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Inscription enclosed in a simple linear frame. 18th century print bookplate: Du cabinet de M. Samuel de Tournes; graphic artist; text/bookplate; height 2.6 cm, width 5.4 cm., A rectangular piece of paper with a decorative black border featuring small floral motifs along the edges, placed on a gray background. The paper is an off-white, slightly textured beige with subtle flecks of color. Bold black printed characters form two centered lines across the middle of the paper. The border has thicker black vertical bars on the left and right and a horizontal band of black floral ornamentation at the-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist: Peter Bohmann (fl. 1800–182?); publisher; subject: Józef Antoni Poniatowski (1763–1813); artist/engraver: Dominik Witke-Jeżewski (1862–1944); Napoleonic era (1799–1815); iconography: Poniatowski — bust, orders, male portrait; Order of the Legion of Honour; Czech graphic print; before 1830; Prague; dimensions: 19.3 × 14.5 cm and 22.2 × 18.7 cm., A sepia-toned portrait print mounted on a grayish-brown mat showing an oval vignette of a man with curly hair and a mustache wearing a high-collared ornate military coat with epaulettes and-stock-foto
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Three anglers by the river in the forest, on the right, on a high bank, wooden fence; Nathe, Christoph (1753–1806), draughtsman; trees, forest landscape, anglers, lake; Gersdorf, Adolf Traugott von (1744–1807); ca. 1790, Germany; drawing; height 32.9 cm, width 42.1 cm, A framed oval portrait of a light-skinned person with powdered pale blonde hair styled back, wearing a white ruffled neckpiece and a red coat, set against a muted brownish-gray background; the portrait is surrounded by a black inner border with small gold bead detailing and an ornate rectangular outer frame finished in gold with-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the-stock-foto
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Title page: Collection of 19 planches études de figures Dessinées d'après nature A Amsterdam en 1703. Gravées spirituellement à l'eau-forte par M. Plonski à Paris. Title page, ca. 1806, Paris. Graphic plate, graphic matrix. Height 23.6 cm; width 17.3 cm., A rectangular surface fills the frame with a weathered, mottled appearance showing a mix of dark grays, blacks, and muted browns, with areas of lighter gray and subtle tan smudges. The surface has irregular blotches and stains, some clustered darker patches and softer washed areas, along with faint scratches and scuff marks. The edges show a-stock-foto
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Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
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Beggar with a Stick, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); beards (facial hair); human types; old men; character studies; beggars; sticks; paupers; male character studies; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 5.8 cm, A copper-toned rectangular metal plate with a sketched line drawing of an elderly bearded man leaning on a long staff, the man depicted wearing layered loose clothing and boots, standing on a simple ground line; the plate shows mottled areas of darker and lighter copper with greenish patina spots-stock-foto
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Highlander, Ignacy Łopieński (1865–1941), graphic artist; highlanders, haymaking; 1930; Warsaw; graphic plate; height 27.3 cm, width 22 cm, A worn rectangular surface with rounded corners fills the frame, showing a weathered, uneven texture in shades of gray with subtle areas of pale blue and muted brown; the surface has smudges, scuffs, and faint circular marks, with darker gray edges and a narrow lighter border around the perimeter.-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints, prayers, Our Lady of Częstochowa (painting), blessed; 1867, Paris; graphic; graphic matrix; graphic plate; height 25.3 cm, width 19.6 cm, thickness 0.2 cm, A rectangular, worn surface with a mottled texture showing a mix of gray, dark gray, brown, and black tones, framed by a narrow light gray border; the interior shows several areas of lighter gray patches and darker smudges, a few diagonal scratch marks toward one corner revealing a-stock-foto
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Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and-stock-foto
