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[thin rectangular border] képek

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Elegant gold thin line frames realistic vector isolated on black background. Luxury golden border, art deco design, premium labels, vintage decorations, or modern ornamental elements-stock-foto
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A decorative rectangular frame, made from thin overlapping lines, displays bright coral flowers and stems. Several individual coral flowers with stems are placed to the right.-stock-foto
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Set of three rectangular frames minimalist gold on white-stock-foto
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Three rectangular frames, thin cornered outline, gold-stock-foto
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Vertical gold rectangular frame with thin metallic border-stock-foto
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Horizontal gold rectangular frame with thin metallic border-stock-foto
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Elegant gold thin line frames realistic vector isolated on black background. Luxury golden border, art deco design, premium labels, vintage decorations, or modern ornamental elements-stock-foto
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Elegant gold thin line frames realistic vector isolated on black background. Luxury golden border, art deco design, premium labels, vintage decorations, or modern ornamental elements-stock-foto
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Decorative poster illustration featuring midnight special text centered within a dark rectangular panel framed by thin art deco style border lines and-stock-foto
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Decorative rectangular title card featuring for your consideration text centered inside a thin ornamental border with simple divider accents.-stock-foto
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A Bold retro sign with yellow dotted 3d text reading WAFFLE DAY on a deep red rectangular background with thin decorative white border-stock-foto
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Simple rectangular message card illustration with centered title text and thin ornamental corner details around the border.-stock-foto
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A Bold retro styled world cup text in yellow orange with halftone dots and drop shadow on a deep red rectangular background with thin white decorative-stock-foto
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A graphic design element featuring a divided circle on a rectangular background-stock-foto
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Art Nouveau title-page frame typical of late 19th-century book and advertising design. It is a thin, slightly irregular double ruled rectangular frame-stock-foto
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A beautiful rectangular frame of thin golden lines is decorated with charming watercolor elements.-stock-foto
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A decorative rounded rectangular frame formed by thin golden lines.-stock-foto
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A watercolor style golden frame with rounded rectangular shape is featured. Multiple thin lines create a hand drawn effect on a plain white background. This design offers a decorative border.-stock-foto
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A delicate golden watercolor frame features multiple thin, hand-drawn style lines. Its rectangular shape has soft, rounded corners. The elegant design is isolated on a pure white background.-stock-foto
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A clean collection of minimalist outline flag icons. The set features diverse banner shapes, pennants, and national symbols. Perfect for global naviga-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Société Suisse d'Heraldique; Lorenz Max (1863–1939), graphic artist; Dominik Witke-Jeżewski (1862–1944). Bookplate (1901). Swiss coats of arms; heraldry; helmets. Graphic print (bookplate). Dimensions: height 4.7 cm, width 3.0 cm., A rectangular card with a textured beige background and a thin red border contains a large red cross-like pattern formed by four red squares around a central beige area. In the center sits a red shield bearing the outline of a helmet and a pair of crossed objects, with decorative flourishes at the sides of the shield. The top and bottom areas inside the border-stock-foto
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Heraldic bookplate by Lorenz Max Rheude (1863–1939), graphic artist; heraldry and coats of arms; German; 1901; graphic print (bookplate); height 8.0 cm, width 7.0 cm, A centered crest-like shield on an off-white rectangular background with a gray border shows a red horizontal band at the top featuring three rounded arch shapes, a large stylized black ornamental motif filling the lower shield area with curved swirls and pointed ends, thin black outline lines defining the shield edges, and two small red circular marks near the bottom left and right of the shield; visible colors include off-white-stock-foto
