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tam oshanter képek

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Highland shepherd with his sheepdog and staff. He wears a tam o'shanter bonnet, checkered jacket, tartan kilt, leather sporran, check socks, leather shoes. He holds a long staff. After an illustration by William Henry Pyne in Costumes of Great Britain, 1808. Hand-coloured copperplate engraving by William Alexander from his own Picturesque Representations of the Dress and Manners of the English, John Murray, London, 1814.-stock-foto
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scottish childrens clothes retail shop, bexhill-on-sea, east sussex, uk-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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Auld Brid o' Doon, crossing the River Ayr, Alloway, Ayrshire< Scotland. The bridge is referred to in the Robert Burns poem "Tam O'Shanter".-stock-foto
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Auld Brid o' Doon, crossing the River Ayr, Alloway, Ayrshire< Scotland. The bridge is referred to in the Robert Burns poem "Tam O'Shanter".-stock-foto
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Characters of Tam O'Shanter and his wife, from Robert Burns' poem Tam O'Shanter, carved in wood and on display in the Burns memorial garden, Alloway,-stock-foto
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Characters of the devil playing the bagpipes, from Robert Burns' poem Tam O'Shanter, carved in wood and on display in the Burns memorial garden,-stock-foto
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Characters of the devil playing the bagpipes, from Robert Burns' poem Tam O'Shanter, carved in wood and on display in the Burns memorial garden,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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The Alloway Auld Kirk, which dates back to the 16th century, is a church ruin in Alloway, South Ayrshire, Scotland,-stock-foto
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Mausoleum of Lieutenant General John Hughes, Alloway Auld Kirk-stock-foto
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Mausoleum of Lieutenant General John Hughes, Alloway Auld Kirk-stock-foto
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Bagpiper playing before a croft, Scotland, 19th century. Musician in tam o'shanter cap, tartan kilt and shawl. Peasant villagers gather around him. Joueur de cornemuse Ecossais. Chromolithograph by S. Krakow after an illustration by Frederic Lix from Charles Delon's Les Peuples de la terre, Peoples of the Earth, Paris, 1890.-stock-foto
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Exterior view of Agincourt Mall, located at Kennedy Road and Sheppard Avenue in Toronto's Tam O'Shanter – Sullivan neighborhood. Named after the histo-stock-foto
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Tam O'Shanter wicker sculpture at the Robert Burns Museum, Alloway, Ayrshire, Scotland-stock-foto
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Brig O'Doon bridge over the River Doon, Ayr, Ayrshire, Scotland-stock-foto
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Front façade of the Tam O'Shanter Inn on High Street, Ayr, Scotland, UK. Named after the character in Robert Burns poem of thee same name.-stock-foto
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The 'Boy on a Capstan' sculpture by Judith Bluck (2000), Whitehaven harbour, West Cumbria, UK-stock-foto
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The 'Boy on a Capstan' looking across to the 18th century watchtower and Pier master's watch house, Whitehaven harbour, West Cumbria, UK-stock-foto
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Chromolithographed die cut scrap advertisement of two Highlanders  in kilts circa 1885-stock-foto
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La Rochelle Rugby fans in Dublin May 20th 2023 for the champions cup final match against Leinster. Seen on Grafton street.-stock-foto
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La Rochelle Rugby fans in Dublin May 20th 2023 for the champions cup final match against Leinster. Seen on Grafton street.-stock-foto
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The Witches' Dance, illustration to Tam O'Shanter by the Scottish poet Robert Burns, Historical, digitally restored reproduction from an 18th or 19th century original.  /  Der Tanz der Hexen, Illustration zu Tam O'Shanter von dem schottischen Dichter Robert Burns, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 18. oder 19. Jahrhundert-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Licuala Fan Palm leaves in the Licuala Fan Palm Walk, Licuala State Forest, near Mission Beach, Queensland, Australia-stock-foto
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Close up of the deep pink flower of the English shrub rose Rosa Tam O'Shanter Auscerise.-stock-foto
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"Tan O'Shanter and his grey mare Meg", willow sculpture by David Powell. Robert Burns Birthplace Museum, Alloway, Ayrshire, Scotlabd, United Kingdom,-stock-foto
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"Tan O'Shanter and his grey mare Meg", willow sculpture by David Powell. Robert Burns Birthplace Museum, Alloway, Ayrshire, Scotlabd, United Kingdom,-stock-foto
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"Tan O'Shanter and his grey mare Meg", willow sculpture by David Powell. Robert Burns Birthplace Museum, Alloway, Ayrshire, Scotlabd, United Kingdom,-stock-foto
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"Tan O'Shanter and his grey mare Meg", willow sculpture by David Powell. Robert Burns Birthplace Museum, Alloway, Ayrshire, Scotlabd, United Kingdom,-stock-foto
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"Tan O'Shanter and his grey mare Meg", willow sculpture by David Powell. Robert Burns Birthplace Museum, Alloway, Ayrshire, Scotlabd, United Kingdom,-stock-foto
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Kathryn Hunter (King Lear), Marcello Magni (Fool) in KING LEAR by Shakespeare at the Leicester Haymarket Theatre, Leicester, England  26/02/1997  design: Pawel Dobrzycki  lighting: Jenny Cane  director: Helena Kaut-Howson-stock-foto