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[central rectangular sheet] képek

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Bookplate of the Rigaud family; heraldic bookplate with coat of arms featuring stars, heraldic helmets, bands, in an oval. French, late 18th–first half 19th century. Graphic print; height 6.4 cm, width 8.6 cm., An off-white rectangular paper with a hand-drawn oval framing a central heraldic shield topped by a stylized helmet and plume, flanked by a pair of flowing ribbon banners; the shield contains a group of stars near the top, a geometric interlocking motif in the middle, and a crescent shape near the bottom, all rendered in fine black ink lines and hatching; there are several scattered-stock-foto
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Portrait of Prince Józef Poniatowski, graphic artist; Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); artist Dominik Witke-Jeżewski (1862–1944); iconography, portraits; busts, orders, male portrait; German graphics, Polish; 2nd quarter of the 19th century; graphic print; 15.9 × 11.2 cm (image), 20.7 × 13.5 cm (sheet)., A rectangular sepia-toned sheet mounted on a darker brown backing with a central printed portrait of a man from the chest up wearing a dark military-style coat and a fur-trimmed cloak with ornate shoulder epaulet and decorative medals; he has curly dark hair, a-stock-foto
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Portrait of Prince Józef Poniatowski with a biography; publisher: Renouard, Paul (Paris; fl. ca. 1830); graphic artist: Allais, Jean-Alexandre (1792–1850); subject: Poniatowski, Józef Antoni (1763–1813); artist: Witke-Jeżewski, Dominik (1862–1944); period: Napoleonic era (1799–1815); themes: iconography, portraits, busts, orders, male portraits; medium: French graphic print; date: 1828, Paris; dimensions: height 24.7 cm, width 15.2 cm., The image shows an aged rectangular printed sheet with a central engraved portrait of a man in formal military attire featuring detailed epaulettes and ornate-stock-foto
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Portrait of Prince Józef Poniatowski; publishers: Danlos (Paris), Clerget, Charles-Ernest (draughtsman); draughtsmen: Charles-Ernest Clerget, Jean-Alexandre Allais (1792–1850); depicts Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); iconography includes eagles, busts, panoplies, orders; male portrait in French graphic style; Polish; 1828, Paris; graphic print; height 21.2 cm, width 14.6 cm., A central cream-colored sheet with an ornate rectangular frame contains a detailed black-and-white portrait of a man in formal military attire; the portrait is surrounded by decorative-stock-foto
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Psary. Church. Bottom plan; Wojciechowski, Jarosław (1874–1942); churches; Psary (Greater Poland Voivodeship); architectural designs; towns; modernism (style); bottom scale: 10 meters = 6 cm; 30 Polish ells = 10.2 cm; explanations; 1909; drawing; architectural drawing; architectural design; height 36.5 cm; width 23 cm, A vertical architectural floor plan drawn on an off-white sheet with a narrow gray border, showing a symmetrical building outline in black ink with thick black wall sections and thin fine-line interior details; the plan features a central large rectangular nave area flanked by-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish; elections; Provisional Jewish National Council (1918-?); Legislative Sejm (1919-1922); 1919; leaflet; height 14.9 cm; width 20.2 cm., A worn rectangular paper sheet with a beige background and visible creases and small tears, printed with large bold black graphic shapes including a central pair of tall vertical blocks and two stylized pointing hands on either side, surrounded by several bold black-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
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All Saints, design of a painting for the altar in All Saints' Church in Warsaw; draughtsman: Wojciech Gerson (1831–1901); subject: All Saints and Assumption, Mary (mother of Jesus Christ); draughtsmanship/variant: drawing, design/sketch for an altar painting; date: 1880; media/support: drawing on paper; sheet: height 23.9 cm, width 29.5 cm; support: height 31.9 cm, width 44.5 cm., A central rectangular sheet with a detailed pencil drawing is mounted on a textured gray mat; the drawing shows a group scene with a central seated figure surrounded by numerous standing and kneeling figures, many-stock-foto
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Annual Rites on St. Andrew's Eve, illustration design, Gerson, Wojciech (1831–1901), repossession, studies for paintings, fortune-telling (genre scenes), sketches, genre scenes, wall painting, 1867, drawing; sheet: height 21.2 cm, width 33.4 cm; backing: height 30.7 cm, width 44.2 cm, A sheet of off-white paper mounted on a darker gray mat showing a central pencil sketch of an ornate rectangular design with an octagonal central scene of people gathered around a table, flanked by decorative oval medallions and scrolling foliage; a small circular sketch of a group appears near the upper left and-stock-foto
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Frame for a wall calendar for 1855; Wojciech Gerson (1831–1901), draughtsman; flowers, garlands (ornament); calendars; repossession; Midsummer's Eve (rites); genre scenes; summer; fruit still lifes; winter; 1854; Warsaw; watercolor; drawing; sheet: height 29.7 cm, width 38.8 cm; backing: height 31.7 cm, width 47.7 cm, A decorative rectangular frame on a gray background with an ornate top center medallion featuring a child flanked by two women leaning toward the medallion, leafy sprigs and scrollwork in brown and gold, and a pair of carved ornamental brackets at the upper corners; the central-stock-foto
