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[worn rectangular sheet] képek

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Pink tissue paper creating a textured background with creases and wrinkles, forming a rectangular shape, white background-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Ex libris DG de Labastie; bookplate by Dominik Witke-Jeżewski (1862–1944) after Paul-André de La Bastie (1756–1830); graphic print, heraldic bookplate with coats of arms, lilies, and rank crowns; French, 18th–19th century; height 8.7 cm, width 5.5 cm., A worn rectangular sheet with a light beige background framed by a narrow gray border, showing a faded, symmetrical faint design in the center, smudged pencil or graphite marks across the surface, a small circular stamped mark near the upper center, scattered reddish smudges and spots, a few greenish and yellowish discolorations toward the top,-stock-foto
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Częstochowa. Church in Raków. Unrealized project. Foundation plan. Wojciechowski, Jarosław (1874–1942). Architecture; churches. Towns, Częstochowa (Silesian Voivodeship). Modernism (style). 1911. Drawing; architectural drawing; architectural design. Height 40.5 cm; width 57.5 cm., A worn, off-white sheet with a faded beige architectural drawing covers most of the image, showing thin dark blue lines that form a symmetrical floor plan with rectangular and curved rooms and small square features; the paper has creases, tears, and missing sections along the left and right edges with ragged brownish-stock-foto
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The actor in the role of Monsieur Rafle in the play Turcaret, or the Financier; drawing by Janinet, Jean-François (1752–1814), after Lesage, Alain René (1668–1747); figural study of a man (actor), drawn by Levacher de Charnois, Jean-Charles (1750?–1792), after 1789, France; drawing; height 8.5 cm, width 7.1 cm., A tall sheet with a vertical arrangement of small framed painted figures laid out in a grid, each figure set against a light worn background and surrounded by double-lined rectangular borders; the page background is beige. The figures show various standing people in period costumes: a-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 23.2 cm, width 15.5 cm, A single sheet of thin, worn paper lies centered on a light cream background, showing a translucent, uneven brown-beige color with areas of darker discoloration and small spots. The paper has rough, slightly torn edges at the bottom and a creased corner on the lower right, with faint vertical and-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish; elections; Provisional Jewish National Council (1918-?); Legislative Sejm (1919-1922); 1919; leaflet; height 14.9 cm; width 20.2 cm., A worn rectangular paper sheet with a beige background and visible creases and small tears, printed with large bold black graphic shapes including a central pair of tall vertical blocks and two stylized pointing hands on either side, surrounded by several bold black-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
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Landscape from the Tatra Mountains, Gerson, Wojciech (1831–1901), draughtsman, wooden architecture, mountain landscapes, Zakopane (Lesser Poland Voivodeship), ca. 1853, Zakopane, drawing, height 19.4 cm, width 13.5 cm, A rectangular sheet of aged beige paper with uneven small stains and smudges sits centered on a dark gray background, showing a small round red mark near the middle and a faded worn spot toward the lower right of the sheet; the paper has slightly darker edges at the top and a small torn area on the left edge. Below the main sheet on the same background is a narrow rectangular-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
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Jesus Triumphant in Eternal Love, Gorczyn, Jan Aleksander (ca.1618–post 1695), graphic artist; Witke-Jeżewski, Dominik (1862–1944); Jesus Christ; crown of thorns; devotional depictions; halos; religious images; burning heart; Arma Christi (attribute). The composition depicts Christ Triumphant. The round hole at the top of the plate could have been used for hanging it on a wall; the inscriptions on the plate are reversed and ready for printing. Date: 1661. Place: Warsaw. Object type: graphic matrix / graphic plate. Dimensions: height 16.5 cm, width 14 cm, thickness 0.08 cm., A worn rectangular-stock-foto
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Jesus Triumphant in Eternal Love, Gorczyn, Jan Aleksander (ca. 1618–post 1695), graphic artist; Witke-Jeżewski, Dominik (1862–1944); Jesus Christ; Gomulicki, Wiktor (1848–1919); crown of thorns; devotional depictions; halos; religious images; burning heart; Arma Christi (attribute). The composition depicts Christ Triumphant. The round hole at the top of the plate could have been used for hanging it on a wall; the plate shows reversed inscriptions prepared for printing. Date: 1661. Technique/format: graphic matrix / graphic plate. Dimensions: height 16.5 cm; width 14 cm; thickness 0.08 cm., A-stock-foto
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Capuchin Choir in Rome; Granet, François-Marius (1775–1849), painter; Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; Capuchins (order); prayer (genre scenes); monastery churches; church interiors; painting reproductions; Rome (Italy); 1833; graphic; graphic matrix; graphic plate; height 32 cm; width 23 cm, A rectangular metal sheet with rounded corners fills the frame, showing a mottled, weathered surface in shades of gray, black, and brown with areas of lighter gray and subtle hints of rusty orange; the edges are slightly darker and the surface displays irregular patches, smudges,-stock-foto
