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[vertical rectangular form] képek

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Rectangular folder label illustration with a bold heading and evenly spaced vertical columns for filing or categorization.-stock-foto
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A repeating pattern of light gray vertical panels with small, light-colored rectangular protrusions spaced evenly along their length, creating a minim-stock-foto
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Mixed vertical and horizontal rough edge white rectangles forming flexible block layout, abstract grid for editorial pages, social media carousels and-stock-foto
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Mixed vertical and horizontal rough edge rectangles forming flexible block layout, abstract grid for editorial pages, social media carousels and modul-stock-foto
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Inscription enclosed in a simple linear frame. 18th century print bookplate: Du cabinet de M. Samuel de Tournes; graphic artist; text/bookplate; height 2.6 cm, width 5.4 cm., A rectangular piece of paper with a decorative black border featuring small floral motifs along the edges, placed on a gray background. The paper is an off-white, slightly textured beige with subtle flecks of color. Bold black printed characters form two centered lines across the middle of the paper. The border has thicker black vertical bars on the left and right and a horizontal band of black floral ornamentation at the-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A vertical rectangular metal plate with worn, darkened surfaces showing areas of brown, black, greenish-blue, and muted yellowish tones, featuring irregular patches of discoloration and corrosion, a vertical darker streak running down the center, a pale circular corroded area toward the lower left, faint pale chalky marks and smudges along the right side, and-stock-foto
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Dupondius, Marcus Aurelius (121–180; Roman emperor 161–180), issuer; Commodus (161–192; Roman emperor 177–192); personifications. Obverse: head of Commodus in a radiant crown to the right, legend EL COMMO DVS all around. Reverse: Libertas stands frontally with his head turned left, holding a pileus in his right hand and a staff (vindicta) in his left, legend RTA all around, in fields 178. Roman Empire, Rome. Coin; dia. 23.5–24.0 mm, weight 10.90 g, axis 180°., A round, worn metal object with an uneven edge and a brown, greenish-brown, and dark patina; the surface shows irregular darker spots-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Bust of Faustina II in drapery facing right, inscription 'DIVA FAVSTINA PIA' around. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns or wings, inscription 'CONSECRATIO' around. Iconography: altars, busts of empresses. After 176, Roman Empire (27 BC–476), Rome. Coin. Diameter 17.0–18.0 mm, weight 3.25 g, axis 0°., A round metallic object with a worn, uneven surface, showing a central raised rectangular form with-stock-foto
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Denarius, posthumous issue of Antoninus Pius (86–161; Roman emperor 138–161), Marcus Aurelius (121–180; Roman emperor 161–180) and Lucius Verus (130–169; Roman emperor 161–169) as issuers. Obverse: Head of Antoninus Pius without a covering facing right, inscribed 'DIVVS ANTONINVS' around. Reverse: Cuboid altar with two doors and finials in the form of horns, inscribed 'DIV OP IO' around. After 161 CE. Roman Empire. Rome. Coin. Diameter 15.0–17.5 mm, weight 2.58 g, axis 180°., A round, dark gray metal coin with a raised central design resembling a rectangular structure with two vertical-stock-foto
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Denarius, posthumous issue after Antoninus Pius (86–161; Roman emperor 138–161); issuers: Lucius Verus (130–169; Roman emperor 161–169) and Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: head of Antoninus Pius bare, facing right, legend DIVVS·ANTONINVS around. Reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend DIVO·PIO around. After 161 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 16.5 mm, weight 3.20 g, axis 15°., A worn round metallic object with a dark gray and silver patina showing uneven surface texture and areas of shine,-stock-foto
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Denarius, posthumous issues of Antoninus Pius (86–161) and Lucius Verus (130–169), issuers Marcus Aurelius (121–180) and Antoninus Pius — obverse: head of Antoninus Pius bare, legend DIVVS ANTONINVS around; reverse: rectangular altar with two doors and a finial in the form of horns, legend DIVO [—] IO around. After 161, Roman Empire (27 BCE–476 CE), Rome. Coin; diameter 17.0 mm, weight 3.15 g, axis 30°., A small round metallic object with a weathered surface and irregular edge, showing a raised central rectangular design with vertical and horizontal divisions and surrounding raised dots; the-stock-foto
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Denarius, posthumous issue after Antoninus Pius (86–161); also associated with Lucius Verus (130–169) and Marcus Aurelius (121–180). Obverse: head of Antoninus Pius bare, drapery on left shoulder, right; legend DIVVS·ANTONINVS. Reverse: rectangular altar with two doors and a finial in the form of horns; legend DIVO·PIO. After 161 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 17.0 mm, weight 3.35 g, axis 195°., A round metallic object with a worn surface showing a raised rectangular structure in the center resembling a small building or framed panel, with vertical and horizontal lines-stock-foto
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Denarius of Hadrian (76–138; Roman emperor 117–138). Obverse: head of Hadrian in laurel wreath facing right; rim inscription HADRIANVSAVGVSTVS. Reverse: Pudicitia (personification) seated left, wearing a long dress and veil, holding her veil with her right hand, left hand on her knee; rim inscription COS III. Date: 125–128. Rome, Roman Empire (27 BC–476). Coin; weight 3.40 g., A round, worn coin with a metallic gray surface sits against a white background; the coin shows an embossed design that includes a vertical rectangular shape and a curved form resembling part of a seated figure, with-stock-foto
