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moral virtue képek

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Penance of St. John Chrysostomus by Hans Sebald Beham, n.d., depicting the saint in a mountainous landscape with angels and a distant fortified city, a narrative scene of religious devotion and spiritual struggle-stock-foto
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The Temptation of St. Anthony by Jan Wellens de Cock, n.d., depicting the saint besieged by demons and fantastical creatures in a fortified landscape-stock-foto
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The Third Foolish Virgin by Martin Schongauer, n.d., depicting a young woman with long curled hair in flowing robes, touching her face in a contemplative pose while holding a lamp-stock-foto
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The Fifth Foolish Virgin by Martin Schongauer, depicting a young woman in elaborate Renaissance dress holding a vessel, wearing a linen headdress and gazing downward in contemplation-stock-foto
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The First Wise Virgin by Martin Schongauer, n.d., depicting a young woman with long curled hair and laurel crown holding an oil lamp aloft, wearing flowing robes-stock-foto
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The Second Foolish Virgin by Martin Schongauer, n.d., depicting a young woman in flowing drapery holding a lamp, with a wreath at her feet-stock-foto
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The Third Wise Virgin by Martin Schongauer, n.d., depicting an elegant woman in flowing robes holding an oil lamp, wearing a laurel wreath crown-stock-foto
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The Second Wise Virgin by Martin Schongauer, n.d., depicting an elegant young woman with flowing hair and laurel crown, holding aloft a burning torch, rendered in classical allegorical style-stock-foto
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The First Foolish Virgin by Martin Schongauer, n.d., depicting an elegantly dressed woman in flowing robes holding symbolic objects representing folly and vice-stock-foto
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Two Children Petting a Lamb by Conte Antonio Maria Zanetti, the Elder, 1725, depicting two young figures interacting tenderly with a lamb in a classical style composition-stock-foto
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The Third Foolish Virgin by Israhel van Meckenem the Younger after Martin Schongauer, n.d., depicting a young woman in flowing robes with long curled hair, holding an oil lamp and touching her face in a gesture of concern or sorrow-stock-foto
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The Filial Son of Yoro from the Ten Moral Lessons by Yashima Gakutei, c. 1821, depicting a figure in patterned robes tending to an elderly parent by a waterside dwelling beneath hanging willow branches-stock-foto
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The Filial Son of Kamakura from the Collection of Stone and Sand by Yashima Gakutei, c. 1821, depicting two figures in ornate robes and tall black hats on a wooden platform with decorative lanterns-stock-foto
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Satsuma no Fukuyorime from the Veritable Records of Emperor Montoku by Yashima Gakutei, c. 1821, depicting a filial son serving tea to his elderly mother in a domestic interior with bamboo screening-stock-foto
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The Filial Child from Shinano Province by Yashima Gakutei, c. 1821, depicting a man and child seated indoors with writing materials, illustrating a narrative of filial devotion from Japanese moral tales-stock-foto
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Nibu Hiroyoshi from the Veritable Records of Three Reigns by Yashima Gakutei, c. 1821, depicting a man in a patterned robe harvesting rice in a flooded paddy field-stock-foto
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Righteousness (Gi), from the series Five Cardinal Virtues by Suzuki Harunobu, 1767, depicting two women in an interior setting: one seated reading while holding a fan, the other standing and sweeping, with candlelit room and latticed windows-stock-foto
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Soga no Goro admonished by his mother by Utagawa Hiroshige, c. 1843–47, depicting a young man receiving counsel from his mother on a wooden veranda overlooking a garden landscape-stock-foto
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Faith, from The Seven Virtues by Philips Galle after Pieter Bruegel the Elder, 1559, depicting a crowded cathedral interior with worshippers attending mass and religious ceremony-stock-foto
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Allegory of Visual Perception by Jan Saenredam, 1616, depicting a seminude woman with a mirror attended by cherubs, wise men, and allegorical figures in a harbor landscape-stock-foto
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Der Nasweise by Heinrich Ulrich, c. 1600, depicting a bearded man in Renaissance dress holding a vessel, attended by cherubs, with German verse below-stock-foto
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Susanna by Hendrick Goltzius, 1583, depicting a nude woman gazing upward in a classical landscape with architectural elements and trees in background-stock-foto
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Earth by Philips Galle, 1564, allegorical female figure seated with lions, holding symbols of dominion over fertile landscape with distant city-stock-foto
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The Temptation of Saint Anthony by Agostino Carracci, 1582, depicting the saint besieged by demons and temptations amid clouds and writhing figures-stock-foto
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Paternal Complacency by Louis-Marin Bonnet, c. 1767, depicting a man with three children in a domestic interior, the adult lifting one child while others play nearby-stock-foto
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The Money Devil by Workshop of Germain Hoyau and Olivier Truschet, second half of the 16th century, satirical woodcut depicting a monstrous creature standing atop a gold chest, surrounded by figures from all social ranks pointing weapons in pursuit of wealth-stock-foto
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Saint Mary Magdalene Penitent, by Antonio Canova (after), 1817, depicting the biblical figure in a moment of devotional solitude, kneeling in contemplation with symbolic attributes of her penitence-stock-foto
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Charity by Antonio Canova, 1817, depicting an allegorical figure of charity with a child and bearded man on a stone plinth, classical composition-stock-foto
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Fortune Distributing Her Gifts by Jan Harmensz. Muller, 1590, after Cornelis Cornelisz. Van Haarlem, depicting an allegorical scene of Fortune scattering treasures among assembled figures in a crowded landscape-stock-foto
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Parable of the Good Samaritan helping an injured man on a dangerous road through a rocky canyon with a donkey and travelers in the distance-stock-foto
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Susanna and the Elders by Cornelis Visscher, c. 1655–58, depicting a biblical narrative of a woman bathing confronted by two elderly men, with classical architectural elements and rich drapery-stock-foto
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Judas Maccabee by Nicolaes de Bruyn, 1594, one of the Nine Worthies; bearded man in profile within ornate circular frame, surrounded by scrollwork, animals, and fruit-stock-foto
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Godfrey of Bouillon by Nicolaes de Bruyn, 1594, one of nine heroic historical figures wearing elaborate armor and a crowned helmet, set within an ornate decorative border with scrollwork and heraldic ornaments-stock-foto
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Joshua, plate four from The Nine Worthies by Nicolaes de Bruyn, 1594, depicting the biblical military leader in classical armor within an ornamental frame flanked by putti and decorative flourishes-stock-foto
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Albrecht Dürer — Knight, Death and the Devil, 1513-stock-foto
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Concept of redemption without repentance write on sticky notes isolated on Wooden Table. For forgiveness, moral dilemmas and the complexity of spiritu-stock-foto
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A powerful message of BE KIND is magnified on white paper, nestled among craft envelopes, with a sleek black diffuser nearby on a rustic grey surface-stock-foto
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Brutus Condemning His Sons to Death by Guillaume Guillon-Lethière, painted in 1811 (19th century) and exhibited at the 1812 Salon, depicts the Roman consul Lucius Junius Brutus sentencing his own sons for conspiring against the Republic. The dramatic scene reflects the moral severity and civic virtue emphasized in Neoclassical history painting. The work is held at the Louvre Museum.-stock-foto
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Art ancient Greek philosopher Socrates wearing a Roman galea / cassis helmet illustrating the idea that Roman philosophy was shaped by Socratic ideas-stock-foto
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"The Romans in their Decadence" 1847 by Thomas Couture, depicting a lavish and debauched Roman orgy set within a grand classical portico, held at the Musée d'Orsay, Paris.-stock-foto