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flemish art képek

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Oil on canvas by Gerard de Lairesse (1641–1711) depicting Hermes descending to the island of Ogygia to order the nymph Calypso to release Odysseus. Pictured are the divine messenger, the hero, and the nymph amidst an assembly of putti.-stock-foto
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Ornate embossed silver plate featuring Alessandro Farnese, Duke of Parma in full armour on a rearing horse surrounded by a latin inscription-stock-foto
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Art Nouveau illustration by Joseph Christian Leyendecker created for the cover of "The Inland Printer", an American trade magazine now defunct. It depicts a Flanders couple in traditional costumes.-stock-foto
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The Temptation of St. Anthony by Jan Wellens de Cock, n.d., depicting the saint besieged by demons and fantastical creatures in a fortified landscape-stock-foto
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The Temptation of Saint Anthony by Johann Theodor de Bry, published 1596 or 1611, depicting the saint surrounded by demons, fantastical creatures, and temptations in a chaotic allegorical landscape-stock-foto
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St. Bartholomew by Jan Wierix after Albrecht Dürer, n.d., depicting the apostle holding a book and curved blade, standing before a gnarled tree-stock-foto
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Philippe de Champaigne by Gérard Edelinck, 1676, a three-quarter-length portrait of the artist in contemplative pose beside a large tree in a wooded landscape-stock-foto
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Martin Vanden Bogaert Desjardins by Gérard Edelinck, 1698, after Hyacinthe Rigaud. Flemish sculptor and court artist in formal dress with curled hair, seated beside a classical lion sculpture-stock-foto
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Saint Jerome in His Study by Hieronymous Wierix after Albrecht Dürer, c. 1566, depicting the saint absorbed in scholarly work surrounded by books, objects of devotion, and domestic animals in a cluttered study-stock-foto
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The Virgin with the Dragonfly by Albrecht Dürer, c. 1495, depicting the Madonna nursing the Christ Child in a riverside landscape with an elderly saint figure nearby and divine light radiating from heaven above-stock-foto
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Title Page, from Landscapes with Biblical and Mythological Scenes by Hieronymus Cock, 1558, a Renaissance title page advertising varied regional landscape compositions with religious and classical themes-stock-foto
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Sigismund Bathori, Prince of Transylvania by Aegidius Sadeler II, 1608, portrait of a bearded nobleman in ornate armor, flanked by allegorical figures of Serenity and Victory beneath a divine light-stock-foto
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Faith, from The Seven Virtues by Philips Galle after Pieter Bruegel the Elder, 1559, depicting a crowded cathedral interior with worshippers attending mass and religious ceremony-stock-foto
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Road Leading to a Stable and a Barn by Johannes van Doetecum, c. 1560, depicting rural buildings with thatched roofs along a winding dirt path in a Netherlandish countryside landscape-stock-foto
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The Martyrdom of Christ by Hendrick Goltzius after Maarten de Vos, c. 1578, depicting the crucifixion scene with soldiers, crowds, and divine light radiating from the cross-stock-foto
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St. John the Evangelist by Bartholomaeus Spranger, c. 1590, depicting the saint in contemplative pose with an eagle, his traditional iconographic attribute, in an interior setting-stock-foto
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August, from Twelve Months by Adriaen Collaert, 1609–1610, depicting harvest season laborers and a grain wagon in a riverside village with fortified architecture and religious procession-stock-foto
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Arion on a Dolphin surrounded by a Border decorated with Sea Creatures, by Adriaen Collaert, c. 1580–1600, depicting the legendary Greek musician riding across the sea accompanied by fantastical marine creatures-stock-foto
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Jacob de Gheyn II by Andries Stock, 1610, depicting the Antwerp painter, sculptor, and printmaker at work in his studio, surrounded by artistic tools and examples of his craft-stock-foto
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Saint Apollonia by Justus Sadeler, 1590/1600, depicting the venerated saint in flowing robes and jeweled armor, holding a large tooth and ceremonial staff with halo-stock-foto
