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[small lighter rectangular patch] képek

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The Martyrdom of St. Lawrence; graphic artist; subject: The Martyrdom of St. Lawrence; iconography: Lawrence (St.; ?–258) — historical scenes, lictor's rods, martyrs, Catholic saints; date: 2nd half of the 19th century; medium: graphic matrix/graphic plate; dimensions: height 10.9 cm, width 29.1 cm, thickness 0.2 cm., A rectangular wooden panel with worn, rough surfaces showing patches of peeling layers and uneven texture, featuring a central vertical area of lighter exposed wood flanked by darker worn areas; the overall tones include dark brown, black, and gray with areas of tan and ochre-stock-foto
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View of St. Mary's Basilica in Gdańsk from Piwna Street; verso: View of a medieval building in the Italian type. Artist: Feliks Jabłczyński (1865–1928), graphic artist. Subjects: tenement houses, cities, landscapes, cityscapes, architectural studies, views, churches, streets, towers. Depicts Church of the Assumption of the Blessed Virgin Mary in Gdańsk. Polish graphic art, ca. 1924. Medium: graphic matrix/graphic plate. Dimensions: height 8.6 cm, width 6.7 cm., A textured rectangular surface with a dominant dark gray to black color showing rough, scratched, and grooved patterns across it, with-stock-foto
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Courtyard of Collegium Maius; Feliks Jabłczyński (1865–1928), graphic artist; Collegium Maius (Kraków); universities; Kraków (Lesser Poland Voivodeship); Jagiellonian University (est. 1364); courtyards; architectural studies; balustrades; stairs; public buildings; architectural decorations; Polish graphic art and culture; ca. 1924; Warsaw; graphic art; graphic matrix/plate; height 9.4 cm; width 9 cm, A textured rectangular surface with a mostly dark gray center and lighter gray mottled patches across it, showing faint etched architectural shapes including arches and a stair-like diagonal line;-stock-foto
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Round imprint of the customs house seal in Jordanów. A crowned eagle with the Saxon coat of arms on its chest. Below, under the crown, a shield with an illegible coat of arms. Date 17 03 and the letters P.T. R. In the rim, the inscription: SIGILUM THELONEORUM REIPUBLICA, POLONIAE. 1703. Paper customs receipt seal, Jordanów, Poland., A rectangular piece of aged paper with uneven, slightly torn edges lies against a pale gray background, showing a worn, textured surface with visible creases and smudges. The paper displays a range of beige and off-white tones with areas of darker brownish-gray-stock-foto
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Lipstick box with lid; incense box; Chinese; Qing (1644–1911); 19th/20th century; geometric ornament; Japanese influence; material unspecified; China; height 2.8 cm; diameter 7.3 cm., A round, shallow dish viewed from above with a glossy black interior and a slightly raised rim showing small areas of worn brown along the edge, set against a flat gray background; the center of the dish has a small rectangular patch of lighter gray material.-stock-foto
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Feng shui compass luopan, Chinese, Qing 1644–1911, 19th century. Measuring instrument diameter 17.0 cm. San Yuan Luo Pan also known as yi pan or jiang pan containing the ring for the 64 hexagrams of the I Ching and a 24-direction ring; generally used by practitioners of the Three Cycles system of Feng Shui including Flying Stars Time Space. Related to navigational objects, astrology, calendars, Chinese zodiac, and clocks., A round black object with a slightly raised rim sits against a gray background, showing a glossy surface with subtle scratches and scuff marks; a small lighter rectangular-stock-foto
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Knife handle kozuka, gift; Japanese, Edo–Meiji period 19th century, 1603–1912; weapons/edged weapon for a katana kozuka; materials not specified; height 9.8 cm, width 1.5 cm., A vertical rectangular object with a worn dark surface centered against a uniform gray background, showing a few scratches and scuffs and a thin lighter streak along one edge, with visible subtle variations of dark gray and black tones and a small patch of brownish-orange discoloration.-stock-foto
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Amulet - left fist element of a mummy net, mummification equipment amulet in the form of a left fist, Late Period, Egypt, 664–332 BC; mummy net component; height 4.9 cm, width 3.6 cm., An irregularly shaped object resembling a pendant or amulet with a rounded top and a narrow rectangular base, shown against a plain light gray background, with a small rounded hole near the top and a teardrop-shaped cutout near one side; the surface shows a worn, textured appearance with a central patch of rough, lighter, almost white-gray material surrounded by a turquoise-blue field that varies in intensity,-stock-foto
