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harunobu képek

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The Tea Stall - Kagiya Osen by Suzuki Harunobu, c. 1769, depicting a woman in elaborate patterned kimono standing beside a tea vendor's brazier, gazing pensively downward-stock-foto
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Shrine Maidens Onami and Ohatsu Dancing at Yushima Tenjin Shrine by Suzuki Harunobu, c. 1769, depicting two elegantly robed women in graceful poses at a shrine temple-stock-foto
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Lovers Parting at Dawn by Suzuki Harunobu, c. 1767/68, depicting an intimate moment between two figures saying farewell in an interior draped with yellow silk-stock-foto
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Righteousness (Gi), from the series Five Cardinal Virtues by Suzuki Harunobu, 1767, depicting two women in an interior setting: one seated reading while holding a fan, the other standing and sweeping, with candlelit room and latticed windows-stock-foto
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The Jewel River of Bush Clovers by Suzuki Harunobu, c. 1767, depicting two women in elegant robes beside a riverside garden with flowering plants-stock-foto
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Parody of Ariwara no Narihira's journey to the east by Suzuki Harunobu, c. 1767/68, depicting women and attendants traveling on horseback and on foot with Mount Fuji in the distance-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in flowing robes kneeling in an interior wooden chamber-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting two women in an interior viewing a flowering tree through open doors-stock-foto
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Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting six women in layered silk kimonos strolling past a wooden fence and storefront in a Japanese town street-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in pale robes standing on a wooden veranda overlooking a harbor with sailing boats and flying birds-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in an interior gazing toward a riverside landscape with distant hills-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in flowing dark robes standing in a Japanese interior room with wooden lattice screens and potted plants-stock-foto
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Cloth-fulling Jewel River by Suzuki Harunobu, c. 1767, depicting two women in decorated robes preparing fabric indoors, with a poem and flowering garden visible above-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting two women in an interior room exchanging folded papers or letters-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting two elegantly dressed figures viewing a moonlit landscape with flowering trees from a covered platform-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting three elegantly dressed women in a snowy landscape with winter vegetation-stock-foto
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Poem by Minamoto no Saneakira Ason, from an untitled series of Thirty-Six Immortal Poets by Suzuki Harunobu, c. 1767/68, depicting a woman in flowing robes gazing from a veranda toward water, with a rooster and flowering plants in an intimate domestic landscape-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting three women in vibrant kimonos standing on a veranda, one holding a fan, gazing toward a distant landscape-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting women and children in a domestic interior space observing seasonal activities-stock-foto
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Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in an elegant brown kimono with floral patterns, standing in a wooden interior and gazing upward thoughtfully-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting two women arranging flowering branches indoors while a third tends to potted plants-stock-foto
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Pages from Vol. 1 and 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman gazing from a pavilion toward a riverside landscape with autumn trees and distant hills-stock-foto
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Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in flowing robes gazing toward a riverside landscape with flowering plants and a distant figure-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting two women in elaborate kimono gazing at a bird perched on a bare branch beside a garden fence-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in formal dress observing a hillside landscape with cultivated fields and scattered figures-stock-foto
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Night Rain of Genjo by Suzuki Harunobu, c. 1767, depicting a young woman in yellow robes sheltering under a parasol during rainfall, standing in a garden courtyard-stock-foto
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Clearing Breeze from a Fan (Ogi no seiran) by Suzuki Harunobu, c. 1766, depicting two women in elegant kimonos holding decorative fans indoors-stock-foto
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Young Woman at a Loom by Suzuki Harunobu, 1765, depicting a woman in patterned robes operating a wooden loom, with thread and tools nearby-stock-foto
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Japan: 'The Snow Ball'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'Young Lady Looking through Door at Her Kamuro (Little Servant) who is Asleep on the Floor'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1765-1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'The Clinging Crab'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'Drawing the First Water of the New Year'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1769-1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'Two Girls Looking at a Monkey on a Leash'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1765-1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'Warming the Sake by Maple Leaf Fire'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1765-1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'The Watchers and the Watched'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1764-1772.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'The Music Lesson'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770) c. 1765-1770.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-colour prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga).-stock-foto
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Japan: 'Koshikibu no Naishi (999-1025)'. Ukiyo-e woodblock print from the series 'Hyakunin Isshu (One Hundred Poems by One Hundred Poets)' by Suzuki Harunobu (1724-1770), c. 1768.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga) and shunga (erotica).-stock-foto
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Japan: 'The Jewel River at Chōfu (Chōfu no Tamagawa)'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770), c. 1768.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). He also produced a number of shunga (erotica).-stock-foto
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Japan: 'The Jewel River at Chōfu (Chōfu no Tamagawa)'. Ukiyo-e woodblock print by Suzuki Harunobu (1724-1770), c. 1768.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). He also produced a number of shunga (erotica).-stock-foto
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Japan: 'Evening Snow on the Heater'. Ukiyo-e woodblock print from the series 'Zashiki Hakkei (Eight Parlour Views)' by Suzuki Harunobu (1724-1770), c. 1765.  Suzuki Harunobu was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-colour prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). He also produced a number of shunga (erotica).-stock-foto