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Botanical Garden in Warsaw. Chapel at the site of the cornerstone for the construction of the Temple of Divine Providence, graphic artist, 1861 (earlier dating 1840), graphic, height 16.7 cm, width 22.3 cm., A rectangular sepia-toned mount surrounds a central white sheet with a detailed black-and-white etched landscape scene. The etched scene shows a group of stone archways partially covered by dense foliage and vine-like growth, with a few trees nearby including tall, slender trees and fuller, weeping trees with drooping branches. In front of the arches a person in period clothing stands near-stock-foto
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Jesus Triumphant in Eternal Love, Gorczyn, Jan Aleksander (ca. 1618–post 1695), graphic artist; Witke-Jeżewski, Dominik (1862–1944); Jesus Christ; Gomulicki, Wiktor (1848–1919); crown of thorns; devotional depictions; halos; religious images; burning heart; Arma Christi (attribute). The composition depicts Christ Triumphant. The round hole at the top of the plate could have been used for hanging it on a wall; the plate shows reversed inscriptions prepared for printing. Date: 1661. Technique/format: graphic matrix / graphic plate. Dimensions: height 16.5 cm; width 14 cm; thickness 0.08 cm., A-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); graphic; Dove of the Holy Spirit; Virgin Mary; winged putti; II Monuments of national engraving; new print after 1800, Vilnius; graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal sheet fills the frame, showing a worn surface with a central area of reddish-brown metal surrounded by darker, irregular patches of black and gray oxidation; there are numerous fine scratches and etched lines across the middle, along-stock-foto
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Basket maker; Michał Płoński (1778–1812), graphic artist. Engraving, 1805. Graphic plate (matrix). Height 30 cm, width 23 cm. Depicts basket makers (craftsmen) and conversations among men, women, children; includes dogs, landscapes, wicker, portraits (children, men, women), beggars, genre scenes and illustrative/portrait elements. Płoński created the engraving for Recueil de 19 planches études des figures dessinées d'après nature, engraved à l'eau-forte; he produced the engravings abroad (Netherlands, Paris) around 1800 and made graphic copies after Rembrandt and reproductions of Dutch-stock-foto
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Receipt for the cashier of the Main Central National Committee, National Government, securities, January Uprising (1863–1864), National Loan; printed receipt with the inscription: 'Ser C // Ner. 5642 Polish Zloty. 2000. // The bearer of this receipt brought to the Main Cashier // of the Central National Committee // Polish Zloty.' On the reverse: an oval ink seal of the National Government and a signature initial. 1863, Poland; security receipt; size 1203 mm × 252 mm., A long, narrow rectangular sheet of off-white paper with a few small brownish spots and some creases, set against a medium-stock-foto
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Nominal receipt No. 33170 issued in the name of Hube for the amount of 1,400 złoty on June 15, 1863. On the reverse, a round seal of the Central National Committee with a two-part shield under a crown. 1863, Kingdom of Poland (1815–1918). Security/receipt; dimensions 1.96 mm × 2.64 mm., A folded pale off-white paper sheet with visible creases lies centered on a textured brown background; the sheet shows a circular dark gray stamped emblem near its center with a small intricate shield and crown inside, and a narrow rectangular pale paper tab is attached near the top edge of the sheet, extending-stock-foto
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Katagami dyeing stencil, komon type; pattern of fan motifs and stylized snowflakes; stencils; Japanese art; late 20th century, Japan; stencil; height 24.0 cm, width 43.0 cm, A rectangular dark brown sheet with a slightly textured surface fills the image, bordered by a thin lighter brown inner margin and a narrow white outer margin; within the sheet is a large central panel of repeating small white dot patterns forming curving, leaflike shapes that create an overall intricate lace-like design, and a few small clusters of white dots appear along the left edge; visible colors include dark brown,-stock-foto
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Katagami dyeing stencil, komon type; pattern of small motifs of the symbolic 'eight treasures' (Chinese: ba bao; Japanese: takara-zukushi); late 20th century; Japanese; stencil; height 24.8 cm, width 44.5 cm, A rectangular dark brown sheet with a slightly textured surface fills the image, featuring a large central rectangular area covered in a dense pattern of small light-colored dots arranged in curving, looping formations, and a few small round cutouts near the bottom edge; colors visible include dark brown and light beige.-stock-foto
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Ise-katagami dyeing stencil; pattern — vertical stripes and camellia flowers on the background; Ôsugi (author), camellias, floral ornament; Japanese, 1850; stencil; height 25.2 cm, width 41.0 cm, A rectangular sheet with a wide dark brown border surrounds a central area of vertical white and brown stripes forming a grid-like pattern, over which several stylized floral motifs in dark brown are arranged; the flowers have layered petals and grouped leaves with linear vein details, and a few small buds and thin stems connect some elements; the colors visible are dark brown and white.-stock-foto
