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Vintage photo frames with brown paper borders glued by adhesive tape on dark background. Vertical and horizontal rectangular templates of instant pictures for old scrapbook or memory wall design.-stock-foto
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the image features two bar graphs positioned next to each other on a plain white background the graph on the left is in black and the one on the right-stock-foto
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Classic rectangular window set in a rich red brick wall, featuring thick decorative brick lintel, with dark weathered wooden shutters, vertical image.-stock-foto
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Ex libris of Kaeta Schultess-Kauffmann; artist: Kauffmann, Jean (1866–1924). Heraldic-text bookplate (1909), graphic print, Lucerne. Description: at the top a view of Zurich; in the middle two coats of arms with heraldic helmets and heraldic animals; below a horsewoman (amazon) on horseback amid trees, plant ornaments, roses, rural buildings and towers; landscape/cityscape elements, fields. Materials/format: bookplate, height 9.6 cm, width 5.8 cm. Subjects/styles: amazons, women, horses/riders, heraldry, coats of arms, marriage bookplate, city views, Swiss graphics., The image shows an ornate-stock-foto
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Graphic artist; angel heads; allegorical-symbolic bookplate; religious bookplate; lilies; Eye of Providence (iconographic); dogs; swords (weapons); IHS monogram; Dominicans (order); monastic libraries; bookplate; Catholic Church (institution); oval; religious orders; 2nd half of the 18th century; graphic print; height 9.1 cm; width 7.2 cm, The image shows a rectangular engraved plate with an oval central scene surrounded by a dark hatched border and four cherubic faces at the corners with wings extending toward the oval; inside the oval is a radiating pattern of fine lines and a small standing-stock-foto
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Aug. F. Ammann; Tullberg; Hasse Werner (1844–1929), draughtsman; Hildebrandt, Adolf Matthias (1844–1918), draughtsman. Bookplate with landscape, flowers, plant ornaments, city views, defensive and sacred architecture (including Grossmünster, Zurich, and Tower of London). German and Swedish/Great Britain/Zurich influences; ornaments. Ammann, August Julius Ferdinand (1850–1924). 19th/20th century. Print, typographical impression; bookplate. Height 13.1 cm, width 10.0 cm., A vertical rectangular print on a light gray background showing an ornate framed composition with two circular vignettes stac-stock-foto
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Ex libris DG de Labastie; bookplate by Fogasse after Paul-André de La Bastie (1756–1830) and Witke-Jeżewski, Dominik (1862–1944). Graphic print, heraldic bookplate depicting coats of arms with lilies (fleur-de-lis) and rank crowns; numbering from book collections. French, 18th–19th century. Dimensions: height 8.7 cm, width 5.5 cm., The image shows an aged, off-white rectangular paper with a detailed black ink decorative emblem near the top featuring an ornate crown above a shield flanked by stylized floral and leaf motifs and draped ribbon-like elements; the shield has vertical shading lines a-stock-foto
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Jacqueline in the art of Maître en droit, Janinet, Jean-François (1752–1814); French drawing after 1789, possibly by Levacher de Charnois, Jean-Charles (1750?–1792). Drawing, pen and ink, height 8.5 cm, width 6.4 cm. Subject: Jacqueline; actresses and theatrical items; figurative study; revindication. Makers: Pierre René Lemonnier (1731–1796) associated with Maître en droit., A tall sheet with a beige background contains a vertical grid of framed rectangular illustrations arranged in pairs down the page, each framed image showing a single standing figure in period costume against a light neutr-stock-foto
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Plant study; Hans Thoma (1839–1924), draughtsman; plants, gardens, plant studies; German drawing, 1886; former German property; height 60 cm, width 36.8 cm, A tall, upright plant with many broad, overlapping leaves fills the center of the image, drawn in dark charcoal and highlighted with lighter strokes; the leaves show curvature and veins and some appear shiny from the highlights. The background contains rough sketches of architectural elements including portions of columns and rectangular openings, and a few loosely drawn trees with rounded canopies. Around the central plant are shaded area-stock-foto
