Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[worn rectangular object] képek

671 találat
  • / 17
  • kép/oldal:
RF
Pink tissue paper creating a textured background with creases and wrinkles, forming a rectangular shape, white background-stock-foto
RF
Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
RF
Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
RF
Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
RF
Side view of stacked blue wooden pallets with metal corner fittings, chipped paint and rough timber edges, shallow focus, pavement and building facade-stock-foto
RF
Close-up of stacked blue-painted wooden pallets with visible wood grain, chipped paint, metal corner supports with embossed arrows-stock-foto
RM
Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
RM
Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843.' Maker: Wilhelm Loeillot (1827–1876), graphic artist. Associated with Adalbert, Prince of Prussia (1811–1873). Medium/format: book binding; album; album page. Subject/contents: travels; illustrations; Brazil views; German graphics; medallions; eagles; emblems; travel diary illustrations. Date: 1847. Dimensions (album page, irregular composition): height 50.9 cm, width 35.2 cm., A dark rectangular object with a textured surface and worn edges centered against a pale background, featuring a circular gold-stock-foto
RM
Twelve-Year-Old Jesus in the Temple, illustrator, Gebethner, Jan, Jesus in the Temple (Bible; New Testament), 1859–1880, woodcut block, height 25.4 cm, width 35.5 cm, thickness 2.2 cm, A rectangular flat object resting on a reflective surface, with a textured top showing swirling patterns in shades of gray and white and a worn, rough-looking edge in tones of tan, beige, and brown; the background and surface are smooth and uniform gray.-stock-foto
RM
Carriage; Aleksander Maj (1883–1952), graphic artist; carriages, illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm, width 12.7 cm, thickness 2.2 cm, A worn rectangular surface made of a coarse brown material with a vertical split near the center, showing areas of darker and lighter brown staining and rough textured patches; a bold rough blue mark stretches across both sides forming angular strokes and a curved loop; pale beige and off-white scuffs and peeled spots interrupt the brown texture in several places; the object rests against a neutral gray background and overall shows-stock-foto
RM
Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A low, rectangular object rests on a smooth surface with a reflective sheen, composed of two joined blocks with a visible gap between them. The top surfaces are dark and textured with carved circular patterns and rough irregularities, while the vertical faces show a worn, coarse texture in a brownish-golden color. The gap between the blocks reveals an inner surface in a lighter yellowish-gold tone. The overall scene is set against a-stock-foto
RM
Boy sitting at a table, reading a book; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); reading (genre scene), human types, genre scenes, character studies, children, boys, inkwells; 1802, Amsterdam; graphic; graphic matrix/plate; height 8.4 cm, width 6.1 cm, A worn rectangular metal plate with a textured, warm golden-orange surface sits against a neutral gray background; etched into the plate is a detailed line drawing of a seated person in profile facing left, holding a small object close to their face with both hands and leaning slightly forward, wearing-stock-foto
RM
Blessing of the Infant Jesus; graphic artist; Infant Jesus making a blessing gesture; borders and garlands (ornament); after 1850; steel matrix graphic plate; plate dimensions: height 21.4 cm, width 17.4 cm, thickness 0.4 cm; total including block: height 21.5 cm, width 17.3 cm, thickness 2.3 cm., A flat rectangular object rests on a smooth surface, appearing slightly raised at the edges with a worn, uneven top. The top surface shows a textured, rough appearance with patches of raised and chipped material, while the sides are smoother and have a more solid, block-like form. Visible colors-stock-foto
RM
Jesus Triumphant in Eternal Love, Gorczyn, Jan Aleksander (ca.1618–post 1695), graphic artist; Witke-Jeżewski, Dominik (1862–1944); Jesus Christ; crown of thorns; devotional depictions; halos; religious images; burning heart; Arma Christi (attribute). The composition depicts Christ Triumphant. The round hole at the top of the plate could have been used for hanging it on a wall; the inscriptions on the plate are reversed and ready for printing. Date: 1661. Place: Warsaw. Object type: graphic matrix / graphic plate. Dimensions: height 16.5 cm, width 14 cm, thickness 0.08 cm., A worn rectangular-stock-foto
RM
