Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

small scratches across képek

144 találat
  • / 4
  • kép/oldal:
RM
Portrait of Eduard Paulus, author; Krukowa, Magdalena; iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A rectangular wooden panel with a warm brown surface showing wood grain, scratches, and worn edges, featuring a few areas of dark black smudges and stains mostly along the right and top edges; the panel bears several flowing dark markings and curved strokes in black ink across the surface, and a small pale rectangular label near the bottom center; the corners show slight wear and the overall texture-stock-foto
RM
Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker-stock-foto
RM
Knight in armor with a halberd, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); figure studies; male figure studies; human types; knights; halberds; swords (weapons); men; helmets (military); before 1807; graphic; graphic matrix; graphic plate; height 17 cm; width 13.2 cm, A rectangular metal plate with an aged, mottled surface showing a mix of dark gray, black, brown, and muted rust tones, with several irregular darker patches and smudges across the surface, faint areas of lighter gray and beige, subtle scratches and scuffs, rounded corners and thin raised-stock-foto
RM
Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
RM
Bust of an old man with a white beard in profile; Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); heads (portraits); studies of heads; human types; male heads; studies of male heads; beards (facial hair); old men; 1802; Amsterdam; graphic; graphic matrix/plate; height 13.7 cm; width 10.2 cm, A rectangular metal plate with worn, mottled surfaces showing a mix of dark black, brown, and coppery tones, with areas of gray and dull bluish patina; the plate has irregular dark smudges and stains, scratches and scuff marks across its surface, and a few small circular-stock-foto
RM
Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man — worker/poor person wearing klompen (wooden shoes); ca. 1800; graphic matrix/graphic plate; height 10.5 cm, width 5.6 cm., A vertical rectangular metal plate with a warm copper tone and areas of darker brown patina shows an engraved sketch of a standing man facing slightly to one side; the figure is drawn with fine dark lines defining a textured shirt, loose trousers, and large shoes, and the man's hair appears tousled with a contemplative facial expression; the plate is mounted on a neutral gray-stock-foto
RM
Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
RM
Portrait of Artur Grottger after a self-portrait by Ignacy Łopieński (1865–1941), graphic artist; subject: Artur Grottger (1837–1867), painter — male portrait, iconography of Grottger; bust of Artur Grottger almost straight on; 1917; Warsaw; graphic plate; height 23.4 cm, width 16.4 cm., A rectangular worn metal plate with rounded corners set against a gray background, showing a patina of coppery brown and muted gray tones with areas of lighter and darker wear. The surface has many visible scratches and scuff marks forming linear and curved patterns across the plate, along with faint circular-stock-foto
RM
An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
RM
Jew with a cane, graphic artist, Jews, Judaica, generic types, traveling merchants, Krajewska, Wanda (fl. 1948), 2nd half of the 19th century, graphic, graphic matrix, graphic plate, height 18.2 cm, width 11.3 cm, A rectangular metal plate with a matte gray surface showing a faint etched outline of a standing figure wearing a long robe and a tall hat, the figure holding a long staff and leaning slightly forward; the plate surface has a mottled pattern of lighter gray and whitish spots and small darker speckles scattered across it, with subtle linear scratches and shallow pitting visible; the-stock-foto
RM
Study of the human eye; graphic artist; after 1800; graphic plate (graphic matrix); anatomical studies, eyes; height 32 cm, width 22.1 cm; maker: Konstanty Tyszkiewicz (1806–1868)., A rectangular metal sheet with rounded corners fills the image, showing a mottled surface in shades of brown, copper, and dark gray with areas of greenish patina and small lighter spots; the edges are slightly worn and darker, and there are faint scratches, scuffs, and irregular discolorations across the surface.-stock-foto
