Részletes keresés
Keresés

Aktuális sajtó tartalmak és illusztrációs fotók

[faint rectangular border] képek

84 találat
  • / 3
  • kép/oldal:
RF
A rectangular window in a stone wall shows a murky green pool in Madeira, with faint fish shapes and tree reflections, dappled midday light, and a cle-stock-foto
RM
Bookplate of the Rigaud family; heraldic bookplate with coat of arms featuring stars, heraldic helmets, bands, in an oval. French, late 18th–first half 19th century. Graphic print; height 6.4 cm, width 8.6 cm., An off-white rectangular paper with a hand-drawn oval framing a central heraldic shield topped by a stylized helmet and plume, flanked by a pair of flowing ribbon banners; the shield contains a group of stars near the top, a geometric interlocking motif in the middle, and a crescent shape near the bottom, all rendered in fine black ink lines and hatching; there are several scattered-stock-foto
RM
Ex libris DG de Labastie; bookplate by Dominik Witke-Jeżewski (1862–1944) after Paul-André de La Bastie (1756–1830); graphic print, heraldic bookplate with coats of arms, lilies, and rank crowns; French, 18th–19th century; height 8.7 cm, width 5.5 cm., A worn rectangular sheet with a light beige background framed by a narrow gray border, showing a faded, symmetrical faint design in the center, smudged pencil or graphite marks across the surface, a small circular stamped mark near the upper center, scattered reddish smudges and spots, a few greenish and yellowish discolorations toward the top,-stock-foto
RM
Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843.' Maker: Wilhelm Loeillot (1827–1876), graphic artist. Associated with Adalbert, Prince of Prussia (1811–1873). Medium/format: book binding; album; album page. Subject/contents: travels; illustrations; Brazil views; German graphics; medallions; eagles; emblems; travel diary illustrations. Date: 1847. Dimensions (album page, irregular composition): height 50.9 cm, width 35.2 cm., A dark rectangular object with a textured surface and worn edges centered against a pale background, featuring a circular gold-stock-foto
RM
Portrait of Prince Józef Poniatowski; graphic artist depiction of Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); artist Dominik Witke-Jeżewski (1862–1944); iconography: portrait, bust, orders; male portrait; dated circa 1820–1850; graphic print; dimensions: height 4.8 cm, width 4.5 cm., A large sheet of textured light brown paper with a narrow dark brown border around the left and bottom edges, showing a small, square black-and-white portrait of a man in historical military attire near the center; the portrait is surrounded by a lighter rectangular margin and depicts the man-stock-foto
RM
Portrait of Prince Józef Poniatowski; graphic artist: Poniatowski, Józef Antoni (1763–1813); Napoleonic era (1799–1815); artist: Witke-Jeżewski, Dominik (1862–1944); iconography, portraits; orders, busts; Poland; French graphic art; date: 1820–1840; medium: graphic print; dimensions: 16.2 × 11.8 cm and 18.6 × 14.1 cm., A monochrome engraving of a man shown from the chest up wearing a dark military-style coat with ornate shoulder epaulets and a fur-trimmed cloak draped over one shoulder, his hair curly and dark, a moustache and sideburns on his face, several decorative medals and a sash visible-stock-foto
RM
Częstochowa. Church in Raków. Unrealized project. Bottom plan. Wojciechowski, Jarosław (1874–1942). Towns, Częstochowa (Silesian Voivodeship). Modernism (style). 1911. Drawing; architectural drawing; architectural design. Height 34.5 cm; width 22.3 cm., A rectangular sheet with a narrow beige border contains a centered architectural drawing of a building floor plan rendered in fine pencil lines on an off-white background; the drawing shows the outline of a large rectangular interior space with curved and angular projecting rooms at the top and a semicircular entrance area at the bottom, with-stock-foto
RM
Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
RM
Theft of Light, pl. 12; Brahms's Fantasy, Op. XII; Klinger, Max (1857–1920), graphic artist; Prometheus (mythology) receiving the divine fire; music; Brahms, Johannes (1833–1897); fire; repossession; 1893, Leipzig; graphic art; height 29.0 cm, width 36.5 cm, A central dark rectangular image is surrounded by a wide pale beige margin; within the dark area there is a group of human figures rendered in muted black and gray tones, with one figure prominently elevated and reaching upward while others below reach toward that figure, and a faint lighter vertical streak above the elevated figure-stock-foto
