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[vertical rectangular print] képek

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Vector set of three red flags and banners triangular pennant with golden rope rectangular flag on golden flagpole with flutter effect and vertical ban-stock-foto
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Flip Top Vertical Product Box Template-stock-foto
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Vintage photo frames with brown paper borders glued by adhesive tape on dark background. Vertical and horizontal rectangular templates of instant pictures for old scrapbook or memory wall design.-stock-foto
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An abstract watercolor pink striped pattern with vertical lines creates a vibrant geometric background, perfect for textiles or digital interfaces.-stock-foto
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Set of bright blue world sleep day badges and banners with bold yellow comic style text and radial rays, multiple shapes for labels-stock-foto
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Calm Teal Rectangular Artwork Scene. Reflective Layered Teal Rectangle With Textured Brushwork-stock-foto
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cabinet card (mignon format), recto and verso, studio portrait of a man in uniform, Atelier Robert Wiener, Berlin SW-stock-foto
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Set of rectangular vertical frames in Provence style. Templates with delicate purple flowers and hand drawn lavender flowers, stems. Rustic style-stock-foto
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Ex libris of Kaeta Schultess-Kauffmann; artist: Kauffmann, Jean (1866–1924). Heraldic-text bookplate (1909), graphic print, Lucerne. Description: at the top a view of Zurich; in the middle two coats of arms with heraldic helmets and heraldic animals; below a horsewoman (amazon) on horseback amid trees, plant ornaments, roses, rural buildings and towers; landscape/cityscape elements, fields. Materials/format: bookplate, height 9.6 cm, width 5.8 cm. Subjects/styles: amazons, women, horses/riders, heraldry, coats of arms, marriage bookplate, city views, Swiss graphics., The image shows an ornate-stock-foto
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Inscription enclosed in a simple linear frame. 18th century print bookplate: Du cabinet de M. Samuel de Tournes; graphic artist; text/bookplate; height 2.6 cm, width 5.4 cm., A rectangular piece of paper with a decorative black border featuring small floral motifs along the edges, placed on a gray background. The paper is an off-white, slightly textured beige with subtle flecks of color. Bold black printed characters form two centered lines across the middle of the paper. The border has thicker black vertical bars on the left and right and a horizontal band of black floral ornamentation at the-stock-foto
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Graphic artist; angel heads; allegorical-symbolic bookplate; religious bookplate; lilies; Eye of Providence (iconographic); dogs; swords (weapons); IHS monogram; Dominicans (order); monastic libraries; bookplate; Catholic Church (institution); oval; religious orders; 2nd half of the 18th century; graphic print; height 9.1 cm; width 7.2 cm, The image shows a rectangular engraved plate with an oval central scene surrounded by a dark hatched border and four cherubic faces at the corners with wings extending toward the oval; inside the oval is a radiating pattern of fine lines and a small standing-stock-foto
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Aug. F. Ammann; Tullberg; Hasse Werner (1844–1929), draughtsman; Hildebrandt, Adolf Matthias (1844–1918), draughtsman. Bookplate with landscape, flowers, plant ornaments, city views, defensive and sacred architecture (including Grossmünster, Zurich, and Tower of London). German and Swedish/Great Britain/Zurich influences; ornaments. Ammann, August Julius Ferdinand (1850–1924). 19th/20th century. Print, typographical impression; bookplate. Height 13.1 cm, width 10.0 cm., A vertical rectangular print on a light gray background showing an ornate framed composition with two circular vignettes stac-stock-foto
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Ex libris DG de Labastie; bookplate by Fogasse after Paul-André de La Bastie (1756–1830) and Witke-Jeżewski, Dominik (1862–1944). Graphic print, heraldic bookplate depicting coats of arms with lilies (fleur-de-lis) and rank crowns; numbering from book collections. French, 18th–19th century. Dimensions: height 8.7 cm, width 5.5 cm., The image shows an aged, off-white rectangular paper with a detailed black ink decorative emblem near the top featuring an ornate crown above a shield flanked by stylized floral and leaf motifs and draped ribbon-like elements; the shield has vertical shading lines a-stock-foto