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Ise katagami dyeing stencil - tatewaku with stylized wisteria flowers (fuji tatewaku), Ôsugi, Ishimi (1936- ), author, wisterias, flowers, geometric and plant patterns, stencils, Japanese art, Japanese, Shōwa (1926–1989), 1980 (Shōwa 55), Japan, stencil, height 53.9 cm, width 50.7 cm, A flat rectangular sheet with a deep brown background featuring a centered pattern of wavy vertical lines formed by small white marks; the wavy lines create an interlocking, repeating lattice across the central area, leaving a plain brown border around the top and sides and a wider plain brown area at the bottom;-stock-foto
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Double decker wooden box with covering of ornamental iron sheet Contributed by the family of Late Abdul Rahim Bardi 20th Century.-stock-foto
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SPORT CENTRAL, NEWCASTLE-UPON-TYNE-stock-foto
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Double Frontispiece for the Kolliat, 16th century, 10 7/8 x 11 3/4 in. (27.62 x 29.85 cm) (image, sheet), Colors and gold on paper, Iran, 16th century, This sumptuous double frontispiece has survived from a Kolliat manuscript originally written by the great Persian poet Sa'di. Illuminated opening pages such as these are typical of the ornate chapter headings, embellished script, and marginal decorations that frequently graced the Koran and other religious manuscripts, as well as literary classics. The decoration consists of a wide floral arabesque framing the central rectangular unit-stock-foto
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Christmas seasonal background with central blank white card and pine branches with copy space for a holiday greeting-stock-foto
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Front pendant: niche with dome and side aisles; Hangers with arabesken. Front of a pendant with a niche in the middle with dome and side aisles. In the niche is a vase with ears at an increase. Left and bottom right a rectangular costume ornament. One of 9 sheets from a series of 10 sheets with hangers. Three pearls hang on every hanger. In addition, two or four small costume ornaments on every leaf.-stock-foto
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1612 folio-size engraving title-page to Juan de Pineda's 'Commentariorum in Job libri tredecim', Antwerp. Central rectangular panel displays title, surrounded by twelve small engraved vignettes depicting episodes from the life of Job. Depicts early 17th-century Flemish engraving techniques, figure composition, spatial arrangement, line, hatching, shading, book illustration conventions, religious narrative, iconography, typographic arrangement, decorative border, folio format, and print craftsmanship.-stock-foto
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A heavy Southern German iron casket, presumably Nuremberg, circa 1620 Rectangular sheet iron body, reinforced edges with engraved and embossed decoration. Stepped base on four iron ball feet. False lock with curved escutcheon at the front, two hasps (partially replaced) with attached triangular locks (each one marked). The hinged lid with heavily reinforced edges. The cover of the central keyhole with hidden locking and spring-loaded lid. The inside with elaborate locking mechanism with tenfold locking. Replaced hollow shank key. Lavish openwork , Additional-Rights-Clearance-Info-Not-Available-stock-foto
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A heavy Southern German iron casket, presumably Nuremberg, circa 1620 Rectangular sheet iron body, reinforced edges with engraved and embossed decoration. Stepped base on four iron ball feet. False lock with curved escutcheon at the front, two hasps (partially replaced) with attached triangular locks (each one marked). The hinged lid with heavily reinforced edges. The cover of the central keyhole with hidden locking and spring-loaded lid. The inside with elaborate locking mechanism with tenfold locking. Replaced hollow shank key. Lavish openwork , Additional-Rights-Clearance-Info-Not-Available-stock-foto
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A heavy Southern German iron casket, presumably Nuremberg, circa 1620 Rectangular sheet iron body, reinforced edges with engraved and embossed decoration. Stepped base on four iron ball feet. False lock with curved escutcheon at the front, two hasps (partially replaced) with attached triangular locks (each one marked). The hinged lid with heavily reinforced edges. The cover of the central keyhole with hidden locking and spring-loaded lid. The inside with elaborate locking mechanism with tenfold locking. Replaced hollow shank key. Lavish openwork , Additional-Rights-Clearance-Info-Not-Available-stock-foto
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A significant French strong-box 1st half of the 18th century. Rectangular body of robust sheet iron with closely mounted heavy band fittings. The bands applied with globular rivets. Hinged lid, bronze key hole cover in the form of a lying cupid. On the front of the lid two movable handles. The interior with extremely intricate lock mechanism with 17 bolts (two screws missing). Solid central octagonal chaplet with elaborate ward. The original key with ring bow and rare star-shaped(!) blade. Lock cover of tinned sheet iron with rich openwork acanth, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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Art inspired by Title Page, from Varii Generis Opera Aurifabris Necessaria, ca. 1600, Engraving and blackwork, Sheet: 1 13/16 × 1 7/16 in. (4.6 × 3.7 cm), Paul Birckenhultz (1561–1639), Title page with title in rectangular frame at center, with large rounded areas of ornamental, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT-stock-foto
