Aktuális sajtó tartalmak és illusztrációs fotók

architectural forms képek

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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Lisbon, Portugal — Architectural view of EDP Headquarters II, designed by Chilean architect Alejandro Aravena (ELEMENTAL) for the Portuguese Electric Company, featuring minimalist concrete forms and clean geometric lines.-stock-foto
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Modern white building facade with curved forms and dark glass windows against blue sky. Concept of contemporary architecture-stock-foto
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Islands: Evening by James McNeill Whistler, 1879/80, depicting a distant waterfront cityscape with towers and spires reflected in still water, a moored gondola in the foreground-stock-foto
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Vine Ornament with Birds by Martin Schongauer, n.d., depicting songbirds perched among elaborate scrolling vines and foliage in a dense decorative composition-stock-foto
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The Overgrowth of Weeds, No. 15 from the series Genji in Fifty-four Sheets by Nishimura Shigenaga, c. 1735, depicting elegantly dressed figures in a garden setting beneath a gold fan-shaped cartouche inscribed with Japanese calligraphy-stock-foto
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Hakoomaru (Soga no Goro) leaving the temple by Utagawa Hiroshige, c. 1843–47, depicting a young traveler in straw hat and colorful robes departing through a wooden gate into a forested mountain landscape-stock-foto
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Hodogaya, section of sheet no. 2 from the series Cutout Pictures of the Tokaido by Utagawa Hiroshige, c. 1848/52, depicting flowering plum branches with buds and blossoms against a natural wood-grain background-stock-foto
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Embankment at Mimeguri by Utagawa Hiroshige, 1852, depicting a moonlit riverside landscape with moored boats, wooden palisade fence, and grove of trees under full moon-stock-foto
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Komachi Cherry Tree by Katsushika Hokusai, c. 1802, depicting a massive flowering cherry tree beside a cylindrical tower and wooden fence, with delicate pink blossoms overhead-stock-foto
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The Temptation of Saint Anthony by Lucas Cranach the Elder, 1506, depicting the saint assailed by demons, monsters, and fantastical creatures in a mountainous landscape with a distant town-stock-foto
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The Thames by James McNeill Whistler, 1896, depicting a misty riverside industrial landscape with boats and distant city skyline-stock-foto
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Street at Saverne by James McNeill Whistler, 1858, depicting a narrow European street lined with historic buildings under an overcast sky-stock-foto
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Wych Street, London by James McNeill Whistler, 1877, depicting a narrow London street lined with historic buildings and architectural details-stock-foto
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Battersea Morn by James McNeill Whistler, 1877, depicting a riverside industrial landscape with moored boats and distant factory smokestacks along the Thames-stock-foto
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The Bridge, Santa Marta by James McNeill Whistler, 1879/80, depicting a crowded waterfront scene with figures crossing an arched bridge over a canal lined with historic buildings-stock-foto
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Church of St. Etienne du Mont, Paris by Charles Meryon, 1852, depicting the Gothic facade and bell tower rising above surrounding urban buildings-stock-foto
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Mountainous Landscape by Simon Frisius, 1608, depicting a vast panoramic vista with rugged peaks, scattered figures traversing terrain, and distant fortified structures nestled among rolling hills-stock-foto
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Nemo Non by Pieter van der Heyden after Pieter Bruegel the Elder, c. 1563, allegorical scene of figures pursuing wealth and worldly gain amid spheres, games, and scattered possessions-stock-foto
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Farm to the Right of a River by Esaias van den Velde, I, c. 1600-1630, depicting a rural settlement with farm buildings, figures, and boats along a waterway in the Dutch countryside-stock-foto
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Landscape with a Shepherd Couple by Hendrick Goltzius, c. 1600, depicting a pastoral scene with figures tending animals beneath towering trees in a vast rural countryside-stock-foto
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Mill in Holland by John Henry Twachtman, 1884/89, depicting a Dutch windmill beside a waterway with flowering plants and grassy banks in the foreground-stock-foto
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On the Thames by Frank Duveneck, 1880, depicting a gnarled tree overhanging a riverbank with moored boats and rippling water-stock-foto
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The Remains of the Mausoleum of Augustus by Giovanni Battista Piranesi, 1762, depicting massive arched ruins overgrown with vegetation and inhabited by small figures-stock-foto
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The Deluge by Battista Franco, c. 1540s, depicting numerous figures and cherubs gathered on rocky shores as floodwaters rise across a vast landscape-stock-foto
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Unique brick patterns decorate the building facade under a clear blue sky.-stock-foto
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Yokkaichi by Utagawa Hiroshige, 1852, depicting two figures in patterned kimonos conversing by a waterside landscape with traditional sailing boats and a gnarled pine tree-stock-foto
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Plate Four from Collection of Various Vases by Stefano della Bella, before 1648, depicting ornamental vessels with elaborate botanical arrangements and decorative urns in classical style-stock-foto
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The Beach, Hastings by James McNeill Whistler, 1875–78, depicting a seaside landscape with parallel linear marks suggesting movement across the shore-stock-foto
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Long Lagoon by James McNeill Whistler, 1879/80, depicting a waterside landscape with dense vegetation and reflective water rendered through linear marks-stock-foto
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Long Venice by James McNeill Whistler, 1879–80, depicting a panoramic waterfront cityscape with dense architectural forms and moored vessels along a waterway-stock-foto
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Lobster Pots - Selsea Bill by James McNeill Whistler, 1880/81, depicting a row of woven fishing traps secured with angled poles along a coastal shore-stock-foto
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The Garden by James McNeill Whistler, 1879/80, depicting an interior garden space with architectural framework and vegetation rendered in etched lines-stock-foto
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Little Court by James McNeill Whistler, 1880/81, depicting a harbor scene with multiple sailboats, figures on a dock, and architectural structures in a busy maritime setting-stock-foto
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Lobster Pots - Selsey Bill by James McNeill Whistler, 1880/81, depicting fishing equipment and maritime structures along a coastal setting-stock-foto