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Portrait of Prince Józef Poniatowski; artists: Antoni Oleszczyński (1794–1879) and Fabian Sarnecki (1800–1894); subject: Józef Antoni Poniatowski (1763–1813); Napoleonic era (1799–1815); related to Dominik Witke-Jeżewski (1862–1944) and his depiction/iconography of Poniatowski, portraits, busts; Polish graphic art, print graphic; male portrait; dated 1832–1833, Paris; dimensions: 11.2 × 9.5 cm and 13.8 × 10.7 cm., A rectangular grayish-brown sheet with a textured surface and a darker narrow border surrounding it, containing a smaller white rectangular print centered near the top showing a-stock-foto
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Psary. Church. Bottom plan; Wojciechowski, Jarosław (1874–1942); churches; Psary (Greater Poland Voivodeship); architectural designs; towns; modernism (style); bottom scale: 10 meters = 6 cm; 30 Polish ells = 10.2 cm; explanations; 1909; drawing; architectural drawing; architectural design; height 36.5 cm; width 23 cm, A vertical architectural floor plan drawn on an off-white sheet with a narrow gray border, showing a symmetrical building outline in black ink with thick black wall sections and thin fine-line interior details; the plan features a central large rectangular nave area flanked by-stock-foto
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Future - Allegory of Peace Destroying a Cannon with a Hammer; Czesław Tański (1862–1942), illustrator; drawing; playing cards; allegory of Peace; cannons (weapons); Poland; 1916–1917; World War I., A pale gray page with visible wear and a darker gray binding area contains a group of small, portrait-style illustrations mounted in two rows; the top row shows a sequence of four rectangular cards with sketched figures and decorative suit symbols, each card framed by a thin beige border, and the bottom row has a single vertical card centered beneath them. The leftmost top card depicts two men in-stock-foto
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Five of Hearts - Paris at Night Illuminated by Anti-Aircraft Searchlights, Tański, Czesław (1862-1942), illustrator, World War I (1914-1918), playing cards, hearts (card suits), Paris (France), nocturnes, Poland, 1916-1917, Warsaw, drawing, A flat grayish background holds a grid of illustrated rectangular cards mounted in two rows, each card framed by a thin beige border; the cards display varied scenes with colors including red, black, white, blue, brown, green, yellow, and gray. In the top row, from left to right, there is a dark navy and black night scene with red heart shapes, a beige and-stock-foto
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Jack of Clubs — English Soldier; Tański, Czesław (1862–1942), illustrator; Witke-Jeżewski, Dominik (1862–1944); drawing; 1916–1917; Warsaw; World War I (1914–1918); soldiers; playing card (clubs); British Army; pipes; rifles; Poland; albums; repossession., A sheet with a pale gray-green background holds a grid of illustrated playing cards mounted in two rows, each card framed by a thin rectangular border; the top row shows a card with a group of military hats and instruments rendered in beige, brown, red, green, and black, a card depicting a bearded man wearing ornate robes and a fur hat in-stock-foto
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Queen of Clubs — Mary, Queen of the United Kingdom of Great Britain and Ireland, Empress of India; Mary Adelaide Teck (1867–1953). Playing card illustration (clubs suit), drawing by Czesław Tański (1862–1942), 1916–1917, Warsaw. Subjects: queens; World War I era; playing cards. Materials/technique: drawing/illustration., A pale gray sheet holds a grid of eight illustrated rectangular cards mounted in two rows, each card framed by a thin border and separated by small circular stamps on the sheet; the overall palette includes gray, white, red, blue, green, brown, black, yellow, and flesh tones.-stock-foto
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Paysanne de Moravie venant du Marché, Le Prince, Jean-Baptiste (1734–1781), draughtsman; Bonnet, Louis Marin (1736–1793), graphic artist. Subject: women, Moravia (Bohemia/countryside), peasants. Medium/style: reproductive graphic print in the crayon manner ('à deux crayons' — black and sanguine or sepia, sometimes heightened with white); composition enclosed in linear frames (3 thick and 2 thin etched with etching). Date: before 1781. Place: France, Paris. Dimensions: height 37.8 cm, width 25.0 cm. Inscriptions/notes: titled 'Paysanne de Moravie venant du Marché'; numbered 173 in publication;-stock-foto
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Boy sitting at a table, reading a book; Michał Płoński (1778–1812), graphic artist; Dominik Witke-Jeżewski (1862–1944); reading (genre scene), human types, character study, child/boy; inkwell; 1802; Amsterdam; graphic plate/matrix; height 8.4 cm, width 6.1 cm, A rectangular metallic plate with rounded corners resting on a flat surface, showing a weathered, mottled surface with a mix of dark gray, brown, rusty orange, and muted black tones; there are areas of subtle greenish and bluish tints, uneven patches of discoloration, scuffs, scratches, and faint circular brush or fingerprint-like marks,-stock-foto
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Miraculous Image of Our Lady of Łąków in the church of the Reformed Fathers, near Bratian, crowned by Benedict XIV in the year 1752 (Our Lady of Łąków); Marian image; after 1751; graphic; graphic matrix/plate; height 14.5 cm, width 9 cm, thickness 0.2 cm., A rectangular metal plate with an etched image of two crowned figures wearing ornate robes, one holding a rod and the other positioned slightly behind; the plate shows a reddish-brown base color with areas of greenish-blue corrosion spots and darker brown speckling, a thin darker border around the edge, and a small hole near the top center;-stock-foto