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Nude Man with a Bunch of Plants in His Left Hand, Thoma, Hans (1839–1924), illustrator; sowers; nudes; parable of the sower (Bible); sketches for paintings; German drawings; male nudes; ca. 1890; Germany; drawing; height 40.7 cm, width 19.7 cm, A pencil sketch of a standing nude male figure viewed from the front with head tilted downward, showing defined musculature on the chest, abdomen, arms, and legs, rendered with shading and contour lines; the left arm hangs slightly outward with a relaxed hand while the right arm is bent at the elbow and the hand rests near the hip; the legs are apart wi-stock-foto
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Theft of Light, pl. 12; Brahms's Fantasy, Op. XII; Klinger, Max (1857–1920), graphic artist; Prometheus (mythology) receiving the divine fire; music; Brahms, Johannes (1833–1897); fire; repossession; 1893, Leipzig; graphic art; height 29.0 cm, width 36.5 cm, A central dark rectangular image is surrounded by a wide pale beige margin; within the dark area there is a group of human figures rendered in muted black and gray tones, with one figure prominently elevated and reaching upward while others below reach toward that figure, and a faint lighter vertical streak above the elevated figure sugges-stock-foto
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Vestigia delle Terme di Tito. Dionysus and Ariadne. Quadro from the vault decoration of room 15, Carlone, Marco (1742–1796), graphic artist; Smuglewicz, Franciszek (1745–1807), graphic artist; Mirri, Ludovico (1738–1786), publisher. Ancient architecture, traces of decoration, traces (archaeology); Rome (Italy), Golden House of Nero (Rome); Ariadne (mythology); The Baths of Titus (Rome); Dionysus (mythology); vines; grotesques (ornament). Vestigia delle Terme di Tito, 1776 — illustration; Italian graphics; antiquity; archaeology; mythology. Board marked no. 60, in the graphic album page 52, 177-stock-foto
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Male nude; Verso: fragment of a study of a male nude leaning towards the leg, Bonola Codex, Castiglione, Giovanni Benedetto (1609–1664), Bonola, Giorgio (1657–1700), 17th century, Lombardy, drawing, height 46.7 cm, width 23.7 cm, The image shows a vertical rectangular sheet with a large semicircular opening on the right and an ornate border along the left and top edges; the decorative border contains a few reclining and twisting human-like figures rendered in fine brown ink and wash, with visible curving architectural moldings and carved motifs; the paper is an off-white or cream color and the-stock-foto
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Dry oak against the background of the forest, Wyczółkowski, Leon (1852–1936), graphic artist; Lithuanian Portfolio (Kraków 1907). Drawing made with soft chalk; visible paper texture printed on the plate — the artist used reprint paper. Described in a catalogue as algraphy. Print 5 of an edition of 85. Technique: simple black chalk, soft tones; silvery, slightly dull tone harmonizing with cream paper. 1907, Kraków. Graphic print; height 35 cm, width 21.5 cm., A vertical rectangular image shows a charcoal-like sketch of a large tree with a dark trunk and textured branches, set against a lighter-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown ag-stock-foto
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Recto: Image of the figure of Christ in the Trinitarian church in Solec in Warsaw; verso: Stigmatization of St. Francis. Double-sided plate. Recto: representation of the figure of Christ the Nazarene in the Trinitarian church in Solec — standing Jesus wearing a crown of thorns, hands bound with a rope that loops to his feet, and a Trinitarian scapular with a cross on his chest; inscription at the bottom: Statua Gratiosa Jesus Nazarent, in Solec apus PPTrinitariae. This statue (Jesus of Nazareth the Redeemed / Jesus of Madrid) is a life-size figure dressed with real hair wig and a red cloak, pl-stock-foto
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Crucifixion; graphic artist, Łohojsk; graphic composition depicting an image of Christ crucified; at the bottom an empty cartouche made of a rocailles ornament; belongs to a series of graphic compositions depicting images that are objects of cult, mostly by anonymous engravers often in monastery engraving workshops; after 1750; graphic; graphic matrix/plate; height 10.7 cm, width 6.3 cm; associated with Konstanty Tyszkiewicz (1806–1868) references., A rectangular metal plate with a reddish-brown copper tone and areas of darker and lighter patina showing scattered spots and stains, engraved wit-stock-foto
