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christ suffering képek

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Crucifixion of jesus christ with mary and john the disciple sculpture-stock-foto
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The Crucifixion by Martin Schongauer, n.d., depicting Christ on the cross with the Virgin Mary and Saint John standing below, skulls and bones at the base symbolizing mortality and redemption-stock-foto
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The Resurrection by Israhel van Meckenem the Younger, n.d., depicting Christ rising from the tomb surrounded by soldiers, angels, and mourning figures in a landscape with distant architecture-stock-foto
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The Betrayal by Israhel van Meckenem the Younger, n.d., depicting the arrest of Christ surrounded by soldiers, guards, and onlookers in a crowded medieval town setting-stock-foto
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The Crucifixion with the Holy Women, St. John and Roman Soldiers by Martin Schongauer, n.d., depicting Christ on the cross surrounded by grieving figures including the Virgin Mary and Saint John, with Roman soldiers at the foot-stock-foto
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Christ Bearing the Cross by Israhel van Meckenem the Younger, n.d., depicting Christ surrounded by soldiers and executioners on the path to crucifixion, a pivotal moment in Christian Passion narrative-stock-foto
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Christ Taken by Pieter Claesz. Soutman after Anthony van Dyck, c. 1620, depicting the arrest of Christ surrounded by soldiers, officials, and onlookers in a dramatic nocturnal scene-stock-foto
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Christ Crowned with Thorns by Anthony van Dyck, c. 1630–40, depicting Christ with crown of thorns flanked by a soldier and demon figure in dramatic divine light-stock-foto
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The Crowning with Thorns, from The Passion by Hendrick Goltzius, 1597, depicting Christ surrounded by soldiers and tormentors in a vaulted Renaissance courtyard, with onlookers and architectural details visible through arched openings-stock-foto
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Christ Carrying the Cross, from The Passion by Hendrick Goltzius, 1596–98, depicting Christ surrounded by soldiers and mourning figures ascending a rocky path toward a fortified city-stock-foto
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St. Bartholomew by Hendrick Goltzius, 1589, depicting the apostle seated in contemplation, holding his attribute of a flayed skin, with rocky landscape and figures in background-stock-foto
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Christ on the Cross, from The Passion by Hendrick Goltzius, 1596–98, depicting the crucifixion scene with Christ flanked by two thieves and surrounded by soldiers, mourners, and onlookers-stock-foto
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The Flagellation by Hendrik Goltzius, 1597, depicting Christ bound to a column and scourged by soldiers in a fortified courtyard, with onlookers and architectural backdrop-stock-foto
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Ecce Homo by Hendrick Goltzius, 1597, depicting Christ presented to the crowd by Pontius Pilate before crucifixion, with gathered figures and Renaissance architecture-stock-foto
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Christ on the Mount of Olives, from The Passion by Hendrick Goltzius, 1597, depicting Christ in prayer amid sleeping disciples in a rocky landscape with a distant city-stock-foto
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Christ before Caiaphas, from The Engraved Passion by Albrecht Dürer, 1512, depicting the Jewish high priest and soldiers interrogating Christ in a vaulted chamber during his trial-stock-foto
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The Martyrdom of Christ by Hendrick Goltzius after Maarten de Vos, c. 1578, depicting the crucifixion scene with soldiers, crowds, and divine light radiating from the cross-stock-foto
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Pietà by Hendrick Goltzius, 1596, depicting the Virgin Mary cradling the dead body of Christ, her face bowed in sorrow with a luminous halo, set against a distant landscape with a fortified settlement-stock-foto
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Man of Sorrows before the Column by Hans Baldung Grien, 1517, depicting Christ bound to a column in suffering, attended by a cherub, set within an architectural interior-stock-foto
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Carrying of the Cross by Jan Sadeler I, 1575–1600, depicting Christ bearing the cross to Calvary surrounded by soldiers, disciples, and mourning figures in a densely populated narrative scene-stock-foto
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Flagellation, from Passion of Christ by Jan Sadeler I, 1575–1600, depicting the scourging of Christ by Roman soldiers beneath a classical temple portico, attended by angels and witnessing figures-stock-foto
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Agony in the Garden, from Passion of Christ by Jan Sadeler I after Marcus Gheeraerts the Elder, 1575–1600, depicting Christ in prayer among angels and apostles in a garden sanctuary with ornate architectural framing-stock-foto
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Watercolor hand drawn illustration of a simple gold wooden cross encircled by a thorn crown. Central Christian symbol of Jesus Christ's sacrifice-stock-foto
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Ancient fresco depicting Christ on the cross with figures below, located above the Marchesale Arch or Porta Grande. Polignano a Mare, Puglia-stock-foto
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Flagelación de Cristo (Flagellation of Christ),  1500-1525 by an anonymous Flemish Renaissance artist, depicting the scourging of Jesus at the pillar, Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Flagelación de Cristo (Flagellation of Christ),  1500-1525 by an anonymous Flemish Renaissance artist, depicting the scourging of Jesus at the pillar, Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Flagelación de Cristo (Flagellation of Christ),  1500-1525 by an anonymous Flemish Renaissance artist, depicting the scourging of Jesus at the pillar, Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Cristo Varón de Dolores (Christ as the Man of Sorrows), a polychrome terracotta sculpture created circa 1490-1500 by Pedro Millán, depicting Christ displaying his wounds with two angels and a kneeling donor, Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Cristo Varón de Dolores (Christ as the Man of Sorrows), a polychrome terracotta sculpture created circa 1490-1500 by Pedro Millán, depicting Christ displaying his wounds with two angels and a kneeling donor, Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Cristo atado a la columna (Christ Tied to the Column), a polychrome terracotta sculpture created circa 1490-1500 by the late Gothic master Pedro Millán, depicting the scourging of Christ at the pillar,  Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Cristo atado a la columna (Christ Tied to the Column), a polychrome terracotta sculpture created circa 1490-1500 by the late Gothic master Pedro Millán, depicting the scourging of Christ at the pillar,  Museo de Bellas Artes, Fine Art Museum, Sevilla, Spain.-stock-foto
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Albrecht Dürer — Agony in the Garden, 1524-stock-foto
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The Cross of Jesus Christ and falling flower petals background, Easter concept-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto
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Castro Urdiales, Spain, April 3, 2026: From the Last Supper to the Resurrection of Jesus of Nazareth, during the live reenactment of the Passion of Christ during Holy Week in Castro Urdiales, Spain. Credit: Javier Linares Misioner / Alamy Live News-stock-foto