RM
Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and-stock-foto
RM
Floral ornament, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). Possibly a matrix for embossing leather. Before 1850. Matrix; height 28.6 cm, width 20.6 cm., A rectangular worn surface with a textured, mottled appearance in dark brown and black tones, with areas of lighter brown and small patches of greenish discoloration, a small pale rectangular sticker in a corner, and some faint scratches and worn marks across the surface.-stock-foto
RM
The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); graphic; Dove of the Holy Spirit; Virgin Mary; winged putti; II Monuments of national engraving; new print after 1800, Vilnius; graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal sheet fills the frame, showing a worn surface with a central area of reddish-brown metal surrounded by darker, irregular patches of black and gray oxidation; there are numerous fine scratches and etched lines across the middle, along-stock-foto
RM
Oval frame on a rectangular background; Jan Nikodem Łopaciński (1747–1810), graphic artist; Konstanty Tyszkiewicz (1806–1868); Łohojsk; applied graphics, graphic frames; ca. 1800; graphics; graphic matrix/graphic plate; height 4.6 cm, width 6.3 cm, A flat rectangular metal plate with rounded corners fills the image, showing an overall brown and coppery surface with areas of darker blackish and greenish discoloration and faint lighter patches. The surface displays many scratches, scuffs, and abrasions across it, with a few small dents and shallow scrapes. Along the edges there are worn darker-stock-foto
RM
Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868); graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A rectangular brass plate with rounded corners resting against a neutral gray background, showing a central recessed panel outlined by several decorative engraved borders including a band of small circular motifs and a band of short vertical strokes; the brass surface is mostly golden-brown with areas of darker brown patina and small greenish-blue-stock-foto
RM
Head of Christ in a Shadow Crown (Ad Sanctam Christi Coronam Antiphona), graphic artist, Jesus Christ, Vera Icon, 18th century; graphic matrix/plate; height 8.9 cm, width 6.3 cm., A rectangular, worn metal plate with a textured, cracked surface in shades of brown and copper, showing areas of darker brown and small patches of greenish corrosion; a small white, scalloped-edged label with a blue decorative border is affixed near the top right corner; the plate has rounded corners and a few shallow dents and scratches across its surface.-stock-foto
RM
Pieta with Arma Christi, graphic artist, Pieta, Arma Christi (attribute), Tyszkiewicz, Konstanty (1806–1868), Monuments of domestic engraving after 1800, graphic, graphic matrix/plate; height 9.9 cm, width 6.6 cm., A rectangular metal plate with a warm reddish-brown and coppery surface showing a shallow engraved scene; the engraving depicts draped fabric, curved lines suggesting hair or texture, and a few rounded and elongated shapes arranged vertically and diagonally; the surface has areas of darker brown and muted purple tones, with subtle greenish and grayish spots and small scratches and-stock-foto
RM
Nikodemas pas Jezu nakti ateyn (Christ's Conversation with Nicodemus), Czerski, Stanisław (1777–1833), graphic artist; biblical scene depicting Nicodemus; after 1800; oil lamps; graphic; graphic matrix/graphic plate; height 7.6 cm, width 5.2 cm, A rectangular metal plate with a worn copper-colored surface and irregular black patches and spots across it, showing scratches and scuffs; a small rectangular label with a scalloped edge in the top area that includes blue and white tones; a few pale gray chalk-like marks on the upper portion; the edges of the plate are slightly rounded and show wear,-stock-foto
RM
