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late-19th-century-photography képek

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Gold miners travel along the Dyea Trail in Alaska with their dog teams during the Klondike Gold Rush (circa late 1890s). The scene captures the harsh conditions and the essential role of sled dogs in transporting supplies across the rugged, snow-covered route toward the Yukon goldfields.-stock-foto
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John Thomson (1837–1921) depicts an old clothes shop in Seven Dials, London, 1877. This landmark work of social documentary captures two women and a child amongst hanging second-hand garments during the late Victorian era.-stock-foto
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A member of the Arctic expedition, identified as Schnerder, hauls blocks of ice with a dog team in Greenland during the 1881–82 campaign. Photographed by C.W. Rice, the scene captures the harsh working conditions, the reliance on sled dogs, and the daily logistics of survival in the polar environment of the late 19th century. | A member of the Arctic expedition, identified as Schnerder, hauls blocks of ice with a dog team in Greenland during the 1881–82 campaign. Photographed by C.W. Rice, the scene captures the harsh working conditions, the reliance on sled dogs, and the daily logistics of su-stock-foto
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Inuit girls stand with members of the crew of the S.S. Eric at Upernavik, the northernmost Danish trading post in Greenland, in the late 19th or early 20th century. The photograph captures a moment of contact between local community and expedition personnel, set against the stark Arctic environment that shaped daily life and northern maritime routes. | Inuit girls stand with members of the crew of the S.S. Eric at Upernavik, the northernmost Danish trading post in Greenland, in the late 19th or early 20th century. The photograph captures a moment of contact between local community and expediti-stock-foto
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Portrait of Robert Edwin Peary (1856–1920), American naval officer and Arctic explorer, photographed by an unidentified artist. Although celebrated in his time for claiming to have reached the “farthest north,” Peary’s expeditions were later reassessed for their inaccuracies and for the harmful treatment of Inuit communities, including the removal of meteorite fragments and the forced relocation of six Inuit individuals to New York, four of whom died shortly after arrival. | Portrait of Robert Edwin Peary (1856–1920), American naval officer and Arctic explorer, photographed by an unidentified-stock-foto
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Robert Edwin Peary stands on the deck of a ship in Greenland, distributing gifts to Inuit individuals during one of his Arctic expeditions between 1886 and 1909. The photograph captures a moment of contact between the explorer and local communities, reflecting the complex encounters that shaped early polar exploration. | Robert Edwin Peary stands on the deck of a ship in Greenland, distributing gifts to Inuit individuals during one of his Arctic expeditions between 1886 and 1909. The photograph captures a moment of contact between the explorer and local communities, reflecting the complex enco-stock-foto
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Black and white illustration on Celtic civilization taken from a late 19th-century French dictionary.-stock-foto
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Étienne Carjat (1828–1906). Portrait of Gioachino Rossini (1792–1868), composer. Albumen print. 1860–1868.-stock-foto
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Baron Isidore Justin Séverin Taylor (1789–1878), Belgian-born playwright and travel writer. Portrait by Nadar (Gaspard Félix Tournachon), 1872–1875. A late portrait by Nadar, capturing Baron Taylor in the final years of his life. A prolific dramatist, traveller, philanthropist and cultural organiser, Taylor played a central role in the preservation of French heritage and co‑founded the Société des Gens de Lettres.-stock-foto
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Seib House, Location: St. Louis MO, Architect: Otto J. Wilhelmi-stock-foto
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Seib House, Location: St. Louis MO, Architect: Otto J. Wilhelmi-stock-foto
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Lady in Open Window with Bird Cage (late 1840s). Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England) or his Circle. (Cut-out image against white background, subtle shadow).-stock-foto
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Lady in Open Window with Bird Cage (late 1840s). Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England) or his Circle.-stock-foto
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Ornate late 19th‑century building in Istanbul — decorative stone carvings, arched windows, and wrought‑iron balconies.10 March 2026.-stock-foto
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Tintype image shows a woman in attire characteristic of the late 19th-century Victorian era, likely from the 1870s or 1880s.-stock-foto
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cabinet card portrait of a soldier from the German Empire, likely dating to the late 19th or early 20th century.  Studio Fritz Seidel in Spandau GE-stock-foto
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Image from late 19th century, depicting a young woman standing beside a seated young man-stock-foto
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This image is a late 19th-century studio portrait, a carte-de-visite (CDV) of a woman with her arm resting on a pillow-stock-foto
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antique American tintype photograph featuring three unidentified young women, likely from the mid-to-late 19th century-stock-foto
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CDV or cabinet card portrait of a man in a military uniform, likely from the late 19th century-stock-foto
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Verso of a cabinet card (mignon format), blank reverse with handwritten number, Germany, late 19th century.-stock-foto
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Late 19th-century studio portrait (mignon format) of a woman in a white lace blouse and fingerless lace gloves, Gebrüder Nachfolger, Berlin.-stock-foto
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Verso of a late 19th-century cabinet card (mignon format) with studio imprint, Atelier A. Schröder, Berlin O.-stock-foto
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Late 19th-century studio portrait (recto) of a man and his daughter, cabinet card (mignon format), Atelier A. Schröder, Berlin O.-stock-foto
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Verso of a late 19th-century cabinet card (mignon format), Atelier A. Schröder, Berlin.-stock-foto
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Late 19th-century studio portrait (recto) of three sisters, cabinet card (mignon format), by Atelier A. Schröder, Berlin.-stock-foto
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Studio portrait (recto) of a man standing, cabinet card (mignon format), Atelier A. Schröder, Berlin O.-stock-foto
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Studio portrait (recto) of a standing man, cabinet card (mignon format), Atelier A. Schröder, Berlin O.-stock-foto
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Late 19th-century studio portrait of a man in military uniform on a mignon-format cabinet card, Berlin.-stock-foto
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Reverse of a cabinet card photograph by A. Weiss & Co., Schöneberg–Berlin W.-stock-foto
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Late 19th-century studio portrait of a woman, photographed in Schöneberg, Berlin W.-stock-foto
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Late 19th-century studio portrait of two women in dark dresses, cabinet card (mignon format).-stock-foto
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Late 19th-century oval studio portrait of a woman on a cabinet card with clipped corners-stock-foto
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Verso of a cabinet card by Wilhelm Kersten, Berlin, printed decorative studio design. Verso of an original cabinet card photograph mounted on light br-stock-foto
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Late 19th-century oval studio portrait cabinet card photograph showing an infant.-stock-foto
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Cabinet card (mignon format), reverse. Photographisches Atelier Wilhelm Kersten, Berlin. Reverse of a cabinet card mount measuring 62 × 104 mm, on lig-stock-foto
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Cabinet card (mignon format), studio portrait of a seated man and a standing woman.-stock-foto
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Cabinet card (mignon format), reverse. Photographisches Atelier A. Jandorf & Co., Berlin.-stock-foto
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Cabinet card (mignon format), studio portrait of a standing woman. Photographisches Atelier A. Jandorf & Co., Berlin.-stock-foto
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Cabinet card (mignon format), reverse. Photographisches Atelier A. Jandorf & Co., Berlin.-stock-foto