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Spotted vineyard snail (Cornu aspersum). Macro close-up taken on a sunny spring morning. The snail is crawling over a rock and moss covered in dewdrop-stock-foto
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Heavily rusted metal panel showing deep stains, cracked paint, layered oxidation, concentrated brown patches, shadowed edges, tactile roughness, suite-stock-foto
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Smooth structural plaster wall texture. Light yellow, pale beige and brownish tones with subtle dark spots. Even uniform decorative stucco background.-stock-foto
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Smooth structural plaster wall texture. Light yellow, pale beige and brownish tones with subtle dark spots. Even uniform decorative stucco background.-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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1) Jupati palms in Jaburu, December 27, 1842; 2) Miriti and Calladium arborescens palms in Igarapé dos Velhos, December 27, 1842; 3) Kapok tree (Pentax pentaphyllum) in Rio dos Breves, December 28, 1842. Tempeltei, Julius Friedrich (1802–1870), graphic artist; Adalbert (Prince of Prussia; 1811–1873), graphic artist. South America, Brazil. Subjects: palm trees, jungle vegetation, flora, equatorial forests; travel/diary illustrations, lithograph/graphic print. Date: 1847. Album. Composition: height 50.9 cm, width 35.2 cm (irregular)., A vertical composition showing three separate black ink-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist; Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); Dominik Witke-Jeżewski (1862–1944); iconography; portraits; busts; orders; male portrait; German graphics; Polish; 2nd quarter of the 19th century; graphic print; height 15.9 cm, width 11.2 cm; height 20.7 cm, width 13.5 cm, An engraved portrait of a man from the chest up, shown with curly dark hair and a mustache, wearing a dark military-style coat with ornate epaulettes and layered decorative sashes and medals; he has a fur-lined cloak draped over one shoulder. The image is-stock-foto
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Bust of a Man in Armour, Lagneau, Nicolas (fl. ca. 1590–ca. 1610), draughtsman; crayon portrait; male portrait; French pastels; armour (costume); before 1650; France; drawing; height 19.6 cm; width 16.4 cm, A portrait drawing of an older man shown in profile facing left with a receding hairline and thinning hair at the crown, a mustache and a short beard. His facial features include a prominent nose, visible wrinkles around the eyes and forehead, and a slightly furrowed brow. He wears a dark garment with a high collar and a lighter inner collar visible at the neck. The image has a beige to off-stock-foto
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Trees in St. Blasien; Hans Thoma (1839–1924), draughtsman; trees, landscape of St. Blasien (Germany); former German property; German drawing, 1870; height 32.3 cm, width 49.2 cm, A detailed pen and ink drawing of a dense cluster of trees and bushes occupying the central area, rendered with varied line work and shading to show foliage texture and trunk forms; the vegetation includes leafy canopies, slender trunks, and layered undergrowth with scribbled and hatched strokes. The scene sits on a plain background of aged paper with a few faint stains and smudges, and the overall palette shows tones-stock-foto
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Rhone Glacier in the Bernese Alps, Nathe, Christoph (1753-1806), mountain landscapes, artists in the open air, glaciers, hikers, Rhone Glacier (Switzerland), Bernese Alps (mountain range), German drawings, Alps (mountains), landscapes, ca. 1790, Switzerland, drawing, height 41.7 cm, width 65.7 cm, A drawing of a kneeling woman rendered in reddish-brown lines on a pale, off-white background, shown within a rectangular double border; she wears a simple dress with short sleeves and a head covering, her upper body leaning forward with arms extended toward an unfinished, lightly sketched form, and-stock-foto
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French troubadour at the tomb of Prince Józef Poniatowski; Vernet, Horace (1789–1863), graphic artist; Danloux, Henri Pierre (1753–1809), painter; Engelmann, Godefroy (Paris, London; lithographic workshop; 1816–ca.1875), publisher; monuments; Poniatowski, Józef Antoni (1763–1813) — iconography; lyres (musical instruments); laurel wreaths; Napoleonic era (1799–1815); soldiers; knights; neo-Gothic (style); musical pieces; troubadours; sheet music; ca. 1820; Paris; graphic art, An open two-page spread of aged paper with a central vertical fold, set against a dark background; the pages are off--stock-foto
