Aktuális sajtó tartalmak és illusztrációs fotók

[embossed rectangular structure] képek

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Close-up of stacked blue-painted wooden pallets with visible wood grain, chipped paint, metal corner supports with embossed arrows-stock-foto
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Denarius, posthumous; obverse: head of Antoninus Pius bare to right, inscribed DIVVS · ANTONIN; reverse: rectangular altar with pair of doors and a finial in the form of horns, inscribed DIVO · PIO; issuers: Lucius Verus and Marcus Aurelius; after 161 CE; Roman Empire (27 BCE–476 CE), Rome; coin; diameter 16.5–17.0 mm; weight 3.20 g; axis 180°., A round metallic object with a dark gray surface sits centered against a white background; the object shows an embossed rectangular structure with a roof-like top and a base, and within the rectangle there are two panels each containing a few small-stock-foto
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Denarius, Antoninus Pius (86–161; Roman emperor 138–161) (posthumous), Marcus Aurelius (121–180; Roman emperor 161–180) (issuer), Lucius Verus (130–169; Roman emperor 161–169) (issuer). Obverse: Head of Antoninus Pius bare, right, inscription DIVVS • ANTONINVS. Reverse: Rectangular altar with two doors and a finial in the form of horns, inscription DIVO • PIO. After 161, Roman Empire (27 BC–476), Rome. Coin; diameter 17.0 mm; weight 3.25 g; axis 180°., A circular metallic object with a worn surface, shown against a plain white background, displaying darker gray and lighter silver tones; the-stock-foto
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Denarius of Hadrian (76–138; Roman emperor 117–138). Obverse: bust of Hadrian with laurel wreath facing right; rim inscription 'IMPCAESARTRAIANHADRIANVSAVG'. Reverse: galley sailing left; rim inscription 'PM TR P COS III'. Coin pierced for suspension. Date: 119–122. Place: Rome, Roman Empire (27 BC–476). Medium: silver coin. Weight: 3.10 g., A circular, worn metallic object with a small hole near the top edge, showing an embossed design of a boat-like shape with a curved prow and a rectangular structure above it; the surface is textured and uneven with signs of wear and slight chipping at the-stock-foto
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Denarius, Marcus Aurelius (121–180; Roman emperor 161–180) and Faustina the Younger (ca. 130–176; Roman empress 161–176). Obverse: Draped bust of the empress on the right, hair arranged in waves and tied in a bun at the back of the head; legend FAVSTINA AVGVS. Pearled border. Reverse: SAECVLI FELICITAS; throne decorated with drapery on which two children sit. Imperial busts; iconography includes throne with two children. Roman Empire, 161–176. Rome. Coin, weight 3.15 g, axis 180°., A round metallic object with a worn, dark gray surface and lighter silvery highlights, showing an embossed-stock-foto
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Close-up of teal crocodile leather texture with embossed rectangular pattern, vibrant and tactile. Natural background for luxury design, fashion detai-stock-foto
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Close-up of luxurious lava red crocodile leather texture with bold rectangular embossing and glossy finish. Natural background for fashion design, mat-stock-foto
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gray color square shaped pattern back side surface of ceramic floor tile background texture, abstract of construction or building material design-stock-foto
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Rectangular Plaque ca. middle of the 6th century Frankish. Rectangular Plaque  465526 Frankish, Rectangular Plaque, ca. middle of the 6th century, Copper alloy, Overall: 2 3/16 x 13/16 x 1/4 in. (5.5 x 2 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.193.207)-stock-foto
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detail of an unmortared wall made of natural stone-stock-foto
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Embossed texture of an old facade brick wall-stock-foto
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Facade wall with masonry of unequal rectangular bricks. Full screen image. Not seamless texture-stock-foto
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. Chair of walnut, resting on a, placed in spread, front and backboard, connected by a twisted sport. The preface shows in low embossed volutes on lion claws, which flank a cartouche with empty coat of arms. The front seat shows a rosette. The crossing seat is rectangular. The back has the shape of a reverse-like triangle with two flat panels; Volutes with Schubpeep stretched on the corner styles. The upper sorrel has a cartouche, volutes and circular rosons.-stock-foto
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Wall with embossed brown gray granite tiles. Not seamless texture.-stock-foto
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Wall with embossed rectangular stone tiles with a rough texture and spots of paint on it-stock-foto
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Wall with decorative gray embossed cladding made of narrow rectangular tiles-stock-foto
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Beige wall with embossed rectangular tiles lined with pattern. Background texture-stock-foto
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Decorative plaster brick. Texture of light beige scratched embossed brick wall with white seams and rectangular stucco bricks.-stock-foto
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Embossed textured surface of the old orange brick and cement wall-stock-foto
