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german printmaker képek

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Saint Christopher by Hieronymous Hopfer, n.d., depicting the saint wading through water while carrying the Christ Child on his shoulders, with attendants and architectural elements in a wooded landscape-stock-foto
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The Holy Family Under the Canopy by Hans Sebald Beham, n.d., depicting Mary and Christ Child in a sheltered interior with draped fabric and domestic furnishings-stock-foto
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St James Minor by Martin Schongauer, bearded apostle in draped robes holding a book and staff, identified by inscription at base-stock-foto
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St. John, from Apostles by Martin Schongauer, n.d., depicting a young apostle in flowing robes holding an ornamental chalice with a serpent-stock-foto
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The Small Saint Catherine by Martin Schongauer, n.d., depicting a crowned female saint holding a sword and standing over a spiked wheel, her long hair flowing and robes draped elegantly-stock-foto
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Christ Enthroned by Martin Schongauer, n.d., depicting the blessing Christ with halo and crown seated among angels holding liturgical objects and draped curtains-stock-foto
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St. Thomas by Martin Schongauer, depicting an apostle in flowing robes holding a spear, with curled hair and beard, standing barefoot against a plain background-stock-foto
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Madonna on a Grassy Bank by Albrecht Dürer, 1566, depicting the Virgin Mary holding the Christ Child in a pastoral landscape with wooden fence and flowering plants-stock-foto
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St. Jude by Hans Sebald Beham, 1545, depicting the apostle standing barefoot in robes, holding a staff and gesturing in blessing or teaching-stock-foto
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St. Bartholomew by Hans Sebald Beham, 1545, depicting the apostle as a bearded man in classical robes holding a curved blade, his attribute as a martyr-stock-foto
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Saint Emesbertus by Leonhard Beck, 1522/1551, a richly costumed saint in elaborate ecclesiastical vestments standing in an ornate interior-stock-foto
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The Crucifixion with the Holy Women, St. John and Roman Soldiers by Martin Schongauer, n.d., depicting Christ on the cross surrounded by grieving figures including the Virgin Mary and Saint John, with Roman soldiers at the foot-stock-foto
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The Fool and the Foolish Woman by Hans Sebald Beham, n.d., depicting two grotesque figures in conversation within a woodland setting, a satirical commentary on human folly and vice-stock-foto
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Der Wein Jud by Jan van der Heyden, 1628, depicting an allegorical wine merchant figure with demons and a crowd of onlookers in a satirical German print-stock-foto
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Apollo and Marsyas/Judgment of Midas by Melchior Meier, 1581, depicting a mythological scene with a central male figure surrounded by attendants and spectators in a wooded setting-stock-foto
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Emperor Matthias by Aegidius Sadeler II, 1616, depicting the Holy Roman Emperor in formal regalia with jeweled scepter and crown, seated in an ornate interior with draped curtains and royal furnishings-stock-foto
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Rudolph II, Holy Roman Emperor by Aegidius Sadeler II, 1609, depicting the bearded ruler in ornate armor and decorative robes, holding a scepter-stock-foto
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Portrait of Albrecht Durer by Lucas Kilian, 1608, depicting the renowned German painter and printmaker wearing a fur-trimmed coat and holding a tablet-stock-foto
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Wolfgang William, Count Palatine by Simon van de Passe, 1610–40, depicting a bearded nobleman in ornate armor and elaborate lace collar, facing slightly left in three-quarter view-stock-foto
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Pharaoh's Dream by Hans Holbein the Younger, n.d., depicting a pharaoh sleeping in a canopied bed while dreaming of seven cattle and seven sheaves of grain-stock-foto
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Congress and double Betrothal in Vienna, plate 23 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch by Albrecht Dürer, 1515–17, printed c. 1520, depicting an imperial court ceremony with richly dressed nobles and attendants gathered beneath ornate architectural elements-stock-foto
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Youth Playing a Lyre to a Maiden by a Fountain by Carl Wilhelm Kolbe, the elder, 1803, depicting two figures in an overgrown garden with flowering vines, classical architecture, and lush vegetation-stock-foto
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Frederick William, Elector of Brandenburg by Cornelis Visscher, 1649, a portrait of the German ruler in formal dress with flowing hair and draped ceremonial robes adorned with ermine-stock-foto
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A Civita Castellana by Jacob Wilhelm Mechau, 1793, depicting a secluded hilltop village nestled among dense woodland, with stone structures and ivy-covered buildings-stock-foto
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NUREMBERG CHRONICLE 1493, Woodcut for the "Seventh Age of the World" showing the Danse Macabre. Attributed to German printmaker Michael Wolgemut-stock-foto
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Franz Ernst Brückmann (1697–1753). Mezzotint by Johann Jakob Haid after a model by Johann Christoph Eichler, active c. 1740. Germany, 18th century. A German physician, naturalist, and mineralogist, Brückmann was among the early pioneers of systematic mineral classification. The portrait derives from an original by Johann Christoph Eichler, a mid‑18th‑century German painter and engraver, and was translated into mezzotint by Johann Jakob Haid, a leading printmaker in Augsburg.-stock-foto
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Two Women Bathing (1910-1917) Hermann Max Pechstein-stock-foto
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Sunset at the Sea (1921) Hermann Max Pechstein-stock-foto
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Weiblicher Akt mit (Katze und) Tieren (1912) Hermann Max Pechstein-stock-foto
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Soirée (1911) Hermann Max Pechstein-stock-foto
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March snow; The railway embankment (1909) Hermann Max Pechstein-stock-foto
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Geschwisterakte mit Lautenspieler (1913) Hermann Max Pechstein-stock-foto
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Flower Still Life with Puto and Calla (1919) Hermann Max Pechstein-stock-foto
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Pike on Leaves (1923) Hermann Max Pechstein-stock-foto
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Pike in lakeside landscape (1936) Hermann Max Pechstein-stock-foto
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Yali VI (The Kneeling Girl with the Birds) (1923) Hermann Max Pechstein-stock-foto
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Smoking Swiss man (1923) Hermann Max Pechstein-stock-foto
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Sick Girl (1918) Hermann Max Pechstein-stock-foto
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Akrobaten III (1912) Hermann Max Pechstein-stock-foto
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Badende XI (1911) Hermann Max Pechstein-stock-foto