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classical reference képek

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Tangerine and Chinese Legend by Kosei, spring 1871, depicting a round golden fruit with leafy stem and scattered nuts on embossed paper-stock-foto
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Two Poppies by Yokoyama Seiki, c. early 1820s, depicting red poppies with green stems and leaves against a cream ground, accompanied by Japanese calligraphic text-stock-foto
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Martin Vanden Bogaert Desjardins by Gérard Edelinck, 1698, after Hyacinthe Rigaud. Flemish sculptor and court artist in formal dress with curled hair, seated beside a classical lion sculpture-stock-foto
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Subscription Page, from Horses of Many Countries, second volume by Carle Vernet, c. 1818, title page for a collection of horse studies and equestrian subjects in multiple volumes-stock-foto
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View From the Banks of the Teverone by Claude Thiénon, 1817, depicting classical ruins and a small shrine nestled among rocky terrain along a river in Italy-stock-foto
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The Third Foolish Virgin by Martin Schongauer, n.d., depicting a young woman with long curled hair in flowing robes, touching her face in a contemplative pose while holding a lamp-stock-foto
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Paper: Fujiwara no Sadaie (Kami: Teika), from the series The Four Friends of the Writing Table for the Ichiyo Circle by Yashima Gakutei, c. 1827, depicting a seated man in patterned robes working at a writing desk with paper and ink-stock-foto
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Parody of Ariwara no Narihira's journey to the east by Suzuki Harunobu, c. 1767/68, depicting women and attendants traveling on horseback and on foot with Mount Fuji in the distance-stock-foto
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Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting seashells and marine specimens arranged on sand-stock-foto
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Sukenari, Tokimune, and their mother at a farewell party by Utagawa Hiroshige, c. 1843–47, depicting figures in elaborate dress sharing a final meal beside a waterside pavilion-stock-foto
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Chrysanthemum and Narcissus, from the illustrated book Picture Book: Flowers of the Four Seasons (Ehon shiki no hana), vol. 2 by Kitagawa Utamaro, New Year 1801, depicting blooming chrysanthemums and delicate narcissus flowers with green foliage-stock-foto
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Numazu: Shinra Saburo (Minamoto no Yoshimitsu) by Utagawa Hiroshige, 1852, depicting a warrior in ornate gold armor seated on a boat beneath the moon-stock-foto
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Ro: Seaweed, by Katsukawa Shunsho, c. 1772/73, depicting a woman in an interior pavilion observing a young attendant arranging flowers, with garden visible beyond open screens-stock-foto
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Witch Riding Backwards on a Goat by Albrecht Dürer, 1500–02, depicting a supernatural figure mounted on a goat attended by cherubs in a fantastical composition-stock-foto
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Madonna with the Swaddled Infant by Albrecht Dürer, 1520, depicting the Virgin Mary holding the Christ Child with a halo of light radiating behind her head-stock-foto
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Designs for Pendants with Sea Monsters by Adriaen Collaert, 1582, featuring ornamental jewelry designs suspended from ribbons, centered around mythological sea creatures and cherubs-stock-foto
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Bust of a Man in Profile by Jacob Matham, after 1607, depicting a bearded gentleman wearing a draped garment and ornate cap with tassel-stock-foto
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Allegory of Transcience 'Homo Bulla' by Hendrick Goltzius, 1594, depicting a cherub blowing bubbles amid a skull and landscape, symbolizing the brevity of human life-stock-foto
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Japonisme by Felix Hilaire Buhot, 1883, depicting a mounted military officer in ornate armor holding an open fan, with Japanese calligraphy labels identifying the subject and composition-stock-foto
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Ajax by Pietro Fontana after Antonio Canova, 1817, depicting the legendary Greek warrior in a powerful contrapposto stance, muscular and resolute, wearing a Corinthian helmet-stock-foto
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Ettore, Side View, by Pietro Bonato after Antonio Canova, 1817, depicting a muscular male warrior in classical dress with helmet and sword, standing with draped cape beside a textured tree trunk base-stock-foto
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Venus, Back View, from Oeuvre de Canova by Domenico Marchetti after Antonio Canova, 1817, depicting the classical goddess in contrapposto pose with draped fabric, viewed from behind-stock-foto
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Saint Mary Magdalene Penitent, by Antonio Canova (after), 1817, depicting the biblical figure in a moment of devotional solitude, kneeling in contemplation with symbolic attributes of her penitence-stock-foto
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Paris Leaning on Tree Stump, Front View, from Oeuvre de Canova by Giovanni Battista Balestra after Antonio Canova, 1817, depicting a classical male nude figure in contrapposto stance beside a draped fabric element-stock-foto
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The Dead Christ Lying in the Sepulchre by Nicolas de Plattemontagne after Philippe de Champaigne, 1654, depicting the recumbent body of Christ at rest within the tomb, a devotional image of Christian redemption and resurrection-stock-foto
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Mosaic of Archetypes from Antiquity by Jean-Philippe-Guy Le Gentil, 1789, a densely composed circular composition filled with classical figures, mythological characters, and historical scenes from ancient civilizations arranged in intricate detail-stock-foto
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Nantes, France - 05 07 2026: Place du Bouffay. Detail view of the sculpture In Praise of the Sidestep sculpted by Philippe Ramette-stock-foto
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Nantes, France - 05 07 2026: Place du Bouffay. Detail view of the sculpture In Praise of the Sidestep sculpted by Philippe Ramette-stock-foto
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Nantes, France - 05 07 2026: Place du Bouffay. Detail view of the sculpture In Praise of the Sidestep sculpted by Philippe Ramette-stock-foto
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Plate from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters by Anne Allen, c. 1795, featuring botanical studies of ferns, flowering vines, and delicate foliage arranged in elegant compositional groupings-stock-foto
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Title Page, from New Suite of Notebooks of Ideal Flowers for Use by Draftsmen and Painters by Anne Allen, c. 1795, decorative title page surrounded by botanical ornaments in green, pink, and brown watercolor-stock-foto
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Plate Five from Collection of Various Vases by Stefano della Bella, before 1648, depicting ornamental urns and vessels overflowing with flowering plants and scrolling foliage-stock-foto
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Plate Six from Collection of Various Vases by Stefano della Bella, before 1648, depicting ornamental vessels with elaborate sculptural and botanical embellishments-stock-foto
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Plate Four from Collection of Various Vases by Stefano della Bella, before 1648, depicting ornamental vessels with elaborate botanical arrangements and decorative urns in classical style-stock-foto
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Nude Woman Standing, hand on hip by James McNeill Whistler, 1873–78, a delicate linear study of a standing female figure with gestural hatching marks suggesting form and movement-stock-foto
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Draped Model by James McNeill Whistler, 1873/74, depicting a standing female figure wrapped in flowing fabric with subtle classical drapery-stock-foto
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Julius Caesar by Nicolaes de Bruyn, 1594, Roman military leader and statesman depicted in ornate circular frame with putti, scrollwork, and floral decoration-stock-foto
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Triumph of Caesar by Andrea Andreani after Andrea Mantegna, 1599, depicting an elaborate procession of soldiers, officials, and captives celebrating a Roman military victory, with architectural structures and classical imagery-stock-foto
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Flagellation, from Passion of Christ by Jan Sadeler I, 1575–1600, depicting the scourging of Christ by Roman soldiers beneath a classical temple portico, attended by angels and witnessing figures-stock-foto
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Two Putti with a Bird by François Boucher, n.d., depicting two winged cherubs in a garden setting, one holding a small bird aloft while the other gazes upward-stock-foto