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[raised rectangular shape] képek

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Study of a Lying Baby, with Hands Raised; Hans Thoma (1839–1924), draughtsman; children, baby study (sketch) for a painting; ca. 1900, Germany; drawing; height 41.8 cm, width 22.8 cm (drawing cut out in the shape of a child's figure), A cutout illustration of a reclining infant shown from an upward perspective against a dark background, depicting the baby's pale beige and rosy skin with white highlights and subtle gray and brown shading, a chubby torso and limbs with visible creases and rounded forms, one arm raised holding a pale beige rectangular object and the other arm bent with the hand-stock-foto
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Denarius, Elagabalus (204–222; Roman emperor 218–222). Obverse: IMP ANTONINVS VSAVG — Bust of Elagabalus with laurel wreath and paludamentum facing right, pearl rim. Reverse: SACERD DEI SOLIS ELAGAB — Elagabalus wearing laurel wreath and long robe stands facing right, holding a patera above an altar in his right hand, a club in his left; a star in the right field, pearl rim. Date: 220–222. Roman Empire (27 BC–476), Rome. Coin: diameter 18.5 mm, weight 3.30 g., A round metallic object with a worn surface showing a raised central figure of a standing person in draped clothing facing left,-stock-foto
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Denarius depicting Victoria (mythology) and Roman deities; Septimius Severus (Roman emperor, 146–211) — iconography. Obverse: LSEPTSEVAVGIMP XIPARTMAX — Head of Septimius Severus in a laurel wreath facing right, pearl rim. Reverse: VICTORIAE AVGGF EL — Victoria tiptoes to the left, holding a garland in both hands; at left a round shield on a rectangular pedestal, pearl rim. Date: 198–200. Culture: Roman Empire (27 BC–476). Medium: coin. Dimensions: diameter 17.5–18.0 mm; weight 2.55 g., A round metallic object with a worn, textured surface showing a raised central design of a seated figure-stock-foto
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Denarius, posthumous issue for Faustina the Elder (98–141; Roman empress 138–141), during reign of Antoninus Pius (86–161; Roman emperor 138–161) — Obverse: Bust of Faustina I in drapery facing right, inscription DIVA·FAVSTINA; Reverse: Six-column façade of the temple of Divine Faustina with a statue of the empress in the middle, inscription AED·DIV·AVSTINAE; after 141 CE, Roman Empire (27 BCE–476 CE), Rome. Coin: diameter 17.0–18.0 mm, weight 3.10 g, axis 0°., A circular metallic object with a worn, dark gray surface sits against a white background; its edge is uneven and dented, and the face-stock-foto
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Denarius, posthumous issue for Antoninus Pius (86–161) and Lucius Verus (130–169) and Marcus Aurelius (121–180). Obverse: Head of Antoninus Pius without a covering, with drapery on the left shoulder, right, legend DIVVS ANTONINVS. Reverse: Funeral pyre with four tiers, decorated with garlands and statues, with a quadriga on top, legend CONSECRATIO. After 161 CE, Roman Empire, Rome. Coin: silver, diameter 17.0 mm, weight 2.68 g, axis 180°., A round metallic object with a dark gray surface sits centered against a white background; the object has an uneven, slightly worn edge and an embossed-stock-foto
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Quarter; Hadrian (76–138; Roman emperor 117–138); laurel wreaths; busts; lyres (musical instruments). Obverse: bust of Hadrian right, wearing laurel wreath; rim inscription: HADRIANVSAVGVSTVS. Reverse: lyre straight ahead; rim inscription: COS III; in exergue: SC. Date: 119–138. Place: Rome, Roman Empire (27 BC–476). Object type: coin. Weight: 4.40 g., A round, dark object with a rough, uneven surface, showing a raised central area that forms a rectangular block above a curved, bowl-like shape; the object appears worn and textured with small pits and scratches, and the visible colors are dark-stock-foto
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Hadrian (76–138; Roman emperor 117–138). Obverse: Bust of Hadrian with laurel wreath facing right; rim inscription: HADRIANVSAVGCOSIIIPP. Reverse: Modius (attribute) stands straight ahead, with ears of grain coming out vertically from it; letters SC on both sides; rim inscription: ANNO, AVG. 119–138. Rome, Roman Empire (27 BC–476). Coin, weight 9.70 g., A round metal object with an uneven surface showing areas of brown, dark brown, green, and hints of reddish tones; the object has a central raised rectangular shape topped with radiating lines and flanked by a few raised curved forms; worn-stock-foto
