Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

corners sit figures képek

21 találat
  • / 1
  • kép/oldal:
RM
Allegory of the Catholic Faith; draughtsman: Carlo Maratti (1625–1713); painter: Pietro da Cortona (1596–1669); Bonola Codex; subjects: allegories, Faith (personification), saints, chalices, hosts, angels; Bonola, Giorgio (1657–1700); 2nd half 17th century, Rome; drawing; height 31.5 cm, width 45.7 cm., The image shows an ornate sepia-toned drawing with a central empty space framed by decorative scrollwork and carved motifs; a group of cherubic figures and floral elements appear along the top, with a sun-like face flanked by two small winged figures. On the left and right lower corners sit two-stock-foto
RM
Design for a Painted Square Ceiling, Eugenio Agneni, Italian, 1816 - 1897, Brush and gouache, graphite on cardboard, Horizontal format design for a painted ceiling. In the center is a rosette, supported by four supports rising obliquely from the corners, each consisting of a base, two columns, and a winged bust upon a base as a crest. Between the columns stand putti upon pedestals. Women sit upon the corners of the base. In the center of the sides are pavilions with statues of goddesses; women sit beside. Outside is a framing border consisting of oblongs with representations of putti-stock-foto
RM
Elevation of an Altar Mensa, Pen and ink on paper, Horizontal format. Above and below are mouldings. The field is divided into strips. In the upper one stand four escutcheons; the lateral apses in which Evangelists sit, St. Mark being one of them, are not entirely shown. In the lower strip are three escutcheons, the points of which are in the upper strip. Represented in the center one: the Annunciation. At left: King David or Solomon; at right, probably Moses with the tablets. Angels sit upon the lower lateral scrolls of the central escutcheons, others carrying festoons fly beside it.-stock-foto
RM
Project for the top of a painted frame of an altar, Taddeo Zuccaro, Italian, 1529 - 1566, Pen and ink. Various water color washes; gold. Varnished. Pencil (added later). Paper, Two angels seated upon a socle on top of an entablature hold an escutcheon in which the dove is represented. '(C)VIVS/ (LIVORE) SANATI / (SU)MVS' (IS. c. 53, v. 5) is written on an escutcheon before the center of the entablature. Two women, probably representing sibyls, sit upon the corners., Italy, ca. 1560, figures, Drawing-stock-foto
RM
Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. At top center are parts of outline of the framing of the central panel. Below are framing mouldings with wave motif at front. The lower corners are connect to the corners of central panel by garlan candelabra with masks at their bases. Below is the center of the rhomboidal panel, at front is a winged, armless half-figure, supporting a vase with leaves on her head. Two birds sit on spring rinceaux below.-stock-foto
RM
Two chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left, a variation of 1901-39-1165. 1) The pedestal is decorated with festoons supported by cherubim at the corners. The stem is slimmer, the bowl without the upper motif. At right: the pedestal is angular, with inverse cornucopiae at the edges. In the front is an oval medallion. Above upon the corners sit figures. The stem has the shape of a baluster with a band above the spot with the biggest diameter. Upon it sit two angels supporting an oval medallion.-stock-foto
RM
Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The base is a variation of 1938-88-1288, with urns at the corners, the rest a variation of 1938-88-1289. The entire front of the lower part of the pedestal is treated like that of a sarcophagus, with two half-figures of putti supporting a wreath, and with a triangular pediment and two acroteria. Beside the upper part of the pedestal sit two female allegories, the left one with a sheep lying in her lap.-stock-foto
RM
Design for the Elevation of a Sepulchral Monument, Probably for the Young Pretender Charles Edward Stuart (died 1788), Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two sections of circular steps lead to a circular platform. They are interrupted at radial diameters by four pedestals each. The corner ones are empty. The upper ones carry other pedestals with urns with flames; at the corners of the pedestals sit female figures. Upon the platform stands upon a high square vase-stock-foto
RM
Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on beige laid paper, Above: The lower part and the disposition of the pedestal upon the steps are similar to 1938-88-1315. The scheme of the upper part is similar to that of 1938-88-1297, but he lateral figures sit immediately upon the lower part of the pedestal, in the heigh of the upper edge of the body of the sarcophagus. The medallion is at right of the standing figure, probably supported by a kneeling angel, as another possibly is at left. Beside is a plan-stock-foto
RM
The base is a variation of 1938-88-1288, with urns at the corners, the rest a variation of 1938-88-1289. The entire front of the lower part of the pedestal is treated like that of a sarcophagus, with two half-figures of putti supporting a wreath, and with a triangular pediment and two acroteria. Beside the upper part of the pedestal sit two female allegories, the left one with a sheep lying in her lap. A festoon is in the front of the main part. One more angel is added at right from the cross, with a book of a tablet. Usual background. Pen and brown ink, brush and brown wash, graphite on off-w-stock-foto
RM
Earth. Le Brun, Charles (French, 1619-1690) (author of design) [painter] Yvart, Baudouin (French, bef. 1611-d. 1690) (cartoon creator) [painter] c. 1700-1719 Tapestry Dimensions: H 395 x W 580 cm Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ceres (Demeter) & Cybele sit enthroned on chariot & hold shield; set in rugged landscape with lion, bear & camel in foreground, & lake in background (BRD) fruit & floral garlands, medallions in corners; (UPR BRD) centered by coat of arms of the King of France between 2 lions; (LWR BRD) centered by inscribed cartouche; (L & R-stock-foto
