greek key pattern, circular border. Decorative circle frame with meander pattern, a repeated motif, consisting of rectangular spirals.-stock-foto
RF
Meander pattern, circle frame. Decorative border with Greek key pattern, a repeated motif, consisting of rectangular spirals.-stock-foto
RM
The Tomb of Cyrus at Pasargadae is an iconic example of Achaemenid architecture, characterized by its simple yet monumental structure. Built around the 6th century BCE, this tomb features a gabled roof and is mounted on a rectangular, stepped platform. The design reflects a blend of Mesopotamian and local traditions, symbolizing the unity and diversity of Cyrus's empire.-stock-foto
RF
Hand-drawn pencil sketch is showing skyscraper outlines with arrows and cloud shapes on parchment-stock-foto
RF
Minimalist monochromatic 3D render showing offset grid of white gray cubes and prisms in white void-stock-foto
RF
White cubes and rectangular prisms are forming abstract landscape in 3D render with studio backdrop-stock-foto
RM
Mortar with incised geometric design 500 B.C.–A.D. 500 Condorhuasi-Alamito This rectangular stone receptacle bears incised stepped, concentric geometric designs with recessed areas on the exterior. The principal shape is a 20-sided cruciform motif known as the ANdean cross, an element common in art from the Andes throughout the Precolumbian period.The Condorhuasi-Alamito peoples were llama pastoralists in the area that is now the Catamarca province of Argentina. They were skilled artisans in a variety of media, including ceramic, metal, and stone. Archaeological evidence suggests that the Cond-stock-foto
RM
Mechanical casket 1800–1810 Heinrich Gambs The design of this rectangular casket, with its double stepped base, appears to belong to the Art Deco period rather than to the time of Napoleon. The beautiful burr maple–veneered exterior encloses various mechanical devices, buttons, and springs to open or release hidden compartments and give access to secret drawers. Heinrich Gambs served as a journeyman in the workshop of David Roentgen with whom he collaborated and traveled to Russia in 1790. Gambs opened a furniture workshop in Saint Petersburg, where he made mechanical pieces that resembled the-stock-foto
RM
Abstract facade of a new building but designed in an older style in Steveston British Columbia Canada-stock-foto
RM
Abstract metal sculpture feature over the entrance to residential parking in Steveston British Columbia Canada-stock-foto
RF
879 Facade in Art Deco style of the Davis's buildings on Sturt Street south side. Ballarat-Australia.-stock-foto
RF
289 Pediment of Art Deco building dated AD 1930 in English Street. Malanda-Australia.-stock-foto
RF
Rows of marble stands-small theatre-Praca da Republica square. Tavira-Portugal-087-stock-foto
RM
Constructional elements, bracket; knee-shaped: rectangular in section, straight reverse, stepped flat upper end, front cur, tapered downward, broken off, pierced, concreted; id., stepped end broken off, rectangular hole. Manufacturer : anoniemPlaats manufacture: Nederland Dating: 1700 - in of voor 13-jul-1743 Material: hout Dimensions: h 38 cm. (grootste) × b 9,5 cm. × d 7 cm. × h 28,5 cm. (kleinste) × b 9 cm. × d 7 cm. Date: 1743 - 1743-stock-foto
RF
Hampi Stepped Tank-stock-foto
RM
Rectangular Renaissance Revival brick window boarded up-stock-foto
RM
Tula, religious civic center of the Toltec culture founded around 900 BC. JC, under the name Toll…-stock-foto
RM
A Victorian architectural plate depicting a tall tapered stone chimney rising in stepped stages. Rectangular blocks, a pitched cap and triangular openings define the upper section, while shading emphasises vertical mass, textured masonry and the solid presence of historic architectural construction. From one of a collection of woodcuts published in the 4th (enlarged) edition of A Glossary of Terms Used In Grecian, Roman, Italian and Gothic Architecture, which was published in 1845.-stock-foto
RM
Västerhejde kyrka is a Romanesque church on Gotland built in the 13th century, featuring a choir with apse and a rectangular nave with flat wooden ceiling. Its tower was added mid-century and later altered: the original spire was replaced in 1856 with crow-stepped gables designed by Fredrik Wilhelm Scholander. Interior furnishings are mostly from the 17th century, including pulpit, altarpiece and pews.-stock-foto
RM
Illustration of a stepped fountain with water flowing from a stone wall spout into a rectangular basin, then into a smaller basin, flanked by tree branches, showing architectural and landscape details.-stock-foto
RM
Collar stone from the wreck of the East Indies Hollandia, Anonymous, 1700 - in Or Before 1743 Constructional elements, bracket; knee-shaped: rectangular in section, straight reverse, stepped flat upper end, front curving, tapered downward, broken off, pierced, concreted; id., stepped end broken off, rectangular hole. Netherlands wood (plant material) Second-stock-foto
RM
Mantel clock by Alexandre Pertrand fl. ca. 1840. Mantel clock in the form of a four-column portico on a cuboid base and counter-base; boxwood inlays on the front of the cornice and base with a rhombus rosette and a tendril on both stylons; gilded bronze bases and capitals. Suspended movement with a silver dial with Roman numerals and two keyholes hangs between the columns. Gilded bronze frame with shells surrounds the clock. Oak construction with rosewood facing and light wood insets. Ca. 1840, Paris, France. Timepiece; H. 47 cm, W. 21 cm., A vertical wooden structure with a polished dark-stock-foto
RM
Mantel clock by Alexandre Pertrand fl. ca. 1840. Four-column portico form on a cuboid base and counter-base; boxwood inlays on the front of the cornice and base with a rhombus rosette and tendril on both styrons; gilded bronze bases and capitals. Suspended movement with a silver dial with Roman numerals and two keyholes hangs between the columns. Gilded bronze frame with shells surrounds the clock. Oak construction with rosewood facing and light wood insets. Ca. 1840, Paris, France. Timepiece; height 47 cm, width 21 cm., A freestanding wooden structure with a rectangular stepped base and a-stock-foto
RM
Sultan Al-Nasir Muhammad Mohammed Mosque Citadel Saladin Cairo Arabic Arab Republic of Egypt North Africa Middle East-stock-foto
RM
Sultan Al-Nasir Muhammad Mohammed Mosque Citadel Saladin Cairo Arabic Arab Republic of Egypt North Africa Middle East-stock-foto
next page