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Shamisen and Box by Yabu Chosui, 1860s, depicting a black-lacquer box with decorative wrapping cloth and a stringed musical instrument leaning against it-stock-foto
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Clam Shells by Yabu Chosui, 1860s, depicting two open shells with delicate green leaves and yellow flower details, framed against a mountainous landscape with traditional architecture-stock-foto
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New Year Gift by Kamata Gensen, 1863, depicting a delicate plum blossom branch with decorative gift-strip paper and calendar notation for the zodiac year-stock-foto
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Zodiac Surimono by Indai, 1866, depicting the twelve animals of the Chinese zodiac in gold silhouettes arranged in chronological order-stock-foto
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Multitudes of Cranes by Bokushin, spring 1863, depicting a rising sun with fifty cranes flying in formation above clouds, symbols of longevity honoring a poet's fiftieth birthday-stock-foto
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A Bat Flying near a Pine Tree by Isshō, 19th century, depicting a winged creature in flight near a coniferous tree with delicate foliage rendered in soft tonal washes-stock-foto
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Shinagawa Susaki by Utagawa Hiroshige, 1856, depicting a scenic coastal settlement with pine-forested peninsula, anchored vessels, and figures on a wooden platform overlooking the bay-stock-foto
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The Streetwalker Scene from the play Koshaku by Utagawa Hiroshige, 1854, depicting a woman in dark robes and white head covering, carrying a yellow fan and blue rectangular object-stock-foto
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Reflections of Dramas in Cutouts by Utagawa Hiroshige, 1854, title panel from harimaze sheet featuring Japanese calligraphy and theatrical references-stock-foto
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Hawk, from The Picture Book of Realistic Paintings of Hokusai by Katsushika Hokusai, c. 1814, depicting a perched raptor with detailed plumage among delicate willow branches-stock-foto
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The Actor Iwai Hanshiro IV as Soga no Goro Tokimune by Katsukawa Shun'ei, c. 1789, depicting a kabuki performer in elaborate costume with patterned robe, posed with dramatic gesture against geometric wallpaper backdrop-stock-foto
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Act Four: Enya Hangan's Castle by Katsukawa Shun'ei, c. 1795, depicting three women in an interior, one kneeling beside a flowering plant in a ceramic vessel-stock-foto
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The Actor Nakamura Juzo II as Asahara Hachiro Disguised as the Servant of a Princely Family, in the Play Onna Aruji Hatsuyuki no Sekai, Performed at the Morita Theater in the Eleventh Month, 1773 by Katsukawa Shunsho, c. 1773, Japanese woodblock print depicting a kabuki actor in elaborate costume wielding a long spear-stock-foto
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The Actor Ichikawa Yaozo II as Ashikaga Motouji Disguised as Katagiri Yashichi in the Play Oyoroi Ebido Shinozuka, Performed at the Nakamura Theater in the Eleventh Month, 1772 by Katsukawa Shunsho, c. 1772, depicting a kabuki actor in elaborate costume holding a falcon, standing on a wooden stage-stock-foto
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Japonisme by Felix Hilaire Buhot, 1883, depicting an ornate Japanese sailing vessel with billowing sails in coastal waters, surrounded by smaller boats and harbor structures-stock-foto
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Japonisme by Felix Hilaire Buhot, 1883, depicting a standing figure in ornate robes holding aloft a fan, mounted on a stylized pedestal-stock-foto
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Japonisme by Félix Hilaire Buhot, 1883, depicting a toad and crumpled drapery arranged as a naturalistic study-stock-foto
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Lovers Parting in the Morning, from the series “Elegant Five-needled Pine (Furyu goyo no matsu)” c. 1797/98 Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806-stock-foto
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Goldfish, from the series “Elegant Comparison of Little Treasures (Furyu kodakara awase)” c. 1802 Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806-stock-foto
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Child’s nightmare of ghosts Date: c. 1800/01 Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806-stock-foto
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Drawing Lots for Prizes (Ho biki) Date: c. 1798 by Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806-stock-foto
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Cranes on snow-covered pine - c. 1834 by Katsushika Hokusai 葛飾 北斎 Japanese, 1760-1849-stock-foto