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Title Page, from Varii Generis Opera Aurifabris Necessaria, Paul Birckenhultz, ca. 1600-stock-foto
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Room screen consisting of three blades on which stylized peacocks. Room screen consisting of three sheets. Every leaf rests on two rectangular legs, has a wooden movement and is crowned by an ornamental line. The middle line is decorated with two foxes used to each other with a mushroom in the middle. The two side rules contain a wavy ornament. All parts are inside the wooden movement with linen showing two peacocks shown with gold-colored and black paint. The middle part has opposite colors of the two outer parts. The sheets are interconnected by copper hinges.-stock-foto
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Romulus struck the city of Rome / Acron and his soldiers attack Rome; Romulus and Remus. Sheet with two prints. Left, a rectangular manneristic decorative frame with two text boxes below. In the romulus central box, the city founded and calls it Rome. Romulus right with crown. A wall is built in the background. Right, a rectangular manneristic decorative frame with two text boxes below. Rome attacks in the Central Box (on horseback) and its soldiers with spears. In the background Rome on a hill. In the text in Italian text boxes.-stock-foto
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Attack on Antemnaea / Romulus Close peace with the tabines; Romulus and Remus. Sheet with two prints. Left, a rectangular manneristic decorative frame with two text boxes below. In the central box the attack on the Antemnaa. Fight between men with spears. In the foreground on the right a man with arrow and bow. In the background a city. Right, a rectangular manneristic decorative frame with two text boxes below. In the romulus central box that closes peace with the tabines at the city gate. A forest in the background. In the text in Italian text boxes.-stock-foto
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A heavy Prussian regimental chest, circa 1760, Rectangular chest of sheet iron with closely set, crossover band fittings, the front with a key plate and sham lock, two lateral movable handles. Hinged lid, the covering of the central keyhole with relief-worked Prussian eagle made of sheet copper (small defects). Concealed lock mechanism with twelve latches. Original hollow shank key with heart-shaped bow and elaborate bit. Lateral cover support, the front with two hasps for padlocks. Mounted on an old wooden pedestal. Dimensions 63 x 83 x 50 cm. P, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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A heavy Prussian regimental chest, circa 1760, Rectangular chest of sheet iron with closely set, crossover band fittings, the front with a key plate and sham lock, two lateral movable handles. Hinged lid, the covering of the central keyhole with relief-worked Prussian eagle made of sheet copper (small defects). Concealed lock mechanism with twelve latches. Original hollow shank key with heart-shaped bow and elaborate bit. Lateral cover support, the front with two hasps for padlocks. Mounted on an old wooden pedestal. Dimensions 63 x 83 x 50 cm. P, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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A heavy Prussian regimental chest, circa 1760, Rectangular chest of sheet iron with closely set, crossover band fittings, the front with a key plate and sham lock, two lateral movable handles. Hinged lid, the covering of the central keyhole with relief-worked Prussian eagle made of sheet copper (small defects). Concealed lock mechanism with twelve latches. Original hollow shank key with heart-shaped bow and elaborate bit. Lateral cover support, the front with two hasps for padlocks. Mounted on an old wooden pedestal. Dimensions 63 x 83 x 50 cm. P, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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An etched iron casket, Nuremberg, circa 1580, Rectangular casket of sheet iron on four semi-circular feet. Hinged lid with movable handle. Central key hole with blossom shaped cover, hollow shank key with openwork bow. The interior featuring a mechanism shooting four bolts, the base plate with well preserved, blued scrolling leaves. Inner drawer on the left side, the lid missing. The original all-over etched decoration on the lid and obverse only fragmentarily existent, the back and sides with recognisable rabbits and hounds between scrolling lea, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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An etched iron casket, Nuremberg, circa 1580, Rectangular casket of sheet iron on four semi-circular feet. Hinged lid with movable handle. Central key hole with blossom shaped cover, hollow shank key with openwork bow. The interior featuring a mechanism shooting four bolts, the base plate with well preserved, blued scrolling leaves. Inner drawer on the left side, the lid missing. The original all-over etched decoration on the lid and obverse only fragmentarily existent, the back and sides with recognisable rabbits and hounds between scrolling lea, Additional-Rights-Clearance-Info-Not-Available-stock-foto
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