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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics. Maker: Leon Wyczółkowski (1852–1936). Title and date: Impressions from Pomerania, 1931 (Poznań). Graphic portfolio; bookbinding. Materials/format: leather binding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A flat rectangular cover with a leather-like texture in dark brown and a stitched border in a yellowish-gold tone, showing a few scuffs and lighter worn spots near the edges and corners; the center area contains several small decorative elements in the-stock-foto
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Portrait of Prince Józef Poniatowski; graphic artist depiction of Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); artist Dominik Witke-Jeżewski (1862–1944); iconography: portrait, bust, orders; male portrait; dated circa 1820–1850; graphic print; dimensions: height 4.8 cm, width 4.5 cm., A large sheet of textured light brown paper with a narrow dark brown border around the left and bottom edges, showing a small, square black-and-white portrait of a man in historical military attire near the center; the portrait is surrounded by a lighter rectangular margin and depicts the man-stock-foto
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Portrait of Prince Józef Poniatowski; artist: Jan Nepomucen Lewicki (1795–1871), graphic artist; subject: Józef Antoni Poniatowski (1763–1813), Napoleonic era (1799–1815); also associated with Dominik Witke-Jeżewski (1862–1944); portraits, iconography of Józef Antoni Poniatowski, orders, busts; Poland, Polish graphic art; male portrait; Order of the Legion of Honor; ca. 1830; medium: graphic print; dimensions: height 9.6 cm, width 6.5 cm., A large sheet of light brown paper with a darker brown border contains a small oval portrait near the center showing a person with curly dark hair wearing a-stock-foto
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Landscape study; artist: Roman Kazimierz Kochanowski (1857–1945); subjects: trees, bushes, landscape; other associated names: Karolina Jerzmanowska (1879–1959), Kazimierz Jerzmanowski (ca. 1870–ca. 1939); Polish drawing, dated 1875–1935; drawing; dimensions: height 7.5 cm, width 12.5 cm., A small rectangular charcoal or pencil drawing framed by a light gray-blue mat and a beige outer border shows a landscape with dense dark foliage and trees occupying the central and right areas, a taller bare-trunk tree rising on the right, shrubby vegetation and textured ground in the foreground, and a-stock-foto
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Six of Clubs - English Soldiers Loading a Cannon; Tański, Czesław (1862-1942), illustrator; drawing; ink/graphite?; subject: English soldiers loading a cannon; themes: army, World War I (1914–1918), cannons (weapons), playing cards, clubs (card suits); Poland, Warsaw, 1916–1917., A mounted album page showing a grid of hand-colored playing cards mounted on a pale gray-blue background, each card framed by a lighter rectangular border; the cards display small illustrative scenes rendered mainly in black, gray, brown, red, blue, yellow, green, and beige with accents of darker tones, and each card-stock-foto
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Theft of Light, pl. 12; Brahms's Fantasy, Op. XII; Klinger, Max (1857–1920), graphic artist; Prometheus (mythology) receiving the divine fire; music; Brahms, Johannes (1833–1897); fire; repossession; 1893, Leipzig; graphic art; height 29.0 cm, width 36.5 cm, A central dark rectangular image is surrounded by a wide pale beige margin; within the dark area there is a group of human figures rendered in muted black and gray tones, with one figure prominently elevated and reaching upward while others below reach toward that figure, and a faint lighter vertical streak above the elevated figure-stock-foto
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Male nude; Verso: fragment of a study of a male nude leaning towards the leg, Bonola Codex, Castiglione, Giovanni Benedetto (1609–1664), Bonola, Giorgio (1657–1700), 17th century, Lombardy, drawing, height 46.7 cm, width 23.7 cm, The image shows a vertical rectangular sheet with a large semicircular opening on the right and an ornate border along the left and top edges; the decorative border contains a few reclining and twisting human-like figures rendered in fine brown ink and wash, with visible curving architectural moldings and carved motifs; the paper is an off-white or cream color and the-stock-foto