RM
Rhone Glacier in the Bernese Alps, Nathe, Christoph (1753-1806), mountain landscapes, artists in the open air, glaciers, hikers, Rhone Glacier (Switzerland), Bernese Alps (mountain range), German drawings, Alps (mountains), landscapes, ca. 1790, Switzerland, drawing, height 41.7 cm, width 65.7 cm, A drawing of a kneeling woman rendered in reddish-brown lines on a pale, off-white background, shown within a rectangular double border; she wears a simple dress with short sleeves and a head covering, her upper body leaning forward with arms extended toward an unfinished, lightly sketched form, and-stock-foto
RM
Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the-stock-foto
RM
Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; Head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with a warm brown and copper tone fills the image, showing an etched profile of an older man with a mustache and beard; the etching lines are lighter copper against the darker plate. The man is depicted with swept-back hair, a defined ear, and a turned head with visible eyes and facial hair; the etched texture suggests fine lines for hair and-stock-foto
RM
Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker-stock-foto
RM
Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
RM
Title page: Collection of 19 planches études de figures Dessinées d'après nature A Amsterdam en 1703. Gravées spirituellement à l'eau-forte par M. Plonski à Paris. Title page, ca. 1806, Paris. Graphic plate, graphic matrix. Height 23.6 cm; width 17.3 cm., A rectangular surface fills the frame with a weathered, mottled appearance showing a mix of dark grays, blacks, and muted browns, with areas of lighter gray and subtle tan smudges. The surface has irregular blotches and stains, some clustered darker patches and softer washed areas, along with faint scratches and scuff marks. The edges show a-stock-foto
RM
Amsterdam Jew, Płoński, Michał (1778–1812), graphic artist; figure studies of male human types—Jews, workers—showing tools, hats, beards; 1802, Amsterdam; graphic matrix/graphic plate; height 17.3 cm, width 13.2 cm, A sepia-toned drawing on a rectangular sheet with a darker border shows a standing bearded man wearing a fur hat and layered clothing, including a loose jacket, a wrapped sash, and baggy trousers tucked into wrinkled boots; he holds a long-handled rake-like tool over one shoulder and a belt or strap with his other hand, and his expression appears neutral; the background is textured-stock-foto
RM
Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
RM
Barking dog; Ignacy Łopieński (1865–1941), graphic artist; genre scene; ca. 1930; graphic plate; height 16 cm, width 12 cm; dogs., A rectangular metal plate with rounded corners occupies the image, showing a worn, mottled surface in copper and brown tones with patches of darker gray and black discoloration. The plate displays a group of fine scratches and faint etched patterns, a few areas with clustered dark speckles, and several smudges and stains in darker brown and black. A narrow pale gray border is visible around the plate, and the overall surface has uneven shading with lighter and-stock-foto
RM
Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
RM
Highlander, Ignacy Łopieński (1865–1941), graphic artist; highlanders, haymaking; 1930; Warsaw; graphic plate; height 27.3 cm, width 22 cm, A worn rectangular surface with rounded corners fills the frame, showing a weathered, uneven texture in shades of gray with subtle areas of pale blue and muted brown; the surface has smudges, scuffs, and faint circular marks, with darker gray edges and a narrow lighter border around the perimeter.-stock-foto
RM
An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
RM
View of the Evangelical Cemetery in Warsaw; Fryderyk Krzysztof Dietrich (1779–1847), graphic artist; cemeteries; Warsaw (Masovian Voivodeship); trees; crucifixes; cemetery chapels; graves; Evangelical Cemetery of the Augsburg Confession (Warsaw); 1835; graphic; graphic matrix (plate); height 17.2 cm; width 21.2 cm, A flat rectangular metallic surface with rounded corners showing a worn, mottled texture and a few irregular darker stains and patches; there is a faint, curved residual mark running across the center and a short, narrow streak extending from it; the edges show slight discoloration-stock-foto
RM