Angeli, Pczycki, Stanisław (ca 1769-1844), draughtsman; Vieira, Francisco (1765-1805), painter; angel (allegory); Tyszkiewicz, Konstanty (1806-1868); II Monuments of domestic engraving, painting reproductions, after 1805, Vilnius; graphic; graphic matrix; graphic plate; height 34.2 cm, width 26.8 cm, A worn octagonal metal surface rests against a plain gray background, showing a mottled patina of brown and copper tones with areas of darker brown and black spotting, scattered small pale flecks, and subtle purple-tinged patches; the metal displays scratches, scuffs, and irregular textured marks-stock-foto
RM
Portrait of Gwilhelm Kaliński, professor of Theology at the Vilnius Academy; Pczycki, Stanisław (ca. 1769–1844), graphic artist; Kaliński, Gwilhelm (1747–1789); Tyszkiewicz, Konstanty (1806–1868). Male portrait of professor Wilhelm Kaliński (h. Jelita), professor of the Main School in Vilnius, theologian and preacher, after 1805. Graphic, graphic matrix/plate. Height 17 cm, width 10.8 cm., A rectangular metal plate with rounded corners showing an engraved oval portrait of a person wearing a tall hat and layered clothing; the engraving consists of many small dots and fine lines creating facial-stock-foto
RM
Portrait of Józef Piłsudski (1867–1935), 1924, graphic plate; height 12.8 cm, width 9.7 cm, thickness 2.1 cm; graphic matrix: height 12.7 cm, width 9.6 cm, thickness 0.2 cm; artist: Leon Wyczółkowski (1870–1927) — iconography., A dark, rectangular framed image showing a faded portrait of a person with short hair and a mustache, the face and upper body rendered in low contrast against a deep brown and black background; a few rusty reddish-brown marks and scratches are scattered across the surface, and the frame edges are visible in darker brown with small metallic fasteners at the top and-stock-foto
RM
Wooden bridge over the canal; Feliks Jabłczyński (1865–1928); Polish graphic artist; ca. 1924; graphic matrix/graphic plate; graphic; Warsaw; subject: canals, landscapes, wooden bridges; height 6.6 cm, width 7.6 cm, A square metallic panel with a bordered light gray mat around it, showing a weathered, scratched surface in shades of gray and brown with patches of darker brown and bluish-gray corrosion, scattered lighter gray and white spots and streaks, a few small areas of rusty orange, and a textured appearance from scratches and circular marks across the panel.-stock-foto
RM
Landscape with trees and defensive buildings; Feliks Jabłczyński (1865–1928); Polish graphic artist; ca. 1924; graphic plate (graphic matrix); height 7.6 cm, width 10.7 cm; subject: trees and defensive architecture., A rectangular, weathered metal plate sits against a neutral background, showing a mottled surface with a mix of light gray, off-white, pale blue, and darker gray areas; the plate has several irregular dark gray blotches and spots, many faint fine scratches and scuff marks that form curved and straight lines across the surface, and a few small pits and stains with subtle brownish-stock-foto
RM
A street in a medieval town; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, landscapes, cityscapes, architectural studies, views, streets, towers; architectural views of cities; Polish graphics; Gothic style; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10 cm, width 8.7 cm, A rectangular sheet with a worn, mottled surface showing a range of greys and off‑whites, with a few darker grey spots and stains scattered across it and some subtle bluish-grey patches; the sheet has faint scratches and scuff marks, a slightly darker narrow border around the edges, and a small-stock-foto
RM
Town hall tower in Krakow with neo-Gothic guardhouse, Feliks Jabłczyński (1865–1928), graphic artist; cities, landscapes, cityscapes, architectural studies; towers, streets, architectural views, city views, town halls; Polish graphic art; Poland, ca. 1924; Warsaw; graphic art; graphic matrix/plate; height 9.5 cm, width 7.4 cm., A worn rectangular metal sheet with irregular edges lying on a light gray background, showing a weathered surface with a mix of silver, gray, darker charcoal patches, and subtle brownish-beige discoloration, scattered small spots and stains, areas of rough texture and-stock-foto
RM