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Karawaka and prayer text. Spiritual Protection Against the Mormon Air, Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. I Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic, graphic matrix, graphic plate. Height 15.5 cm, width 20.6 cm., A flat rectangular metal plate with a warm brown and copper tone fills the image, showing an etched design and a gridlike decorative border; the right side features an ornate cross-shaped motif with rounded trefoil ends and an oval medallion at its center, while the left side contains densely incised-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure-stock-foto
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Eight images of Catholic saints and God, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). II Monuments of domestic engraving, Catholic saints, see new print (cut into five parts) inventory no. Gr.Pol.6000/19-23, all elements glued into Boczkowska's album on sheet no. 23. After 1800; graphic; graphic matrix; graphic plate; height 21.7 cm; width 33.3 cm, A rectangular metallic plate with a warm copper tone mottled with patches of darker brown and faint greenish spots, showing a grid of several recessed rectangular panels each containing faint embossed illustrations of human figures-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806-1868) - maker; graphic frames, ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal plate with a central recessed panel surrounded by an incised decorative border, showing a worn surface with mottled patches and areas of discoloration. The plate displays a range of coppery browns, reddish-brown tones, darker brown lines in the engraved border, and small greenish and yellowish spots of tarnish. The border features repeated linear and oval incisions forming a patterned frame, with corner-stock-foto
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Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A rectangular metal plate with rounded corners, primarily brass-colored with areas of darker and lighter patina, shows three circular engraved designs: a large circle near the top center with concentric patterned borders and fine horizontal hatch marks inside, and two smaller circles near the bottom with decorative corner motifs; the upper circle is connected-stock-foto
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Recto: Martyrdom of the Soul in Hell 'Tormentum gustus'; verso: Partially blurred emblematic composition; devils; sinners; emblematics; Hell; Human Soul (personification); graphic artist; graphic matrix/plate; graphic; height 12.4 cm, width 7.5 cm; dated 1650–1800; maker: Konstanty Tyszkiewicz (1806–1868)., A rectangular metal plate with a warm brown and copper tone fills the image, showing an engraved oval wreath composed of overlapping leaf-like shapes in darker etched lines; the plate surface has small areas of discoloration and subtle spots, scratches, and faint circular marks. The top and-stock-foto
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Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval, ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm; maker: Leon Wyczółkowski (1870–1927)., A worn rectangular board with a textured cardboard surface in tan and light brown tones, showing darker brown smudges and spots, a few scuffed areas and small abrasions, and a group of pencil marks and scribbles across the surface; the board is framed by a grayish border and sits against a neutral gray-stock-foto
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View of Krakow; illustration after Georg Braun (1542–1622) with draughtsmanship by Egidius van der Rye (fl. 1597–1605), Joris Hoefnagel (1542–1601), and Abraham Hogenberg (fl. 1608–1659). German print, 1617, album sheet; height 31.7 cm, width 50 cm. Historical cityscape showing Krakow and historical costumes. Hondius based a portrait of King John Casimir on one of two portraits by Daniel Schultz; one of those portraits depicted John Casimir in Polish costume and is known through prints. The print is accompanied by Latin text on a separate sheet., An aged rectangular sheet with a warm beige-stock-foto
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View of an impressive building with a corner tower; Feliks Jabłczyński (1865–1928), Polish graphic artist; ca. 1924; graphic art, graphic matrix/plate; height 9 cm, width 10.1 cm; trees; architectural view., A square surface fills the image showing a worn, textured sheet with an overall pale gray and off-white background mottled with areas of darker gray and light blue-gray spots and stains; there are several smudges and blotches in muted brownish-gray, faint scratches and thin lines crisscrossing the surface, a few circular darker stains, and a subtle darker border around the outer edges.-stock-foto
