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Outline Washington DC USA City Skyline with white Buildings. Vector Illustration. Business Travel and Tourism Concept with Historic Buildings.-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated in September 2014, honors 1,711 documented African Americans who died between 1864-1869 an-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated in September 2014, honors 1,711 documented African Americans who died between 1864-1869 an-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicting children learning to read at an Alexandria freedmen's school forms part of the Contrabands and Freedmen Cemetery Memorial, dedicated in 2014. The relief, created by local sculptor Joanna Blake, illustrates the educational initiatives that emerged within Alexandria's Civil War-era African American community, where contraband schools achieved remarkable participation rates with 400 children attending daily classes by 1864. The memorial commemorates 1,711 documented African Americans who died between 1864-1869 and were buried in the cemet-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — Bronze tablets displaying names from the Gladwin Record line the memorial walls at the Contrabands and Freedmen Cemetery Memorial, documenting 1,711 African Americans who died between 1864-1869. The memorial honors individuals who fled slavery during the Civil War and found refuge in Union-occupied Alexandria, where they established one of the largest contraband communities in Virginia. Bronze icons next to certain names indicate that living descendants have been identified through ongoing genealogical research led by Char McCargo Bah, who has traced over 1,000 descendan-stock-foto
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ALEXANDRIA, Virginia — A bronze relief sculpture depicts a family fleeing slavery at the Contrabands and Freedmen Cemetery Memorial, with the inscription 'Fleeing slavery for sanctuary and freedom in Alexandria.' The artwork by local sculptor Joanna Blake is part of the memorial dedicated in 2014 to honor 1,711 African Americans who died between 1864-1869 and were buried in the historic cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community during the Civil War. The site gained national significance in Decemb-stock-foto
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ALEXANDRIA, Virginia — Bronze inscriptions on the memorial walls display the names of individuals buried in the Contrabands and Freedmen Cemetery, established in March 1864 as the final resting place for 1,711 African Americans who died between 1864-1869. The cemetery served formerly enslaved people who sought freedom within Union lines during the Civil War, with detailed burial records maintained by Reverend Albert Gladwin documenting names, ages, and death dates of those interred. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers successful-stock-foto
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ALEXANDRIA, Virginia — Bronze inscriptions on the memorial walls display the names of individuals buried in the Contrabands and Freedmen Cemetery, established in March 1864 as the final resting place for 1,711 African Americans who died between 1864-1869. The cemetery served formerly enslaved people who sought freedom within Union lines during the Civil War, with detailed burial records maintained by Reverend Albert Gladwin documenting names, ages, and death dates of those interred. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers successful-stock-foto
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ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial honors 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities in March 1864. The memorial plaza features 'The Path of Thorns and Roses,' an 18-foot bronze sculpture by Mario Chiodo depicting six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site protects 631 identified grave locations with flush stone markers while co-stock-foto
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ALEXANDRIA, Virginia — An inscription in the floor stones at the Contrabands and Freedmen Cemetery Memorial reads '1955 GAS STATION' and explains that the concrete floor of a gas station that desecrated many graves was kept in place to protect remaining burials below. The memorial, dedicated in 2014, preserves the final resting place of 1,711 documented African Americans who died between 1864-1869 after fleeing slavery during the Civil War. The cemetery was established in March 1864 on confiscated Confederate land and became the site of one of the first successful civil rights protests when 44-stock-foto
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ALEXANDRIA, Virginia — A bronze figure from The Path of Thorns and Roses sculpture at the Contrabands and Freedmen Cemetery Memorial depicts one of six allegorical representations including Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created and sculpted by Mario Chiodo in 2013, the 18-foot bronze sculpture serves as the centerpiece of the memorial honoring 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen com-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
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ALEXANDRIA, Virginia — Grave markers inscribed with 'Grave of a Child' mark burial sites at the Contrabands and Freedmen Cemetery Memorial, where over 50 percent of the 1,711 documented burials were children under age 5. The cemetery served as the final resting place for African Americans who fled slavery and died between 1864-1869 during the Civil War era. Established in March 1864 by Union military authorities on confiscated Confederate land, the cemetery documented extreme childhood mortality rates caused by overcrowding, inadequate sanitation, and epidemic diseases including smallpox, typh-stock-foto