Nobleman with a Glass, graphic artist, glasses, nobleman, generic type, 2nd half of the 19th century, graphic, graphic matrix/plate, height 14.8 cm, width 10.1 cm, A rectangular metal plate with a worn, mottled surface in shades of gray and dark gray shows an incised outline of a standing figure wearing layered clothing and a textured hat; the figure holds an object in one hand and has a sash or belt with fringe around the waist, and visible shoes at the bottom, with the engraved lines appearing darker than the surrounding metal and patches of lighter gray oxidation scattered across the plate.-stock-foto
RM
Karawaka and prayer text. Spiritual Protection Against the Mormon Air. Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. Tyszkiewicz, Konstanty (1806–1868). Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic; graphic matrix/plate. Height 15.5 cm, width 20.6 cm., A rectangular flat object with a worn, mottled surface showing a mix of coppery brown and dark black patches, with the darker areas forming irregular speckles and larger blotches across the surface; the edges are slightly rounded and show similar wear, and there is a small-stock-foto
RM
Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
RM
Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Łohojsk — graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A worn rectangular object with rounded corners showing a dark, mottled surface in shades of black and deep brown with areas of lighter brown and ochre along the edges; a small rectangular paper label with a decorative blue border and a white center is affixed near the top edge, and there is a faint chalky or pale marking across the lower half in a light grayish color.-stock-foto
RM
Crucifixion. Graphic artist, Łohojsk. Image of Christ crucified; at the bottom, an empty cartouche made of a rocailles ornament. The image belongs to a series of graphic compositions depicting images that are objects of cult, most made by anonymous engravers, often in monastery engraving workshops. After 1750. Graphic matrix/plate. Height 10.7 cm; width 6.3 cm., A rectangular object with worn, mottled surfaces showing large irregular patches of black over a brown base, edges rounded and showing coppery brown exposed areas, a worn white and blue rectangular label near the top right, a few small-stock-foto
RM
Portrait of Cezary Plater (Cezary Augustyn Plater, 1810–1869) — iconography: portrait in bust, oval; ca. 1916, Lausanne; graphic plate; dimensions: height 9.1 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.1 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular wooden block with visible grain and a light brown color rests on a smooth reflective surface that shows a soft reflected image. On top of the block sits a flat circular object with a slightly irregular edge in dark gray to black tones, appearing slightly worn or smudged. The background is a uniform muted gray that-stock-foto
RM
Portrait of Ludwik Plater, Reymond M., Plater, Ludwik (1775–1846), 1918, Lausanne, graphic plate; dimensions: height 9.2 cm, width 6.5 cm, thickness 2.3 cm; graphic matrix: height 9.2 cm, width 6.5 cm, thickness 0.2 cm., A small rectangular block with a round, slightly raised circular top sits on a smooth surface. The block shows a worn, textured appearance with areas of dark and light contrast; the top is dark, almost black, while the sides display a mix of tan, beige, and brown with darker smudges and patches. The surface around the object is a uniform gray with a subtle reflection of the-stock-foto
RM
Nobleman in a cap with a feather; artist: Norblin de la Gourdaine, Jean Pierre (1745–1830); associated artist: Witke-Jeżewski, Dominik (1862–1944). Subject: Polish nobility, male figure study wearing a cap with a bird feather; style: graphic/print; date: ca. 1778–1787. Medium/details: graphic matrix/graphic plate; dimensions: height 1.7 cm, width 1.3 cm, thickness 0.1 cm., A flat, rounded-top rectangular object with a worn, textured surface in shades of brown and dark brown, showing areas of darker grayish-brown and lighter bronze tones; the surface has a few shallow incised lines and-stock-foto
RM
Head of an Old Man Writing, Norblin de la Gourdaine, Jean Pierre (1745–1830), graphic artist; Witke-Jeżewski, Dominik (1862–1944). French, Polish. Subject: old man writing; portrait, study of a male head; physiognomic study. Features: moustache (facial hair); head study. Related: same head as in An Old Man Writing; the same head engraved several times by Rembrandt; later prints without signature. Prints: Old Man Writing (Rembrandt: B.287; B.292, B.294, B.304, B.374). Object: print, print matrix/plate. Dimensions: height 4.8 cm, width 3.3 cm, thickness 0.1 cm., A rectangular metal plate with-stock-foto
RM