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Recto: Crucifixion; verso: Fragment of a composition, graphic artist, Crucifixion (iconographic), Jesus Christ. Plate obtained by cutting a larger matrix — on the reverse a visible fragment of etched, quite thick parallel and intersecting lines — terrain with leaves over water. Image of Christ crucified. The composition is enclosed in a triple linear frame. The engraving was made with a stylus; parts of the body are stippled. The image belongs to a series of graphic compositions depicting images that are objects of cult, most often made by anonymous engravers, often in monastery engraving work-stock-foto
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S. Ona Mot. Mar. (Saint Anne with Mary), Czerski, Stanisław (1777–1833), graphic artist, Anna (Saint), Mary (mother of Jesus Christ), reading (genre scenes), mothers with children, religious paintings, saints. The image shows Saint Anne teaching little Mary to read. The engraving was made by priest Stanisław Czerski in Salanty in Samogitia. 'As a parish priest, with the help of a young assistant he adopted, he devoted himself to engraving images of saints with Samogitian inscriptions: because he only engraved these images for his parishioners, who, as inhabitants of pure Samogitia, do not know-stock-foto
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Recto: Saint Thomas a Kempis; verso: Saint Anthony with Child in his arms. Obverse: image of Saint Thomas a Kempis kneeling, on the right a crucifix and an open book; above the saint the Holy Trinity and two angels, on the right a vase of flowers. Reverse: image of Saint Anthony of Padua with the Child in his arms and a lily in his hand. Drawings on the plate made by the same hand with a thin stylus. Inscription at the bottom: 'O quam magna multitudo, dulcedinis Tuae Domine, quam abscondisti timentibus Te! Kempis 1. 3. cw' — a quote from Saint Thomas a Kempis, On the Imitation of Christ. Part-stock-foto
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The Death of Grażyna, illustration for 'Grażyna' by Adam Mickiewicz. Rymwid finds the dying Grażyna (lines 971–976). Niewiarowicz, Władysław (1815–1891), draughtsman; Hoffman, Karol (1798–1875). A drawing printed on a block covered with primer, further developed in pen, ink, pencil, with highlights in white gouache; the block was ready for cutting. Before 1851, Paris. Woodcut block; height 11.4 cm, width 14.8 cm, thickness 2.3 cm., A roughly rectangular wooden panel with a central vertical crack shows a detailed monochrome drawing of a reclining scene. The image includes a seated bearded figur-stock-foto
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Vignette: man against the backdrop of architecture. Karęga, Ignacy (fl. ca. 1764–1800). A man in a hat is digging the ground with a shovel; next to him and in front of him are two faintly visible human figures. Architectural fragments flank both sides in the background. On the right side a plaque with the inscription facing the scene: 'QUID QUID SUBTERRA, EST IN APRICUM PROFERET AETAS.' 1701–1800. Graphic plate., A rectangular metal plate with a warm copper color shows an engraved scene framed by a narrow border. The engraving depicts a figure wearing a hat and loose clothing leaning forward w-stock-foto
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Jan Małecki's bookplate Światowid in front of whom smoke rises from two vessels. In the background the setting sun. The whole in a decorative frame with an inscription at the bottom. ca. 1905. Graphic, typographic print; bookplate. Height 14.1 cm, width 4.5 cm; height 16 cm, width 6.6 cm. Styles/subjects: Światowid (mythology), Slavic mythology, Young Poland (style), symbolism (style). Maker/figures: Jan Małecki (bookplate), Tadeusz Rychter (illustrator), Dominik Witke-Jeżewski. Motifs: swastika. Ethnographic bookplate; Polish bookplates; Polish graphics., A narrow vertical print in muted tone-stock-foto
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Facades of old tenement houses; verso: Castle in Wiśnicz. Jabłczyński, Feliks (1865–1928), graphic artist. Polish graphics, ca. 1924. Graphic plate (graphic matrix), graphic; height 6.6 cm, width 9.5 cm. Subjects: castles, tenement houses, streets; location depicted: Wiśnicz Stary (Lesser Poland Voivodeship)., The image shows a vertical rectangular scene of a multi-story building facade rendered in textured gray tones with areas of darker charcoal and lighter silvery highlights; the surface appears rough and mottled with scratches and smudges. Several window outlines and recessed door shapes a-stock-foto