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Cardboard portfolio finished with canvas and gilding made for the album Monumenta Regum Poloniae Cracoviensia; graphic portfolio, ca. 1900; height 74 cm, width 55 cm., The image shows a flat, unfolded rectangular object with a central large pale cream panel bordered by darker narrow strips and additional pale cream flaps on the top, left, and right; the surrounding background is predominantly black. The central area is an off-white to light beige color with subtle variations and faint marks, while the border strips and seams are dark gray to black. The flaps share the pale cream color of the-stock-foto
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Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; Head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with a warm brown and copper tone fills the image, showing an etched profile of an older man with a mustache and beard; the etching lines are lighter copper against the darker plate. The man is depicted with swept-back hair, a defined ear, and a turned head with visible eyes and facial hair; the etched texture suggests fine lines for hair and-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Title page: Collection of 19 planches études de figures Dessinées d'après nature A Amsterdam en 1703. Gravées spirituellement à l'eau-forte par M. Plonski à Paris. Title page, ca. 1806, Paris. Graphic plate, graphic matrix. Height 23.6 cm; width 17.3 cm., A rectangular surface fills the frame with a weathered, mottled appearance showing a mix of dark grays, blacks, and muted browns, with areas of lighter gray and subtle tan smudges. The surface has irregular blotches and stains, some clustered darker patches and softer washed areas, along with faint scratches and scuff marks. The edges show a-stock-foto
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Dutch worker in sabots; Płoński, Michał (1778–1812), graphic artist; character study of a man; male worker/poor person wearing klompen (sabots); ca. 1800; graphic plate/graphic matrix; height 10.5 cm, width 5.6 cm, A rectangular metal plate with rounded corners resting on a gray background, with a surface marked by many dark irregular splotches and patches, lighter worn areas showing metallic brown and copper tones, and a few areas of black residue; the plate shows fine scratch marks and textured wear across its surface and a slightly darker border around the edges.-stock-foto
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Beggar with a Stick, Płoński, Michał (1778–1812), graphic artist; Witke-Jeżewski, Dominik (1862–1944); beards (facial hair); human types; old men; character studies; beggars; sticks; paupers; male character studies; 1802; Amsterdam; graphic; graphic matrix; graphic plate; height 7.2 cm; width 5.8 cm, A copper-toned rectangular metal plate with a sketched line drawing of an elderly bearded man leaning on a long staff, the man depicted wearing layered loose clothing and boots, standing on a simple ground line; the plate shows mottled areas of darker and lighter copper with greenish patina spots-stock-foto
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1000 Polish zloty voucher for Polish military purposes; graphic artist; Polish Military Treasury; Polish vouchers; military vouchers; White Eagle (coat of arms, Poland); panoply; Uhlan shako (iconographic); oak half-wreaths; laurel half-wreaths; 1916; graphic matrix; height 11.8 cm; width 18.2 cm; thickness 2.3 cm; graphic matrix: height 11.8 cm; width 18.2 cm; thickness 0.2 cm, A rectangular engraved plate with a textured gray surface showing a mirrored printed design; the plate has a decorative border and ornate carved patterns, including a large heraldic bird with outspread wings on one-stock-foto
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Miraculous Image of Our Lady of Łąków in the church of the Reformed Fathers, near Bratian, crowned by Benedict XIV in the year 1752 (Our Lady of Łąków); graphic artist; Marian image; Our Lady of Łąków; Bratian (Warmian-Masurian Voivodeship); after 1751; graphic; graphic matrix/plate; height 14.5 cm, width 9 cm, thickness 0.2 cm, A rectangular, flat metal plaque with rounded corners showing an overall brownish tone with areas of greenish corrosion and darker brown spotting, a small circular hole near the top edge, a scratched surface with many fine intersecting lines, several small irregular-stock-foto