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The idea of design embossed wall of an old textured bricks-stock-foto
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Modern stone brick wall. For using as background and texture.-stock-foto
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Modern stone brick wall. For using as background and texture.-stock-foto
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Modern stone brick wall. For using as background and texture.-stock-foto
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Modern stone brick wall. For using as background and texture.-stock-foto
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Rectangular patterned embossed block wall background-stock-foto
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Rectangular patterned embossed block wall background-stock-foto
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Rectangular leather purse with a black burned in image of the Cascade Garden and a brass clasp shaped like acorns. This is a souvenir from the 1904 World ?s Fair. Title: Leather Purse With Burned In Image of the Cascade Garden and Brass Clasp  . 1904.-stock-foto
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Detail of gold painted steeple of the Hall of Prayer for Good Harvest in the Temple of Heaven in Beijing China-stock-foto
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Detail of gold painted round steeple of the Hall of Prayer for Good Harvest in the Temple of Heaven at Beijing China-stock-foto
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Ralph Atkinson's 1938 cast iron panel features flat surface, embossed decorative motifs, rectangular form, symmetry, and functional design in iron, reflecting early 20th-century metalwork.-stock-foto
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Faces of Java, Album with red leather strap, smooth back and embossed embellishments on front and back. Rectangular band decoration with geometric figures, decorations and inscription 'Faces of Java' printed on the front in gold. Front and rear end covers of glossy white paper with a horizontal wave structure. The album contains 25 thick white sheets, gold on cut, with a total of 75 photos. Each sheet has a large photo on the front and 2 small photos on the reverse. Images on the large photos: buildings, street views, water views (on the quay, etc.) and landscapes in Java and especially in-stock-foto
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Chest of drawers, Biedermeier style. Cherry, two-drawer cuboid chest on straight, tall, angular, tapering legs, polished. The body has a stand-alone structure with boarded sides and backs set in grooves; no bottom. Boarded drawer faces, recessed bottoms, with glued-on oak slides. Locks and handles of embossed brass sheet, rectangular with chamfered corners and an oval cabochon in the center; geometric cast brass pulls. Steel extruded single-bolt locks. 1820–1830, Southern Germany. Furniture storage, H 80.5 cm × W 87 cm × D 42.6 cm., A wooden chest of drawers with a warm honey-brown finish-stock-foto
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rectangular sticks ,design template-stock-foto
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Grand Vaulted Ceiling with Golden Trim and Stained Glass, Upward View-stock-foto
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Close-up of luxurious lava red crocodile leather texture with bold rectangular embossing and glossy finish. Natural background for fashion design-stock-foto
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Close-up of teal crocodile leather texture with embossed rectangular pattern, vibrant and tactile. Natural background for luxury design, fashion-stock-foto
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. Title: Marblehead Lighthouse, 1835. Category: PHOTOGRAPHS. Type: albumen print. Maker: Masury, Samuel. Place: USA, MA, Marblehead. Date: 1835. Materials: paper. Description: Albumen print taken by Samuel Masury in Marblehead, 1835. Oval shaped image mounted on a rectangular card. View of Marblehead Lighthouse, including a man and woman seated in the distance to the left. Embossed at bottom: 'MASURY'S/ PHOTOGRAPH/ BOSTON.' (Samuel Masury, 1818-1874). Hand printed in pen below the photographs: 'Marblehead L.H. Mass./ 1835'. 1835. Samuel Masury 7 1835 Marblehead Lighthouse by Masury Mystic Seap-stock-foto
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Faces of Java, Album with red leather strap, smooth back and embossed embellishments on front and back. Rectangular band decoration with geometric figures, decorations and inscription 'Faces of Java' printed on the front in gold. Front and rear end covers of glossy white paper with a horizontal wave structure. The album contains 25 thick white sheets, gold on cut, with a total of 75 photos. Each sheet has a large photo on the front and 2 small photos on the reverse. Images on the large photos: buildings, street views, water views (on the quay, etc.) and landscapes in Java and especially in and-stock-foto
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Gezichten van Java Album with red leather binding, smooth spine and embossed decorations on front and rear. Rectangular adornment band with geometric figures; decorations and inscription "Faces of Java" on front embossed in gold. Front and rear end leaves of white glossy paper with horizontal wave structure. The album contains 25 white sheets thick, gilt edges, with a total of 75 pictures. Each sheet has on the front a big picture and on the back two small pictures. Images on the big picture: buildings, street scenes, faces water (at quay etc.) and landscapes in Java and especially in and arou-stock-foto