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Study of the human eye; graphic artist; after 1800; graphic plate (graphic matrix); anatomical studies, eyes; height 32 cm, width 22.1 cm; maker: Konstanty Tyszkiewicz (1806–1868)., A rectangular metal sheet with rounded corners fills the image, showing a mottled surface in shades of brown, copper, and dark gray with areas of greenish patina and small lighter spots; the edges are slightly worn and darker, and there are faint scratches, scuffs, and irregular discolorations across the surface.-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); graphic; Dove of the Holy Spirit; Virgin Mary; winged putti; II Monuments of national engraving; new print after 1800, Vilnius; graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal sheet fills the frame, showing a worn surface with a central area of reddish-brown metal surrounded by darker, irregular patches of black and gray oxidation; there are numerous fine scratches and etched lines across the middle, along-stock-foto
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Eight images of Catholic saints and God; graphic artist, Łohojsk; after 1800; graphic matrix/plate; cut into five parts and glued into an album sheet; height 21.7 cm, width 33.3 cm., A rectangular metal sheet with a worn, mottled surface showing a dominant warm brown color interspersed with large areas of dark gray to black corrosion and spotting, a few greenish patina streaks and small pale green patches, and a narrow light gray border visible around the sheet; the surface texture appears irregular with scratches, scuffs, and uneven pitting throughout.-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806–1868); graphic frames; ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal sheet with a worn, tarnished copper-brown surface showing scratch marks and patches of greenish corrosion, a few areas of darker blackish discoloration, and several lighter abrasion lines; a scalloped-edged white sticker with a blue decorative border is affixed near the top right corner, and a faint bluish-gray smudged marking runs across the lower area; the background is a neutral gray.-stock-foto
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Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879), Fabian Sarnecki (1800–1894); subject: Poniatowski, Józef Antoni (1763–1813) — iconography; related person: Wacław Lasocki (1837–1921); Napoleonic era (1799–1815); male portrait, bust; Polish graphics; Poland; dated 1832–1833; medium: graphic print; dimensions: 11.1 × 9.4 cm and 29.7 × 19.7 cm., A worn off-white sheet with scattered brownish spots and a dark narrow border contains a centered rectangular black-and-white engraved portrait of a man from the chest up wearing a decorative uniform with ornate shoulder-stock-foto
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Self-portrait of Eliza Radziwiłłówna (Eliza Radziwiłł, 1803–1834), graphic artist; 1832; graphic print; self-portrait / female portrait; height 18.4 cm, width 15.4 cm., A torn rectangular sheet of paper with uneven edges sits on a dark textured background; the paper is off-white with a few small creases and a slightly darker vertical fold near the top center, and there is a jagged tear along the left edge with a narrow strip of paper partially detached; printed black ink covers much of the sheet in multiple blocks and lines forming paragraphs and short lines, with a decorative horizontal-stock-foto
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A street in a medieval town; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, landscapes, cityscapes, architectural studies, views, streets, towers; architectural views of cities; Polish graphics; Gothic style; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10 cm, width 8.7 cm, A rectangular sheet with a worn, mottled surface showing a range of greys and off‑whites, with a few darker grey spots and stains scattered across it and some subtle bluish-grey patches; the sheet has faint scratches and scuff marks, a slightly darker narrow border around the edges, and a small-stock-foto
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Town hall tower in Krakow with neo-Gothic guardhouse, Feliks Jabłczyński (1865–1928), graphic artist; cities, landscapes, cityscapes, architectural studies; towers, streets, architectural views, city views, town halls; Polish graphic art; Poland, ca. 1924; Warsaw; graphic art; graphic matrix/plate; height 9.5 cm, width 7.4 cm., A worn rectangular metal sheet with irregular edges lying on a light gray background, showing a weathered surface with a mix of silver, gray, darker charcoal patches, and subtle brownish-beige discoloration, scattered small spots and stains, areas of rough texture and-stock-foto
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The Crane in Gdańsk, Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cityscapes, architectural studies, landscapes, streets, cities, views, architectural views, ports, port quays, city views, cranes; Crane (Gdańsk), Gdańsk (Pomeranian Voivodeship); Polish graphic; ca. 1924; Warsaw; graphic matrix/graphic plate; height 9.4 cm, width 7.2 cm, A rectangular sheet with a worn, textured surface sits on a light background; the sheet shows mottled browns, grays, and tan areas with darker brown and black spots, a few scuffed and scratched lines, several smudged lighter gray patches,-stock-foto
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A cutter on the wave — Feliks Jabłczyński (1865–1928), graphic artist; ships; water landscapes; landscapes; Polish graphic art; Poland; ca. 1924; graphic art; graphic matrix (graphic plate); height 7.3 cm; width 10.7 cm, A rectangular sheet with a rough textured surface fills most of the image, showing a mottled appearance in shades of gray and silver with areas of darker charcoal and lighter silvery highlights; the sheet has worn, scratched marks and subtle streaks and smudges across its surface, with faint speckles and irregular patches; the sheet is set against a light gray background-stock-foto