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quarter, Trajan (53–117; Roman emperor 98–117), laurel wreaths, urns, heads, tables. Obv.: head of Trajan right in a laurel wreath; rim inscription illegible. Rev.: table decorated with panels, on top an urn decorated with a palm and a laurel wreath; in the field: SC. Note: broken coin, 114–117. Roman Empire (27 BC–476). Rome. Coin; weight 2.95 g., A worn round object with an irregular edge, primarily dark brown and gray with areas of lighter metallic highlights, showing a rectangular grid-like raised design near the center topped by a small raised vase-like shape and with a few lighter-stock-foto
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Silver Crown groschen, 1768. Obverse: in a square frame under a crown, a tied monogram composed of the letters SAR, pearl border. Reverse: in a square frame an inscription in five lines: 320/EX/MARCA/PURA.COL./1768.; on the sides of the square: 1.GR./R.POL./, /FS, pearl border. Maker: Sylm, Frederick William (fl. 1765–1767). Issued under Stanisław August Poniatowski (King of Poland; 1764–1795). Polish–Lithuanian Commonwealth (1569–1795), Warsaw, Poland. Coin; diameter 21.0–21.4 mm; weight 1.65 g., A round metallic object with a worn surface, showing a decorative raised design inside a-stock-foto
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Denarius, Faustina the Younger (ca. 130–176; Roman empress 161–176) (posthumous). Issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery to the right, legend DIVA TINA PIA. Reverse: Rectangular altar with a pair of doors, legend C·CRATIO. After 176, Rome, Roman Empire (27 BC–476). Coin; diameter 16.0–17.0 mm, weight 1.98 g, axis 0°. Icons: altars, doors (architectural), busts of empresses., A round metallic object with an irregular edge, showing a recessed rectangular frame and a smaller raised rectangular shape in its center; the surface appears worn-stock-foto
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Denarius, posthumous issue for Faustina the Younger (ca. 130–176; Roman empress 161–176); issuer: Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: Bust of Faustina II in drapery, facing right, legend DIVA·TINA·PIA. Reverse: Rectangular altar with a pair of doors, legend C·CRATIO. After 176 CE, Rome, Roman Empire (27 BC–476). Silver coin; diameter 16.0–17.0 mm, weight 1.98 g, axis 0°., A round metallic object with a worn, uneven surface showing a raised profile of a face in side view, with subtle contours suggesting hair and facial features; the object has scratches, small pits, and a-stock-foto
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Denarius of Faustina the Younger (ca. 130–176; Roman empress 161–176) issued under Marcus Aurelius (121–180; Roman emperor 161–180). Obverse: draped bust of Faustina II facing right, inscribed FAVSTINA AVGVSTA. Reverse: draped throne (pulvinar) bearing two children—twins Commodus and Antoninus—with inscription SAECVLI FELICIT. Date: 161–176. Roman Empire (27 BC–476), Rome. Coin: diameter 17.5 mm, weight 2.99 g, axis 180°., A round metallic object with a worn, uneven surface and a raised rim, appearing silver-gray with areas of darker gray patina; the center shows an indented rectangular shape-stock-foto
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Bronze coin, Pantikapaion; obverse: tripod with cauldron, handles and lid; reverse: eight-pointed star with letters between the arms; end of 2nd–beginning of 1st century BC; Cimmerian Bosporus (Black Sea); weight 3.20 g; axis 30°; dimensions 15.1 × 14.4 mm., A small round dark brown object with a slightly irregular edge sits near the center of a white background; the object's surface is textured and shows a raised rectangular vertical shape with carved details and a slightly lighter brown sheen in some areas.-stock-foto
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Bronze coin, Pantikapaion. Obverse: head of Apollo in a laurel wreath to the right. Reverse: tripod, behind it a thyrsus with ribbons diagonally to the right, on the right a monogram, an inscription in two rows on the sides. Iconography: head of Apollo, thyrsus, tripod, monograms. Date: 1st quarter of the 1st century BC (95–65 BC according to Frolov). Provenance: Cimmerian Bosporus, Pantikapaion. Maker/attribution: Terlecki, Ignatius (1860–1916). Function: coin. Material: bronze. Weight: 7.68 g. Dimensions: 19.3 mm; 19.9 mm., A round, worn coin with a dark brown and bronze patina showing-stock-foto
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bronze coin, Pantikapaion, bow in quiver (iconographic), head of Satyr (iconographic), quivers (armed), Black Sea, Satyr (mythology), bows (armed), weapons (iconographic), armament (iconographic), gorytos (armed); aw: head of beardless Satyr to the right, pearl rim; rw: bow in quiver to the right, inscription at the top and bottom; 330–315 BC, Cimmerian Bosporus, Pantikapaion; coin, weight 1.15 g, axis 270°, dimensions 11.4 × 12.7 mm, A small round object with a worn, textured surface appears in the center of a white background; the object shows a raised rectangular shape and other shallow-stock-foto