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Receipt and advice for a national loan; securities; National Government; January Uprising (1863–1864); National Loan; receipts; Kingdom of Poland (1815–1918). Temporary personal receipt for the General National Loan, used to obtain bonds. Blank form. Warsaw, dated 1866. On the reverse, three ink seals of the National Government. Four receipts joined with adhesive tapes; 1863; Poland; security; receipt. Dimensions: 1,205 mm and 2,243 mm., A single sheet of aged paper divided into a grid of rectangular sections with printed blocks and narrow separators, showing a vertical arrangement of-stock-foto
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National tax receipt and advice (blank form) for the one-off tax of the National Victim, Nominal Receipt and Advice No. 64783; blue and white diagonal checkered background with white underprint; without the National Government seal on the face; on the reverse, the National Government seal with a two-field shield. January Uprising (1863–1864); 1863; Kingdom of Poland (1815–1918). Paper securities/receipt. Dimensions: 1287 mm × 271 mm., A long, rectangular paper document with a pale off-white left section and a larger blue-tinted section across the center and right; the blue area shows a-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous); issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, legend 'DIVA FAVSTINA PIA' all around. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, legend 'CONSECRATIO' all around. After 176 CE, Roman Empire (27 BCE–476 CE), Rome. Coin; diameter 16.5–18.5 mm, weight 2.85 g, axis 180°., A worn round metallic object with a silver-gray surface, showing a raised square border enclosing a recessed rectangular panel with vertical-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), issuer Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAV - STINA PIA. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, inscription CON - SECR - ATIO. After 176, Roman Empire (27 BC–476), Rome. Coin; weight 2.85 g; diameters 16.5 mm and 18.5 mm; axis 180 degrees., A round metallic object with a worn, uneven edge appears centered on a white background; the object shows a rectangular raised platform in the-stock-foto
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From the series 'Towards the Sky', purple and black; Janusz Przybylski (1937–1998), painter; sky, rain; 1987; print; height 59.5 cm, width 43 cm., A flat rectangular surface filled with an abstract pattern of irregular rounded shapes and dots in a bright blue layered over a deep black background, with a horizontal band of elongated blue streaks crossing near the middle and a vertical drip-like blue form near the right edge, a consistent border of blue along the top and bottom edges, and areas where the blue clusters form denser patches and other areas where they are more sparsely dotted.-stock-foto
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Vector empty rectangular frames of white snowflakes set. Vertical shapes of snow borders for winter design. Graphic elements-stock-foto
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Minimalist rectangular studio with shou sugi ban cladding and metal roof at dusk. Glass door, narrow window, sconces, and stoop sit near conifers in l-stock-foto
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Vertical banner template with border of snowflakes and snow. Blank template for winter flyer, greeting card or invitation. Vector graphic-stock-foto
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Vector empty rectangular frames of white snowflakes set. Vertical shapes of snow borders for winter design. Graphic elements-stock-foto
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White slender tower with vertical dark window bands stands against textured clouds, with a one way sign and lamps at the base, Denver, Colorado, USA.-stock-foto
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Contemporary wooden structure with vertical planks, black fixtures, and black supports, surrounded by trees and open space in a natural setting.-stock-foto
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Rooftop structure with weathered concrete walls and yellow-framed window against clear blue sky-stock-foto
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A bold modernist building in Tineo, Spain. Its glass facade, vivid orange balconies, and rhythmic rectangular structure reflect mid-century design in-stock-foto
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Centre point Tower designed by George Marsh of the architects R. Seifert and Partners at Tottenham Court Road, London-stock-foto
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Displaying white 3D bars diagonally on digital design with rectangles, plus stars, guide markers-stock-foto
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A deep green 1930s door in Warsaw set in a geometric stone facade—an elegant example of interwar modernism and minimalist architectural form.-stock-foto
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Wooden door with brass handle and mail slot outdoors under sunny light showing detailed texture and design.-stock-foto
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vertical photo Surface texture of pavement with vivid rectangular tiles in regular pattern. Texture enhances walking path aesthetics. Pavement made of-stock-foto
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A modern wall mounted sign with a white base and green top section, set against a plain white wall with a dark vertical edge on the right.-stock-foto
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Close-up of rectangular bricks making up an stone wall; photo taken at Chania, Crete-stock-foto
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A red brick building with a symmetrical grid of rectangular windows, each fitted with closed horizontal blinds.-stock-foto
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A wall niche in the form of an Islamic arch provides a detail inside the King Khalid Grand Mosque in Riyadh, Saudi Arabia.-stock-foto
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Yellow metal construction for the New Year 2025-stock-foto
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A minimalist building with vertical paneling and large windows stands among vibrant yellow leaves and mature trees, featuring a paved walkway.-stock-foto
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American flag pattern, horizontal rectangle frame. Decorative rectangular border, made of repeated, vertical and horizontal arranged national flags.-stock-foto
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Turquoise door set against a wall of glass blocks, framed by large sandstone columns, showcasing a unique blend of modern and classic architecture.-stock-foto
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