View of a port quay in a northern European city; verso: graphic trials or fragment of a composition; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, streets, architectural studies, towers, views, ships, architectural views, city views, port quays; Polish graphics, Poland, ca. 1924; graphic matrix/plate; height 7.9 cm, width 8.7 cm, A square, textured surface fills the image, showing a dark, charcoal-gray area with a rough, cracked pattern of fine, intersecting grooves and scratches. There are several small, irregular pale spots and smudges-stock-foto
RM
View of a port quay in a northern European city; verso: graphic trials or fragment of a composition; Jabłczyński, Feliks (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, streets, architectural studies, towers, views, ships, architectural views, city views, port quays; Polish graphics; Poland; ca. 1924; graphic matrix/graphic plate; height 7.9 cm, width 8.7 cm, A square image showing a textured surface with a dense network of dark, thin, intersecting lines resembling scratches or fibrous strands across most of the area, with a few small lighter spots and speckles-stock-foto
RM
Poznań City Hall; verso: Fragment of a composition. Jabłczyński, Feliks (1865–1928), graphic artist. Cityscapes; towers; city views; town halls; stairs; tenement houses; Town Hall (Poznań); architectural studies. Polish graphic art, ca. 1925. Graphic matrix/plate. Height 9.4 cm, width 7.2 cm., A large dark rectangular surface with a textured appearance fills the image, bordered by a lighter margin; the dark area is mostly black and charcoal with a few lighter gray smudges and spots, several small white speckles and mottled patches scattered across it, and some subtle scratches and etched lines-stock-foto
RM
Street in the city, Jabłczyński, Feliks (1865–1928), graphic artist; streets, cityscapes, cities, tenement houses, city views, architectural studies, windows; Polish graphics; Poland, ca. 1924, Warsaw; graphic matrix/graphic plate; height 8 cm, width 10.8 cm, A large rectangular surface fills the image, showing a dark, weathered texture with a predominately charcoal gray and black appearance interspersed with lighter gray and off-white blotches and smudges; the edges reveal a lighter gray border and small areas of muted yellowish-beige near the top and bottom, while several irregular pale-stock-foto
RM
Street in the city; Feliks Jabłczyński (1865–1928), graphic artist; cityscape of tenement houses and windows; architectural study; Polish graphic; ca. 1924, Warsaw; graphic matrix/plate; height 8 cm, width 10.8 cm, A textured rectangular surface fills the image, showing a weathered, rough appearance with a mix of gray shades and areas of lighter whitish patches. There are fine linear scratches and grid-like incisions across the upper half, forming vertical and horizontal patterns and suggesting raised ridges. The lower portion has irregular mottled spots and softer cloudy patches in white and-stock-foto
RM
Denarius, Julia Domna (ca. 160–217; Roman empress 193–211). Obverse: IVLIA AVGVSTA — bust of Julia Domna facing right, pearl border. Reverse: VENVS FE — Venus standing left, holding an apple in her right outstretched hand, unwinding the folds of her robe with her left, pearl border. Date: 198–209. Place: Rome, Roman Empire. Medium: coin. Diameter: 15.5–16.5 mm. Weight: 2.70 g., A worn round metallic object with a rough textured surface and uneven edges, showing a raised, shallow relief of a standing human figure with an outstretched arm and indistinct limbs; the object displays scratches and-stock-foto
RM
Denarius of Julia Domna (ca. 160–217), Roman empress (193–211). Obverse: IVLIA AVGVSTA — bust of Julia Domna facing right, pearl border. Reverse: VENVS FE — Venus standing left, holding an apple in her right outstretched hand, unwinding the folds of her robe with her left, pearl border. Circa 198–209, Rome, Roman Empire. Coin; diameter 15.5–16.5 mm; weight 2.70 g., A worn round metallic object with a gray-silver surface showing an embossed profile of a person facing right, with stylized hair pulled back and textured with carved lines, a visible neck and a suggestion of clothing at the base;-stock-foto
RM