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ALEXANDRIA, Virginia — The Path of Thorns and Roses sculpture by Mario Chiodo stands as the centerpiece of the Contrabands and Freedmen Cemetery Memorial, featuring six allegorical bronze figures representing Oppression, Struggle, Sacrifice, Loss, Compassion, and Hope. Created in 2013 and cast by Mussi Artworks Foundry in California, the 18-foot sculpture depicts the Hope figure holding an unbloomed Rose of Freedom while standing on tiptoes to avoid the thorns of oppression below. The memorial, dedicated September 6, 2014, honors 1,711 African Americans who died between 1864-1869 and were buri-stock-foto
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ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial commemorates 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities. The memorial features Mario Chiodo's 18-foot bronze sculpture 'The Path of Thorns and Roses' with six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers succ-stock-foto
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ALEXANDRIA, Virginia — The Contrabands and Freedmen Cemetery Memorial commemorates 1,711 African Americans who died between 1864-1869 and were buried in this Civil War-era cemetery established by Union military authorities. The memorial features Mario Chiodo's 18-foot bronze sculpture 'The Path of Thorns and Roses' with six allegorical figures representing the journey from oppression to hope, surrounded by stone walls displaying the names of all documented burials from the Gladwin Record. The site gained national significance in December 1864 when 443 United States Colored Troops soldiers succ-stock-foto
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ALEXANDRIA, Virginia — A sidewalk plaque outside the Contrabands and Freedmen Cemetery Memorial marks graves beneath South Washington Street that date to 1864. The bronze plaque explains that the Freedmen's Cemetery extended into the middle of South Washington Street during the Civil War, with tan stones in the sidewalk marking graves identified by archaeologists investigating the original cemetery location. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community, ultimately recording 1,711 burials between 1864-1869. Ar-stock-foto
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ALEXANDRIA, Virginia — A grave marker at the Contrabands and Freedmen Cemetery Memorial displays an inscription honoring the African Americans who fled to Alexandria during the Civil War and those who died from disease and deprivation. The memorial, dedicated in 2014, protects 631 identified grave locations from the original cemetery established in March 1864 on confiscated Confederate land. The cemetery served as the final resting place for 1,711 documented African Americans between 1864-1869, including formerly enslaved people who sought freedom within Union lines and were classified as 'con-stock-foto
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ALEXANDRIA, Virginia — A sidewalk plaque outside the Contrabands and Freedmen Cemetery Memorial marks graves beneath South Washington Street that date to 1864. The bronze plaque explains that the Freedmen's Cemetery extended into the middle of South Washington Street during the Civil War, with tan stones in the sidewalk marking graves identified by archaeologists investigating the original cemetery location. The cemetery was established in March 1864 on confiscated Confederate land to serve Alexandria's contraband and freedmen community, ultimately recording 1,711 burials between 1864-1869. Ar-stock-foto
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President Donald Trump walks ahead of his family after disembarking Marine One on the South Lawn of the White House, with the Washington Monument visible in the background. Washington, D.C. July 29, 2025. Image courtesy of the White House.-stock-foto
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President Donald Trump returns to the White House after a five-day working visit to Scotland, stepping off Marine One on the South Lawn. Washington, D.C. July 29, 2025. Image courtesy of the White House.-stock-foto
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WASHINGTON DC — The Pennsylvania Railroad Station Eagle by sculptor Adolph A. Weinman is displayed at the Smithsonian's National Zoo on Connecticut Avenue. The 5-foot-tall (1.5-meter) pink granite sculpture is one of twenty-two eagles that originally graced Pennsylvania Railroad Station in New York City. The Neoclassical station, designed after Hadrian's Villa near Rome, covered 7.5 acres (3 hectares) on Eighth Avenue in midtown Manhattan and cost over $120 million when completed in 1910. When the station was demolished in 1965, this eagle was donated to the Smithsonian Institution. The sculpt-stock-foto
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WASHINGTON DC — The Pennsylvania Railroad Station Eagle by sculptor Adolph A. Weinman is displayed at the Smithsonian's National Zoo on Connecticut Avenue. The 5-foot-tall (1.5-meter) pink granite sculpture is one of twenty-two eagles that originally graced Pennsylvania Railroad Station in New York City. The Neoclassical station, designed after Hadrian's Villa near Rome, covered 7.5 acres (3 hectares) on Eighth Avenue in midtown Manhattan and cost over $120 million when completed in 1910. When the station was demolished in 1965, this eagle was donated to the Smithsonian Institution. The sculpt-stock-foto
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WASHINGTON DC — The Pennsylvania Railroad Station Eagle by sculptor Adolph A. Weinman is displayed at the Smithsonian's National Zoo on Connecticut Avenue. The 5-foot-tall (1.5-meter) pink granite sculpture is one of twenty-two eagles that originally graced Pennsylvania Railroad Station in New York City. The Neoclassical station, designed after Hadrian's Villa near Rome, covered 7.5 acres (3 hectares) on Eighth Avenue in midtown Manhattan and cost over $120 million when completed in 1910. When the station was demolished in 1965, this eagle was donated to the Smithsonian Institution. The sculpt-stock-foto