Nobleman with a Glass; graphic artist; glasses; noblemen; generic types; 2nd half of the 19th century; graphic; graphic matrix; graphic plate; height 14.8 cm; width 10.1 cm, A rectangular, flat surface fills the image with a worn, mottled texture in shades of dark gray and charcoal, punctuated by lighter gray and white spots and splotches scattered across it; there are faint areas of muted yellowish-beige and tiny hints of rust-colored tones in places, as well as subtle variations in darkness creating streaks and smudges; the edges show slight rounding and a narrow neutral gray border is-stock-foto
RM
Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and-stock-foto
RM
Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm; width 28.7 cm, A rectangular metallic plate with an aged, mottled surface showing tones of brown, copper, greenish patina, and pale yellow; the plate has rounded corners and a narrow raised border around the edge. The surface contains a series of incised cursive grooves forming flowing, looped shapes across the plate, arranged in several horizontal rows; some grooves show slight discoloration with greenish hints. There are-stock-foto
RM
The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure-stock-foto
RM
Eight images of Catholic saints and God, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). II Monuments of domestic engraving, Catholic saints, see new print (cut into five parts) inventory no. Gr.Pol.6000/19-23, all elements glued into Boczkowska's album on sheet no. 23. After 1800; graphic; graphic matrix; graphic plate; height 21.7 cm; width 33.3 cm, A rectangular metallic plate with a warm copper tone mottled with patches of darker brown and faint greenish spots, showing a grid of several recessed rectangular panels each containing faint embossed illustrations of human figures-stock-foto
RM
Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Łohojsk — graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A worn rectangular object with rounded corners showing a dark, mottled surface in shades of black and deep brown with areas of lighter brown and ochre along the edges; a small rectangular paper label with a decorative blue border and a white center is affixed near the top edge, and there is a faint chalky or pale marking across the lower half in a light grayish color.-stock-foto
RM
Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806–1868); graphic frames; ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal sheet with a worn, tarnished copper-brown surface showing scratch marks and patches of greenish corrosion, a few areas of darker blackish discoloration, and several lighter abrasion lines; a scalloped-edged white sticker with a blue decorative border is affixed near the top right corner, and a faint bluish-gray smudged marking runs across the lower area; the background is a neutral gray.-stock-foto
RM
Saint Teresa of Avila; Teresa of Jesus (1515–1582) — iconography; Catholic saint. Saint in Carmelite habit kneeling before a crucifix, at the top left an angel with a wreath. Background, face and hands partially stippled. Graphic composition from a series depicting images that were objects of worship, mostly by anonymous engravers, often from monastery engraving workshops. After 1800, Vilnius. Graphic plate (matrix); height 8.6 cm, width 5.5 cm., A worn rectangular metal plate with a heavily weathered surface showing a mottled pattern of dark gray and rusty brown areas, with a few lighter gray-stock-foto
RM
Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A vertical rectangular metal plate with worn, darkened surfaces showing areas of brown, black, greenish-blue, and muted yellowish tones, featuring irregular patches of discoloration and corrosion, a vertical darker streak running down the center, a pale circular corroded area toward the lower left, faint pale chalky marks and smudges along the right side, and-stock-foto
RM
Three Persons of the Holy Trinity; Alais, John (ca. 1778–fl. ca. 1820), graphic artist; Halnat, François-Marie (1760–1808), publisher; depiction of Jesus Christ and angels; Tyszkiewicz, Konstanty (1806–1868) (associated); before 1809; London; graphic print (graphic plate); height 12.6 cm, width 8.2 cm, A rectangular metal sheet with a weathered, mottled surface in shades of brown, copper, dark gray, and hints of green, showing several areas of pitting and textured corrosion; a small decorative rectangular label with a scalloped edge and a blue border is affixed near the top right corner; faint-stock-foto
RM
