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young Asian businesswoman reading book studying at home office desk with laptop computer coffee casual workspace-stock-foto
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Top-down view of hands assembling electronics from organized kit with resistors and connectors on study table. STEM project planning and prototyping w-stock-foto
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Satisfied student listening online lesson from headphone and learning sitting on a couch at home-stock-foto
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Young student studying online from home ising laptop and headphone sitting on a couch-stock-foto
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Lame Beggar Asking for Alms, from T is al verwart-gaern (It's Already Confusing) by Pieter Jansz. Quast, n.d., depicting a bearded man with a wooden leg hobbling while extending a hat to solicit charity-stock-foto
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Nibu Hiroyoshi from the Veritable Records of Three Reigns by Yashima Gakutei, c. 1821, depicting a man in a patterned robe harvesting rice in a flooded paddy field-stock-foto
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Righteousness (Gi), from the series Five Cardinal Virtues by Suzuki Harunobu, 1767, depicting two women in an interior setting: one seated reading while holding a fan, the other standing and sweeping, with candlelit room and latticed windows-stock-foto
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Ohan and Choemon, from the series Fashionable Patterns in Utamaro Style by Kitagawa Utamaro, c. 1798/99, depicting two figures engaged in calligraphy or painting, with writing implements and decorative textiles in warm red and cream tones-stock-foto
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The Ninth Month, from the series Five Amorous Festivals of Love by Kitagawa Utamaro, 1801, depicting two figures in elegant dress admiring chrysanthemum flowers in a ceramic vase-stock-foto
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Act Six: Yoichibei's House from the play Chushingura by Katsukawa Shunsho, c. 1779/80, depicting a woman and elderly man in a domestic interior preparing food, with hanging textiles and potted plants-stock-foto
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Cloth-Strecher, from the series Twelve Types of Women's Handicraft by Kitagawa Utamaro, c. 1798/99, depicting a woman and young girl stretching cloth, dressed in coral and patterned garments-stock-foto
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Ashi-gai, hamaguri, ko-gai, suzume-gai, akoya-gai, and katashi-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting various seashells and mollusks arranged on sand near rocks-stock-foto
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Minashi-gai, shio-gai, katatsu-gai, miso-gai, chijimi-gai, and chigusa-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting six varieties of edible shellfish arranged with seaweed and marine vegetation on the ocean floor-stock-foto
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Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting seashells and marine specimens arranged on sand-stock-foto
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Beni-gai, hora-gai, urauzu-gai, wasure-gai, chiyonohana-gai, and masuho-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting six varieties of edible shellfish with accompanying seaweed and botanical elements-stock-foto
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The Courtesan Yugiri and Her Lover Fujiya Izaemon, from the series Tokiwazu Hakkei by Katsukawa Shunsho, mid-1780s, depicting a woman in elaborate yellow robes arranging flowers while a man watches from beside her-stock-foto
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Chidori-gai, itaya-gai, awabi, utsuse-gai, asari-gai, and monoara-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting various seashells and marine specimens arranged with seaweed on sand-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in an interior gazing toward a riverside landscape with distant hills-stock-foto
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Chidori-gai, itaya-gai, awabi, utsuse-gai, asari-gai, and monoara-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting six varieties of shellfish arranged on sand with seaweed-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting a woman in flowing dark robes standing in a Japanese interior room with wooden lattice screens and potted plants-stock-foto
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Beni-gai, hora-gai, urauzu-gai, wasure-gai, chiyonohana-gai, and masuho-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting six varieties of edible shellfish with seaweed and marine vegetation-stock-foto
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Chrysanthemum and Narcissus, from the illustrated book Picture Book: Flowers of the Four Seasons (Ehon shiki no hana), vol. 2 by Kitagawa Utamaro, New Year 1801, depicting blooming chrysanthemums and delicate narcissus flowers with green foliage-stock-foto