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Denarius (royal type) of Bolesław II the Bold (king of Poland, 1058–1079). Obverse: crowned bust of Bolesław the Bold facing left, sword in hand. Reverse: church topped with three domes. Date: 1076–1079. Place: Kraków, Poland. Coin; weight 0.74 g., A round, worn coin with a rough textured surface in shades of gray, brown, and muted green sits against a white background; the coin shows irregular raised and recessed areas forming a faint central rectangular shape and surrounding abstract marks and lines along the edge, with subtle darker spots and lighter highlights across its surface.-stock-foto
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bronze coin, Pantikapaion; obverse: head of young Dionysus in an ivy wreath facing right; reverse: bow and arrows in a gorytos with straps, monogram on the left; iconography: bow in a quiver, head of Dionysus, gorytos, quivers, bows, weapons, armament; monograms; Dionysus (mythology); Black Sea region; end of 2nd – ca. mid 1st century BC (time of Mithridates VI Eupator, 120–63 BC); Cimmerian Bosporus; coin; weight 17.55 g; diameter ~26.1–26.6 mm; maker: Pantikapaion., A round, worn coin with a dark brown and bronze patina showing a central vertical rectangular frame containing a raised,-stock-foto
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bronze coin, Pantikapaion; obverse: head of young Dionysus in an ivy wreath facing right; reverse: bow and arrows in a gorytos with straps, monogram on the left; iconography: Dionysus, bow in quiver, gorytos, quivers, bows, weapons, armament; monograms; Black Sea, Cimmerian Bosporus, Pantikapaion; dated end of 2nd–ca. mid. 1st century BC (time of Mithridates VI Eupator, 120–63 BC); coin; weight 17.56 g; dimensions 26.8–26.9 mm., A round, dark brown coin with a slightly irregular edge showing wear and a textured surface; on the coin's face is a raised design featuring a vertical rectangular-stock-foto
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Teutonic szeląg, Henryk Reffle von Richtenberg (Grand Master; 1470–1477). Obverse: Teutonic shield of the Grand Master; in the rim between pearly borders, an inscription. Reverse: Teutonic shield; in the rim between pearly borders, an inscription. Dated 1470–1477. State of the Teutonic Order (1226–1525), Königsberg. Coin; diameter 21 mm; weight 1.44 g; axis 330°., A worn circular metallic object with a textured, pitted surface showing areas of lighter silver-gray and darker gray-brown discoloration, with hints of greenish spots; the object has an indented central shield-like shape with two-stock-foto
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denarius - bracteate, crown I (iconographic), Richard, Anthony (1841-1894), AR punches, crowns, one-sided coins, crosses, Teutonic Knights (order), Crown composed of a rim with quadrangular holes and two arches with spherical projections. Between the arches, a cross on a spherical base with widening ends of the arms, ca. 1287/1288 - ca. 1297/1298, State of the Teutonic Order (1226-1525), coin (one-sided), diameter 16.8 mm, weight 0.25 g, A circular, weathered metallic object with an uneven rim and a raised central design showing a cross-like shape above a rectangular, comb-like element; the-stock-foto
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Obv. Head of Janus in a laurel wreath; above value mark I. Continuous border. Rv. Ship's prow at right; above value mark I; below the inscription ROM. Pearl border. After 211 BC, Roman Republic (505–27 BC), Rome. Coin, diameter 35.0 mm, weight 39.78 g, axis 225°. Maker: Protassowicki, Rafał (1894–1957). Iconography: head of Janus, ship's prow; mythological Janus. Publisher/as., A round, dark gray coin or medallion with a rough, textured surface and uneven edges, showing a raised design that includes a curved shape resembling a stylized prow or hook and a group of horizontal lines and-stock-foto
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triens (aes grave), publisher, head of Minerva, ship's prow, Minerva (mythology), Corinthian helmets, ships, helmets, Obv. Head of Minerva in a Corinthian helmet in the year; below the value mark oooo. Rev. Ship's prow to the right; below the value mark oooo. 225–217 BC, Roman Republic (505–27 BC), Rome, coin, dia. 46.0 mm, weight 103.46 g, axis 0 deg., A round, worn object with a dark, rough surface showing shades of black, dark gray, and hints of brown, featuring a raised, curved shape at the top right and a rectangular raised area across the center; along the lower interior edge there is a-stock-foto
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Concert Hall on Peace Square, Prešov, Slovakia-stock-foto
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Concert Hall on Peace Square, Prešov, Slovakia-stock-foto
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Concert Hall on Peace Square, Prešov, Slovakia-stock-foto
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Weathered beige tiles on a wall abstract textured background-stock-foto
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A simple rectangular tray with a raised center, designed for serving food or organizing items.-stock-foto
