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figurative art képek

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Courtesans of the Yadaya by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting three elegantly dressed women in conversation at a table in a garden setting with hanging lantern and pine trees-stock-foto
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The Actor Ichikawa Monnosuke II as Shira-giku, a Temple Page, In the Play Haru wa Soga Akebono-zoshi, Performed at the Nakamura Theater in the First Month, 1772 by Katsukawa Shunsho, c. 1772, depicting a young male actor in elaborate yellow robes holding a basket of chrysanthemums in a mountainous landscape-stock-foto
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The Actor Nakamura Nakazo I as Kudo Suketsune in Iro Moyo Aoyagi Soga by Katsukawa Shunsho, c. 1775, depicting a stern samurai warrior in yellow robes and elaborate armor, standing with sword-stock-foto
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The Actor Segawa Kikunojo III as Hito-maru Disguised as the Courtesan Chiyozaki, in the Play Kuruwa no Hana Katsuragi no Kane, Performed at the Ichimura Theater in the third Month, 1775 by Katsukawa Shunsho, c. 1775, depicting a kabuki actor in elaborate costume with flowing robes and ornamental hairpiece, standing amid falling coins or tokens-stock-foto
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Actors Ichikawa Danjûrô V as Watanabe Kiou Takiguchi and Nakamura Nakazô I as Taira no Kiyomori in the Shibaraku scene from Forest of the Nue Monster: Target of the Eleventh Month by Katsukawa Shunshô, about 1770, depicting two kabuki actors in elaborate costume and makeup striking dramatic poses with weapons-stock-foto
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The Actor Ichikawa Danjuro V as the Yakko Matsueda Sakinosuke by Katsukawa Shunsho, c. 1772, depicting a kabuki performer in ornate costume with crossed arms, fierce expression, and traditional stage makeup-stock-foto
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Railway Arch, American Square by James McNeill Whistler, 1887, depicting an urban street scene beneath a large arched railway bridge with architectural details and figures-stock-foto
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Elinor Leyland by James McNeill Whistler, 1874, depicting a fashionably dressed woman in an elegant interior, posed with hands at her sides in a composed, dignified stance-stock-foto
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Bearded Man, in Furred Oriental Cap and Robe by Rembrandt van Rijn, 1631, depicting a bearded man in an ornate Oriental garment and fur-trimmed cap, turned in three-quarter view-stock-foto
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Thomas Haaringh (Old Haaringh) by Rembrandt van Rijn, c. 1655, depicting an elderly man seated indoors holding a curved object, wearing dark period clothing with white collar and cuffs-stock-foto
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Madonna on a Grassy Bank by Albrecht Dürer, 1503, depicting the Virgin Mary nursing the Christ Child in a pastoral landscape with flowering vines and wooden fence-stock-foto
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Madonna by the Tree by Albrecht Dürer, 1513, depicting the Virgin Mary holding the Christ Child beneath a gnarled tree in a riverside landscape-stock-foto
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The Fool and the Foolish Woman by Hans Sebald Beham, n.d., depicting two grotesque figures in conversation within a woodland setting, a satirical commentary on human folly and vice-stock-foto
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Banksy sculpture, London, 8th May 2026. An unidentified painter works at an easel documenting the Banksy sculpture  Blind Patriotism from the side, Waterloo Place, Pall Mall, London. Two independent painters worked simultaneously at the site on this date. British painter Pete the Street was also present, his oil painting later acknowledged by Banksy on Instagram 10th May 2026  Credit: xiu bao/Alamy Live News-stock-foto
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Bauhaus design at Haus Rabe in Zwenkau: Living hall featuring a delicate wire wall sculpture and modern lighting by Oskar Schlemmer-stock-foto
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Bauhaus design at Haus Rabe in Zwenkau: Detail view of the delicate wire figure and metal wall sculpture designed by Oskar Schlemmer-stock-foto
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Rainbow Serpent Dan Ayido Houedo Jerry Can Sculpture Washington DC USA // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), anchors the gallery space as part of the "Visionary: Viewpoints on Africa's Arts" exhibition. Constructed from discarded plastic jerry cans typically used to transport gasoline, the mixed-media installation forms a massive ouroboros. This serpent swallowing its own tail represents a powerful deity associated with fertility, prosperity, and the eternal cycle of life among the Fon and Yoruba peoples of Benin an-stock-foto