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A beggar woman in rags, with a stick in her left hand; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); portraits; women's portraits; women's costumes; studies of women's figures; character studies; paupers; beggars; human types; sticks; old women; ca. 1800; graphic; graphic matrix; graphic plate; height 10.9 cm; width 7.5 cm, A rectangular metal plate fills the frame, showing a worn, mottled surface with patches of dark black and rusty brown against a muted gray background; the edges are slightly rounded with visible discoloration, and the surface texture-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints; prayers; Our Lady of Częstochowa (painting); blessed; 1867; Paris; graphic; graphic matrix; graphic plate; height 25.3 cm; width 19.6 cm; thickness 0.2 cm, A rectangular metal plate with a slightly raised rim and rounded corners, shown flat against a neutral background; the surface is mottled with a range of gray tones, including pale silver, mid-gray, and darker gray areas, with a few faint brownish stains and spots of darker-stock-foto
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Two tondos: Guardian Angel and the Holy Family, by Stanisław Pczycki (ca. 1769–1844), graphic artist. Guardian Angel; Holy Family, after 1805. Graphic plate, height 14.5 cm, width 20.5 cm., A rectangular metal plate with rounded corners showing a central vertical seam and a patina of pink, copper, brown, and gray tones, mottled with darker spots and streaks; on each side of the seam there is a circular engraved scene, the left circle depicting a group of people wearing draped clothing and cloaks standing outdoors with a landscape background and the right circle depicting a winged figure-stock-foto
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Image of St. Ignatius of Loyola; graphic artist Caim (fl. ca. 1740–1780), publisher Łohojsk; subject: Ignatius of Loyola (St., 1491–1556) with dragons (fantasy); date ca. 1740–1780; place Nieśwież; medium: graphic, graphic matrix/plate; dimensions: height 11.2 cm, width 7 cm., A rectangular metal plate with a worn brownish-copper surface shows a patina of darker brown and black irregular spots and blotches scattered across it, along with several lighter scratch marks and scuffs. The plate has rounded corners and a small decorative paper label with a blue border adhered near the top right-stock-foto
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View of Krakow; illustration after Georg Braun (1542–1622) with draughtsmanship by Egidius van der Rye (fl. 1597–1605), Joris Hoefnagel (1542–1601), and Abraham Hogenberg (fl. 1608–1659). German print, 1617, album sheet; height 31.7 cm, width 50 cm. Historical cityscape showing Krakow and historical costumes. Hondius based a portrait of King John Casimir on one of two portraits by Daniel Schultz; one of those portraits depicted John Casimir in Polish costume and is known through prints. The print is accompanied by Latin text on a separate sheet., An aged rectangular sheet with a warm beige-stock-foto
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Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879), Fabian Sarnecki (1800–1894); subject: Poniatowski, Józef Antoni (1763–1813) — iconography; related person: Wacław Lasocki (1837–1921); Napoleonic era (1799–1815); male portrait, bust; Polish graphics; Poland; dated 1832–1833; medium: graphic print; dimensions: 11.1 × 9.4 cm and 29.7 × 19.7 cm., A worn off-white sheet with scattered brownish spots and a dark narrow border contains a centered rectangular black-and-white engraved portrait of a man from the chest up wearing a decorative uniform with ornate shoulder-stock-foto
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Lech II, graphic artist; Friedlein, Daniel Edward (1802–1855), publisher; Friedlein, Rudolf Fryderyk (1811–1873), publisher. Image of Lech II (legendary prince of Poland, son of Krak), 1852. Graphic print, album; height 5.6 cm, width 4.6 cm. Subjects/styles: letters of Polish rulers, iconography, legendary representations, male portrait, portrait of a ruler., A sheet of aged paper with a centered black-and-white engraved portrait of a crowned figure wearing a fur-lined cloak and a patterned garment, mounted on a beige backing; the paper shows yellowed and brownish spots and small stains, with-stock-foto
