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Duesseldorf, Germany. 12th Oct, 2026. Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Trolley talk before the start of the session. Trolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. British attorney Adam Trolley is waiting for the hearing to begin before the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?· Trolley, who serves as Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Trolley talk before the start of the session. Trolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Trolley talk before the start of the session. Trolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. CORRECTS FAMILY NAME OF THE EXPERT WITNESS - Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Tolley talk before the start of the session. Tolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. CORRECTS FAMILY NAME OF THE EXPERT WITNESS - Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Tolley talk before the start of the session. Tolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. CORRECTS FAMILY NAME OF THE EXPERT WITNESS - British attorney Adam Tolley is waiting for the hearing to begin before the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?· Tolley, who serves as Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Duesseldorf, Germany. 12th Oct, 2026. CORRECTS FAMILY NAME OF THE EXPERT WITNESS - Klaus Voussem (CDU, left), chairman of the ·Parliamentary Inquiry Committee VI: Possible Abuse of Power and Neglect?·, and British attorney Adam Tolley talk before the start of the session. Tolley, a Crown Counsel and legal advisor to the British monarch, is scheduled to testify as an expert witness. Credit: Federico Gambarini/dpa/Alamy Live News-stock-foto
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Canadian postage stamp issued in 1973 for the Commonwealth Heads of Government Meeting, featuring a portrait of Queen Elizabeth II.-stock-foto
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British definitive postage stamp featuring the profile silhouette of Queen Elizabeth II wearing the Diamond Diadem, issued in 1971.-stock-foto
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British definitive postage stamp featuring the profile silhouette of Queen Elizabeth II wearing the Diamond Diadem, issued in 1971.-stock-foto
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British definitive postage stamp featuring the profile silhouette of Queen Elizabeth II wearing the Diamond Diadem, issued in 1971.-stock-foto
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Chiang Mai, Thailand: Used blue Canada 5 cent Cameo stamp circa 1960s with Queen Elizabeth II profile and wheat symbol for agriculture, round postmark-stock-foto
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Chiang Mai, Thailand: Used red Canada 4 cent Cameo stamp circa 1960s with Queen Elizabeth II profile and power pylon symbol for electricity, postmark-stock-foto
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Chiang Mai, Thailand: Used violet Canada 3 cent Cameo stamp circa 1960s with Queen Elizabeth II profile and a fish symbol for fisheries, wavy postmark-stock-foto
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Chiang Mai, Thailand: Used green Canada 2 cent Cameo stamp circa 1960s with Queen Elizabeth II profile and a tree symbol for forestry, light postmark-stock-foto
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Chiang Mai, Thailand: Used brown Canada 1 cent Cameo stamp circa 1960s with Queen Elizabeth II profile and a crystal symbol for mining, light postmark-stock-foto
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Chiang Mai, Thailand: Used dark blue Canada 5 cent stamp issued in 1954 with Queen Elizabeth II portrait, EIIR cypher and diagonal black bar postmark-stock-foto
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Chiang Mai, Thailand: Used violet Canada 4 cent stamp issued in 1954 with a clear Queen Elizabeth II portrait, EIIR cypher and light postmark at edge-stock-foto
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Chiang Mai, Thailand: Used carmine rose Canada 3 cent stamp issued in 1954 with a Queen Elizabeth II portrait, EIIR cypher and large circular postmark-stock-foto
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Chiang Mai, Thailand: Used green Canada 2 cent stamp issued in 1954 with a Queen Elizabeth II portrait, EIIR cypher and Christmas mail slogan postmark-stock-foto
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Chiang Mai, Thailand: Used purplish brown Canada 1 cent stamp issued in 1954 with Queen Elizabeth II portrait, EIIR cypher and French slogan postmark-stock-foto
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Used maroon Australia 3 1/2 pence stamp circa 1950s with profile portrait of young Queen Elizabeth II in diadem, round postmark, Chiang Mai, Thailand-stock-foto
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Purple Australia 7 cent stamp circa 1970s with engraved portrait of Queen Elizabeth II wearing tiara and pearls, faint postmark, Chiang Mai, Thailand-stock-foto
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Used navy Australia 5 cent stamp circa 1960s with engraved portrait of Queen Elizabeth II wearing a tiara, black postmark lines, Chiang Mai, Thailand-stock-foto
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Used red Australia 4 cent stamp circa 1960s with engraved portrait of Queen Elizabeth II wearing a tiara and pearls, postmarked, Chiang Mai, Thailand-stock-foto
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An oil painting depicting Queen Elizabeth I (1533-1603), who reigned as Queen of England and Ireland during the Tudor dynasty (1485–1603). As the fifth and final monarch of the House of Tudor, her reign oversaw a period of relative internal stability and the blossoming of the English Renaissance. In this portrait, the queen is presented in the highly stylised fashion of the late sixteenth century, wearing an intricate lace ruff, a dark veil, and a gown elaborately decorated with rows of pearls and a central jewelled pendant. These official depictions were carefully managed to present a permane-stock-foto
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An oil painting depicting Queen Elizabeth I (1533–1603), Queen of England and Ireland and the final monarch of the Tudor dynasty (1485–1603). Attributed to George Gower, this version of the Armada portrait commemorates the English victory over the Spanish fleet and symbolises the Queen's naval authority. She is portrayed in an ornate black gown with puffed sleeves and red bows, adorned with countless pearls and an intricate lace ruff. A ship is visible in the background, serving as an allegory for England's maritime power during the late sixteenth century. c.1588.-stock-foto