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Artillery exercises; Łopieński, Ignacy (1865–1941), graphic artist; artillery, army; ca. 1930; graphic plate; height 19.9 cm, width 26.9 cm, A worn rectangular metal plate with an overall mottled surface showing shades of copper, brown, gray, and hints of black, with areas of darker smudging and lighter scuffing; the plate has rounded corners and a thin dark border along the edges, and there are several curved and straight scratches and faint streaks across the surface including a few bluish-gray marks; near two opposite corners there are circular stamped impressions and a few small dark spots-stock-foto
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An Old Woman Reading a Book, the So-Called Rembrandt's Mother; Płoński, Michał (1778–1812), graphic artist; Dou, Gerrit (1613–1675), painter; reproduction print after Dou; ca. 1806, Paris; print, graphic matrix/graphic plate; portraits — old women; female portraits; oval; figure studies; female figure studies; bonnets; historical costumes; human types; female costumes; height 20.5 cm, width 16.8 cm, A large rectangular metal sheet with a worn, mottled surface showing a range of dark grays and blacks with patches of rusty brown and muted copper tones, scattered irregular dark stains and smudges-stock-foto
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View of the Evangelical Cemetery in Warsaw. Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist. Subjects: cemeteries, Warsaw (Masovian Voivodeship), trees, crucifixes, cemetery chapels, graves, Evangelical Cemetery of the Augsburg Confession (Warsaw). Date: 1835. Medium: graphic, graphic matrix/plate. Dimensions: height 17.2 cm, width 21.2 cm., A rectangular metal plate with a central etched scene of a classical temple set in a garden, surrounded by a broad mottled border; the etched scene shows a temple with a pediment and columns on a stepped platform, flanked by tall thin trees and a-stock-foto
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Arkadya, Dietrich, Fryderyk Krzysztof (1779–1847), graphic artist; landscapes, prayer (genre scenes), forest landscapes, Arkadia (Łódź Voivodeship), crucifixes, garden architecture, monks, staffage, parks (gardens), neo-Gothic, English parks. View of the Gothic House in Arkadia near Nieborów. Illustration for the magazine Gabinet Czynia is a collection of novels, romances and articles devoted to science and entertainment, Warsaw, 1835, volume II, plate between pages 40 and 41; ca. 1835. Graphic plate; height 10.5 cm, width 12.8 cm., A rectangular metal plate with a recessed central panel-stock-foto
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The miraculous painting of the Blessed Virgin Mary in the church of the Hospitallers of St. John of God in Vilnius; graphic artist Perli, Józef (fl. ca 1775–ca 1818); Dove of the Holy Spirit; Virgin Mary; winged putti. After 1800, Vilnius; graphic print from a graphic matrix/plate; height 31 cm, width 20.7 cm., A rectangular metal plate with a warm brown and copper patina fills the image, showing subtle variations of darker and lighter brown and hints of gray along the edges; within a thin incised border a faint engraved scene is visible, with a central framed portrait of a robed figure-stock-foto
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Eight images of Catholic saints and God, graphic artist, Łohojsk; Tyszkiewicz, Konstanty (1806–1868). II Monuments of domestic engraving, Catholic saints, see new print (cut into five parts) inventory no. Gr.Pol.6000/19-23, all elements glued into Boczkowska's album on sheet no. 23. After 1800; graphic; graphic matrix; graphic plate; height 21.7 cm; width 33.3 cm, A rectangular metallic plate with a warm copper tone mottled with patches of darker brown and faint greenish spots, showing a grid of several recessed rectangular panels each containing faint embossed illustrations of human figures-stock-foto
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S. Marya Mot. Diewa (Maria — Immaculate Conception), by Stanisław Czerski (1777–1833), engraving, 1822–1832. Depicts Mary trampling a snake (devil) with a lily in her hand; composition enclosed in a double linear frame. Engraved by Father Stanisław Czerski in Salanty, Samogitia; he engraved images of saints with Samogitian inscriptions for his parishioners. Graphic matrix/plate; height 7.7 cm, width 5.4 cm., A rectangular dark metal plate with an uneven, mottled surface showing areas of black, dark brown, and coppery bronze discoloration, with worn edges and a small light gray label with a-stock-foto
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S. Apolonia (Saint Apolonia). Czerski, Stanisław (1777–1833), draughtsman. Apolonia (Saint; ?–249), devotional depiction, saints. Engraving, 1822–1832. Graphic plate (graphic matrix). Height 7.5 cm; width 5.1 cm., A rectangular metal plate with worn, mottled surfaces showing patches of dark black corrosion interspersed with exposed coppery brown areas, with a few rounded darker spots and some lighter scratched streaks; a small blue and light gray decorative label is attached near the top edge; the plate is set against a neutral gray background and has a thin raised border with slightly rounded-stock-foto
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