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View of an impressive building with a corner tower; Feliks Jabłczyński (1865–1928), Polish graphic artist; ca. 1924; graphic art, graphic matrix/plate; height 9 cm, width 10.1 cm; trees; architectural view., A square surface fills the image showing a worn, textured sheet with an overall pale gray and off-white background mottled with areas of darker gray and light blue-gray spots and stains; there are several smudges and blotches in muted brownish-gray, faint scratches and thin lines crisscrossing the surface, a few circular darker stains, and a subtle darker border around the outer edges.-stock-foto
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Landscape with trees and defensive buildings; Feliks Jabłczyński (1865–1928); Polish graphic artist; ca. 1924; graphic plate (graphic matrix); height 7.6 cm, width 10.7 cm; subject: trees and defensive architecture., A rectangular, weathered metal plate sits against a neutral background, showing a mottled surface with a mix of light gray, off-white, pale blue, and darker gray areas; the plate has several irregular dark gray blotches and spots, many faint fine scratches and scuff marks that form curved and straight lines across the surface, and a few small pits and stains with subtle brownish-stock-foto
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Landscape with trees and defensive buildings, Feliks Jabłczyński (1865–1928), graphic artist, Polish, ca. 1924; graphic plate (graphic matrix), height 7.6 cm, width 10.7 cm, The image shows a sketch-like scene with a large tree on the right, its intricate bare branches drawn in dark lines and a thinner trunk, and a cluster of smaller trees nearby; on the left a group of buildings with pitched roofs and towers rendered in fine linear strokes, and a low wall or bridge in front of them; the ground is uneven with winding paths and rough vegetation drawn with short, dark hatch marks; the overall-stock-foto
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A street in a medieval town; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, landscapes, cityscapes, architectural studies, views, streets, towers; architectural views of cities; Polish graphics; Gothic style; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10 cm, width 8.7 cm, A rectangular sheet with a worn, mottled surface showing a range of greys and off‑whites, with a few darker grey spots and stains scattered across it and some subtle bluish-grey patches; the sheet has faint scratches and scuff marks, a slightly darker narrow border around the edges, and a small-stock-foto
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City view inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, architectural studies, streets, views, gates, city views, architectural views; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10.4 cm, width 7.4 cm, A rectangular surface with a textured, worn appearance fills the image, showing a mottled field of pale gray and off-white with patches of darker gray and subtle brownish tones; there are several circular and irregular darker spots scattered across the surface, faint linear-stock-foto
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Town hall tower in Krakow with neo-Gothic guardhouse, Feliks Jabłczyński (1865–1928), graphic artist; cities, landscapes, cityscapes, architectural studies; towers, streets, architectural views, city views, town halls; Polish graphic art; Poland, ca. 1924; Warsaw; graphic art; graphic matrix/plate; height 9.5 cm, width 7.4 cm., A worn rectangular metal sheet with irregular edges lying on a light gray background, showing a weathered surface with a mix of silver, gray, darker charcoal patches, and subtle brownish-beige discoloration, scattered small spots and stains, areas of rough texture and-stock-foto
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Gothic interior with a rosette; Feliks Jabłczyński (1865–1928), graphic artist; church interior; architectural study of a rosette and stained-glass window; Gothic architecture; Polish graphic art; ca. 1924; Warsaw; graphic art, graphic matrix/plate; height 8.4 cm, width 7.3 cm, A rectangular dark surface with a slightly textured appearance fills most of the image, bordered by a lighter background; the dark area shows various pale irregular splotches and speckles in shades of white and light gray, with a few subtle bluish-gray spots and a small brownish blemish, and the outer border is a narrow-stock-foto