RM
Above: The lower part and the disposition of the pedestal upon the steps are similar to 1938-88-1315. The scheme of the upper part is similar to that of 1938-88-1297, but he lateral figures sit immediately upon the lower part of the pedestal, in the heigh of the upper edge of the body of the sarcophagus. The medallion is at right of the standing figure, probably supported by a kneeling angel, as another possibly is at left. Beside is a plan, drawn into a square. The steps are between squares at the corners and inside is anew a square. Below at left and with the uppermost parts over the upper p-stock-foto
RM
Krishna and Radha on Terrace, Anonymous, 1800 - 1949 Indian miniature. drawing On a terrace surrounded by flowering trees and shrubs, Krishna and Radha sit opposite each other; In the foreground a lower terrace with two squatted figures for a lotus pond, a peacock on the edge of the pond. The show is framed by a narrow dark blue border with stylized leaf and flower vines and white with pink and yellow green, around it a light yellow border with red framework lines; The outer decorative edge is somewhat wider, light pink with red flicked in and pissed off with red frameworks; The corners have b-stock-foto
RM
Two sections of circular steps lead to a circular platform. They are interrupted at radial diameters by four pedestals each. The corner ones are empty. The upper ones carry other pedestals with urns with flames; at the corners of the pedestals sit female figures. Upon the platform stands upon a high square vase, a slightly altered variation of the design of the second and higher stories in -1263. Burning lamps stand upon the entablature of the lower pedestals. A sarcophagus stands in front of the vase and the lower part of the lower pedestal. A sarcophagus stands in front of the vase and the l-stock-foto
RM
Young and old hairdresser with hair clippers Nassaustraat Hairdressers and hair salons Haarlem Nassaustraat The Netherlands, Whizgle News, Dutch Desk, The Netherlands, 1950 - 2000 on 20-11-1987. The image contains these topics. In a bustling barbershop, two figures are the central focus. To the left, a young person with an edgy hairstyle that features a voluminous, styled top and shaved sides wears a black and white striped shirt. Their expression is confident, displaying a hint of a smile at the corners of their mouth as they hold clippers against the back of a client's neck, indicating they-stock-foto
RM
1) The stem has below the shape of a baluster, supporting a knob, shaped as a band with two cherubim. The upper part of the stem is twisted. The lower part of the knob is decorated with a calyx and with circular medallions separated by plants. 2) The upper part of the foot and the stem are angular, the foot and the lower part of the stem being convex. The sides of the foot are decorated with oval medallions, supported by figures at the corners. The lower part of the stem is a pedestal supporting an urn, as the knob. It is decorated with festoons supported by angels standing at the corners. Abo-stock-foto
RM
This circa 1580 engraving 'Hiems' after Jan van der Straet, published by Philips Galle, depicts winter within an oval frame. An elderly man warms hands by a fire, a boy uses a device to encourage flames. A woman wraps wool around twigs for torches, while men sit around a table in an adjoining room. The house entrance appears left. Personifications of winter as an old man occupy the rectangular frame corners. The work illustrates 16th-century Flemish engraving, interior composition, daily life, seasonal allegory, and printmaking technique.-stock-foto
RM
At left, a variation of 1901-39-1165. 1) The pedestal is decorated with festoons supported by cherubim at the corners. The stem is slimmer, the bowl without the upper motif. At right: the pedestal is angular, with inverse cornucopiae at the edges. In the front is an oval medallion. Above upon the corners sit figures. The stem has the shape of a baluster with a band above the spot with the biggest diameter. Upon it sit two angels supporting an oval medallion. The are connected by a festoon. The lower part of the bowl is decorated with festoons, supported by cherubim. Usual background. Pen and b-stock-foto
RM
The main design represents the elevation of a monument with a high pedestal. Its lower part is quadrangular with obliquely protruding bases with figures at the corners. The upper part of the pedestal has the shape of a lower part of a column in bands upon the two drums of which figures are represented. On the top sits what seemingly is an old man holding a portrait medallion. Beside at left and partly drawn over the figure at left is the elevation of a similar monument, but with an entire column with a standing figure on top. A sarcophagus stands at the front of the pedestal. A plan of this mo-stock-foto
RM
Grave monument of Count Engelbrecht II of Nassau, B.F. Immink, after Johannes Antiquus, 1744 print Graf monument from Engelbrecht II of Nassau. In the middle are the stone statues of Engelbrecht II and his wife. Four man figures sit on one knee on the corners wear a plate as a canopy. There is a harness on the plate. The burial monument is located in the Grote Kerk of Breda. Print from a book about Breda. The Hague paper engraving / etching grave, tomb-stock-foto
RM
Intended to be erected in the intercolumniation between two embedded columns, which support an entablature. At left: upon a high pedestal stands a base with two stpes and a plinth and upon it the statue of a ruler in classical attire, extending the right arm, with the mace. Beside him stands upon the upper step a putto supporting a shield and raising the sword. Another sits upon teh same step, at he other side. A third kneels at right upon the lower step, supporting a festoon and possibly the shield. The corners of the steps are bevelled. A canopy hanging from above, forms the background of th-stock-foto