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Portrait of Prince Józef Poniatowski; Juliannau (fl. ca. 1810), publisher; Juliannau (fl. ca. 1810), graphic artist. Subject: Poniatowski, Józef Antoni (1763–1813) — Napoleonic era (1799–1815); iconography: portraits, busts, orders; male portrait; Poland. French graphics; Order of the Legion of Honor. After 1806, Paris. Medium: graphic print. Dimensions: height 21.3 cm, width 14 cm., A centered vertical rectangular print mounted on a larger brown backing, showing a black-and-white engraved portrait of a man from the chest up wearing an ornate military uniform with epaulettes and decorative bra-stock-foto
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Bust of Prince Józef Poniatowski, graphic artist; subject: Poniatowski, Józef Antoni (1763–1813) in panoply with laurel wreath and Order of the Legion of Honour; Napoleonic era (1799–1815); attribute: Napoleon I Bonaparte (1769–1821) referenced; style: French graphics, male portrait bust; maker: Witke-Jeżewski, Dominik (1862–1944); function: cover of the prospectus of the publishing house A. Thiers, Le Consultant et l'Empire, Paris, 1846–1862; medium: graphic print; dimensions: 20.7 × 13.6 cm and 27 × 16.1 cm; Poland/Paris., A vertical print with a beige inner panel and a surrounding off-white-stock-foto
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Adoration of the Magi; Sandrart, Jakob von (1630-1708), publisher; Maratti, Carlo (1625-1713), engraver; religious scenes; Adoration of the Magi; camels; Joseph (Saint); revindication; 17th century; print; height 21.4 cm; width 13.5 cm, A large pale beige sheet with a pair of rectangular grayscale engravings placed side by side near the top center, each engraving framed by blank beige margins; the left engraving shows a group of clothed figures in flowing garments standing in front of a vertical architectural element and an open sky with clouds, with a few figures turned toward each other in c-stock-foto
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Vestigia delle Terme di Tito. Mars and Venus. Quadro from the vault decoration of room 15, Carlone, Marco (1742-1796), graphic artist; Smuglewicz, Franciszek (1745-1807), graphic artist; Mirri, Ludovico (1738-1786), publisher. Ancient architecture, traces (archaeological), Rome (Italy); traces of decoration; Golden House of Nero (Rome); Baths of Titus (Rome); Venus (mythology); grotesques (ornament); Mars (mythology). Vestigia delle Terme di Tito, 1776 — illustration; Italian graphic; antiquity; archaeology; mythology. Board marked no. 51, in the graphic album page 34, 1776, Rome. Colored grap-stock-foto
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Vestigia delle Terme di Tito. Decoration of the vault called in fondo giallo, in room 24. Carlone, Marco (1742-1796), graphic artist; Smuglewicz, Franciszek (1745-1807), draughtsman; Brenna, Vincenzo (1741-1820), draughtsman; Mirri, Ludovico (1738-1786), publisher. Ancient architecture, traces of decoration, Rome (Italy), traces (archaeol.), cupids, Golden House of Nero (Rome), Baths of Titus (Rome), Chronos (mythology), Time (personification), grotesques (ornament). Vestigia delle Terme di Tito, 1776 — illustration, Italian graphic art, antiquity, archaeology, mythologies. Board marked no. 25-stock-foto
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Vestigia delle Terme di Tito. Ephebe in a blue robe. Quadro from the wall decoration in room 15, Carlone, Marco (1742–1796), graphic artist; Smuglewicz, Franciszek (1745–1807), graphic artist; Mirri, Ludovico (1738–1786), publisher. Ancient architecture, Rome (Italy); traces (archaeol.); traces of decoration; Golden House of Nero (Rome); Baths of Titus (Rome); ephebes; grotesques (ornament). Vestigia delle Terme di Tito, 1776 — illustration; Italian graphics; antiquity; archaeology. Board marked no. 35, in the graphic album page 36, 1776, Rome; colored graphic print; height 57.3 cm, width 30.7-stock-foto
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Vestigia delle Terme di Tito. Dionysus and Ariadne. Quadro from the vault decoration of room 15, Carlone, Marco (1742–1796), graphic artist; Smuglewicz, Franciszek (1745–1807), graphic artist; Mirri, Ludovico (1738–1786), publisher. Ancient architecture, traces of decoration, traces (archaeology); Rome (Italy), Golden House of Nero (Rome); Ariadne (mythology); The Baths of Titus (Rome); Dionysus (mythology); vines; grotesques (ornament). Vestigia delle Terme di Tito, 1776 — illustration; Italian graphics; antiquity; archaeology; mythology. Board marked no. 60, in the graphic album page 52, 177-stock-foto
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Dry oak against the background of the forest, Wyczółkowski, Leon (1852–1936), graphic artist; Lithuanian Portfolio (Kraków 1907). Drawing made with soft chalk; visible paper texture printed on the plate — the artist used reprint paper. Described in a catalogue as algraphy. Print 5 of an edition of 85. Technique: simple black chalk, soft tones; silvery, slightly dull tone harmonizing with cream paper. 1907, Kraków. Graphic print; height 35 cm, width 21.5 cm., A vertical rectangular image shows a charcoal-like sketch of a large tree with a dark trunk and textured branches, set against a lighter-stock-foto