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A street in a medieval town; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, landscapes, cityscapes, architectural studies, views, streets, towers; architectural views of cities; Polish graphics; Gothic style; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10 cm, width 8.7 cm, A rectangular sheet with a worn, mottled surface showing a range of greys and off‑whites, with a few darker grey spots and stains scattered across it and some subtle bluish-grey patches; the sheet has faint scratches and scuff marks, a slightly darker narrow border around the edges, and a small-stock-foto
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City view inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, architectural studies, streets, views, gates, city views, architectural views; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10.4 cm, width 7.4 cm, A rectangular surface with a textured, worn appearance fills the image, showing a mottled field of pale gray and off-white with patches of darker gray and subtle brownish tones; there are several circular and irregular darker spots scattered across the surface, faint linear-stock-foto
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A cutter on the wave — Feliks Jabłczyński (1865–1928), graphic artist; ships; water landscapes; landscapes; Polish graphic art; Poland; ca. 1924; graphic art; graphic matrix (graphic plate); height 7.3 cm; width 10.7 cm, A rectangular sheet with a rough textured surface fills most of the image, showing a mottled appearance in shades of gray and silver with areas of darker charcoal and lighter silvery highlights; the sheet has worn, scratched marks and subtle streaks and smudges across its surface, with faint speckles and irregular patches; the sheet is set against a light gray background-stock-foto
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Gothic interior with a rosette; Feliks Jabłczyński (1865–1928), graphic artist; church interior architectural study focusing on rosettes and stained glass windows; Gothic style, ca. 1924; Polish graphic art, graphic matrix/plate; height 8.4 cm, width 7.3 cm., A rectangular sheet with a weathered, mottled surface showing a range of gray tones from light to dark, with several irregular darker gray and almost black stains and smudges scattered across it, a few circular blotches and speckled marks, areas of subtle texture and fine scratches, and a thin darker border around the edges; the-stock-foto
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Fragment of a Gothic interior; by Feliks Jabłczyński (1865–1928); graphic artist; depiction of church interiors and architectural studies, including windows and stained glass details; Gothic architecture; Polish graphic art; ca. 1924, Warsaw; graphic matrix/graphic plate; height 9.9 cm, width 7.4 cm, A rectangular sheet with a predominantly gray surface that shows a textured, weathered appearance with a few lighter and darker gray spots and subtle mottling, surrounded by a narrow off-white border; the gray area has faint scratches, smudges, and small pale bluish and whitish flecks, along with-stock-foto
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Sketch of a woman's head; Feliks Jabłczyński (1865–1928), graphic artist; studies of women's heads; head studies; women; Polish graphics; Poland; ca. 1924; Warsaw; graphics; graphic matrix/graphic plate; height 6.7 cm; width 7.4 cm, A square, textured surface fills most of the image, showing a rough, mottled pattern in shades of gray, black, and white; the surface has a weathered, granular look with a group of circular lighter spots and irregular darker patches, and there are subtle raised linear ridges forming faint curved shapes near the upper center; the surrounding border is a clean white-stock-foto
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Sketch of a woman's head; Feliks Jabłczyński (1865–1928), graphic artist; studies of women's heads; head studies; women; Polish graphics; Poland; ca. 1924; Warsaw; graphics; graphic matrix/plate; height 6.7 cm; width 7.4 cm, A square, flat surface fills most of the image, bordered by a narrow frame and set against a lighter background. The central surface shows a rough, worn texture with irregular patches and speckles, exhibiting mainly gray and muted beige tones, with several small pale bluish-gray spots and a few off-white specks. The surrounding border and outer area are a lighter gray, and-stock-foto
