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Wavy organic rectangle shapes collection in black isolated on white background. Abstract set of irregular rounded forms for modern design, branding, posters, templates, creative graphic compositions.-stock-foto
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Wavy organic rectangle shapes set in black isolated on white background. Abstract collection of irregular rounded forms for modern design, posters, branding, templates, and creative graphic layouts.-stock-foto
RF
Wavy organic rectangle shapes collection in black isolated on white background. Abstract set of irregular rounded forms for modern design, branding, posters, templates, creative graphic compositions.-stock-foto
RF
Wavy organic rectangle shapes set in black isolated on white background. Abstract collection of irregular rounded forms for modern design, posters, branding, templates, and creative graphic layouts.-stock-foto
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Study of a Lying Baby, with Hands Raised; Hans Thoma (1839–1924), draughtsman; children, baby study (sketch) for a painting; ca. 1900, Germany; drawing; height 41.8 cm, width 22.8 cm (drawing cut out in the shape of a child's figure), A cutout illustration of a reclining infant shown from an upward perspective against a dark background, depicting the baby's pale beige and rosy skin with white highlights and subtle gray and brown shading, a chubby torso and limbs with visible creases and rounded forms, one arm raised holding a pale beige rectangular object and the other arm bent with the hand-stock-foto
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Our Lady of Sorrows (matrix), Nowicki, CH (fl. ca. 1800–1825), graphic artist; graphic matrix/plate, 1800–1825, Vilnius. The image depicts the weeping Our Lady of Sorrows with seven swords thrust into her heart; on the right, a putto with an expression of pain. At the bottom, a ribbon with a quote from the Book of Ruth. Height 12.2 cm, width 8.7 cm., A rectangular metal plate with rounded corners showing an etched image of a robed figure with a long beard and a halo-like oval above the head, rendered in fine dotted and linear engraving; the figure faces sideways and is surrounded by swirling-stock-foto
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Drachma of Peroz I (ruler of Persia, 459–484). Obverse: bust of Peroz right, wearing a crown with a crescent and korymbos; in front of the crown a second crescent; Pahlavi inscription. Reverse: fire altar with king and priest at its sides, above the altar a star and crescent; pearl rim; Pahlavi inscription. Sassanid art/Kingdom; Iran/Persia. Coin, diameter 26.5–27.5 mm, weight 4.70 g., A round metallic disc with a raised circular border and a central raised design, showing ornate carved shapes and symmetrical decorative motifs; there are curved and linear embossed elements, rounded bead-like-stock-foto
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denarius (royal type), Bolesław II the Bold (king of Poland; 1058–1079), swords, busts, crowns. Obv.: Crowned bust of Bolesław the Bold facing left, sword in hand. Rev.: Church topped with three domes. 1076–1079. Poland, Kraków. Coin, weight 0.71 g, A round, worn object with a rough, textured surface in shades of gray and off-white, showing raised, carved shapes including a group of rounded forms along the top and a series of rectangular and triangular patterns in the lower area, all surrounded by a thin raised rim.-stock-foto
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Denarius - bracteate of Richard, Anthony (1841–1894). AR punch; one-sided coin. Design: gate with four rectangular and two triangular openings topped with a lily. At the gate's corners is one sphere; between the lily and the spheres is a smaller sphere. Under the arched vault of the gate is a six-pointed star. Motifs: gates, spheres, stars, lilies. Teutonic Knights (Order). Date: ca. 1257/1258–ca. 1267/1268. State of the Teutonic Order (1226–1525). Coin, diameter 17.1 mm, weight 0.18 g., A roughly circular, worn object with an uneven rim and surface texture, showing a raised central motif that-stock-foto
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Plaque, Rubiec-Masalski, Fyodor Vasilyevich (1865-1920?), Chinese art, Chinese, Tulisov, Jerzy (1943- ), Qing (1644-1911), birds, lotuses, geese, openwork, water birds, happiness (symbol), Qing (style), Chinese symbols, 19th century, China, sculpture, height 8.7 cm, width 4.0 cm, depth 1.5 cm, A pale, off-white carved rectangular object with rounded corners is set against a solid black background; the carving features an openwork design with a group of flowing organic shapes and a stylized bird motif, including textured feathers and curved beak, surrounded by a few swirling vine-like elements-stock-foto
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Business card case, goldsmith, Chinese art, Chinese, figurative scenes, Qing (1644–1911), bamboos, sages, monograms, early 20th century, China, varia, height 10.7 cm, width 7.0 cm, A rectangular silver object with an embossed scene covers most of the image against a plain gray background; the silver surface shows a textured field with raised decorative elements including a group of trees with rounded canopies, a couple of small roofed buildings, a winding rock formation, and bamboo-like leaves. In the central area a shield-shaped cartouche appears in relief above a patterned wall, and below-stock-foto