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Barking dog; Ignacy Łopieński (1865–1941), graphic artist; genre scene; ca. 1930; graphic plate; height 16 cm, width 12 cm; dogs., A rectangular metal plate with rounded corners occupies the image, showing a worn, mottled surface in copper and brown tones with patches of darker gray and black discoloration. The plate displays a group of fine scratches and faint etched patterns, a few areas with clustered dark speckles, and several smudges and stains in darker brown and black. A narrow pale gray border is visible around the plate, and the overall surface has uneven shading with lighter and-stock-foto
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Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
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Highlander, Ignacy Łopieński (1865–1941), graphic artist; highlanders, haymaking; 1930; Warsaw; graphic plate; height 27.3 cm, width 22 cm, A worn rectangular surface with rounded corners fills the frame, showing a weathered, uneven texture in shades of gray with subtle areas of pale blue and muted brown; the surface has smudges, scuffs, and faint circular marks, with darker gray edges and a narrow lighter border around the perimeter.-stock-foto
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A request to the Mother of God, Polish saints and blessed; Lewicki, Jan Nepomucen (1795–1871), graphic artist; Woźnicki, Kazimierz (1878–1949); Catholic saints, prayers, Our Lady of Częstochowa (painting), blessed; 1867, Paris; graphic; graphic matrix; graphic plate; height 25.3 cm, width 19.6 cm, thickness 0.2 cm, A rectangular, worn surface with a mottled texture showing a mix of gray, dark gray, brown, and black tones, framed by a narrow light gray border; the interior shows several areas of lighter gray patches and darker smudges, a few diagonal scratch marks toward one corner revealing a-stock-foto
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Two compositions side by side: Virgin Mary and Child and Immaculata, Mary (mother of Jesus Christ), Turkiewicz, Roman (fl. 1935), devotional articles, Virgin Mary and Child (iconographic), anchors, Immaculata (iconographic), winged putti (iconographic), Mary (mother of Jesus Christ) - monograms, after 1800, graphic, graphic matrix, graphic plate, height 10.8 cm, width 12.5 cm, A rectangular surface with a rough, pitted texture showing a dominant brown color with areas of darker brown and black mottling, small shiny specks, and a few lighter brown and grayish spots; a slim neutral gray border-stock-foto
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Nobleman with a Glass; graphic artist; glasses; noblemen; generic types; 2nd half of the 19th century; graphic; graphic matrix; graphic plate; height 14.8 cm; width 10.1 cm, A rectangular, flat surface fills the image with a worn, mottled texture in shades of dark gray and charcoal, punctuated by lighter gray and white spots and splotches scattered across it; there are faint areas of muted yellowish-beige and tiny hints of rust-colored tones in places, as well as subtle variations in darkness creating streaks and smudges; the edges show slight rounding and a narrow neutral gray border is-stock-foto
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Text: Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm, width 28.7 cm; Tyszkiewicz, Konstanty (1806-1868), A rectangular flat surface with a worn brown background showing a mottled patina and a few areas of darker brown; several irregular black splotches and patches scattered across the surface, some concentrated near the corners and edges and others more isolated toward the center; a small decorative label with a blue border is visible near one corner; faint scratches and-stock-foto
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Latin alphabet, Arabic numerals and Russian alphabet; graphic artist; lettering, alphabet; after 1800; Vilnius; graphics; graphic matrix; graphic plate; height 17.8 cm; width 28.7 cm, A rectangular metallic plate with an aged, mottled surface showing tones of brown, copper, greenish patina, and pale yellow; the plate has rounded corners and a narrow raised border around the edge. The surface contains a series of incised cursive grooves forming flowing, looped shapes across the plate, arranged in several horizontal rows; some grooves show slight discoloration with greenish hints. There are-stock-foto
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Karawaka and prayer text. Spiritual Protection Against the Mormon Air, Pczycki, Stanisław (ca. 1769–1844), graphic artist. Karawaka, prayers. I Monuments of domestic engraving, 1st quarter of the 18th century, Vilnius. Graphic, graphic matrix, graphic plate. Height 15.5 cm, width 20.6 cm., A flat rectangular metal plate with a warm brown and copper tone fills the image, showing an etched design and a gridlike decorative border; the right side features an ornate cross-shaped motif with rounded trefoil ends and an oval medallion at its center, while the left side contains densely incised-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure-stock-foto