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Street in the city; Feliks Jabłczyński (1865–1928), graphic artist; cityscape of tenement houses and windows; architectural study; Polish graphic; ca. 1924, Warsaw; graphic matrix/plate; height 8 cm, width 10.8 cm, A textured rectangular surface fills the image, showing a weathered, rough appearance with a mix of gray shades and areas of lighter whitish patches. There are fine linear scratches and grid-like incisions across the upper half, forming vertical and horizontal patterns and suggesting raised ridges. The lower portion has irregular mottled spots and softer cloudy patches in white and-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Silver coin (1538). Obverse: Crowned male bust in profile turned to the right; in the rim between pearly borders an inscription: .SIGIS.I.REX.POLO.DO.TO.PRVSS. Reverse: Coat of arms of Gdańsk; in the rim between pearly borders an inscription: .GROSSVS.CIVI.GEDANEN.1538. Style: Jagiellon-era Polish coinage; iconography: royal busts, city coat of arms., A circular metallic coin with a worn surface showing a raised central design and an outer rim with embossed details; the coin appears primarily silver-gray with small areas of darker-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Silver coin (1534). Obverse: Crowned male bust of the king in profile facing right; rim inscription between pearl-shaped borders: .SIGIS.I.REX.PO.DO.TOCI.PRV. Reverse: Coat of arms of Gdańsk; rim inscription between pearl-shaped borders: .GROSSVS.CIVI.DANCZ.1534. Poland, Gdańsk., A round metallic object with a worn silver-gray surface occupies the image, showing raised decorative elements including a central circular motif with ornamental shapes and a stylized crown-like form; the rim features a textured beaded edge and a band-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Polish coin, Jagiellonian dynasty. Obverse: Crowned royal bust in profile facing right; rim between pearly borders with inscription '.SIG, O.DO.TOCI.PR'. Reverse: Coat of arms of Gdańsk; rim between pearly borders with inscription '.GROSS, .CIVI.D'. Dated 1534; minted in Gdańsk, Poland., A worn round metal coin with a metallic gray surface showing patches of darker gray and faint brownish spots, featuring a central raised portrait in low relief wearing a crown and facing sideways, surrounded by a raised circular border and-stock-foto
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Gdańsk grosz, Sigismund I the Old (King of Poland; 1506–1548). Polish coin (1533). Obverse: Crowned male bust in profile facing right; rim with pearl-shaped borders and inscription 'IS I REX TOCI PRV' (as transcribed). Reverse: Coat of arms of Gdańsk; rim with pearl-shaped borders and inscription 'OSSVS CIVI DANCZ 15'. Material: coin; place: Gdańsk, Poland., A round metallic coin with a worn surface showing a raised circular border and an inner toothed ring, featuring an embossed central motif that appears decorative and textured; the coin shows patina and small dark speckles across its face,-stock-foto
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Denarius of Elagabalus (Roman emperor, 218–222). Obverse: Bust of Elagabalus facing right, wearing a laurel wreath and paludamentum; inscription IMP ANTONINVS PIVS AVG; pearl border. Reverse: Elagabalus standing right, wearing a laurel wreath and long robe, holding a patera above an altar in his right hand and a club in his left; a star in the right field; inscription SACERD DEI SOLIS ELACAB; pearl border. Date: 220–222. Roman Empire. Coin; diameter ~18–19 mm; weight 3.43 g., A worn circular metal coin with a raised profile of a person facing right, showing short hair with a laurel-like band,-stock-foto
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denarius, Julia Domna (ca. 160–217; Roman empress 193–211). Obv.: IVLIA AVGVSTA — bust of Julia Domna facing right, pearl border. Rev.: PVDICITIA — Pudicitia (personification) in a long robe and veil seated left, right hand on her breast, left hand on the back of a chair, pearl border. Date: 198–209. Roman Empire. Rome. Coin. Diameter 17.5–18.0 mm; weight 3.32 g., A circular metallic object with a worn, uneven edge, showing a raised relief of a seated human figure holding an upright staff or spear, with a few surrounding raised markings and decorative elements; the object appears silver-gray-stock-foto
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Denarius, Julia Domna (ca. 160–217; Roman empress 193–211), Roman Empire. Obverse: IVLIA AVGVSTA — bust of Julia facing right, pearl border. Reverse: SAECVLI FELICITAS — Isis stands facing right, holding the infant Horus in her right hand as she feeds him, her left leg resting on the prow of a ship; at her feet on the left an altar and a rudder, pearl border. Date: 198–209. Rome. Coin: diameter 18.0 mm, weight 2.74 g., A circular metallic coin with a worn, uneven edge showing a few small chips; the coin surface is predominantly gray with darker gray and faint brownish patina spots; a raised-stock-foto