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284 Flowery painted old wooden, interior window shutter closed with a sliding bolt, opening into the Grand Courtyard, Bahia Palace. Marrakesh-Morocco.-stock-foto
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274 Open window and wooden shutter painted in colorful flowers set on the wall of a gallery in the Small Courtyard, Bahia Palace. Marrakesh-Morocco.-stock-foto
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265 Richly carved stucco and wood corner wall above brass-plated, floral-painted, angled old wooden doors, Bahia Palace-Small Riad. Marrakesh-Morocco.-stock-foto
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263 Relief-carved, floral-motif painted old wood door with brass plates and blue frame, on a corner of the Bahia Palace Small Riad. Marrakesh-Morocco.-stock-foto
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261 Closed, blue wooden door in the wall between the doorway and the minor courtyard of the luxurious, Moorish style Bahia Palace. Marrakesh-Morocco.-stock-foto
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Stool, 17th century, 20 3/8 x 22 13/16 x 18 1/2 in. (51.75 x 57.94 x 46.99 cm), Huang huali hardwood, China, 17th century, This richly carved waisted stool, because of its relatively elaborate detailing, would have been reserved for a person of high social standing. The legs, for instance, are carved with a continuous corner bead terminating in a stylized leaf motif in each of the feet. There is an elegant lip carved with a motif on two sides of each leg just below the humpback stretchers. A raised ruyi head lappet design is also carved into the shoulder of each leg and the waist itself is set-stock-foto
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Glass serving dish Second half of the 1st–2nd century A.D. Roman Colourless with green tinge.Rim ground smooth; horizontal border with two raised lines on each side of shallow rectangular bowl; sides sloping in to flat bottom; two large horizontal handles with roughly cut hole at center of each and cut decoration along outer edge; at corners, four small incised circles; raised hollow foot of rectangular shape, made by applying thick trail to bottom of bowl and then ground smooth; trail applied at one corner and run all way around bottom.Broken and repaired across one handle and one end of the-stock-foto
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. The driven bin of copper has a rectangular shape with a low wall, which turns into an excellent edge. It is divided into two compartments through a length over the middle raised rib in two compartments and other writing utensils. The soil has been decorative decorative across with hammer layers. Four rosettes have been beaten in the corners, such that the hearts are spherical at the bottom and serve into legs of the object. This motif has been repeated against the ends of the rib, on the widened short edges. Two stylized antithetically placed seahorses were driven in both sides. The centers-stock-foto
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Matchsafe, Molded vulcanite, Rectangular, curved sides and lid, featuring raised dot decoration on rectangular, instrument-like form with projections on upper right and left. Reverse features raised rectangular shape with two vertical bands running through it, beneath which is inscribed 'Wood Separator.' 'Chloride' inscribed on top of lid in upper case, gothic-style letters. Entire box black in color. Lid hinged on side. Striker molded into bottom., ca. 1910, containers, Decorative Arts, Matchsafe-stock-foto
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Girl making square shape with hands-stock-foto
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Upper left side of an altar with niche. Limestone. The break runs from top right to bottom left. There is no decoration in the niche in the shape of a shell. A triangular pediment is supported by an interrupted, profiled cornice, which also runs on the left and on the back. This rests on a pilaster with capital. One sees a part of the head and the right shoulder of the goddess, sitting on a seat with a high, rectangular backrest. On her right hand the big head of a dog, with upstanding ears, is looking in the direction of the viewer. On the left side the engraved foliage of a tree is visible-stock-foto
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F: Cupid, sitting to the left, bunch of grapes in raised left hand, swan coming from the left feeding, gem, intaglio, carnelian, Color: orange-red, Shape: rectangular, lying, Processing: in golden ring, Type :, 8.5 x 11.5 mm, D. 2 mm, wt. 2.79 gr., 18th century 1700-1800-stock-foto
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bright symmetrical pattern of steel plate with shiny ellipsoid raised safety grip where red paint has worn away - irregular rectangular shapes in gaps-stock-foto
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