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Florian's Gate in Kraków; Feliks Jabłczyński (1865–1928), graphic artist; Polish graphics; ca. 1924; graphic matrix/graphic plate; subject: Florian's Gate, tenement houses, cityscape, architectural study, streets, views; medium: graphics; place: Kraków (Lesser Poland Voivodeship), Warsaw; dimensions: height 10 cm, width 5.3 cm., A vertical grayscale image of a tall stone tower with a steep, tiered roof and a pointed top, showing textured brickwork and small rectangular openings near the top; the tower base has arched doorways and rough steps, with a shield-shaped relief on the facade and a gro-stock-foto
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Buildings on a hill inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; landscape and architectural study showing castles, towers, views, and gates; Polish graphics; ca. 1924, Warsaw; graphic matrix/plate; 7.4 cm x 10.2 cm., A rectangular, weathered metal sheet with a rough, mottled surface fills the image; the sheet shows a mix of gray, silver, light blue, and muted brown patches with darker gray spots and smudges scattered across it, as well as faint vertical and diagonal scratches and streaks in slightly darker gray; the metal has areas of subtle discoloration a-stock-foto
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City view inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, streets, gates, cityscapes, architectural studies; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10.4 cm, width 7.4 cm, A detailed monochrome sketch of a large stone building with a tall central tower and several pointed spires rising behind it, rendered in fine dark lines on a light gray, textured background; the building shows a pitched roof, arched gateway, and multiple rectangular windows, with architectural details indicated by crosshatching and ver-stock-foto
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Krzysztof Przybyła's granary in Kazimierz Dolny; Feliks Jabłczyński (1865–1928), graphic artist; subject: cities, landscapes, architectural studies, streets, views, public buildings, cityscapes, granaries, architectural views, city views; place: Kazimierz Dolny (Lublin Voivodeship), Poland; Polish graphics; ca. 1924; Warsaw; medium: graphic matrix/graphic plate; dimensions: height 8.8 cm, width 7.5 cm., A dark rectangular surface with a rough textured appearance fills most of the image, showing a carved or scratched outline of an architectural structure with pointed rooflines and spires. The s-stock-foto
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Poznań City Hall; verso: Fragment of a composition; Jabłczyński, Feliks (1865–1928), graphic artist; cityscapes, cities, towers, city views, town halls, stairs, tenement houses; Town Hall (Poznań); architectural studies; Poznań (Greater Poland Voivodeship), Poland; Polish graphic art; ca. 1925; Warsaw; graphic art; graphic matrix/graphic plate; height 9.4 cm, width 7.2 cm, A textured vertical rectangular image with a dark gray to nearly black central area bordered by a white margin, showing faint engraved outlines of a large multi-tiered building with towers and arches; the building's etched l-stock-foto
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Street in the city; Feliks Jabłczyński (1865–1928), graphic artist; cityscape of tenement houses and windows; architectural study; Polish graphic; ca. 1924, Warsaw; graphic matrix/plate; height 8 cm, width 10.8 cm, A textured rectangular surface fills the image, showing a weathered, rough appearance with a mix of gray shades and areas of lighter whitish patches. There are fine linear scratches and grid-like incisions across the upper half, forming vertical and horizontal patterns and suggesting raised ridges. The lower portion has irregular mottled spots and softer cloudy patches in white and-stock-foto
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Rocky landscape; Feliks Jabłczyński (1865–1928); graphic artist; landscape—mountain landscape with rocks; Polish graphic art; Poland; ca. 1924; graphic art; graphic matrix/graphic plate; height 7.5 cm, width 11.2 cm, The image shows a large dark rectangular surface with a rough, textured appearance, framed by a lighter border; the dark area contains a pattern of lighter speckles and blotches and two vertical textured forms with layered, cracked surfaces; along the bottom and right edges there is a band of lighter, chalky texture with irregular edges and scattered flecks; colors visible include-stock-foto
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Receipt for the cashier of the Main Central National Committee, National Government; securities, January Uprising (1863–1864); National Loan; Kingdom of Poland (1815–1918). Printed receipt with the inscription: 'Ser C // Ner. 5642 Polish Zloty. 2000. // The bearer of this receipt brought to the Main Cashier // of the Central National Committee // Polish Zloty.' On the reverse an oval ink seal of the National Government and a signature initial. 1863, Poland. Security receipt; size 1203 mm × 252 mm., A long rectangular paper with visible creases and slight discoloration, showing a left panel, a-stock-foto