Denarius, Elagabalus (reigned 218–222). Obverse: IMP ANTONINVS PIVS AVG — Bust of Elagabalus with laurel wreath and paludamentum facing right, pearl rim. Reverse: PM TR P IIII COS II P P — Naked figure with a cloak on his shoulders running left, right hand raised, holding a whip in his left hand, star in the left field, pearl rim. Date: 221. Roman Empire (27 BC–476). Rome. Coin. Diameter 18.0–18.5 mm, weight 2.65 g., A round metallic object with an uneven, worn edge and a textured surface showing scratches and dents; a raised depiction of a standing human figure in profile with one arm raised-stock-foto
RM
Denarius, Elagabalus (204–222; Roman emperor 218–222). Obverse: IMP ANTONINVS VSAVG — Bust of Elagabalus with laurel wreath and paludamentum facing right, pearl rim. Reverse: SACERD DEI SOLIS ELAGAB — Elagabalus wearing laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand, a club in his left; a star in the right field, pearl rim. Date: 220–222. Roman Empire (27 BC–476), Rome. Coin: diameter 18.5 mm, weight 3.30 g., A round metallic object with a worn surface showing a raised central figure of a standing person in draped clothing facing left,-stock-foto
RM
Denarius of Elagabalus (204–222; Roman emperor 218–222), Roman Empire, 220–222. Obverse: Bust of Elagabalus with a laurel wreath and paludamentum facing right, inscription 'IMP ANTONINVS PIVS AVG', pearl border. Reverse: Elagabalus wearing a laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand and a club in his left; star in right field, inscription 'SACERD DEI SOLIS ELACAB', pearl border. Coin; diameter ~18–19 mm, weight 3.43 g., A circular metal coin in shades of gray with a raised rim and worn texture shows a standing robed figure at the center-stock-foto
RM
Denarius depicting Victoria (mythology) and Roman deities; Septimius Severus (Roman emperor, 146–211) — iconography. Obverse: LSEPTSEVAVGIMP XIPARTMAX — Head of Septimius Severus in a laurel wreath facing right, pearl rim. Reverse: VICTORIAE AVGGF EL — Victoria tiptoes to the left, holding a garland in both hands; at left a round shield on a rectangular pedestal, pearl rim. Date: 198–200. Culture: Roman Empire (27 BC–476). Medium: coin. Dimensions: diameter 17.5–18.0 mm; weight 2.55 g., A round metallic object with a worn, textured surface showing a raised central design of a seated figure-stock-foto
RM
Denarius; Roman deities; Victoria; Septimius Severus (Roman emperor, 146–211) — iconography. Obverse: LSEPTSEVAVGIMP XIPARTMAX. Head of Septimius Severus in a laurel wreath facing right, pearl rim. Reverse: VICTORIAE AVG GFEL. Victoria tiptoes to the left, holding a garland in both hands; at left a round shield on a rectangular pedestal, pearl rim. Date: 198–200. Roman Empire (27 BC–476). Coin: diameter 18.0–19.0 mm; weight 2.58 g., A round metallic object with a worn, uneven surface sits against a white background; its color is silver-gray with darker gray areas and lighter highlights, and-stock-foto
RM
Denarius; obverse: head of Septimius Severus in a laurel wreath facing right, legend 'LSEPTSEVAVGIMP XIPARTMAX', pearl rim. Reverse: Victoria tiptoeing left, holding a garland in both hands, with a round shield on a rectangular pedestal to left, legend 'VICTORIA EA VGGFEL', pearl rim. Inscription dates/style: 198–200 CE, Roman Empire (27 BC–476). Material: coin; diameter 17.0–18.5 mm, weight 3.15 g., A round metallic coin shown against a white background with a worn surface and raised edges; the coin appears silvery gray with darker gray recessed areas and lighter highlights on raised details.-stock-foto
RM
Denarius; obverse: LSEPTSEVAVGIMP XIPARTMAX — Head of Septimius Severus in a laurel wreath facing right, pearl rim. Reverse: VICTORIAE AVG GFEL — Victoria tiptoes left, holding a garland in both hands; at left a round shield on a rectangular pedestal, pearl rim. Date: 198–200 CE. Culture: Roman Empire. Material: coin. Diameter: 18.0–19.0 mm. Weight: 2.58 g., A circular metallic object with a worn surface and irregular edges, shown against a white background, featuring a raised profile of a bearded person facing right with curly hair and a laurel-like headpiece, and a decorative element behind-stock-foto
RM
Denarius. Obv: Draped bust of Crispina facing right, inscription 'CRISPINA AVG'. Rev: Rectangular altar with flame, inscription 'DIS·GENI·TALI·BVS'. Issued by Commodus. Dates attributed 178–183. Roman Empire, Rome. Coin: diameter 16.5–17.0 mm, weight 3.00 g, axis 0°. Makers/figures: Crispina (164–192?, Roman empress 178–192), Commodus (161–192, Roman emperor 177–192)., A single circular metallic object with an uneven, worn edge shown against a white background, featuring the raised profile of a person in side view with visible facial features and braided hair, the surface showing areas of wear-stock-foto
RM
Denarius, Crispina (164–192?; Roman empress 178–192) and Commodus (161–192; Roman emperor 177–192) — issuer: Commodus. Draped bust of Crispina facing right, legend 'CRISPINA AVGV' with A all around; reverse: rectangular altar with flame, legend 'DIS·GEN·TAL·BVS' all around. Date: 178–183. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0 mm, weight 3.10 g, axis 330°., A round metallic object with a worn, textured surface showing a raised profile of a person facing right, wearing a laurel-like headpiece and a draped garment; the object appears silver-gray with darker gray patina in recessed-stock-foto