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Ushabti fragment, mummy-shaped figurine; fragment of the legs preserved from the knees down. On the back there is a pilaster; the feet on a base. Imprinted hieroglyphs in five bands around the legs. Ushabti used as grave goods. Ptolemaic Period, 332–30 BC. Tell Atrib. Materials/dimensions: height 7.2 cm, width 3 cm., A small worn rectangular object with rounded edges is shown against a gray background; its surface is textured with small pits and irregularities and displays a worn pale greenish-beige color with areas of light beige and off-white; a small rough patch of tan fabric is attached to-stock-foto
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Amulet - tit, protective amulet in the shape of a tit knot made of dark blue glass, with hieroglyphs; Ptolemaic Period, 332–30 BC, Egypt; grave good; amulet, height 4.6 cm, width 1.8 cm, A small figurine-shaped object with a rounded head and broad shoulders tapering to a narrow base, painted predominantly blue with worn areas showing darker and lighter blue tones and patches of brownish wear, and with several small areas of red pigment on the head, torso, and lower body. The surface appears textured and uneven with scratches and chips, and there is a small rectangular patch of faded tan-stock-foto
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Stele-shaped tablet, Chinese, Qing 1644–1911, 19th century, China; stone slab with inscriptions; height 2.4 cm, width 5.15 cm, depth 0.75 cm., A small, flat, rounded rectangular object rests on a smooth surface, appearing dark brown with areas of lighter brown and hints of black; its top surface shows irregular texture and worn edges, and one end has a small patch of tan or ochre; the surface beneath casts a soft gray shadow and the background gradients from mid-gray near the object to darker gray toward the top.-stock-foto
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Neferhotep's Funeral Cone, Neferhotep ca. 1323–1295 BC. Funerary cone with hieroglyphs; text on the base enclosed in a circular field surrounded by a narrow, convex cylinder. New Kingdom, 18th Dynasty, ca. 1550–1295 BC. Height 8 cm, width 27.5 cm, weight 1.01 kg., A group of three cylindrical clay objects lie on a light gray surface, each showing a carved circular end. The left object is long and tapered with a rough beige and brown surface and a carved circular end featuring raised shapes and a small rectangular patch of darker beige; the center object is shorter and rounded with a sandy-stock-foto
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Amulet - goddess Toeris; Navy blue glass slight violet admixture; 332–30 BC, Ptolemaic Period, Egypt; amulet; height 4 cm, width 1.4 cm; inscriptions/markings: Toeris myth., Egyptian deities, Egyptian religion., A roughly vertical metal object with an irregular silhouette and worn edges, showing a mottled surface in shades of blue, purple, brown, and gray, with a few small darker spots and lighter patches; there is red marking near the top and a small worn rectangular patch of brownish paper near the bottom, and a roughly oval hole above that patch.-stock-foto
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Offering table with carved offerings, offerings iconography and grave goods; depicted: bread and two slender vessels, with lotus flowers on high stems behind; Ptolemaic Period, 332–30 BC, Egypt; offering table; height 8.5 cm, width 36 cm, depth 29 cm, weight 23.444 kg., A rectangular slab with a rough, pitted surface rests against a neutral background; the slab is predominantly dark gray with lighter gray and off-white irregular patches and streaks across its top face, and there is a small bright white rectangular patch adhered near one side. The slab's beveled edges show a mottled texture in-stock-foto
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One of the Eight Immortals, Eight Immortals iconography; male figure; Chinese art; fan; Chinese culture; Qing dynasty 1644–1911, 19th century; China; sculpture; height 14.3 cm, width 5.9 cm., A small carved object rests on a smooth surface against a dark-to-light gradient background, showing a pale greenish-white stone with some areas of warm beige tones; the carving has rounded, bulbous forms and smooth polished surfaces with subtle variations in translucency, and a small rectangular lighter patch is visible on one rounded area.-stock-foto
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Doll with movable limbs, unknown Corinthian workshop author ?, restitution provenance, toys, dolls, human figurines, 500–450 BC, Corinth place of origin ?, terracotta figurine, height 13.9 cm, width 4.1 cm, depth 1.9 cm, weight 0.05 kg, A small humanoid figure made of a brown, weathered material stands against a plain gray background; the figure has an elongated, flattened head and torso with a rough, uneven surface showing lighter and darker brown patches and areas of wear, a few small white flecks, and some smoother, shinier spots. The figure has movable arms and legs attached with short-stock-foto