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Apsaras among flowers, graphic artist Antonina Obrębska-Jabłońska (1901–1994) and Witold Jabłoński (1901–1957); graphic print; Chinese art; Chinese Buddhism; Buddhist art; goddesses; dragons; geometric ornament; lotuses; decoration of the top of a rock niche; early 20th century, China; height 55.0 cm, width 135.0 cm, A large rectangular sheet with a pale background showing a repeated decorative pattern in gray tones, including a row of triangular shapes topped by circular forms, a narrow horizontal band with small rounded motifs, and beneath them a frieze of ornamental flowing foliage and-stock-foto
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Rhythmic Precision: Pattern Break. The facade of a commercial office building in Lyon, France, features repeating rounded rectangular panels forming a rhythmic grid. A single open window interrupts the order, introducing contrast and human presence.-stock-foto
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Stacked white geometric forms are appearing in 3D render studio scene with smooth gray background-stock-foto
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Les Singuliers et Nouveaux Portraicts... page 33 (recto) 1588 Federico de Vinciolo Italian Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 2 sections. Upper section is decorated with 2 rounded triangular motifs ornamented with a different floral pattern, which sit upon a rectangular base formed by 2 squares decorated with a diverse floral motif. Lower section is decorated with a wavy vine of flowers that sits upon 4 squares that are decorated with a floral pattern.. Les Si-stock-foto
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. Gold-plated shoe pose from copper (?), With shellfish and relieving relief. Rococco. Rectangular and curved model, rounded corners. From slippery and thickened for the spindle. Under buckle: single, U-shape eye of steel with two sharp points and a battery drawer shaped part at the spindle, which is blindly attached in the decorative edge. Loose, hinged yoke-shaped tongue (or point?) With sharp points. England or France? The shoe closes on the rubbed with two covered leather slippers, the other through the top edge. Forms a few with BK-1978-407-A.-stock-foto
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. Gold-plated shoe pose from copper (?), With shellfish and relieving relief. Rococco. Rectangular and curved model, rounded corners. From slippery and thickened for the spindle. Under buckle: single, U-shape eye of steel with two sharp points and a battery drawer shaped part at the spindle, which is blindly attached in the decorative edge. Loose, hinged yoke-shaped tongue (or point?) With sharp points. England or France? The shoe closes on the rubbed with two covered leather slippers, the other through the top edge. Forms a couple with BK-1978-407-b.-stock-foto
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Knife, steel, brass, mother-of-pearl, Sabre-shaped blade with a profiled upper edge, rounded bolster. Flaring rectangular handle, carved mother-of-pearl. Brass rivets on both sides of handle. Brass mounts and band along the side of handle decorated with engraved geometrical and fish-shaped forms., Germany, ca. 1700, cutlery, Decorative Arts, Knife-stock-foto
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Seamless, abstract background pattern made with rounded rectangles forming polygonal geometric shapes. Modern, simple and playful vector art in red an-stock-foto
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Template with gold shiny glowing frame with shadow-stock-foto
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Strook kloskant met afgeronde driehoekige schulpen.Strip natural colosside, blonde. The strip is slightly curved in shape. The repeating pattern begins consists of a sloping branch, which curls at the bottom. On the branch is a round flower with six rectangular petals on either side. Below the branch hang three different, rounded triangles as shuts down. A vaulted pillar always raises straight up from the bottom of the strip after each third of the strip and thus forms a separation between consecutive branches. Above the pattern, the strip consists of a fine Maas soil, a tulet. Under the branc-stock-foto
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Colorful abstract with swirling lines. 3D rendering-stock-foto
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Japanned Tray, View of St Martin's Church Birmingham, from the Bullring, 1815-1835. By Thomas Hollins.. Rectangular metal tray with deep convex-moulded sides & rounded corners. Pierced with oval slot (handles) to each end. Japanned scene of the Bull Ring, with St Martin's church, showing a stagecoach starting from the Nelson Hotel. Reverse black.-stock-foto