Three Persons of the Holy Trinity; artist: John Alais (ca. 1778–fl. ca. 1820); graphic artist; publisher: François-Marie Halnat (1760–1808); subject: Jesus Christ (Bible) and angels; associated person: Konstanty Tyszkiewicz (1806–1868); title/series: I Monuments of National Engraving; date: before 1809; place: London; medium: graphic print/graphic plate; dimensions: height 12.6 cm, width 8.2 cm., A rectangular metal plate with a warm brown and copper tone shows etched imagery and faint patina across its surface, with a darker greenish spot near the center and a few other small greenish-stock-foto
RM
Recto: Martyrdom of the Soul in Hell 'Tormentum gustus'; verso: Partially blurred emblematic composition; devils; sinners; emblematics; Hell; Human Soul (personification); graphic artist; graphic matrix/plate; graphic; height 12.4 cm, width 7.5 cm; dated 1650–1800; maker: Konstanty Tyszkiewicz (1806–1868)., A rectangular metal plate with a warm brown and copper tone fills the image, showing an engraved oval wreath composed of overlapping leaf-like shapes in darker etched lines; the plate surface has small areas of discoloration and subtle spots, scratches, and faint circular marks. The top and-stock-foto
RM
Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879) and Fabian Sarnecki (1800–1894); subject: Poniatowski, Józef Antoni (1763–1813) — iconography; artist Wacław Lasocki (1837–1921) also associated; period: Napoleonic era (1799–1815); type: male portrait, bust; medium/style: Polish graphics, graphic print; date: 1832–1833; dimensions: 11.1 × 9.4 cm and 29.7 × 19.7 cm., A centered rectangular engraving of a man in historical military attire sits on a large off-white sheet that shows age spots; the man has curly hair and a mustache, a high-collared coat with a fur or-stock-foto
RM
A street in a medieval town; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, landscapes, cityscapes, architectural studies, views, streets, towers; architectural views of cities; Polish graphics; Gothic style; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10 cm, width 8.7 cm, A rectangular sheet with a worn, mottled surface showing a range of greys and off‑whites, with a few darker grey spots and stains scattered across it and some subtle bluish-grey patches; the sheet has faint scratches and scuff marks, a slightly darker narrow border around the edges, and a small-stock-foto
RM
City view inspired by Polish architecture; Feliks Jabłczyński (1865–1928), graphic artist; tenement houses, cities, landscapes, cityscapes, architectural studies, streets, views, gates, city views, architectural views; Polish graphics; Poland; ca. 1924; Warsaw; graphic matrix/graphic plate; height 10.4 cm, width 7.4 cm, A rectangular surface with a textured, worn appearance fills the image, showing a mottled field of pale gray and off-white with patches of darker gray and subtle brownish tones; there are several circular and irregular darker spots scattered across the surface, faint linear-stock-foto
RM
Feliks Jabłczyński (1865–1928), graphic artist. Architectural study depicting tenement houses, cityscapes, streets, towers, views of castles and royal residences—Wawel, Kraków (Lesser Poland Voivodeship), Poland. Polish graphic (graphic matrix/graphic plate), ca. 1924. Image dimensions: height 9.9 cm, width 8.1 cm., A rectangular dark surface fills most of the image, appearing charcoal to black with a rough, textured look and a few lighter gray and white splotches and speckles scattered across it; a narrow pale border surrounds the dark rectangle, and there are subtle brownish areas and faint-stock-foto
RM
Feliks Jabłczyński (1865–1928), graphic artist; architectural study of tenement houses, streets, towers and cityscapes — views of cities and castles including Wawel (Kraków) and royal residences; Polish graphic, graphic matrix/plate; ca. 1924; Warsaw; dimensions: height 9.9 cm, width 8.1 cm., A rectangular flat surface with a worn, rough texture filling most of the image, showing a mottled mix of gray, light gray, and muted brown tones with areas of darker gray smudging and faint scratches; a narrow border of lighter gray surrounds the rectangle, and there are small patches of slightly bluish--stock-foto
RM
A cutter on the wave — Feliks Jabłczyński (1865–1928), graphic artist; ships; water landscapes; landscapes; Polish graphic art; Poland; ca. 1924; graphic art; graphic matrix (graphic plate); height 7.3 cm; width 10.7 cm, A rectangular sheet with a rough textured surface fills most of the image, showing a mottled appearance in shades of gray and silver with areas of darker charcoal and lighter silvery highlights; the sheet has worn, scratched marks and subtle streaks and smudges across its surface, with faint speckles and irregular patches; the sheet is set against a light gray background-stock-foto
next page