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President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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RETRANSMITTING ADDING NAME President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre) are joined by Deputy Prime Minister and Justice Secretary David Lammy (centre right) as they visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre) are joined by Deputy Prime Minister and Justice Secretary David Lammy (centre right) as they visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Representatives of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Representatives of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Representatives of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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A representative of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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A representative of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Representatives of the Nigerian delegation waiting ahead of the President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu's visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
RM
President of Nigeria Bola Ahmed Tinubu and First Lady Oluremi Tinubu visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
RM
RETRANSMITTING ADDING NAME President of Nigeria Bola Ahmed Tinubu (centre) and First Lady Oluremi Tinubu are greeted by Deputy Prime Minister and Justice Secretary David Lammy (centre left) as they visit the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy (2nd left) with the President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre right) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy (2nd left) with the President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy (2nd left) with the President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre right) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy (centre left) with the President of Nigeria Bola Ahmed Tinubu (centre) and First Lady Oluremi Tinubu (centre right) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy ( left) with the President of Nigeria Bola Ahmed Tinubu (centre left) and First Lady Oluremi Tinubu (centre right) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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Deputy Prime Minister and Justice Secretary David Lammy (left) with the President of Nigeria Bola Ahmed Tinubu (centre) and First Lady Oluremi Tinubu (centre right) during a visit to the Nigerian Modernism Exhibition at Tate Modern in London, during day two of their state visit to the UK. Picture date: Thursday March 19, 2026.-stock-foto
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London, UK. 13th March 2026. A view of The National Gallery and St Martin-in-the-Fields Church in Trafalgar Square. Credit: Vuk Valcic/Alamy-stock-foto
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London, UK. 10th March 2026. Exterior daytime view of St Paul's Cathedral. Credit: Vuk Valcic/Alamy-stock-foto
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London, UK. 10th March 2026. Exterior daytime view of St Paul's Cathedral. Credit: Vuk Valcic/Alamy-stock-foto
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London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
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London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
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London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto
RM
London, UK. 8 March 2026. Performance artist Stephanie Lane stages a protest titled 'Veal is NOT Human(e)' in London on International Women’s Day. Lane, with activists from Speciesism.WTF, wears red balaclavas and white lab coats while carrying plastic baby dolls wrapped in packaging. The group marches from St Paul's Cathedral across Millennium Bridge to Tate Modern, continuing the performance inside and outside the gallery. The demonstration highlights what the organisers describe as links between the dairy industry, veal production, and reproductive exploitation, using performance art to rai-stock-foto