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Two woodcut diagrams showing stepped, cross‑shaped geometric forms composed of adjoining rectangular blocks. Each figure presents a symmetrical plan with projecting arms, one broader and more rounded in outline, the other more compact and angular. The shading emphasises their structural profiles, typical of mid‑19th‑century architectural reference illustrations. From one of a collection of woodcuts published in the 4th (enlarged) edition of A Glossary of Terms Used In Grecian, Roman, Italian and Gothic Architecture, which was published in 1845. In some cases the pages had some moderate foxing,-stock-foto
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Diaper basket with a representation of music-making putti, The rectangular basket with sloping walls rests on a foot edge and is on the bottom reinforced with an iron band. Flat rounded ears are attached to the short sides of the basket. The walls and ears are driven and partially cut with flowers and tendrils. A floating putto is shown on each of the short sides. In the middle of the long sides, two putti hold a smooth shield within a soft-tissue frame. The name Eefferim V: Weelevelt is engraved on the shield on the upper edge. The corners of the walls consist of soft, knuckle-like ornaments-stock-foto
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Set of squircles or squares shapes and frames with rounded borders. Simple geometric forms isolated on white background. Tags, boxes or buttons with blank space. Vector graphic illustration.-stock-foto
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Bronze helmet, 4th–3rd century BC, Italy, armament; height 27 cm without cheek guards, width 19.8 cm, depth 24 cm, weight 0.738 kg without cheek guards., A worn metal helmet viewed from the side with a rounded dome and a vertical fin-like projection rising from the top; the surface shows mottled patches of dark green, brown, and muted gold with areas of darker gray and black; a curved ear-cover piece with a looped detail and a small rectangular segmented attachment is visible toward the lower front, and a rounded cutaway near the base forms an arch; the rim along the lower edge is slightly-stock-foto
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Openwork basket by Steinhart & Co Birmingham, London; goldsmith, merchant; fl. 1897–1930. Openwork silver rectangular basket with a raised edge on the longer axis; edge bordered with a pearling ribbon. Openwork forms a composition of elongated ovals and arcades; geometric ornaments and pearling ornament. Date: 1910/1911. Place: Birmingham, England, Great Britain. Function: vessel. Dimensions: height 7.3 cm, width 9.6 cm, depth 6.7 cm; weight 40 g., A metallic decorative bowl with an openwork pattern and a beaded rim sits centered on a plain light background; the bowl shows a repeating cutout-stock-foto
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Ring, Chinese, Qing 1644–1911, 19th century. Jewelry; hand ornament. Shield with ideographic signs supported by two bats motif; bats iconography. Diameter 2 cm. ., A rectangular metallic object with ornate curved sides rests against a plain gray background; the rectangle has a raised border with a dotted inner edge and an inset panel featuring a pattern of raised linear shapes, and the curved side elements include decorative scroll-like and floral motifs with rounded bulbous forms. The visible colors are metallic gold, silver, and gray.-stock-foto
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Sarcophagus lid, The deceased is shown in a semi-reclining position, resting his left forearm on a pillow and holding a laurel wreath in his right hand. He wears a short-sleeved tunic and a cloak which, when thrown over the head, reveals the torso and left arm from shoulder to elbow; the right foot is visible from under the cloak. The human figure has very elongated proportions, with notably disproportionate legs. 2nd half of the 2nd century BC, Etruria. Sarcophagus; height 71 cm, width 203 cm, depth 48 cm, weight 108 kg., A reclining terracotta figure on a rectangular base, shown in profile-stock-foto
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Offering table, Square offering table with a protruding spout. In the center is a cartouche-shaped recess, while on its sides are two relief hes vases with spouts from which water pours. Below are four round loaves of bread. Cartouches. 300 BC–350 AD, Meroitic Period. Faras. Height 9.2 cm; width 32.28 cm., A rectangular carved stone plaque with an irregular top edge showing weathered, rough texture and visible tool marks; the stone is mainly reddish-brown with areas of darker brown and faint gray. The carving includes a central oval recessed cavity framed by raised, rounded borders, flanked by-stock-foto
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Seal stamp, Chinese, Qing dynasty 1644–1911, 18th–19th century. Sculpture seal stamp depicting a dragon with a pearl; carved in stone, height 26.5 cm, width 12.0 cm. Icons: dragons; style: Qing., A rectangular carved stone object with intricate raised reliefs on its visible faces sits on a pale surface against a dark gradient background; the stone has a warm beige to light brown color with variations and a slightly glossy, smooth appearance in places and rougher texture elsewhere, and the carvings depict swirling organic forms, stylized animal heads with open mouths, curling tendrils, and-stock-foto