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Shabti, mummy-shaped figurine, funerary gift. Mummy-shaped figurine with back supported by a pillar/pilaster. Legs missing up to knee height. Arms crossed on the chest, right folded over left. Right hand holds a hoe; left hand holds a pickaxe. Wearing a three-part smooth wig. Long, straight, braided beard. Facial details poorly visible. Not inscribed. 664–332 BC, Late Period, Egypt. Height 6.9 cm., A small carved object shaped like a stylized bird with a rounded head and tapered body sits against a plain gray background, showing a smooth glossy surface in shades of bright turquoise and teal-stock-foto
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Sekhmet figurine, lion-headed goddess shown standing or walking. Lioness head with tripartite wig topped by a solar disk adorned with a uraeus. Right arm hangs at her side, clenched into a fist revealing a hole from a lost cult object; left arm broken at the elbow. Figurine broken at the knuckles and mounted on a modern cylindrical wooden base with a contoured edge. 664–525 BC; Late Period, 26th Dynasty, Egypt. Terracotta/stone? figurine, height 9.7 cm., A round, flat object with a dark, worn surface sits against a pale gray background; the object shows areas of lighter abrasion and a rough-stock-foto
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A katagami dyeing stencil cut into a pattern of chrysanthemum flowers against a background of vertical groups of stripes of various widths. Pattern cut on the pattern: three parallel horizontal stripes of chrysanthemum heads with leaves. Stencil, Japan, 19th/20th century Meiji period, 1868–1912. Height 40.2 cm, width 17.8 cm; ise-katagami., A horizontal rectangular artwork shows a dark brown background with a pattern of three large stylized flowers and surrounding leaves rendered in white cutout shapes, connected by vertical white stripes of varying thickness; the flowers have layered petals-stock-foto
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Fragment of a Sinopean amphora vice with a rectangular stamped impression inscription reversed, read right to left preserving the name of the Sinopean manufacturer Sagaris with patronymic; an emblem in the form of a leaf originally stood at the left of the stamp. Hellenistic period, ca. 320–300 BC. Found at Myrmekion Crimea. Stamp; height 8 cm. Made in Sinope. Maker attributed: Sagaris son of Numenius., A broken terracotta fragment rests on a flat surface against a neutral gray background, showing rough, porous edges and smoother inner surfaces. The piece is primarily a warm orange-brown color-stock-foto
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Fragment of a stamped amphora neck, 332–30 BC; Hellenistic period, possibly Knidos Caria, found in Myrmekion; amphora neck with stamp; height 6.5 cm, width 7.7 cm, depth 6.5 cm, length 6.5 cm., A broken terracotta fragment with a rough, weathered surface in shades of orange, reddish-brown, and tan rests against a light gray background; the fragment shows a curved rim and a flat base area with worn edges, pitted texture, and a raised decorative motif on one side, and there is a small rectangular patch of a lighter beige fabric-like material adhered to the base.-stock-foto
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Head of Guanyin Bodhisattva, Chinese, Guanyin iconography, Qing style, goddesses. Fragment of a statue made of polychrome-coated feldspar with cube-shaped base of dark red marble. 19th century, China. Sculpture; height 26.0 cm., A small worn rectangular box with a distressed red exterior sits near the bottom center of the image, showing a weathered brown patch on its front and rough textured edges; behind and partially above the box is a pale rounded object with beige and light tan tones and a small dark area on one side; the background transitions from a dark charcoal at the top to a mid gray-stock-foto
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Church napkin, church paraments; Evangelical church Sielec furnishings. Embroidered thin white cotton fabric with fine floral pattern in yellow and gold; edged on one side with a very narrow strip of plant twig motif in yellow and gold. Flowers, leaves, plant ornaments; sacred art. 1st half of the 18th century, Poland. Height 327 cm, width 280 cm., A flat rectangular textile arranged in a cross-like shape on a dark background, the fabric appears off-white with a subtle woven texture and small scattered lighter spots; the cloth shows soft wrinkles and a few faint irregular marks, and there is a-stock-foto