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Blue Bra Girls Polished Stainless Steel Sculpture Washington DC United States // WASHINGTON DC, United States — Ghada Amer's 2012 cast and polished stainless steel sculpture, The Blue Bra Girls, rests on a circular plinth within a brightly colored museum gallery. The open-work metal structure forms the interwoven silhouettes of standing women looking defiantly outward, a deliberate choice by the artist to portray active resistance rather than victimization. Amer titled the piece after a viral 2011 Reuters photograph of an Egyptian protester whose blue bra was exposed as she was beaten in Tahri-stock-foto
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Nuna Butterfly Mask Geometric Painted Wood Washington DC United States // WASHINGTON D.C., United States — A mid-20th-century Nuna butterfly mask, crafted from wood, pigment, and metal, commands a glass display case within the "Visionary: Viewpoints on Africa's Arts" exhibition. Originating from the Boucle du Muhoun Region of Burkina Faso, the geometric sculpture represents a nature spirit that merges human and animal forms, including birds and chameleons, to bridge earth and sky. Because butterflies signal the arrival of rain in Nuna communities, these broad-winged masks are ceremonially tied-stock-foto
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National Museum Of African Art Visionary Exhibit Entrance Washington DC USA // WASHINGTON DC, United States — Large signage on a curved gallery wall marks the entrance to the "Visionary: Viewpoints on Africa's Arts" exhibition at the Smithsonian National Museum of African Art. The installation highlights the institution's permanent holdings, prominently featuring the Walt Disney-Tishman African Art Collection. Donated to the Smithsonian in 2005, this renowned collection encompasses over 500 objects spanning five centuries, representing more than 75 distinct cultures and artistic traditions acr-stock-foto
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Rainbow Serpent Circular Jerry Can Sculpture Washington DC United States // WASHINGTON DC, United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), anchors the gallery floor during the "Visionary: Viewpoints on Africa's Arts" exhibition. Constructed from discarded plastic jerry cans typically used to transport gasoline, the mixed-media piece forms a massive ouroboros representing a serpent swallowing its own tail. This continuous loop embodies a powerful symbol of fertility, prosperity, and the eternal cycle of life within the cosmological traditions of-stock-foto
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HERE African Art Exhibit Rainbow Wall Acrylic Painting Washington DC USA // WASHINGTON, District of Columbia — A vibrant rainbow-striped title wall for the "HERE: Pride and Belonging in African Art" exhibition stands adjacent to Kudzanai-Violet Hwami's large-scale acrylic painting, *Hossanna, hossanna*. Created between 2018 and 2019, the acrylic-on-canvas work depicts two intimately intertwined women, serving as a monumental representation of a chosen family built on love. The Zimbabwean-born, London-based figurative painter intentionally fragments and dissolves her subjects, drawing inspirati-stock-foto
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Blue Bra Girls Polished Stainless Steel Sculpture Washington DC United States  WASHINGTON D.C., United States — Ghada Amer's 2012 polished stainless steel sculpture, The Blue Bra Girls, stands on a circular plinth within a museum exhibition space. The open-work metal structure features the intertwined forms of standing women gazing defiantly outward at the viewer. Amer titled the piece in homage to an unnamed Egyptian protester whose blue bra was exposed during a brutal beating in Tahrir Square in 2011. Acquired via the museum's Women's Initiative Fund, the cast steel medium transforms a vira-stock-foto
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Rainbow Serpent Ouroboros Jerry Can Sculpture Washington DC USA // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture, Rainbow Serpent (Dan-Ayido-Houedo), forms a massive ouroboros constructed from discarded gasoline jerry cans on the museum gallery floor. The serpent swallowing its tail represents the eternal cycle of life, fertility, and prosperity for the Fon and Yoruba peoples of Benin and Nigeria. By repurposing these specific plastic fuel vessels, the Beninese artist subverts traditional expectations of African art to critique the environmental consequences of o-stock-foto