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View of Krakow; illustration after Georg Braun (1542–1622) with draughtsmanship by Egidius van der Rye (fl. 1597–1605), Joris Hoefnagel (1542–1601), and Abraham Hogenberg (fl. 1608–1659). German print, 1617, album sheet; height 31.7 cm, width 50 cm. Historical cityscape showing Krakow and historical costumes. Hondius based a portrait of King John Casimir on one of two portraits by Daniel Schultz; one of those portraits depicted John Casimir in Polish costume and is known through prints. The print is accompanied by Latin text on a separate sheet., An aged rectangular sheet with a warm beige bac-stock-foto
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Jan Małecki's bookplate Światowid in front of whom smoke rises from two vessels. In the background the setting sun. The whole in a decorative frame with an inscription at the bottom. ca. 1905. Graphic, typographic print; bookplate. Height 14.1 cm, width 4.5 cm; height 16 cm, width 6.6 cm. Styles/subjects: Światowid (mythology), Slavic mythology, Young Poland (style), symbolism (style). Maker/figures: Jan Małecki (bookplate), Tadeusz Rychter (illustrator), Dominik Witke-Jeżewski. Motifs: swastika. Ethnographic bookplate; Polish bookplates; Polish graphics., A narrow vertical print in muted tone-stock-foto
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Self-portrait of Eliza Radziwiłłówna (Eliza Radziwiłł, 1803–1834), graphic artist; 1832; graphic print; self-portrait / female portrait; height 18.4 cm, width 15.4 cm., A torn rectangular sheet of paper with uneven edges sits on a dark textured background; the paper is off-white with a few small creases and a slightly darker vertical fold near the top center, and there is a jagged tear along the left edge with a narrow strip of paper partially detached; printed black ink covers much of the sheet in multiple blocks and lines forming paragraphs and short lines, with a decorative horizontal flour-stock-foto
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Bust of a church dignitary; Jean Pierre Norblin de la Gourdaine (1745–1830), graphic artist; Dominik Witke-Jeżewski (1862–1944). French, Polish; portraits of clergy; male portrait; print. Hillemacher gives 2 states of this engraving: 1 — head covered with a cap; 2 — in a high hat. A print exists as in state 2 with a more elaborated (plasticized) form and a very clear date, 1784. Graphic matrix/plate. Dimensions: height 5.8 cm, width 4.8 cm, thickness 0.1 cm., A rectangular etched plate showing a portrait of an older person wearing a tall hat and a heavy fur-lined robe, rendered with fine cross-stock-foto
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General National Loan Poland 5%, National Government, National Government, securities, National Loan, January Uprising (1863–1864), Kingdom of Poland (1815–1918). Text: GENERAL NATIONAL LOAN POLAND // FIVE PERCENT // By the Decree of the National Government of October 10, 1863, established // Lit. A - 100 - 14,895 // ONE HUNDRED POLISH ZLOTY // MEMBERS OF THE NATIONAL DEBT COMMITTEE // J. Otręba W. Czartoryski, S. Gałęzowski. Two dry impressions of the seal of the National Government with the tripartite coat of arms under the crown. On the reverse: EXTRACT FROM THE DECREE OF THE NATIONAL GOVER-stock-foto
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National tax receipt from the Main Cash Register of the National Government: bearer receipt, series IV, section 1, letter D, no. 1548 for National Tax. Blank receipt without the seal of the National Government. Blue and pink print; dated 1863, Kingdom of Poland (January Uprising period, 1863–1864). Medium: securities/receipt. Dimensions: 1,139 mm × 2.65 mm., A rectangular paper document with a faded beige background and an intricate blue printed geometric pattern over much of its surface; a stylized bird with wings spread is centrally depicted in pale beige and light blue lines; dark black ser-stock-foto
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National tax receipt from the Main Cash Register of the National Government for National Tax, bearer receipt, series IV, section 1, letter D, no. 1548. Blank receipt without the seal of the National Government. Blue and pink print; 1863, Kingdom of Poland (January Uprising, 1863–1864). Dimensions: 1,139 mm × 2.65 mm., A rectangular piece of paper with intricate printed patterns rests on a brown textured background; the paper shows a central pale beige area with a detailed illustration of a bird with outstretched wings in a darker line drawing, surrounded by geometric guilloche patterns in ligh-stock-foto