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Fantastic composition with figures in habits; Feliks Jabłczyński (1865–1928), graphic artist; Polish; fantasy scenes; symbolism (style); ca. 1924, Warsaw; graphic; graphic matrix/plate; height 9.3 cm, width 7.8 cm, A rectangular sheet with a worn, rough surface showing a mottled pattern of light gray, beige, and bluish-gray areas, with several irregular darker gray spots and patches scattered across it; the sheet has a thin darker border and sits on a slightly lighter gray background.-stock-foto
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Architectural composition inspired by the finial of the bell tower of St. Anne's Church in Warsaw. Maker: Feliks Jabłczyński (1865–1928), graphic artist. Subject: cityscape/architectural study—rotundas, domes, towers. Medium: graphic matrix/graphic plate. Date: 1919–1928. Place: Warsaw, Poland. Dimensions: height 9.9 cm, width 8.9 cm., A worn, rectangular sheet with an irregular lower-right corner and uneven edges, showing a mottled surface in off-white and pale beige with areas of gray and light brown smudging; several rusty brown spots and darker brown stains appear near the top and-stock-foto
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Personal receipt of a compulsory loan; receipts, securities; January Uprising (1863–1864); National Government, Kingdom of Poland (1815–1918); loans. Personal receipt without name and amount, bearing the number 661 and a handwritten inscription 'for the account of the compulsory loan.' On the reverse, an ink stamp reading 'KOMMISSARZ PEŁNOMO: WOJEW: KRAKOWSKIEGO' with the coat of arms of the January Uprising. 1863, Poland. Security/receipt. Dimensions: 1178 × 283 mm., A rectangular off-white sheet with visible creases and slightly worn edges lies against a flat gray background; the sheet shows-stock-foto
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Oval impression of the seal of the customs house in Rymanów. A crowned eagle with the Saxon coat of arms on its chest; below, on a crowned shield, the Odrowąż coat of arms; behind the shield two keys; on the sides two eagles supporting the coat of arms. Below the shield an order. Letters: KISW // OHPK. Inscription around the rim: SIGILL : THELON : REIPUBL : PROVINC : MINORIS : POLONIAE : ANNO 1745. Date: 1745. Place: Rymanów, Poland. Medium: paper seal (stamp). Dimensions: 44.5 mm and 51 mm., A worn rectangular sheet of paper with uneven edges and visible creases, showing a faded circular-stock-foto
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Ise katagami dyeing stencil - tatewaku with stylized wisteria flowers (fuji tatewaku), Ôsugi, Ishimi (1936- ), author, wisterias, flowers, geometric and plant patterns, stencils, Japanese art, Japanese, Shōwa (1926–1989), 1980 (Shōwa 55), Japan, stencil, height 53.9 cm, width 50.7 cm, A flat rectangular sheet with a deep brown background featuring a centered pattern of wavy vertical lines formed by small white marks; the wavy lines create an interlocking, repeating lattice across the central area, leaving a plain brown border around the top and sides and a wider plain brown area at the bottom;-stock-foto
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Piece of torn grey rectangular hard paper with folded horizontal lines isolated on white background with clipping path-stock-foto
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A torn grey rectangular hard paper can be used as a textbox background.-stock-foto
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Piece of torn grey rectangular hard paper with folded diagonal lines isolated on white background with clipping path-stock-foto
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Metal texture with scratches and cracks which can be used as a background-stock-foto
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Torn old rectangular yellowed paper on white background with clipping path-stock-foto
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A set of blank fluorescent green rectangular paper glued crumpled and creased note memo isolated on white background.-stock-foto
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A set of blank fluorescent green rectangular paper glued crumpled and creased note memo isolated on white background.-stock-foto
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Hand Tools. Old rusty pincers, sheet of paper on Dark wooden background. Cracked wooden surface with cracks and splinters. Selective focus.-stock-foto
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A roll of old rope, a shabby cloth, and a white piece of paper on a dark wooden background. Cracked wooden surface with cracks and chips. Selective f-stock-foto
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A roll of old rope and a white piece of paper on a dark wooden background. Worn, dirty rope. Cracked wooden surface with cracks and chips. Selective f-stock-foto
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A man's hand holds a paper note against a wooden background. A white bougie sheet with handwritten text is folded into a rectangular shape. Cracked wo-stock-foto
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Coroland wood table with a rectangular linoleum inlaid leaf. Coroland wood table with a rectangular sheet inlaid with linoleum. The chassis rests on an H-shaped cross with concave, on basements resting side rules. The leaf is worn by square colonets, between which wide middle styles are placed, which are connected to three-height by a line. Between the cross and the rule there is a style with two degreesy bokks; Upper and above flanked by jumping clarks. Hoses on the table rule and middle styles.-stock-foto
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