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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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WASHINGTON DC — The Arts and Industries Building displays its distinctive High Victorian polychrome brick architecture along Independence Avenue, featuring red, yellow, blue, and black bricks arranged in geometric patterns with characteristic horizontal black brick bands. Built between 1879 and 1881 by architects Adolf Cluss and Paul Schulze, the structure was designed specifically to house artifacts from the 1876 Philadelphia Centennial Exhibition and served as the first building constructed solely for the United States National Museum. The building pioneered democratic museum design through-stock-foto
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LORTON, VIRGINIA — The formal Riverside Garden at George Mason's Gunston Hall features a 12-foot-wide central gravel pathway leading from the mansion toward the Potomac River. The recently restored one-acre garden, completed in 2023 after four decades of archaeological research, recreates George Mason's original 18th-century design with four quadrants bordered by boxwood shrubs. Mason, author of the Virginia Declaration of Rights that influenced the U.S. Bill of Rights, designed this symmetrical garden as part of his 5,500-acre plantation where approximately 90-100 enslaved people lived and wo-stock-foto
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LORTON, Virginia — George Mason's Gunston Hall, built between 1755-1759 on Mason Neck peninsula along the Potomac River, features the only known coordinated chinoiserie woodwork in colonial America, created under the supervision of English architect William Buckland. The Georgian mansion served as home to George Mason IV (1725-1792), primary author of the Virginia Declaration of Rights that influenced the U.S. Bill of Rights and one of only three delegates who refused to sign the U.S. Constitution due to its lack of individual rights protections. Today, the Commonwealth of Virginia owns the pr-stock-foto
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CHANTILLY, Virginia — Military aircraft are displayed in the Boeing Aviation Hangar at the Steven F. Udvar-Hazy Center, the companion facility to the National Air and Space Museum. The hangar houses a significant collection of military aviation artifacts as part of the Smithsonian Institution's extensive aerospace collection. The Steven F. Udvar-Hazy Center opened in 2003 near Washington Dulles International Airport to accommodate aircraft and spacecraft too large for display at the main museum on the National Mall. The facility is named after Steven F. Udvar-Hazy, a Hungarian-American busines-stock-foto
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WASHINGTON DC — Visitors line up to enter the seashore walkthrough exhibit through special doors designed to prevent birds from flying out at the Smithsonian's National Zoo. The seashore exhibit is housed within the newly renovated bird house, which underwent extensive renovations completed in 2021, modernizing its facilities and creating immersive environments. The National Zoo, officially known as the National Zoological Park, is part of the Smithsonian Institution and serves as a center for animal care, conservation research, and education. Established in 1889, the zoo is located in the Woo-stock-foto
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WASHINGTON DC — The seashore walkthrough exhibit is housed within the newly renovated bird house at the Smithsonian's National Zoo. The bird house underwent extensive renovations that were completed in 2021, modernizing its facilities and creating immersive exhibits including the seashore environment. The National Zoo, officially known as the National Zoological Park, is part of the Smithsonian Institution and serves as a center for animal care, conservation research, and education. Established in 1889, the zoo is located in the Woodley Park neighborhood and houses approximately 4,000 animals-stock-foto
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WASHINGTON DC — The seashore walkthrough exhibit is housed within the newly renovated bird house at the Smithsonian's National Zoo. The bird house underwent extensive renovations that were completed in 2021, modernizing its facilities and creating immersive exhibits including the seashore environment. The National Zoo, officially known as the National Zoological Park, is part of the Smithsonian Institution and serves as a center for animal care, conservation research, and education. Established in 1889, the zoo is located in the Woodley Park neighborhood and houses approximately 4,000 animals-stock-foto
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WASHINGTON DC — The seashore walkthrough exhibit is housed within the newly renovated bird house at the Smithsonian's National Zoo. The bird house underwent extensive renovations that were completed in 2021, modernizing its facilities and creating immersive exhibits including the seashore environment. The National Zoo, officially known as the National Zoological Park, is part of the Smithsonian Institution and serves as a center for animal care, conservation research, and education. Established in 1889, the zoo is located in the Woodley Park neighborhood and houses approximately 4,000 animals-stock-foto