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From the series 'Towards the Sky'; Janusz Przybylski (1937–1998); painter; subject: sky, rain; print; height 59.5 cm, width 43 cm; dated 1987., A rectangular artwork centered on a cream background shows a blue ink drawing divided by a curtain into two scenes: on the left a group of stylized figures including a bearded man in a suit with exaggerated facial features, a face with long hair and beard peering from the foreground, and a few other faces partially visible behind them, all rendered with dense blue hatch marks and shading; on the right a more sparsely drawn scene with a nude woman-stock-foto
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From the series 'Towards the Sky', purple and black; Janusz Przybylski (1937–1998), painter; sky, rain; 1987; print; height 59.5 cm, width 43 cm., A flat rectangular surface filled with an abstract pattern of irregular rounded shapes and dots in a bright blue layered over a deep black background, with a horizontal band of elongated blue streaks crossing near the middle and a vertical drip-like blue form near the right edge, a consistent border of blue along the top and bottom edges, and areas where the blue clusters form denser patches and other areas where they are more sparsely dotted.-stock-foto
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Plant motifs and inscriptions; graphic artist; Chinese; early 20th century; graphic print; plant motifs; inscriptions; height 109.0 cm; width 31.5 cm, The image shows a tall vertical artwork with a predominantly dark background and lighter areas forming the subject. A group of long, slender leaves and curved stalks rise from the lower portion and extend upward, some ending in pointed tips and others in drooping, irregular shapes. Several elongated, petal-like forms with torn or ragged edges appear among the leaves. A vertical column of calligraphic marks appears along the left side, rendered-stock-foto
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Plant motifs and inscriptions; graphic artist; plants, grass; Chinese art; early 20th century, China; graphic print; height 158.0 cm, width 35.0 cm, A long vertical artwork on a gray background showing pale, linear botanical forms resembling clusters of grasslike leaves and roots arranged in several groupings along the length; the image palette is mainly shades of gray with off-white or light beige lines for the plants and darker gray textured backgrounds; the plants have slender arching leaves and tangled root masses with a few small, curved leaves interspersed; there are also a few small-stock-foto
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Vipassi Buddha, Knothe, Jerzy (1917–2002), graphic print, Tibetan Buddhist art, Chinese, Chinese art, Buddhism, Chinese Buddhism; depicts Vipassī (Pāli), the twenty-second of twenty-eight Buddhas described in Chapter 27 of the Buddhavaṃsa (a text of the Khuddaka Nikāya in the Sutta Piṭaka of the Pāli Canon); dragon with pearl, inscriptions, lotus throne, peaches, lotuses, vajras; early 20th century, China; height 171.0 cm, width 70.0 cm., A tall monochrome image showing a vertical rectangular print with intricate linework and ornate borders on a light gray background; the central panel-stock-foto
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Mythical animals; graphic artist Witold Jabłoński (1901–1957); Chinese art; Chinese Han dynasty (202 BC–9; 25–220); graphic prints; mythologies; fantasy beasts; birds; plants and plant ornament; early 20th century; graphic print; height 42.0 cm, width 136.5 cm, A long horizontal rectangular artwork printed in black on a white background shows a central band with a procession of stylized animals and plants, including a group of birdlike figures, hoofed animals, a crouching large beast with horns, and other quadrupeds interspersed with tall plant motifs; above and below this band are thick-stock-foto
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Poster with stacked vertical stripes converging on a central label that reads Graphic Impact.-stock-foto
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Minimal illustration of a blank vertical clipboard with wooden frame and top clip.-stock-foto
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Abstract minimalist vector featuring a grid of light brown rectangular blocks with off-white elongated oval cutouts arranged horizontally and vertical-stock-foto
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Creative modern abstract green business card design template. Corporate company visiting card template. Personal business card. Id card. Name card-stock-foto
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Minimalist white rectangular photo or poster frame with a mat board inside, mounted on a white wall. Clean, simple, and modern design suitable for int-stock-foto
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Wall-mounted black wooden coat rack with four curved hooks and rattan woven panel on white decorative background. Studio product photo. Home organizat-stock-foto
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