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WASHINGTON DC — The Pennsylvania Railroad Station Eagle by sculptor Adolph A. Weinman is displayed at the Smithsonian's National Zoo on Connecticut Avenue. The 5-foot-tall (1.5-meter) pink granite sculpture is one of twenty-two eagles that originally graced Pennsylvania Railroad Station in New York City. The Neoclassical station, designed after Hadrian's Villa near Rome, covered 7.5 acres (3 hectares) on Eighth Avenue in midtown Manhattan and cost over $120 million when completed in 1910. When the station was demolished in 1965, this eagle was donated to the Smithsonian Institution. The sculpt-stock-foto
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WASHINGTON DC — Flags are displayed at the base of the Washington Monument with the U.S. Capitol dome visible in the background on the National Mall. The 555-foot (169-meter) marble obelisk, completed in 1884, honors the first U.S. president and is the tallest stone structure in the world. The National Mall, often called 'America's Front Yard,' stretches 2 miles (3.2 kilometers) between the Capitol and Lincoln Memorial. The U.S. Capitol, with its distinctive cast-iron dome topped by the Statue of Freedom, houses both chambers of Congress and was completed in its current form in 1866. The Mall-stock-foto
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WASHINGTON DC — Flags are displayed at the base of the Washington Monument with the U.S. Capitol dome visible in the background on the National Mall. The 555-foot (169-meter) marble obelisk, completed in 1884, honors the first U.S. president and is the tallest stone structure in the world. The National Mall, often called 'America's Front Yard,' stretches 2 miles (3.2 kilometers) between the Capitol and Lincoln Memorial. The U.S. Capitol, with its distinctive cast-iron dome topped by the Statue of Freedom, houses both chambers of Congress and was completed in its current form in 1866. The Mall-stock-foto
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WASHINGTON DC — Flags are displayed at the base of the Washington Monument with the U.S. Capitol dome visible in the background on the National Mall. The 555-foot (169-meter) marble obelisk, completed in 1884, honors the first U.S. president and is the tallest stone structure in the world. The National Mall, often called 'America's Front Yard,' stretches 2 miles (3.2 kilometers) between the Capitol and Lincoln Memorial. The U.S. Capitol, with its distinctive cast-iron dome topped by the Statue of Freedom, houses both chambers of Congress and was completed in its current form in 1866. The Mall-stock-foto
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WASHINGTON DC — The National World War II Memorial reflects in the still waters of the Reflecting Pool on the National Mall. The memorial, dedicated in 2004, honors the 16 million Americans who served in the armed forces during World War II and the more than 400,000 who died in the conflict. The memorial features 56 granite pillars representing U.S. states and territories, arranged around a central plaza with fountains. Located between the Lincoln Memorial and Washington Monument, the memorial sits at the western end of the Reflecting Pool, which was originally constructed in 1922 as part of t-stock-foto
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WASHINGTON DC — Flags are displayed at the base of the Washington Monument with the U.S. Capitol dome visible in the background on the National Mall. The 555-foot (169-meter) marble obelisk, completed in 1884, honors the first U.S. president and is the tallest stone structure in the world. The National Mall, often called 'America's Front Yard,' stretches 2 miles (3.2 kilometers) between the Capitol and Lincoln Memorial. The U.S. Capitol, with its distinctive cast-iron dome topped by the Statue of Freedom, houses both chambers of Congress and was completed in its current form in 1866. The Mall-stock-foto
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WASHINGTON DC — The National World War II Memorial reflects in the still waters of the Reflecting Pool on the National Mall. The memorial, dedicated in 2004, honors the 16 million Americans who served in the armed forces during World War II and the more than 400,000 who died in the conflict. The memorial features 56 granite pillars representing U.S. states and territories, arranged around a central plaza with fountains. Located between the Lincoln Memorial and Washington Monument, the memorial sits at the western end of the Reflecting Pool, which was originally constructed in 1922 as part of t-stock-foto
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WASHINGTON DC — The National World War II Memorial reflects in the still waters of the Reflecting Pool on the National Mall. The memorial, dedicated in 2004, honors the 16 million Americans who served in the armed forces during World War II and the more than 400,000 who died in the conflict. The memorial features 56 granite pillars representing U.S. states and territories, arranged around a central plaza with fountains. Located between the Lincoln Memorial and Washington Monument, the memorial sits at the western end of the Reflecting Pool, which was originally constructed in 1922 as part of t-stock-foto
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WASHINGTON DC — Flags are displayed at the base of the Washington Monument with the U.S. Capitol dome visible in the background on the National Mall. The 555-foot (169-meter) marble obelisk, completed in 1884, honors the first U.S. president and is the tallest stone structure in the world. The National Mall, often called 'America's Front Yard,' stretches 2 miles (3.2 kilometers) between the Capitol and Lincoln Memorial. The U.S. Capitol, with its distinctive cast-iron dome topped by the Statue of Freedom, houses both chambers of Congress and was completed in its current form in 1866. The Mall-stock-foto
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