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Japan: 'Woman Writing A Letter'. Ukiyo-e woodblock print from the series 'Twenty-four Examples of Parental Love (Nijûshiko) originally by Toyota Hokkei (1780-1850), c. 1890-1900.  Toyota Hokkei was a Japanese printmaker and book illustrator. He initially studied painting with Kano Yosen (1735-1808), the head of the Kobikicho branch of the Kano School and okaeshi (official painter) to the Tokugawa shogunate. Together with Teisai Hokuba (1771-1844), Hokkei was one of Katsushika Hokusai's' best students.-stock-foto
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Japan: 'A Mock Marriage Ceremony'. Ukiyo-e woodblock print by Isoda Koryusai (1735-1790), c. 1773.  Isoda Koryūsai was a Japanese printmaker and painter active from approximately 1764 to 1788.  The details of his life are under some dispute. He apparently came from a samurai background. One theory stated he became a rōnin and was forced to turn to art, but another says he voluntarily gave up the life of a samurai for art. In 1781 he received the title Hokkyo for his talent and accomplishments. That he was so honoured is one of the rare statements that is generally agreed upon.-stock-foto
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Shower Below the Summit (Sanka hakuu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei). Japanese woodcut print. By  Katsushika Hokusai, Japan, 1829 - 1833-stock-foto
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Japan: 'The three beauties O-Hisa, O-Kita and O-Hina'. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1792.  Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.-stock-foto
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Artwork Young Girl Sitting with a Rabbit by Pierre Bonnard, 1891, oil on canvas. Pierre Bonnard  (3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, ur-stock-foto
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"Autumn Moon at Ishiyama" from the Series Eight Viewus of Omi Province. By Utagawa Hiroshige. Edo period, 19th century-stock-foto
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"Hairdressing" from the Serie Eight Views of Famous Teahouse Beauties. By Kitagawa Utamaro. Edo period, 18th century-stock-foto
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Japan: 'Abalone Divers / The Abalone Fisherwomen'. Ukiyo-e woodblock triptych print by Kitagawa Utamaro (c. 1753 - 31 October 1806), c. 1797-1798.  The title would appear to be a double entendre, as few 'abalone divers' would have dressed, let alone looked, like these 'bijin' beauties.  Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.-stock-foto
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Japan: 'The Fickle / Coquettish Type'. Ukiyo-e woodblock print from the series 'Ten Physiognomies of Women' by Utamaro Kitagawa (c. 1753 - 31 October 1806), c. 1792-1793.  Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.-stock-foto
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Japan: Midnight - Mother and Sleepy Child. Ukiyo-e woodblock print by Kitagawa Utamaro (c. 1753 - 31 October 1806), 1790.  Kitagawa Utamaro was a Japanese printmaker and painter, who is considered one of the greatest artists of woodblock prints (ukiyo-e). He is known especially for his masterfully composed studies of women, known as bijinga. He also produced nature studies, particularly illustrated books of insects.-stock-foto
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Plate from the Rousseau service, 1868, Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: Eugène Rousseau, French, 1833–1914, 1 x 9 1/2 in. (2.54 x 24.13 cm), Faience (tin-glazed earthenware), France, 19th century, After making his name as a painter and printmaker, Braquemond petitioned Napoleon III in hopes of decorating porcelain for Sèvres, one of the highest regarded roles for a French artist at the time. After finding Sèvres too restrictive, Braquemond designed this service for the ceramic dealer Eugène Rousseau. Also known as 'le Service Japonais'-stock-foto
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Ukiyo-e. Evening Snow at Terajima by Kawase Hasui (Japan,1920)-stock-foto
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Tōshūsai Sharaku (東洲斎写楽) One of the great masters of Japanese ukiyo-e engraving. Sharaku was one of the most original performers of the kabuki.-stock-foto
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Hidrangea and Swallow. Woodcut by Katsushika Hokusai (Edo period). Tokyo National Museum (Japan)-stock-foto
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Tōshūsai Sharaku (東洲斎写楽) One of the great masters of Japanese ukiyo-e engraving. Sharaku was one of the most original performers of the kabuki.-stock-foto
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A Chronicle of the Subjugation of Kagoshima: Battle around Kumamoto Castle. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1877, March. Prints; woodblocks. Triptych; color woodblock print-stock-foto
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Tsuki no Kishi Ikina. Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, 1885, October. Prints; woodblocks. Color woodblock print-stock-foto
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Woodblock Printer, Distributing New Prints. Kitagawa Utamaro (Japan, 1753-1806). 1803. Prints; woodblocks. Color woodblock print, center sheet oft triptych-stock-foto