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Rainbow Serpent Jerry Can Sculpture Washington DC United States // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 sculpture Rainbow Serpent (Dan-Ayido-Houedo), constructed from repurposed gasoline jerry cans, anchors the gallery space in the Visionary: Viewpoints on Africa's Arts exhibition. The mixed-media ouroboros depicts a serpent swallowing its own tail, a traditional symbol of fertility, prosperity, and the eternal cycle of life for the Fon and Yoruba peoples of Benin and Nigeria. By utilizing discarded plastic containers, the Beninese artist subverts traditional expe-stock-foto
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Ejagham Crest Mask Wood Animal Skin Washington DC United States // WASHINGTON DC, United States — A late 19th- to early 20th-century Ejagham crest mask is displayed inside a glass vitrine as part of the "Visionary: Viewpoints on Africa's Arts" exhibition. Originating from Nigeria's Cross River State, the double-faced artifact is intricately constructed from carved wood overlaid with animal skin, basketry, cane, and metal. The elaborate, coiled hairstyle exaggerates the traditional coiffure of a young woman who has completed her coming-of-age rituals and is prepared for marriage. Historically,-stock-foto
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Blue Bra Girls Polished Stainless Steel Sculpture Washington DC United States // WASHINGTON DC, United States — Ghada Amer’s 2012 cast and polished stainless steel sculpture, The Blue Bra Girls, rests on a circular display base within a museum gallery. Formed from intricately interwoven metal lines, the structure outlines the silhouettes of defiant women standing upright and facing the viewer. Amer titled the piece in reference to a viral 2011 photograph of a female protester assaulted in Cairo's Tahrir Square, conceptualizing the artwork as a permanent homage to women who risk their physical-stock-foto
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Romuald Hazoume Rainbow Serpent Jerry Can Sculpture Washington DC United States // WASHINGTON D.C., United States — Romuald Hazoumè's monumental 2007 mixed-media sculpture, Rainbow Serpent (Dan-Ayido-Houedo), anchors the gallery space during the Visionary: Viewpoints on Africa's Arts exhibition. Constructed primarily from discarded gasoline jerry cans, the artwork forms a massive ouroboros depicting a serpent swallowing its own tail. This specific motif represents a powerful symbol of fertility, prosperity, and the eternal cycle of life revered by the Fon and Yoruba peoples of Benin and Nigeri-stock-foto
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Seiro niwaka by Kitagawa Utamaro, n.d., depicting women and children in festive dress holding fans and parasols during a celebration or gathering-stock-foto
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Gathering Spring Flowers by Kubo Shunman, n.d., depicting five women in flowing robes collecting plants and flowers in a garden setting-stock-foto
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White marble sculpture of a woman near Pakri lighthouse on Paldiski cliffs, Estonia, on a clear spring day-stock-foto
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Monumento al Movimiento Ciudadano, a public sculpture by Esperanza d’Ors, in Plaza de la Ciudadanía, Leganés, Madrid, Spain, with a pedestrian walking.-stock-foto
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The Peace Statue at the National Botanic Gardens of Wales, Llanarthne, Carmarthenshire-stock-foto
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Tarw Welsh Black Bull sculpture by Sally Matthews at the National Botanic Gardens of Wales, Llanarthne, Carmarthenshire-stock-foto
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Metal sculpture of an ancient photograher in front of a photography shop in Bléré, France-stock-foto
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Paderborn, North Rhine-Westphalia, Germany, 25.04.2026: Sculptures of laundry women at the Pader river representing historical everyday work.-stock-foto
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Autorretrato con Sombrero (Self-Portrait with Hat), 1987 by Francisco Toledo – Mexican contemporary self-portrait painting, Gelman Collection artwork-stock-foto
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Untitled (1915–1917) oil on canvas painting by Ángel Zárraga – Mexican modernist art, early 20th century Cubist-influenced portrait-stock-foto
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Self-Portrait with Braid (1941) — Painting by Mexican Artist Frida Kahlo, Gelman Collection-stock-foto
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Modesta (1937)  -  Portrait Painting by Mexican Muralist Diego Rivera-stock-foto