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Two tondos: Guardian Angel and the Holy Family; Stanisław Pczycki (ca. 1769–1844), graphic artist; Guardian Angel; Holy Family; after 1805; graphic plate; height 14.5 cm; width 20.5 cm., A rectangular, flat object with rounded corners fills the frame, showing a worn, textured surface in shades of brown, copper, and rust with mottled patches of darker brown and black. There is a visible band of lighter, golden-brown streaking across the central area, and scattered small dark spots and speckles across the surface. The edges show slightly darker wear, and a small decorative rectangular label with-stock-foto
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Virgin Mary of Trotsky (Our Lady of Trotsky), Czapliński, Mikołaj (fl. ca. 1710–1750), graphic artist; Our Lady of Trotsky (image); Mary (mother of Jesus Christ); after 1750; Vilnius; graphic; graphic matrix; graphic plate; height 12.3 cm; width 7.3 cm, A rectangular metal plate with an etched image of a crowned female figure holding a child, both framed by an ornate decorative border; the plate shows a mottled surface with hues of brown, copper, and hints of darker gray, and the etched lines and shading appear in darker brown against the lighter coppery background.-stock-foto
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S. Apolonia (Saint Apolonia). Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saints. Engraving, 1822–1832. Graphic plate (graphic matrix). Height 7.5 cm; width 5.1 cm., A rectangular metal plate with worn, mottled surfaces showing patches of dark black corrosion interspersed with exposed coppery brown areas, with a few rounded darker spots and some lighter scratched streaks; a small blue and light gray decorative label is attached near the top edge; the plate is set against a neutral gray background and has a thin raised border with slightly rounded-stock-foto
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Frame with the inscription: The Genuine Court Plaister; Łopaciński, Jan Nikodem (1747–1810), graphic artist, Łohojsk; Łohojsk — graphic frames, ca. 1800; graphic, graphic matrix, graphic plate; height 4 cm, width 6.5 cm, A worn rectangular object with rounded corners showing a dark, mottled surface in shades of black and deep brown with areas of lighter brown and ochre along the edges; a small rectangular paper label with a decorative blue border and a white center is affixed near the top edge, and there is a faint chalky or pale marking across the lower half in a light grayish color.-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806–1868); graphic frames; ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal sheet with a worn, tarnished copper-brown surface showing scratch marks and patches of greenish corrosion, a few areas of darker blackish discoloration, and several lighter abrasion lines; a scalloped-edged white sticker with a blue decorative border is affixed near the top right corner, and a faint bluish-gray smudged marking runs across the lower area; the background is a neutral gray.-stock-foto
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Rectangular frame; graphic artist; Tyszkiewicz, Konstanty (1806-1868) - maker; graphic frames, ca. 1800; graphic; graphic matrix; graphic plate; height 7.3 cm; width 5.2 cm, A rectangular metal plate with a central recessed panel surrounded by an incised decorative border, showing a worn surface with mottled patches and areas of discoloration. The plate displays a range of coppery browns, reddish-brown tones, darker brown lines in the engraved border, and small greenish and yellowish spots of tarnish. The border features repeated linear and oval incisions forming a patterned frame, with corner-stock-foto
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Saint Teresa of Avila; Teresa of Jesus (1515–1582) — iconography; Catholic saint. Saint in Carmelite habit kneeling before a crucifix, at the top left an angel with a wreath. Background, face and hands partially stippled. Graphic composition from a series depicting images that were objects of worship, mostly by anonymous engravers, often from monastery engraving workshops. After 1800, Vilnius. Graphic plate (matrix); height 8.6 cm, width 5.5 cm., A worn rectangular metal plate with a heavily weathered surface showing a mottled pattern of dark gray and rusty brown areas, with a few lighter gray-stock-foto
