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italian renaissance képek

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Tempera and oil on wood by Pintoricchio, circa 1490–1500. The Virgin Mary is depicted in prayer whilst the infant Christ sits on her lap reading a small book, set against an intricate landscape featuring a distant city and palm trees.-stock-foto
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Elegant historic European building facade with arched windows and classical architectural details in Rome, Italy-stock-foto
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Elegant historic European building facade with contrasting architectural styles and arched windows in Rome, Italy-stock-foto
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Wrigley Mansion, Pasadena, California-stock-foto
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Wrigley Mansion, Pasadena, California-stock-foto
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Wrigley Mansion, Pasadena, California-stock-foto
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Basilique of Saint Peter in Rome with clouds-stock-foto
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Basilique of Saint Peter in Rome with clouds-stock-foto
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Basilique of Saint Peter in Rome with clouds-stock-foto
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Facade of Teatro del Pavone, historic theatre founded in 1717, on Piazza della Repubblica, along Corso Vannucci, in Perugia, Umbria, Italy.-stock-foto
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Ornate embossed silver plate featuring Alessandro Farnese, Duke of Parma in full armour on a rearing horse surrounded by a latin inscription-stock-foto
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Cathedral, Aosta, Aosta Valley, Italy-stock-foto
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Priory building, Collegiate church of Saint Ursus, Aosta, Aosta Valley, Italy-stock-foto
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Renaissance frescoes inside the priory building, Collegiate church of Saint Ursus, Aosta, Aosta Valley, Italy-stock-foto
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Saint James the Greater by Master F. P., n.d., depicting the apostle in flowing robes holding a tall standard, set against plain background with classical simplicity-stock-foto
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View From the Second Terrace of the Villa d'est at Tivoli by Claude Thiénon, 1817, depicting an overgrown classical Italian garden with figures exploring ruins and vegetation-stock-foto
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Salute Dawn by James McNeill Whistler, 1879/80, depicting Venice's waterfront skyline with gondolas and moored boats on the lagoon-stock-foto
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Vase with Two Grotesque Masks, plate six from A Series of Vases Drawn After the Antique by Enea Vico, 1543, depicting an ornate classical vessel with serpentine handles and decorative mythological imagery-stock-foto
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Restoration of the Aqueduct of Pisa by Jacques Callot, 1616–20, depicting Renaissance engineers and officials overseeing construction work on a monumental water infrastructure project-stock-foto
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The Cumaean Sibyl by Agostino dei Musi, 1516, classical female prophet in flowing robes with attendant dog in pastoral landscape with distant village-stock-foto
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Frontispiece to Drawings of Several Movements by Soldiers, Stefano della Bella, 1644, depicting soldiers' movements toward the town of Arras, dedicated to Henry du Plesseys with his coat of arms displayed-stock-foto
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The Ox-Cart by Jan Both, 1638–52, depicting travelers and livestock on a path through a mountainous landscape framed by tall trees-stock-foto
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Frontispiece to Divers Embarquements (Various Embarkments) by Stefano della Bella, c. 1640–1650, depicting winged putti and mythological creatures framing an ornamental cartouche with serpentine and foliate motifs-stock-foto
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Frontispiece, from Balli di Sfessania by Jacques Callot, c. 1622, depicting five figures in theatrical costume and masks performing a comic dance or commedia dell'arte scene-stock-foto
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The Patron Saints of the Crotta Family by Giovanni Domenico Tiepolo, after 1750, depicting a noble family receiving blessing from saint figures in an architectural interior-stock-foto
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The Ordeal by Arrows (Saint Sebastian) by Jacques Callot, n.d., depicting a martyr pierced by arrows during execution, surrounded by soldiers and crowds in a fortified Renaissance city square-stock-foto
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The Palaces by James McNeill Whistler, 1879/80, depicting Venetian palazzo architecture along a waterfront with ornate Gothic and Renaissance facades reflected in the canal-stock-foto
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The Two Doorways by James McNeill Whistler, 1879/80, depicting a flooded Venetian alley with arched passageways and figures wading through water along weathered stone buildings-stock-foto
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The Bridge, Santa Marta by James McNeill Whistler, 1879/80, depicting a crowded waterfront scene with figures crossing an arched bridge over a canal lined with historic buildings-stock-foto
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Nocturne: Palaces by James McNeill Whistler, 1879/80, depicting Venetian palazzo facades shrouded in atmospheric mist along a dark waterway-stock-foto
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The Incense Burner by Marcantonio Raimondi after Raphael, c. 1520, depicting an ornamental vessel supported by two classical draped female figures-stock-foto
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Carousel for Ferdinand II, Duke of Tuscany by Stefano della Bella, 1637, depicting an elaborate ceremonial procession with a carriage drawn by four elephants, surrounded by horsemen and soldiers, with ornamental quadrille formations-stock-foto
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Triumph of Caesar by Andrea Andreani, 1599, chiaroscuro woodcut after Andrea Mantegna's Renaissance fresco cycle; depicting a Roman military procession with elaborate pageantry and classical symbolism-stock-foto
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Signor Annibale by Jean Louis Ernest Meissonier, c. 1860, depicting a man in Renaissance costume with feathered hat, standing in a confident pose with sword at his side-stock-foto
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Baccio Bandinelli by Nicolò della Casa, c. 1544, depicting the Italian Renaissance sculptor and artist in a long robe, surrounded by cherubs and classical figures displayed on the wall behind him-stock-foto
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The Rest on the Flight into Egypt by Elisabetta Sirani, 1656–69, depicting the Holy Family sheltering beneath palm trees during their journey to safety, with Mary cradling the Christ Child while Joseph watches over them-stock-foto
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Minos and Demons, from the Last Judgment by Cherubino Alberti, 1575, after Michelangelo; depicting classical judge with attendant putti and grotesque demon figures in a scene of divine judgment and eternal punishment-stock-foto
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The Small Savior by Diana Scultori, 1577, depicting Christ child holding a cross, haloed and seated within an ornamental shell-form frame surrounded by clouds and cherubs-stock-foto
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The Temptation of Saint Anthony by Agostino Carracci, 1582, depicting the saint besieged by demons and temptations amid clouds and writhing figures-stock-foto
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Dead Christ Held by Angels by Unknown Artist (Italian), after Orazio Samacchini, 1580–1620, depicting the body of Christ supported by winged angels in a compassionate tableau of grief and devotion-stock-foto