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Sketch of a woman's head; Jabłczyński, Feliks (1865–1928), graphic artist; studies of women's heads; head studies; women; Polish graphics; Poland; ca. 1924; graphics; graphic matrix/graphic plate; height 6.7 cm, width 7.4 cm, A square metallic plate with a textured, mottled surface showing a mix of gray, dark gray, silver, and off-white tones, with a faint scratched outline of a human face and hair near the upper center. The face outline is formed by thin, curved etched lines suggesting hair strands and facial contours, and there are a few scattered darker smudges and lighter circular spots-stock-foto
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Poznań City Hall; verso: Fragment of a composition. Jabłczyński, Feliks (1865–1928), graphic artist. Cityscapes; towers; city views; town halls; stairs; tenement houses; Town Hall (Poznań); architectural studies. Polish graphic art, ca. 1925. Graphic matrix/plate. Height 9.4 cm, width 7.2 cm., A large dark rectangular surface with a textured appearance fills the image, bordered by a lighter margin; the dark area is mostly black and charcoal with a few lighter gray smudges and spots, several small white speckles and mottled patches scattered across it, and some subtle scratches and etched lines-stock-foto
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Street in the city, Jabłczyński, Feliks (1865–1928), graphic artist; streets, cityscapes, cities, tenement houses, city views, architectural studies, windows; Polish graphics; Poland, ca. 1924, Warsaw; graphic matrix/graphic plate; height 8 cm, width 10.8 cm, A large rectangular surface fills the image, showing a dark, weathered texture with a predominately charcoal gray and black appearance interspersed with lighter gray and off-white blotches and smudges; the edges reveal a lighter gray border and small areas of muted yellowish-beige near the top and bottom, while several irregular pale-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548), Polish coin, Jagiellon dynasty. Obverse: Crowned male bust in profile turned to the right; in the rim between pearl-shaped borders an inscription: .SIGIS.I.REX.POLO.DO.TO.PRVS. Reverse: Coat of arms of Gdańsk; in the rim between pearl-shaped borders an inscription: .GROSSVS.CIVI.GEDANEN.1539. Date: 1539. Location depicted: Gdańsk, Poland., A round metallic object with a worn, textured surface showing a raised profile of a person in side view wearing a hat or headpiece, surrounded by a raised circular border and decorative raised-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Silver coin (grosz). Obverse: Crowned royal bust in profile to the right; rim with pearled borders and inscription “.SIG, O.DO.TOCI.PR”. Reverse: Coat of arms of Gdańsk; rim with pearled borders and inscription “.GROSS, .CIVI.D”. Dated 1534. Polish, Gdańsk., A round metal coin with a worn surface showing a raised central design and decorative border, displaying a mix of gray and darker gray tones with subtle areas of brownish discoloration, a few shallow nicks along the edge, and a faint raised circular pattern near the rim.-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Polish coin (1533). Obverse: Crowned male bust in profile facing right; rim with pearl-shaped borders and inscription 'IS I REX TOCI PRV' (as transcribed). Reverse: Coat of arms of Gdańsk; rim with pearl-shaped borders and inscription 'OSSVS CIVI DANCZ 15'. Material: coin; place: Gdańsk, Poland., A round metallic coin with a worn surface showing a raised circular border and an inner toothed ring, featuring an embossed central motif that appears decorative and textured; the coin shows patina and small dark speckles across its face,-stock-foto
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Gdańsk grosz, Sigismund II Augustus (King of Poland; 1544–1572). Obverse: Crowned male bust in profile turned to the right; rim between pearl borders with inscription divided at the top: SIGIS.AVG.REX.P:D:PRVSI. Reverse: Coat of arms of Gdańsk; rim between pearl borders with inscription: .GROSSVS:CIVI.GEDANEN.1.5.5.7. 1557. Polish coin, Gdańsk., A round metallic coin with a worn silver-gray surface showing a raised central emblem featuring a crown-like shape above a group of cross-like motifs, surrounded by a raised circular border and an outer band with raised decorative markings; the coin-stock-foto