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denarius, Julia Domna (ca. 160–217; Roman empress 193–211), Roman Empire — iconography: Venus (mythology); Standing Venus. Obv.: IVLIA DOMNA AVG. Bust of Julia Domna facing right, pearl border. Rev.: VENE CTR. Venus, bare below the waist, stands with her back turned to the right, holding an apple in her right hand and a palm leaf in her left, leaning against a column, pearl border. Date: 193–196. Medium: coin (Roman). Diameter: 16.0–17.5 mm. Weight: 3.22 g., A round metallic object with a worn surface showing a raised profile of a person facing right, with detailed hair and draped clothing;-stock-foto
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Crown half-grosz, Sigismund I the Old (King of Poland; 1506–1548). Obverse: Polish crowned eagle facing left, talons at the bottom; rim inscription. Reverse: crown at center; rim inscription; dated 1509. Coin from Poland; weight 0.86 g. Materials not specified., A round metallic object with a worn surface showing a raised circular border and a central raised motif resembling a stylized crown; the object is primarily shades of gray and silver with subtle darker gray shading in recessed areas and faint brownish spots; the surface texture appears rough and aged with irregular edges and shallow-stock-foto
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Crown half-grosz, Sigismund I the Old (King of Poland; 1506–1548). Obverse: Polish crowned eagle facing left, talons at the bottom, inscription in the rim. Reverse: Crown facing forward, inscription in the rim. Date range 1506–1548. Poland. Coin; weight 0.96 g., A circular metallic object with a worn, textured surface showing a raised central motif of a stylized crown surrounded by a recessed circular border and an outer raised rim; the object displays varied tones of grey and silver with darker grey and brownish patina spots and uneven discoloration across its surface, and its edges appear-stock-foto
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Denarius depicting personifications; Septimius Severus (Roman emperor, 146–211) — iconography: Virtus. Obverse: SEVERVSAVG PARTMAX — Head of Septimius Severus in laurel wreath facing right, pearl rim. Reverse: VIRT AVGG — Virtus in military attire stands facing left; in his outstretched right hand he holds Victoria, in his left hand a vertical spear and a shield placed on the ground, pearl rim. Date: 200–201. Culture: Roman Empire. Place: Rome. Medium: silver coin. Diameter: 19.0 mm. Weight: 3.20 g., A worn round metal object with an uneven edge displaying a mostly grey surface with darker-stock-foto
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Denarius, silver coin depicting Victoria; maker: Septimius Severus (Roman emperor, 146–211). Obverse: SEVERVSAVG PARTMAX — head of Septimius Severus in a laurel wreath facing right, pearl rim. Reverse: PMTRPVIII CO SIIPP — Victoria tiptoes left, holding a garland in both hands; at her feet left, a round shield on a pedestal, pearl rim. Date: 200. Culture: Roman Empire (27 BC–476). Place: Rome. Medium/function: coin. Diameter: 19.0 mm. Weight: 2.80 g., A round worn coin with a metallic gray surface showing areas of darker gray and spots of brownish tarnish, featuring a raised central figure of-stock-foto
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Denarius; obverse: head of Septimius Severus with laurel wreath facing right, pearl rim; inscription LSEPTSEVAVGIMPXIPARTMAX. Reverse: Aequitas standing frontally, head turned left, holding scales in right hand and cornucopia in left; inscription AEQVITA TI AVGG; pearl rim. Dated 198–200 CE. Roman Empire; Rome. Coin diameter 18.0–19.0 mm, weight 3.94 g., A circular metal coin with a worn surface showing shades of gray and darker brownish spots, featuring a raised central design of a standing human figure in profile wearing a long garment and a headpiece, surrounded by a ring of faint-stock-foto
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Denarius depicting Roman deities: Obv.: LSEPTSEVAVGIMP XIPART, head of Septimius Severus in laurel wreath facing right. Rev.: PMTR, Fortuna standing, holding a cornucopia in her right hand and a rudder in her left, with the prow of a ship at her left feet; pearl rim. Date: 198–200 CE. Roman Empire (27 BC–476). Rome. Coin; diameter c. 15.0–17.5 mm; weight 3.35 g., A round metallic object with a textured surface showing a raised profile of a bearded man wearing a laurel-like headpiece, the object appears worn with irregular edges and small dark spots; visible colors include silver-gray with-stock-foto
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