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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated in September 2014, honors 1,711 documented African Americans who died between 1864-1869 an-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated in September 2014, honors 1,711 documented African Americans who died between 1864-1869 an-stock-foto
RF
ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
RF
ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
RF
ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — Bronze tablets displaying names from the Gladwin Record line the memorial walls at the Contrabands and Freedmen Cemetery Memorial, documenting 1,711 African Americans who died between 1864-1869. The memorial honors individuals who fled slavery during the Civil War and found refuge in Union-occupied Alexandria, where they established one of the largest contraband communities in Virginia. Bronze icons next to certain names indicate that living descendants have been identified through ongoing genealogical research led by Char McCargo Bah, who has traced over 1,000 descendan-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — Bronze inscriptions on the memorial walls display the names of individuals buried in the Contrabands and Freedmen Cemetery, established in March 1864 as the final resting place for 1,711 African Americans who died between 1864-1869. The cemetery served formerly enslaved people who sought freedom within Union lines during the Civil War, with detailed burial records maintained by Reverend Albert Gladwin documenting names, ages, and death dates of those interred. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers successful-stock-foto
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ALEXANDRIA, Virginia — Bronze inscriptions on the memorial walls display the names of individuals buried in the Contrabands and Freedmen Cemetery, established in March 1864 as the final resting place for 1,711 African Americans who died between 1864-1869. The cemetery served formerly enslaved people who sought freedom within Union lines during the Civil War, with detailed burial records maintained by Reverend Albert Gladwin documenting names, ages, and death dates of those interred. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers successful-stock-foto
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ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial honors 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities in March 1864. The memorial plaza features 'The Path of Thorns and Roses,' an 18-foot bronze sculpture by Mario Chiodo depicting six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site protects 631 identified grave locations with flush stone markers while co-stock-foto
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ALEXANDRIA, Virginia — An inscription in the floor stones at the Contrabands and Freedmen Cemetery Memorial reads '1955 GAS STATION' and explains that the concrete floor of a gas station that desecrated many graves was kept in place to protect remaining burials below. The memorial, dedicated in 2014, preserves the final resting place of 1,711 documented African Americans who died between 1864-1869 after fleeing slavery during the Civil War. The cemetery was established in March 1864 on confiscated Confederate land and became the site of one of the first successful civil rights protests when 44-stock-foto
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ALEXANDRIA, Virginia — A bronze figure from The Path of Thorns and Roses sculpture at the Contrabands and Freedmen Cemetery Memorial depicts one of six allegorical representations including Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created and sculpted by Mario Chiodo in 2013, the 18-foot bronze sculpture serves as the centerpiece of the memorial honoring 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen com-stock-foto
RF
ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
RF
ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
RF
ALEXANDRIA, Virginia — Grave markers inscribed with 'Grave of a Child' mark burial sites at the Contrabands and Freedmen Cemetery Memorial, where over 50 percent of the 1,711 documented burials were children under age 5. The cemetery served as the final resting place for African Americans who fled slavery and died between 1864-1869 during the Civil War era. Established in March 1864 by Union military authorities on confiscated Confederate land, the cemetery documented extreme childhood mortality rates caused by overcrowding, inadequate sanitation, and epidemic diseases including smallpox, typh-stock-foto
RF
ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
RF
ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial commemorates 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities. The memorial features Mario Chiodo's 18-foot bronze sculpture 'The Path of Thorns and Roses' with six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers succ-stock-foto
RF
ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial commemorates 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities. The memorial features Mario Chiodo's 18-foot bronze sculpture 'The Path of Thorns and Roses' with six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers succ-stock-foto
RF
ALEXANDRIA, Virginia — A sidewalk plaque outside the Contrabands and Freedmen Cemetery Memorial marks graves beneath South Washington Street that date to 1864. The bronze plaque explains that the Freedmen's Cemetery extended into the middle of South Washington Street during the Civil War, with tan stones in the sidewalk marking graves identified by archaeologists investigating the original cemetery location. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community, ultimately recording 1,711 burials between 1864-1869. Ar-stock-foto
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ALEXANDRIA, Virginia — A grave marker at the Contrabands and Freedmen Cemetery Memorial displays an inscription honoring the African Americans who fled to Alexandria during the Civil War and those who died from disease and deprivation. The memorial, dedicated in 2014, protects 631 identified grave locations from the original cemetery established in March 1864 on confiscated Confederate land. The cemetery served as the final resting place for 1,711 documented African Americans between 1864-1869, including formerly enslaved people who sought freedom within Union lines and were classified as 'con-stock-foto
RF
ALEXANDRIA, Virginia — A sidewalk plaque outside the Contrabands and Freedmen Cemetery Memorial marks graves beneath South Washington Street that date to 1864. The bronze plaque explains that the Freedmen's Cemetery extended into the middle of South Washington Street during the Civil War, with tan stones in the sidewalk marking graves identified by archaeologists investigating the original cemetery location. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community, ultimately recording 1,711 burials between 1864-1869. Ar-stock-foto
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The Campaign in North Carolina - Headquarters of Vincent Collyer, superintendent of the poor at New Bern - Distribution of captured Rebel soldiers' clothing to the contrabands. June 1862. 19th century American Civil War illustration from Frank Leslie's Illustrated Newspaper-stock-foto
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378 Declaration of emancipation for Alice M. Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863-stock-foto
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378 Declaration of emancipation for Lucinda Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863-stock-foto
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378 Declaration of emancipation for Winnie Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863-stock-foto
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Title: Declaration of emancipation for Alice M. Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863 . 26 October 1863.-stock-foto
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Title: Declaration of emancipation for Winnie Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863 . 26 October 1863.-stock-foto
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Title: Declaration of emancipation for Lucinda Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863 . 26 October 1863.-stock-foto
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The Declaration of Emancipation for Winnie Walker, issued on October 26, 1863, by the Office of the Superintendent of Contrabands in St. Louis, marked a significant legal step during the Civil War, highlighting the emancipation of enslaved individuals in Union-controlled areas.-stock-foto
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Declaration of emancipation for Alice M. Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863-stock-foto
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Declaration of emancipation for Lucinda Walker, Head Quarters, District of St. Louis, Office of Superintendent of Contrabands, October 26, 1863-stock-foto