RM
Denarius of Crispina (164–c.192), Roman empress (178–192). Issued under Emperor Commodus (161–192, reign 177–192). Obverse: Draped bust of Crispina facing right, inscription 'CRISPINA AVGV'. Reverse: Rectangular altar with flame, legend 'DIS GEN[TAL]BVS' (around). Date: 178–183. Roman Empire, Rome. Coin; diameter 17.0 mm, weight 3.10 g, axis 330°., A round metallic object with a worn, uneven surface and a raised rim, showing various scratches, dents, and shallow engravings; the metal appears silver-gray with darker gray patches and small areas of brownish tarnish; the object has an irregular-stock-foto
RM
Denarius, Crispina (164–192?, Roman empress 178–192) and Commodus (161–192, Roman emperor 177–192) — issuer: Commodus. Draped bust of Crispina facing right, inscription CRISPINA AVG around; reverse: rectangular altar with flame, inscription DIS · GENI · TALI · BVS around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter 16.5–17.0 mm, weight 3.00 g, axis 0°., A roughly circular metallic object with an uneven edge photographed against a white background, showing a worn surface with a recessed square area in the center and raised rim around it; the metal appears silvery gray with-stock-foto
RM
Denarius, Crispina (164–192?; Roman empress 178–192), Commodus (161–192; Roman emperor 177–192) (issuer). Bust of Crispina in drapery facing right, inscription CRISPINA·AVGVSTA around; reverse: two hands clasped, inscription CON·CORD·IA around. Date: 178–183. Roman Empire (27 BC–476). Rome. Coin. Diameter obverse 15.5 mm, reverse 18.5 mm; weight 2.55 g; axis 180°. Iconography: joined hands., A worn, irregularly shaped metallic object with a silvery-gray surface showing scratches and small dents, featuring a raised central design of two hands clasping each other and an elongated rectangular-stock-foto
RM
Dupondius, Marcus Aurelius (121–180; Roman emperor 161–180), issuer; Commodus (161–192; Roman emperor 177–192); personifications. Obverse: head of Commodus in a radiant crown to the right, legend EL COMMO DVS all around. Reverse: Libertas stands frontally with his head turned left, holding a pileus in his right hand and a staff (vindicta) in his left, legend RTA all around, in fields 178. Roman Empire, Rome. Coin; dia. 23.5–24.0 mm, weight 10.90 g, axis 180°., A round, worn metal object with an uneven edge and a brown, greenish-brown, and dark patina; the surface shows irregular darker spots-stock-foto
RM
Denarius of Faustina the Younger (ca. 130–176; Roman empress 161–176), issuer Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: draped bust of Faustina II facing right, legend FAVSTINA AVGVSTA. Reverse: draped throne (pulvinar) on which sit two children — twins Commodus and Antoninus — with legend SAECVLI FELICIT. Date: 161–176. Roman Empire (27 BC–476), Rome. Coin: diameter 17.0–17.5 mm, weight 3.12 g, axis 0°., A round metal object with a worn, uneven surface showing scratches and dents, primarily silver-gray in color with small areas of darker gray and subtle brownish discoloration-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Bust of Faustina II in drapery to the right, inscription 'DIVA FAVSTINA PIA' around. Reverse: rectangular altar with a pair of doors and a finial in the form of horns, legend 'CONSVL RATIO' (partial) around. After 176, Roman Empire (27 BC–476), Rome. Coin: diameter 16.5–18.0 mm, weight 2.60 g, axis 180°., A circular metallic object with a worn, textured surface showing a raised profile of a person facing right, with wavy hair pulled back and draped-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous); issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery to the right, legend 'DIVA FAVSTINA PIA' around. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, inscription 'CONS– RA–TIO' around. Iconography: doors, altars, busts of empresses. After 176, Roman Empire (27 BC–476), Rome. Coin; diameters 16.5 mm and 18.0 mm, weight 2.60 g, axis 180°., A circular metallic object with a worn, uneven edge shown against a white background; the object-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer). Obverse: Bust of Faustina II in drapery facing right, legend 'DIVA FAVSTINA PIA' around. Reverse: Rectangular altar with a pair of doors and a finial in the form of horns, legend 'CONSECRATIO' around. After 176, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0–17.5 mm, weight 2.50 g, axis 180°., A round metallic object with a worn silver-gray surface showing a raised profile of a person facing right, with textured hair and a draped neckline, surrounded-stock-foto
next page