Denarius; Roman deities; Victoria; Septimius Severus (Roman emperor, 146–211) — iconography. Obv.: ERVSAVG PAR, head of Septimius Severus in a laurel wreath facing right; pearl rim. Rev.: PMTRP, IPP, Victoria tiptoes to the left holding a garland in both hands; at her feet left, a round shield on a pedestal; pearl rim. Date: 200. Place: Rome, Roman Empire (27 BC–476). Coin: diameter 17.5–18.5 mm; weight 2.80 g., A round metallic object with a worn, textured surface and irregular edges, colored silver and gray, showing raised and recessed areas forming curved and linear shapes and patterns-stock-foto
RM
Denarius, Pertinax (126–193), issuer Pertinax; obverse: head of Pertinax in laurel wreath facing right, inscription IMP CAES P HELV - PERTIN AVG; reverse: Ops personified seated left, holding two ears of corn in right hand, left hand on seat, inscription OPI DIVIN - TR P COS II; dated 193 CE, Roman Empire (27 BCE–476 CE), Rome; coin; diameter 16.0–17.5 mm, weight 3.25 g, axis 15°., A worn circular metal coin with a raised profile of a bearded man facing right, showing curly hair and a laurel or ribbon tied at the back, with visible hair curls and facial features in relief; the coin surface is-stock-foto
RM
Denarius of Pertinax (emperor 126–193), 193. Obverse: head of Pertinax in laurel wreath facing right, inscription IMP CAES P HELV - PERTIN AV. Reverse: Aequitas standing left holding scales in right hand and cornucopia in left, inscription A, RP COS II. Roman Empire; Rome. Coin; diameter 17.0 mm; weight 2.95 g; axis 0°., A round, worn metallic object with a rough, uneven surface and irregular edges, showing a faint, shallow raised outline of a standing human figure in the center; the object displays shades of gray and silver with darker gray areas in recessed parts and lighter silver-stock-foto
RM
Denarius, Crispina (164–192?, Roman empress 178–192) and Commodus (161–192, Roman emperor 177–192) — issuer Commodus; bust of Crispina in drapery facing right, legend 'CRI PINA AVGVSTA' all around; reverse: two hands clasped in a handshake, legend 'CO NCORD IA' all around; dated 178–183; Roman Empire (27 BC–476), Rome; coin; diameter 17.0–18.0 mm; weight 3.35 g; axis 180°., A round metallic object with a worn, uneven surface and a central raised design resembling a stylized bird with outstretched wings; the metal shows areas of lighter and darker gray and faint scratches and dents across the-stock-foto
RM
Denarius, Commodus (161–192; Roman Emperor 177–192), obverse: Head of Commodus in laurel wreath facing right, inscription 'M COMM ANT PF - EL AVG BRIT PP' all around; reverse: Genius standing left, holding a patera over a burning altar in his right hand and a cornucopia in his left, inscription 'GE - ELIC COS VI' all around. Date: 190–191. Place: Rome, Roman Empire. Material: coin. Measurements: diameter 17.5–18.0 mm, weight 3.30 g, axis 180 degrees., A worn round metal object with an irregular edge showing small chips and notches, textured surface wear, and raised relief depicting a partially-stock-foto
RM
Denarius of Commodus (reigned 177–192). Obverse: head of Commodus in laurel wreath facing right, legend M • COMM ANT P • L AVG BRIT PP. Reverse: Fortuna standing left with her foot on the prow of a ship, holding a caduceus in her right hand and a cornucopia in her left, legend FOR FEL PM TR P XIIII COS V DES VI. Roman Empire, 189. Coin (Rome); silver; diameter 16.5–17.5 mm; weight 2.80 g; axis 30°., A circular metallic object with an irregular edge showing wear and small nicks, primarily silver-gray in color with darker gray areas and slight darker spots. The surface has a raised profile of a-stock-foto
RM
Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous issue for Marcus Aurelius, 121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery facing right, inscription DIVA FAVSTINA PIA. Reverse: Rectangular altar with a pair of doors, inscription CONSECRATIO. After 176 CE, Roman Empire. Coin; diameter 17.0–17.5 mm; weight 3.15 g; axis 180°., A round metallic object with a weathered silver-gray surface, showing a raised central rectangular structure with vertical grooves and a stepped base; the object has irregular edges and subtle surface scratches, with-stock-foto
next page