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Double-page Illustration from Vol. 1 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting three elegantly dressed women in a snowy landscape with winter vegetation-stock-foto
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Double-page Illustration from Vol. 2 of Picture Book of Spring Brocades by Suzuki Harunobu, 1771, depicting three women in vibrant kimonos standing on a veranda, one holding a fan, gazing toward a distant landscape-stock-foto
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Shells and Marine Specimens by Kitagawa Utamaro, 1789, illustrating six varieties of edible shellfish rendered in delicate naturalistic detail with Japanese calligraphy annotations above-stock-foto
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Ashi-gai, hamaguri, ko-gai, suzume-gai, akoya-gai, and katashi-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting an array of seashells and mollusks arranged on sandy ground-stock-foto
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Shiro-gai, namima-gashiwa, makura-gai, iro-gai, aza-gai, sadae-gai, from the illustrated book Gifts from the Ebb Tide by Kitagawa Utamaro, 1789, depicting six varieties of shellfish and mollusks arranged in a naturalistic composition-stock-foto
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Niijuku Ferry (Niijuku no watashi), from the series One Hundred Famous Views of Edo by Utagawa Hiroshige, 1857, depicting a riverside settlement with moored boats, pine trees, and travelers near a waterfront dwelling-stock-foto
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Suruga, Kai, and Izu, no. 5 from the series Cutout Pictures of the Provinces by Utagawa Hiroshige, 1852, featuring Mount Fuji, sumo wrestler, and white grapes in fan-shaped composition-stock-foto
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Oiso, Odawara, Hakone, Mishima, and Numazu, no. 3 from the series Cutout Pictures of the Tokaido by Utagawa Hiroshige, c. 1848-52, composite woodblock print depicting multiple scenes including a coastal landscape with boats, a woman in ornate red robe, a horse study, and still life arrangement with fan and tea implements-stock-foto
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Imado by Utagawa Hiroshige, 1857, depicting a decorative teapot with flowering branches emerging from its spout, accompanied by stacked ceramic dishes-stock-foto
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Flowers, from The Picture Book of Realistic Paintings of Hokusai by Katsushika Hokusai, c. 1814, depicting flowering branches with delicate blossoms and foliage in naturalistic botanical study-stock-foto
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Kakegawa, section of sheet no. 7 from the series Cutout Pictures of the Tokaido Road by Utagawa Hiroshige, c. 1848–52, depicting mushrooms with stylized caps and stems on pale blue ground-stock-foto
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Wasp and turnip stalk by Katsushika Hokusai, c. 1814, depicting a detailed study of an insect and vegetable plant with delicate botanical precision-stock-foto
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Iga, section of sheet no. 3 from the series Cutout Pictures of the Provinces by Utagawa Hiroshige, 1852, depicting a seated man in formal dress with tall black hat, blue undergarment, and brown outer robe-stock-foto
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Courtesans of the Komatsuya, from the book Mirror of Beautiful Women of the Pleasure Quarters, vol. 2 by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting elegantly dressed women in an interior garden setting with architectural details and flowering plants-stock-foto
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Courtesans of the Matsuneya, from the book Mirror of Beautiful Women of the Pleasure Quarters, vol. 1 by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting four elegantly dressed women in an interior setting with decorative furnishings and flowering plants-stock-foto
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Courtesans of the Matsubaya, from the book Mirror of Beautiful Women of the Pleasure Quarters, vol. 1 by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting elegantly dressed women in interior and exterior settings with ornamental details and landscape views-stock-foto
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Courtesans of the Kagemanjiya, from the book Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami), vol. 1 by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting two elegantly dressed women in an interior space with furnishings and garden view-stock-foto
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Courtesans of the Matsubaya, from the book Mirror of Beautiful Women of the Pleasure Quarters, vol. 1 by Katsukawa Shunsho and Kitao Shigemasa, 1776, depicting five elegantly dressed women in an interior setting, engaged in leisurely pursuits and conversation-stock-foto