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Labels in the form of three tondos with inscriptions; Jan Nikodem Łopaciński (1747–1810), graphic artist; Łohojsk; company labels; Konstanty Tyszkiewicz (1806–1868); before 1802; graphic matrix; graphic plate; height 6.2 cm, width 9.9 cm, A rectangular metal plate with rounded corners, primarily brass-colored with areas of darker and lighter patina, shows three circular engraved designs: a large circle near the top center with concentric patterned borders and fine horizontal hatch marks inside, and two smaller circles near the bottom with decorative corner motifs; the upper circle is connected-stock-foto
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Pieta with Arma Christi, graphic artist, Łohojsk; Pieta, Arma Christi (attribute); Tyszkiewicz, Konstanty (1806–1868); Monuments of domestic engraving, after 1800; graphic, graphic matrix, graphic plate; height 9.9 cm, width 6.6 cm, A rectangular dark metal plate with an uneven surface showing patches of worn brown metal beneath a mostly blackened coating, with a small decorative label in the top right corner that has a white center and a blue border, a few areas of lighter gray scuffing and small pitted marks across the surface, a worn strip of exposed coppery brown along the bottom edge, and-stock-foto
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Recto: Putti and attributes of science; verso: Our Lady of the Gate of Dawn (painting). Maker: Stanisław Pczycki (ca. 1769–1844), graphic artist. Date: 1750–1820. Medium: graphic matrix/graphic plate (engraving). Dimensions: height 9.4 cm, width 6.2 cm. Inscriptions: Recto: NMP Ostrobramska., A rectangular copper plate with uneven black residue and smudging across its surface, showing areas of exposed reddish-brown metal with lighter copper highlights and darker tarnished spots; a few small patches of purple and pale yellow discoloration are visible, and there is a white adhesive label with a-stock-foto
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Saint Barbara, graphic artist; Barbara (St.) — iconography; Tyszkiewicz, Konstanty (1806–1868); I Monuments of domestic engraving; Catholic saints; after 1700; graphic; graphic matrix; graphic plate; height 8.7 cm; width 5.2 cm, A rectangular worn surface with a mottled pattern of dark black patches over a brown background, showing rough and uneven texture. A small rectangular label with a decorative blue border and a white interior is affixed near the top edge. The edges of the rectangle are slightly rounded and show worn brown and black coloration. A few small irregular spots of lighter tan-stock-foto
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Saint Barbara; graphic artist; Barbara (St.) iconography; Tyszkiewicz, Konstanty (1806–1868); Monuments of domestic engraving; Catholic saints; after 1700; graphic; graphic matrix; graphic plate; height 8.7 cm; width 5.2 cm, A rectangular metal plate with engraved lines depicting a standing robed figure holding a tall curved palm frond and presenting a small tower; the figure has stylized hair and a halo of radiating lines around the head. The plate shows an architectural column at one side and a landscape with a tree on the other side, all rendered with fine hatched and crosshatched engraving-stock-foto
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The Sending of the Apostles (Bible), before 1820; graphic print/plate; subject: biblical scenes, Jesus Christ; maker: Konstanty Tyszkiewicz (1806–1868), graphic artist; dimensions: height 12.6 cm, width 7.4 cm., A rectangular metal plate with rounded corners showing a worn, mottled surface in shades of brown and black, with several irregular dark blotches and textured corroded areas; a lighter brown band near the top contrasts with the darker patches; a small decorative label with a blue border and white center is attached near the upper right edge; the background behind the plate is a uniform-stock-foto
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Image of St. Ignatius of Loyola; graphic artist Caim (fl. ca. 1740–1780), publisher Łohojsk; subject: Ignatius of Loyola (St., 1491–1556) with dragons (fantasy); date ca. 1740–1780; place Nieśwież; medium: graphic, graphic matrix/plate; dimensions: height 11.2 cm, width 7 cm., A rectangular metal plate with a worn brownish-copper surface shows a patina of darker brown and black irregular spots and blotches scattered across it, along with several lighter scratch marks and scuffs. The plate has rounded corners and a small decorative paper label with a blue border adhered near the top right-stock-foto
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