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A drawing of Elizabeth I (1533–1603), Queen of England and Ireland from 1558 and the last monarch of the Tudor dynasty (1485–1603). Executed in red and black chalk by the Italian Mannerist painter Federico Zuccaro, this preparatory sketch was made during his brief stay in England. The work features various allegorical elements representing the queen's virtues, including a pillar for fortitude, a serpent for prudence, an ermine for chastity, and a dog for fidelity. The sketch was probably intended for a full-length portrait commissioned by Robert Dudley, Earl of Leicester, for the Kenilworth re-stock-foto
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A painting titled 'The Darnley Portrait' of Queen Elizabeth I (1533–1603). She reigned as Queen of England and Ireland from 1558 until her death and was the final monarch of the Tudor dynasty (1485–1603). Produced by an unknown artist, the work depicts the Queen wearing an elaborate gown of figured silk with a high lace ruff and holding a fan of ostrich feathers. The portrait is noted for its relatively lifelike portrayal, captured before the more stylised 'Mask of Youth' iconography dominated her later representations. c.1588.-stock-foto
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An oil painting titled the 'Phoenix Portrait' depicting Queen Elizabeth I (1533–1603), the last monarch of the Tudor dynasty (1485–1603). Attributed to Nicholas Hilliard, the portrait captures the Queen in a richly decorated black gown adorned with gold oak leaves and pearls, holding a red Tudor rose. The work is named after the phoenix jewel she wears on her breast, a symbol of longevity and her unique status as a virgin queen. 1575.-stock-foto
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An oil painting of Queen Elizabeth I (1533-1603), who ruled as Queen of England and Ireland from 1558 as the final monarch of the Tudor dynasty (1485–1603). Seated on a throne holding a sceptre, she is depicted in elaborate courtly attire featuring a black gown with white embroidered sleeves and numerous strands of pearls. Elizabeth's reign was a period of significant cultural and political development, often referred to as the Elizabethan Age, during which she cultivated an image of ageless majesty through highly stylised iconographic portraits. c.1595.-stock-foto
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A woodcut depicting Queen Elizabeth I (1533–1603) and her attendants engaged in hawking. The monarch of the Tudor dynasty (1485–1603) is shown riding side-saddle, surrounded by courtiers and hounds in an English rural landscape while a hawk is shown bringing down its quarry in the sky above. This illustration was published in George Turberville's 'Booke of Faulconrie'. 1575.-stock-foto
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An engraving depicting Queen Elizabeth I (1533–1603) during a procession through London to open the first Royal Exchange. Seated within an ornate, canopied litter topped with a crown and bearing the royal arms, she was accompanied by attendants on horseback and on foot as she travelled to the commercial centre founded by Sir Thomas Gresham. This ceremonial progress on 23 January 1571 marked a significant development in London's mercantile history during the Tudor dynasty (1485–1603). c.1680.-stock-foto
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A photograph depicting Benjamin Disraeli, 1st Earl of Beaconsfield (1804–1881), the British Conservative statesman who served twice as Prime Minister of the United Kingdom. Captured by Jabez Hughes at Osborne House on the Isle of Wight by command of Queen Victoria, the portrait follows Disraeli's successful return from the Congress of Berlin. As a prominent figure in Victorian politics and a favourite of the monarch, he oversaw significant domestic reforms and the expansion of the British Empire. 1878.-stock-foto
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An engraving depicting King Charles I (1600–1649) kneeling at the executioner's block outside the Banqueting House at Whitehall, London. Following his defeat in the English Civil War, the second monarch of the Stuart Dynasty (1603–1714) was tried and condemned for high treason against the people of England. The scene illustrates the king in prayer alongside Bishop William Juxon, with a masked executioner and pikemen standing nearby on the scaffold while crowds watch from the background. This work, designed by Robert Smirke and engraved by Thomas Wallis, commemorates the seventeenth-century reg-stock-foto
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An oil painting depicting Queen Victoria (1819–1901), who reigned as the Queen of the United Kingdom of Great Britain and Ireland and Empress of India during the Hanoverian dynasty (1714–1901). This three-quarter length portrait shows the monarch wearing the blue sash and star of the Order of the Garter over a black mourning dress, complemented by a white lace widow's cap and strands of pearls. She holds a white handkerchief in her clasped hands, set against a backdrop featuring a royal heraldic shield and a glimpse of a seascape. This work reflects the Queen's preference for sombre attire fol-stock-foto
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An oleograph depicting Queen Victoria (1819–1901) during her coronation in Westminster Abbey. The scene illustrates the Archbishop of Canterbury, William Howley (1766–1848), placing the crown upon the head of the young monarch while she holds the royal sceptre. The ceremony took place on 28 June 1838, following Victoria's accession to the throne in 1837. As the last monarch of the House of Hanover (1714–1901), her reign oversaw the expansion of the British Empire and significant industrial progress. c.1900.-stock-foto
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An oleograph depicting Queen Victoria (1819–1901) commemorating her Golden Jubilee, featuring vignettes of her coronation in Westminster Abbey and the royal procession through London. The upper scene illustrates the Archbishop of Canterbury, William Howley (1766–1848), placing the crown on the young monarch on 28 June 1838, while the lower portion displays the Jubilee parade through the streets of the capital in June 1887. The central images are surrounded by an ornate border with medallions of her parents, the Duke and Duchess of Kent, and historical figures including William IV (1765–1837),-stock-foto
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A wood engraving depicting Queen Anne (1665–1714) of the House of Stuart (1603–1714) receiving John Churchill, 1st Duke of Marlborough (1650–1722). The monarch is shown seated at a small writing table, surrounded by ladies of the court in fontange headdresses, as the Duke bows respectfully while holding his tricorn hat. This illustration highlights the close relationship between the Queen and Marlborough during the early eighteenth century, a period defined by his military successes in the War of the Spanish Succession. c.1880.-stock-foto