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WASHINGTON DC — The interior of the older building that houses the Amazonia area at the Smithsonian's National Zoological Park features exhibits dedicated to tropical ecosystems and biodiversity. The facility includes displays on amphibians and coral reef systems, representing some of the world's most threatened aquatic environments. This building predates the newer Amazonia complex and serves as part of the zoo's ongoing efforts to showcase diverse tropical habitats within controlled indoor environments. The structure functions as both an educational center and conservation facility, supporti-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, silhouetted through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, f-stock-foto
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WASHINGTON DC — The bronze statue of Thomas Jefferson stands within the Jefferson Memorial, viewed through the monument's iconic columns. The 19-foot (5.8-meter) statue, created by sculptor Rudulph Evans, depicts the third U.S. president and primary author of the Declaration of Independence. The memorial, completed in 1943, was designed by architect John Russell Pope in the neoclassical style with a circular colonnade of Ionic columns. The monument sits on the Tidal Basin and serves as one of Washington's most recognizable presidential memorials. The statue itself was installed in 1947, four y-stock-foto
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Washington, D.C, USA - June 7, 2025: People walk inside the lobby of the Smithsonian National Museum of African American History.-stock-foto
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WASHINGTON DC — The interior of Eastern Market on Capitol Hill, showing the main hall lined with vendor stalls and shops. Established in 1873, Eastern Market is one of the oldest continuously operating public markets in Washington DC and serves as a community hub for the Capitol Hill neighborhood. The historic brick building, designed by German-born architect Adolf Cluss, underwent a major renovation following a devastating fire in 2007. The market houses numerous food vendors, artisans, and merchants selling fresh produce, meats, cheeses, baked goods, and handcrafted items. Eastern Market is-stock-foto
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WASHINGTON DC — The interior of Eastern Market on Capitol Hill, showing the main hall lined with vendor stalls and shops. Established in 1873, Eastern Market is one of the oldest continuously operating public markets in Washington DC and serves as a community hub for the Capitol Hill neighborhood. The historic brick building, designed by German-born architect Adolf Cluss, underwent a major renovation following a devastating fire in 2007. The market houses numerous food vendors, artisans, and merchants selling fresh produce, meats, cheeses, baked goods, and handcrafted items. Eastern Market is-stock-foto
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WASHINGTON DC — The interior of Eastern Market on Capitol Hill, showing the main hall lined with vendor stalls and shops. Established in 1873, Eastern Market is one of the oldest continuously operating public markets in Washington DC and serves as a community hub for the Capitol Hill neighborhood. The historic brick building, designed by German-born architect Adolf Cluss, underwent a major renovation following a devastating fire in 2007. The market houses numerous food vendors, artisans, and merchants selling fresh produce, meats, cheeses, baked goods, and handcrafted items. Eastern Market is-stock-foto
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WASHINGTON DC — Interior view of Eastern Market, a historic public market located on Capitol Hill in Washington DC. The image shows a fresh fruit and vegetable stand positioned on the left side of the market hall, with a bakery visible in the background. Eastern Market, established in 1873, is one of the oldest continuously operating public markets in the city and serves as a community hub for local vendors and shoppers. The market building was designated a DC historic site in 1964 and underwent a major renovation following a fire in 2007. Today, Eastern Market continues to operate as a workin-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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WASHINGTON, D.C. — The Robert and Arlene Kogod Courtyard at the Smithsonian American Art Museum and National Portrait Gallery features a distinctive undulating glass canopy designed by renowned architect Norman Foster in 2007. The 28,000-square-foot enclosed space, originally an open-air courtyard, is among the largest indoor public spaces in Washington, D.C. Landscape architect Kathryn Gustafson designed the courtyard's planters and water scrims that visitors can interact with. The innovative space has been recognized as one of the 'new architectural wonders of the world' and provides natural-stock-foto
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