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Personal note for 50 Polish zlotys, National Government, receipts, securities, personal receipts, National Government notification, January Uprising (1863–1864), National Government, Kingdom of Poland (1815–1918). On green printed paper: personal note for 50 Polish zlotys for a one-time national tax no. 11649 for a citizen of the Citizens' Militia dated June 13, 1863. No stamp on the reverse. 1863, Poland, security, personal note. Size: 116 × 66 mm., A single rectangular piece of aged paper with worn, uneven edges lies against a gray background; the paper is off-white to yellowed with visible-stock-foto
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National contribution for weapons; National Government; national contribution for weapons; securities; January Uprising (1863–1864); Kingdom of Poland (1815–1918); Receipt number 518 for 500 Polish zlotys—national contribution for weapons with a dry impression of the seal of the National Revolutionary Committee with a two-field shield bearing the Eagle and the Chaser; 1863; Poland; security; receipt; dimensions 137 × 90 mm, A rectangular off-white paper with decorative printed borders and ornate corner designs is mounted on a larger brown textured backing; the off-white paper shows a vertical-stock-foto
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National contribution for weapons, National Government, national contribution for weapons, securities, January Uprising (1863–1864), Kingdom of Poland (1815–1918), Receipt number 518 for 500 Polish zlotys — national contribution for weapons with a dry impression of the seal of the National Revolutionary Committee with a two-field shield with the Eagle and the Chaser., 1863, Poland, security, receipt, dimensions 137 × 90 mm, The image shows an aged rectangular paper with decorative black printed borders and ornate corner flourishes, set against a brown background. The paper is a beige to off-wh-stock-foto
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Plant motifs and inscriptions; graphic artist; Chinese; early 20th century; graphic print; plant motifs; inscriptions; height 109.0 cm; width 31.5 cm, The image shows a tall vertical artwork with a predominantly dark background and lighter areas forming the subject. A group of long, slender leaves and curved stalks rise from the lower portion and extend upward, some ending in pointed tips and others in drooping, irregular shapes. Several elongated, petal-like forms with torn or ragged edges appear among the leaves. A vertical column of calligraphic marks appears along the left side, rendered-stock-foto
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Plant motifs and inscriptions; graphic artist; plants, grass; Chinese art; early 20th century, China; graphic print; height 158.0 cm, width 35.0 cm, A long vertical artwork on a gray background showing pale, linear botanical forms resembling clusters of grasslike leaves and roots arranged in several groupings along the length; the image palette is mainly shades of gray with off-white or light beige lines for the plants and darker gray textured backgrounds; the plants have slender arching leaves and tangled root masses with a few small, curved leaves interspersed; there are also a few small-stock-foto
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Vipassi Buddha, Knothe, Jerzy (1917–2002), graphic print, Tibetan Buddhist art, Chinese, Chinese art, Buddhism, Chinese Buddhism; depicts Vipassī (Pāli), the twenty-second of twenty-eight Buddhas described in Chapter 27 of the Buddhavaṃsa (a text of the Khuddaka Nikāya in the Sutta Piṭaka of the Pāli Canon); dragon with pearl, inscriptions, lotus throne, peaches, lotuses, vajras; early 20th century, China; height 171.0 cm, width 70.0 cm., A tall monochrome image showing a vertical rectangular print with intricate linework and ornate borders on a light gray background; the central panel-stock-foto
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Mosaic collage of rectangular photos creating a vibrant and colourful grid graphic. Each image is of a painted wall in Central America-stock-foto
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Mosaic collage of rectangular photos creating a vibrant and colourful grid graphic. Each image is of a painted wall in Central America-stock-foto
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