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Fragment of an amphora with a stamp, ca. 390 BC, found at Pantikapaion, originating from Thasos; stamp; vice; height 6.2 cm, width 8 cm., A worn rectangular fragment with an uneven top edge in shades of reddish-brown with lighter brown and tan variations, showing a shallow oval impression carved into its surface that contains curved and rounded raised areas and a narrow linear indentation ending in a small circular cluster; there is a patch of rough white residue near the lower left of the fragment and faint lighter streaks and speckles across the surface, all set against a flat neutral gray-stock-foto
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Seal, unknown South Egyptian workshop, pyramidal clay seal with a roughly square stamp surface and rounded corners. Shallow incisions at mid-height. On the base an engraved letter—possibly a geometric B or an M resting on the base—with a small round recess beside it. Upper part is impressed; chipping on the base. Visible kaolin clay, pink-beige. 6th–7th century; Edfu. Seal/stamp. Height 6.1 cm, width 5.5 cm., A weathered, fragmentary brown clay object with a roughly rectangular top and tapered lower edge suspended against a gray background, showing two shallow horizontal grooves on its front-stock-foto
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Bowl, Deep, cup-shaped clay bowl with a slightly convex bottom and sides arching upwards; straight, flat-topped flaring rim. Made of Nile clay NB1 ?. Covered with an engobe containing red ochre and thoroughly polished. Color: red. Well-preserved with slight damage to the rim. Ceramic vessel, Old Kingdom ca. 2686–2181 BC, height 13.8 cm; rim diameter 28.8 cm; bottom diameter 11.9 cm. Comparative references: parallels cited to Mycerinus, Giza Necropolis II, Qau and Badari pottery types IV–VI dyn., Abydos Middle Cemetery late VI dynasty, Umm el-Qaab no. 85 IV dynasty, and Asyut pottery-stock-foto
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Metal collar ending a sword hilt fuchi, decorated with a deer; Edo period 18th century, Japan, height 3.7 cm, width 2.3 cm, depth 1.2 cm., An oval metal object with a dark brown and rusty surface floats against a plain gray background, showing an inner hollow with a tapered rectangular opening and a few areas of darker patina and lighter worn edges, and a small patch of off-white marking visible inside.-stock-foto
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Pig — funerary figurine; creator, Chinese; Han dynasty 202 BCE–220 CE; jade; animal/zodiac subject pig; full sculpture; 2nd century BCE–3rd century CE; sculpture/figurine; height 2.2 cm, width 9.5 cm, depth 2.4 cm; weight 0.12 kg., A small rectangular stone with rounded edges resting on a reflective surface, showing a mottled pattern of dark green, pale green, and black across its top and sides; a small rectangular patch of lighter material is visible on the front face; the background is a smooth gradient of light gray to pale gray.-stock-foto
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Amulet — god Horus; dark blue glass; Ptolemaic Period, 332–30 BC, Egypt; amulet; height 4.6 cm, width 1.3 cm; Egyptian deities; Egyptian religion., A single elongated object with an irregular, roughly rectangular top and a tapered bottom, shown against a plain light gray background; the object is predominantly deep blue with areas of darker and lighter blue, and it has a worn, uneven surface texture with visible chips and rough spots; there is a central patch of muted orange-pink material adhered to the surface, with portions flaking and showing underlying blue and pale off-white material;-stock-foto
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Amulet - goddess Toeris, Toeris myth., Egyptian deities, crocodiles, hippopotamuses. Figurine of the goddess Toeris in the form of a pregnant hippopotamus standing on lion legs and equipped with a crocodile tail. A stand under the legs, a pendant on the back. 664–332 BC; Late Period, Egypt. Amulet; height 5 cm, width 1.5 cm., A small statuette of a standing anthropomorphic lion figure rendered in a pale green-blue glazed material, showing a mane with vertical grooves, a snarling open mouth, and a defined nose and eyes; the figure’s arms hang down along its sides and it stands on a rectangular-stock-foto
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Fragment of a Greek dedicatory inscription, unknown author, tombstone inscription, 70 BC–1 end of the Ptolemaic period or beginning of the Roman period, Egypt, Greek inscription; height 24.2 cm, width 24 cm, depth 4.7 cm, A dark gray stone fragment with rough, uneven edges sits against a plain light gray background; the stone surface shows textured, mottled areas in shades of dark gray, medium gray, and lighter gray with a subtle greenish patina in places, and a rounded smoother patch of lighter gray on one side; there is a small beige and tan rectangular label with a patterned border and a-stock-foto