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Portrait of Hendrick Goltzius by Jacob Matham, 1617, depicting the renowned Flemish printmaker and engraver in profile within an ornate cartouche-stock-foto
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Head of an Apostle by Aegidius Sadeler II, 1597, depicting an elderly bearded man in profile wearing a wrapped head covering and simple tunic-stock-foto
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Hercules and Omphale by Aegidius Sadeler, II, c. 1600, depicting the mythological hero enslaved to a queen, attended by allegorical figures in a palace interior-stock-foto
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Second Flemish Rebellion, plate 10 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch by Hans Springinklee, 1515–17, depicting a large-scale military siege with soldiers, siege equipment, fortified city, and crowds of armed combatants engaged in battle-stock-foto
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Flemish Rebellion, plate 7 from Historical Scenes from the Life of Emperor Maximilian I by Wolf Traut, 1515–17, depicting a large-scale military confrontation with armed soldiers, fortified city walls, and command figures on horseback-stock-foto
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Abraham’s Sacrifice of Isaac, 1654–56, by David Teniers the Younger after Paolo Veronese, a small‑scale copy made for the Theatrum Pictorium catalogue of Archduke Leopold Wilhelm’s collection.-stock-foto
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Lot and His Daughters by Adriaen Collaert after Hans Bol, 1584, depicting a biblical narrative set within dramatic rocky cliffs and a distant walled city, with multiple figures gathered in conversation-stock-foto
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Rebecca and Eliezer at the Well by Adriaen Collaert after Hans Bol, 1584, depicting a biblical narrative scene with figures gathered at a well in a fortified riverside town-stock-foto
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Virgin and Child by Jean Valdor, n.d., depicting Mary holding the infant Jesus, who grasps a rosary, both wearing elaborate period garments and halos-stock-foto
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Joshua, plate four from The Nine Worthies by Nicolaes de Bruyn, 1594, depicting the biblical military commander in ornamental oval frame surrounded by cherubs and floral motifs-stock-foto
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Judas Maccabee by Nicolaes de Bruyn, 1594, one of the Nine Worthies; bearded man in profile within ornate circular frame, surrounded by scrollwork, animals, and fruit-stock-foto
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King Arthur, plate eight from The Nine Worthies by Nicolaes de Bruyn, 1594, depicting the legendary British king in classical armor and plumed helmet, surrounded by ornamental flourishes, cherubs, and flowering urns within an elaborate decorative border-stock-foto
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Julius Caesar by Nicolaes de Bruyn, 1594, Roman military leader and statesman depicted in ornate circular frame with putti, scrollwork, and floral decoration-stock-foto
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King David, plate five from The Nine Worthies by Nicolaes de Bruyn, 1594, depicting the biblical king with harp surrounded by ornamental scrollwork, flowering urns, and heraldic beasts-stock-foto
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The Coronation of the Virgin by Christoffel Jegher after Peter Paul Rubens, c. 1635, depicting the Virgin Mary crowned by Christ and God the Father amid a heavenly assembly of angels and saints-stock-foto
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The Marriage of Maximilian of Austria with Mary of Burgundy by Theodoor van Thulden after Peter Paul Rubens, n.d., depicting a royal wedding ceremony with nobles and attendants gathered beneath an arched chamber-stock-foto
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Arrest of Christ by Jan Sadeler I, 1575–1600, depicting Christ surrounded by soldiers and officials in an ornate architectural setting with decorative scrollwork and cherubs-stock-foto
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Flagellation, from Passion of Christ by Jan Sadeler I, 1575–1600, depicting the scourging of Christ by Roman soldiers beneath a classical temple portico, attended by angels and witnessing figures-stock-foto
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Betrayal of Christ, from Passion of Christ by Jan Sadeler I after Marcus Gheeraerts the Elder, 1575–1600, depicting Christ arrested in the garden surrounded by soldiers, disciples, and attendants in an ornate architectural setting-stock-foto
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Mary Magdalene at the Feet of Jesus in the Home of Simon the Pharisee by Michiel Natalis after Peter Paul Rubens, n.d., depicting the biblical scene of a woman anointing Jesus's feet while apostles and attendants observe in an interior setting-stock-foto