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Denarius, Julia Maesa (ca. 160–224; Augusta 218–224). Obverse: Draped bust of Julia Maesa facing right, pearl border, inscription IVLIA MAESA AVG. Reverse: Veiled Pudicitia seated on a throne facing left, raising the hem of her veil with her right hand and holding a scepter in her left, pearl border, inscription PVDICITIA. Roman Empire, 218–223. Coin. Diameter: 17.0–19.5 mm. Weight: 3.20 g., A circular metallic object with a worn silver-gray surface showing a high-relief profile of a person facing right, with shoulder-length textured hair and a visible ear, surrounded by a raised rim and-stock-foto
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Denarius, Elagabalus (reigned 218–222 CE), Roman Empire. Obverse: IMP ANTONINVS PIVS AVG — bust of Elagabalus with laurel wreath and paludamentum facing right; pearl border. Reverse: PAX AVGVSTI — Pax walking left, holding a branch in her right hand and a scepter in her left; pearl border. Date: 220–222 CE. Material: coin. Diameter: 18.0–20.0 mm. Weight: 2.93 g. Iconography: Elagabalus; Pax (personification)., A circular metallic object with an irregular worn edge, showing a textured, pitted surface in shades of gray, silver, brown, and a few darker spots; the surface has uneven raised and-stock-foto
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Denarius, Elagabalus (reigned 218–222). Obverse: IMP ANTONINVS PIVS AVG — Bust of Elagabalus with laurel wreath and paludamentum facing right; pearl border. Reverse: PAX AVGVSTI — Pax running left, holding a branch in his right hand and a scepter in his left; pearl border. Date: 220–222. Roman Empire. Rome. Coin; diameter 17.0–18.0 mm; weight 2.45 g., A worn circular object with an uneven edge, primarily gray with variations of lighter and darker gray tones, showing a faint raised figure in the center and subtle textured surface irregularities.-stock-foto
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Denarius, Elagabalus (reigned 218–222). Obverse: IMPANTONINVSPIVSAVG — Bust of Elagabalus in laurel wreath, armor and paludamentum, facing right; pearl border. Reverse: LIBERTASAVG — Libertas standing facing left, holding a pileus in his right hand and a long scepter in his left; pearl border. Date: 220–222. Roman Empire. Rome. Coin. Diameter: 17.0–18.5 mm. Weight: 2.50 g., A roughly circular, flat object with an irregular textured surface in shades of gray, dark gray, and lighter gray; the surface shows a few darker blotches and several lighter streaks and patches, with uneven edges and-stock-foto
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Denarius of Julia Domna (ca. 160–217), Roman empress (193–211). Obverse: IVLIA AVGV, bust of Julia Domna facing right, pearl border. Reverse: VENVS FELIX, Venus standing left, holding an apple in her right outstretched hand and unwinding the folds of her robe with her left, pearl border. Date: 198–209. Roman Empire (27 BC–476). Rome. Coin. Diameter 16.5–18.0 mm; weight 2.65 g., A circular, worn coin with a weathered metallic gray surface showing a raised, slender standing figure in the center holding an object in each hand, surrounded by irregular edges and faint raised markings; the coin-stock-foto
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denarius, Julia Domna (ca. 160–217; Roman empress 193–211), Roman Empire, Julia Domna — iconography, Venus (mythology). Obv.: IVLIA AVGVSTA Bust of Julia Domna facing right, pearl border. Rev.: VENVS FELIX Venus standing left, holding an apple in her outstretched right hand, unwinding the folds of her robe with her left, pearl border. 198–209. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0 mm, diameter 19.5 mm, weight 2.95 g., A worn round metal coin with a slightly irregular edge showing a raised profile of a person facing right, featuring textured hair and a visible ear, with subtle-stock-foto
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Denarius, Julia Domna (ca. 160–217; Roman empress 193–211). Roman Empire, 198–209. Obverse: IVLIA AVGVSTA — bust of Julia Domna facing right, pearl border. Reverse: PVDICITIA — Pudicitia (personification) seated left in a long robe and veil, right hand on her breast, left hand on the back of a chair, pearl border. Coin; diameter 17.5–18.5 mm; weight 3.13 g., A round metallic object with a weathered silver-gray surface showing worn raised edges and a textured patina, featuring a low-relief depiction of a seated figure facing sideways on a simple chair with draped clothing, surrounded by a-stock-foto
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