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Figurine of the goddess Uadjit with the head of a lioness; Uadjit mythology; Egyptian deities; made of material not specified; hieroglyphs; back pillars; throne; lotuses; inscription Scen.Gal.Eg., 664; date: 30 BC – Late Period to Ptolemaic Period; origin: Egypt; figurine; height 22 cm, width 11.5 cm, depth 7 cm, weight 1.024 kg; maker, attributed period ca. 30 BC., A small carved figurine photographed from the back, showing a standing anthropoid form on a rectangular base; the surface is worn and pitted with a mottled green and brown coloration, and areas of lighter beige where material has-stock-foto
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A hood from a church cope. The hood of the liturgical cope is made of navy blue silk with appliquéd decoration of stylized flowers, leaves, and stars. In the lower center, under the bishop's hat, is a cartouche with the Odrowąż Dołęga coat of arms. Predominant colors: gold, silver, green, and brick red. Trimmed with contemporary metal lace braid. The appliqué was transferred to a new fabric. 18th century, Poland. Materials: fabrics. Height 58 cm, width 61 cm., A rectangular fabric panel with a rounded bottom edge is visible, mostly pale pink in color and showing many creases and stitched quilt-stock-foto
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Fragment of verdure tapestry depicting flowers, leaves, floral ornaments, trees, birds, pastoral landscapes and interior furnishings; densely occupied surface with tree branches, and at the bottom tall plants with broad heart-shaped leaves; a crested bird hoopoe visible in the foliage; no border. Colors: navy blue, blue, green, and beige. 17th–18th century, Flanders. Wool tapestry, height 336 cm, width 136 cm., A vertical rectangular textile with a narrow dark border shows a lush forest scene dominated by deep greens and blues in the foliage and background, with areas of muted yellow and gold-stock-foto
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Seal stamp, unknown creator; Chinese; Qing dynasty 1644–1911, 18th–19th century; seal stamp sculpture, Taoist subject depicting the Eight Immortals; inscription on the stamp; materials not specified; dimensions: height 9.3 cm, width 3.2 cm, depth 3.1 cm., A vertical rectangular carved object standing upright on a smooth surface, the material showing warm yellow and brown tones with areas of darker brown and subtle reddish veins; the top portion is sculpted in low relief with a figure wearing flowing robes and holding a fan, the carving exhibiting smooth rounded forms and fine folds, while the-stock-foto
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Box with a lid, Jômi, Eisuke I 1839–1899 artist; rectangular box with rounded corners, decorated on the flat lid with two flying wild geese made in high relief with inlay of silver and gold iro-e zogan technique. The side walls are decorated with a motif of inclined reeds, made of silver and shakudō using the hira-zogan technique, producing a painted effect. The lid bears a gold signature in a square field with two stylized kanji characters resembling archaic forms: Shobi. Ca. 1880–1899 Meiji period, 1868–1912. Japan, Kyoto. Container. Height 4.8 cm; width 10.2 cm; depth 11.4 cm., A small-stock-foto
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Seal stamp, repossession, Chinese art, Chinese culture, Qing 1644–1911, Qing style, seal stamp with dragon iconography, dragon with a pearl, 18th–19th century, China, sculpture; height 26.5 cm, width 12.0 cm, A carved rectangular stone standing upright with rounded top edges, showing a relief of swirling organic shapes and stylized cloudlike forms across its surface; the stone displays a palette of beige, tan, and light brown with subtle variations and some darker brown veining; the background behind the stone is a smooth gradient from dark gray at the top to lighter gray toward the middle and-stock-foto
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A depiction of a hand putting a coin into a purse with the inscription FOR THE COMMUNICATION CENTRE AND SUMMER CAMP; artist: Jan Kanty Trzebiński; lithograph; Radom printing house; 1917; charity stamps; graphic print ephemera; philanthropy; Poland; World War I; 20th century., The image shows a sepia-toned drawing of two hands; one hand holds a rounded bottle-like object wrapped in cloth and the other hand is poised above it holding a small round disc. The scene is framed by a rectangular border with hatched shading around the edges. The bottle and hands are rendered with dense crosshatching-stock-foto
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Amulet - mummy lying on a lion bed; mummification bed iconography, mummies, lions; amulet, height 2.2 cm, width 3.5 cm; 332–30 BC, Ptolemaic Period, Egypt., A small sculptural object showing a stylized animal figure reclining on a rectangular base, rendered with rounded, simplified forms and a curled tail; the surface shows areas of green, pale blue, reddish-brown, dark brown, and spots of black, with worn and pitted texture and traces of encrustation; the background is a plain light gray.-stock-foto
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