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bound figure képek

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St. Bartholomew by Jan Wierix after Albrecht Dürer, n.d., depicting the apostle holding a book and curved blade, standing before a gnarled tree-stock-foto
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The Fourth Wise Virgin by Martin Schongauer, a maiden in flowing robes holding a lit torch, her hair crowned with laurel and bound with ribbon, her cloak trailing gracefully behind-stock-foto
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The Ninth Month, from the series Five Amorous Festivals of Love by Kitagawa Utamaro, 1801, depicting two figures in elegant dress admiring chrysanthemum flowers in a ceramic vase-stock-foto
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The Flagellation by Hendrik Goltzius, 1597, depicting Christ bound to a column and scourged by soldiers in a fortified courtyard, with onlookers and architectural backdrop-stock-foto
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Saint Sebastian by Bartholomaeus Spranger, c. 1590, depicting the Christian martyr bound to a tree and pierced with arrows, a moment of spiritual agony and devotion-stock-foto
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The Large Saint Sebastian by Hans Baldung Grien, 1514, depicting the Christian martyr bound to a tree and pierced by arrows, surrounded by cherubs in a heavenly realm above a distant landscape-stock-foto
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Hudibras and the Lawyer, plate twelve from Hudibras by William Hogarth, February 1725/26, depicting a knight visiting a robed lawyer in his office who encourages him to write a letter to his beloved-stock-foto
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Man of Sorrows before the Column by Hans Baldung Grien, 1517, depicting Christ bound to a column in suffering, attended by a cherub, set within an architectural interior-stock-foto
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A bound female figure on a computer keyboard, digital violence, photomontage-stock-foto
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A bound female figure on a computer keyboard, digital violence, photomontage-stock-foto
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Wooden figures locked with handcuffs. Concept of arrest, restriction, human rights, justice system, and legal enforcement-stock-foto
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Symbolic Arrest. Wooden Figure standing in handcuffs on grey background.-stock-foto
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Wooden figure standing in handcuffs on grey background. Concept of arrest, individual responsibility, crime, and legal consequences.-stock-foto
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naked woman with her arms raised and bound, next to another female figure holding a weapon, 1961 bronze door ,Filippo Sgarlata,  main portal of Cathed-stock-foto
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naked woman with her arms raised and bound, next to another female figure holding a weapon, 1961 bronze door ,Filippo Sgarlata, main portal of Cathedral, Palermo, Sicily, Italy.-stock-foto
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Wooden figure in handcuffs. Concept of arrest, individual restriction, crime, justice system, and legal enforcement-stock-foto
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Wooden figures locked with handcuffs. Concept of arrest, restriction, human rights, justice system, and legal enforcement-stock-foto
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Concept of Confinement. Wooden figures trapped in metal handcuffs-stock-foto
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Wooden figures locked with handcuffs on dark background. Concept of arrest, restriction, human rights, justice system, and legal enforcement-stock-foto
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A 16th-century Paduan bronze statuette depicting Saint Sebastian. This Italian Renaissance artwork captures the martyr bound, including detailed anatomy and drapery, set against a dark background.-stock-foto
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Man with knife confronts captive tied up in rustic wooden room, vintage illustration. A menacing figure holding a knife stands over a bound man sitting on the floor of a primitive structure, evoking a sense of danger and confinement.-stock-foto
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Clown Mask Mounted on a Drum-stock-foto
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Recto: Image of the figure of Christ in the Trinitarian church in Solec in Warsaw; verso: Stigmatization of St. Francis. Double-sided plate. Recto: representation of the figure of Christ the Nazarene in the Trinitarian church in Solec — standing Jesus wearing a crown of thorns, hands bound with a rope that loops to his feet, and a Trinitarian scapular with a cross on his chest; inscription at the bottom: Statua Gratiosa Jesus Nazarent, in Solec apus PPTrinitariae. This statue (Jesus of Nazareth the Redeemed / Jesus of Madrid) is a life-size figure dressed with real hair wig and a red cloak,-stock-foto
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Celtic love knot with interlaced hearts. A single line is forming two hearts, seamless interlaced in a loop with no beginning and no end.-stock-foto
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Marble statue of Christ bound before the Passion inside Milan Cathedral (Duomo di Milano), illuminated against dark stone columns.-stock-foto
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Utica, NY - Nov 6, 2025: POW/MIA Memorial located on Memorial Parkway in Utica, erected in 1992 by the New York State POW/MIA Action Group and honors-stock-foto
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Girolamo Mocetto, The Torture of Attilius Regulus, end of 15th century, tempera on wood panel, Castelvecchio Museum, Verona, Italy-stock-foto
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"White man standing with hands tied behind his back with rope, conveying tension and vulnerability in a minimalistic setting."-stock-foto
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London, UK.  1 July 2025.  A aircraft bound for Heathrow airport flies past the life-like 11ft tall figure of Superman seen suspended at the top of The Shard watching over the city, 1,000ft above the capital, from the highest point in Western Europe ahead of James Gunn's ‘Superman’ movie, which is released on July 11 starring David Corenswet in the title role.  The Superman figure is the highest-ever public sculpture display in the UK.  Credit: Stephen Chung / Alamy Live News-stock-foto
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London, UK.  1 July 2025.  A aircraft bound for Heathrow airport flies past the life-like 11ft tall figure of Superman seen suspended at the top of The Shard watching over the city, 1,000ft above the capital, from the highest point in Western Europe ahead of James Gunn's ‘Superman’ movie, which is released on July 11 starring David Corenswet in the title role.  The Superman figure is the highest-ever public sculpture display in the UK.  Credit: Stephen Chung / Alamy Live News-stock-foto
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Minimalist Life Illustration of a Man Bound Between Two Pillars with Mountains Behind Him-stock-foto
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Illustration of Joseph having Simeon Bound to ensure Joseph's Brothers returned with Benjamin from Canaan (Genesis)  from Antique 19th Century The Hol-stock-foto
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The paso pictured is the ‘Santísimo Cristo de las Misericordias’, also known as the ‘Cristillo de Paz y Caridad’. This sculpture is the symbol and main paso of the Archicofradía de Paz y Caridad and traditionally opens the Procession de Paz y Caridad on Maundy Thursday in Cuenca. The representation shows Christ after the scourging, with hands bound, crown of thorns and an expression of meekness and suffering. The paso is decorated with a large garland of flowers. Calle San Lázaro, Cuenca, Castilla-La Mancha, Spain-stock-foto
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Leaning designer focusing on tablet at desk in design studio, with sketches, notebook and laptop-stock-foto
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Model for "Christ Bound" by Gian Lorenzo Bernini, 1628–1630, Galleria Nazionale dell'Umbria, Perugia, Italy. A sculptural representation in terracotta-stock-foto
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Model for "Christ Bound" by Gian Lorenzo Bernini, 1628–1630, Galleria Nazionale dell'Umbria, Perugia, Italy. A sculptural representation in terracotta-stock-foto
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"Model for a Bound Christ" (c. 1625) by Gian Lorenzo Bernini. A painted terracotta sculpture, representing Christ in a bound position. Housed at Galle-stock-foto
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A faceless figure sits, hoodie tight, arms raised as if trapped, exuding tension in a minimalist setting.-stock-foto
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Antique 19th Century The Illustrated National Family Bible with Commentaries by Henry and Scott-stock-foto
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Antique 19th Century The Illustrated National Family Bible with Commentaries by Scott and Henry Showing Illustration of the Widow,s Mite-stock-foto