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[worn rectangular surface] képek

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Urban surface and infrastructure texture. Rectangular rain water drainage at city road side.-stock-foto
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Worn terracotta brick pavement with pronounced wood-grain texture, moss in joints and aged patina creating a rustic, historic feel. Top view emphasize-stock-foto
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Small rectangle shaped brown used oak wood kitchen cutting board with dark burn stains and knife cut traces isolated on white background, top view-stock-foto
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Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
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Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
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Old concrete window planter on green facade empty flower box with wooden frame window urban exterior detail-stock-foto
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Modern paving slabs arranged in rectangle with moss and subtle shading-stock-foto
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Vintage book cover texture with rectangular frame border and worn surface suitable for design, typography, poster layouts. Natural background book-stock-foto
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Vancouver, Canada - March 2,2026: City of Vancouver utility access cover marked COV on aggregate concrete sidewalk, metal grating panel manufactured i-stock-foto
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Very old book damaged brown fabric hardcover, close up texture-stock-foto
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A close-up of aged beige stone tiles laid in a rectangular pattern showing weathered marks, grout lines and surface texture. Ideal for architecture, f-stock-foto
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Wooden Kitchen Board. Farmhouse Style Wooden Board With Textured Surface And Rounded Edges-stock-foto
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Wooden parquet flooring with herringbone arrangement of rectangular planks, visible grain patterns and wear marks, medium brown tones, matte finish-stock-foto
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Side view of stacked blue wooden pallets with metal corner fittings, chipped paint and rough timber edges, shallow focus, pavement and building facade-stock-foto
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Close-up of stacked blue-painted wooden pallets with visible wood grain, chipped paint, metal corner supports with embossed arrows-stock-foto
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Leather binding of the portfolio 'Impressions from Pomerania' with a dedication to Ignacy Jan Paderewski. Polish graphics; Paderewski, Ignacy Jan (1860–1941). Graphic portfolio 'Impressions from Pomerania' (Poznań 1931), 1931. By Wyczółkowski, Leon (1852–1936). Graphic portfolio, bookbinding. Dimensions: height 69.9 cm, width 54.4 cm, thickness 4 cm., A rectangular object fills the frame with a large sheet of dark brownish-purple fabric stretched across its surface, showing several creases and slight wrinkles; a narrow border of darker brown material runs along the left and right edges with-stock-foto
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Ex libris DG de Labastie; bookplate by Dominik Witke-Jeżewski (1862–1944) after Paul-André de La Bastie (1756–1830); graphic print, heraldic bookplate with coats of arms, lilies, and rank crowns; French, 18th–19th century; height 8.7 cm, width 5.5 cm., A worn rectangular sheet with a light beige background framed by a narrow gray border, showing a faded, symmetrical faint design in the center, smudged pencil or graphite marks across the surface, a small circular stamped mark near the upper center, scattered reddish smudges and spots, a few greenish and yellowish discolorations toward the top,-stock-foto
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Album binding titled 'Skizzen zu dem Tagebuche von Adalbert Prinz von Prussen, 1842-1843.' Maker: Wilhelm Loeillot (1827–1876), graphic artist. Associated with Adalbert, Prince of Prussia (1811–1873). Medium/format: book binding; album; album page. Subject/contents: travels; illustrations; Brazil views; German graphics; medallions; eagles; emblems; travel diary illustrations. Date: 1847. Dimensions (album page, irregular composition): height 50.9 cm, width 35.2 cm., A dark rectangular object with a textured surface and worn edges centered against a pale background, featuring a circular gold-stock-foto
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Częstochowa. Church in Raków. Unrealized project. Foundation plan. Wojciechowski, Jarosław (1874–1942). Architecture; churches. Towns, Częstochowa (Silesian Voivodeship). Modernism (style). 1911. Drawing; architectural drawing; architectural design. Height 40.5 cm; width 57.5 cm., A worn, off-white sheet with a faded beige architectural drawing covers most of the image, showing thin dark blue lines that form a symmetrical floor plan with rectangular and curved rooms and small square features; the paper has creases, tears, and missing sections along the left and right edges with ragged brownish-stock-foto
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Leaflet calling for voting for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 23.2 cm, width 15.5 cm, A single sheet of thin, worn paper lies centered on a light cream background, showing a translucent, uneven brown-beige color with areas of darker discoloration and small spots. The paper has rough, slightly torn edges at the bottom and a creased corner on the lower right, with faint vertical and-stock-foto
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Leaflet calling on Jews to vote for list no. 11 of the Provisional Jewish National Council in the elections to the Legislative Sejm of the Republic of Poland in 1919. Printed in Hebrew and Polish. Provisional Jewish National Council (1918-?), Legislative Sejm (1919-1922), 1919, leaflet, height 14.9 cm, width 20.2 cm, A worn rectangular sheet of paper with a beige background and darker beige discoloration, featuring a large central dark gray shape resembling a bold numeral with worn edges, two silhouetted pointing hands in dark gray on either side of the central shape, scattered patches of-stock-foto
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Portrait of Eduard Paulus, author; Krukowa, Magdalena; Paulus, Eduard (1837–1907); iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A small rectangular block of wood rests on a smooth reflective surface, showing natural wood grain in brown tones on one visible face and a charred or darkened black surface on the top and one side; the top edge is uneven with rough worn areas and chips, and the wood block casts a soft reflection on the gray surface beneath.-stock-foto
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Portrait of Eduard Paulus, author; Krukowa, Magdalena; iconography; male portraits; art historians; archaeologists; poets; 1895; woodcut block; height 8.8 cm; width 6.9 cm; thickness 2.3 cm, A rectangular wooden panel with a warm brown surface showing wood grain, scratches, and worn edges, featuring a few areas of dark black smudges and stains mostly along the right and top edges; the panel bears several flowing dark markings and curved strokes in black ink across the surface, and a small pale rectangular label near the bottom center; the corners show slight wear and the overall texture-stock-foto
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Portrait of Eduard Paulus, author, Krukowa, Magdalena; Paulus, Eduard (1837–1907) — iconography, male portraits, art historians, archaeologists, poets; 1895; woodcut block; height 8.8 cm, width 6.9 cm, thickness 2.3 cm, A rectangular block with a textured wooden appearance sits on a smooth surface, showing a worn top with carved or chipped areas revealing a darker upper layer; the block displays shades of brown and dark brown on its sides and top, with a few areas of lighter tan where the wood grain is exposed, and the background and surface are various shades of gray.-stock-foto
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Twelve-Year-Old Jesus in the Temple, illustrator, Gebethner, Jan, Jesus in the Temple (Bible; New Testament), 1859–1880, woodcut block, height 25.4 cm, width 35.5 cm, thickness 2.2 cm, A rectangular flat object resting on a reflective surface, with a textured top showing swirling patterns in shades of gray and white and a worn, rough-looking edge in tones of tan, beige, and brown; the background and surface are smooth and uniform gray.-stock-foto
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Twelve-Year-Old Jesus in the Temple, illustrator Jan Gebethner, Jesus in the Temple (Bible; New Testament), 1859–1880, woodcut block, height 25.4 cm, width 35.5 cm, thickness 2.2 cm, A rectangular wooden panel with a patchwork of square and rectangular veneer pieces showing concentric grain rings in brown and tan tones, bordered by a worn beige paper or tape around the edges; several small areas of surface wear and peeling with lighter beige and off-white patches, a few darker brown blemishes and smudges, and a small blue oval stamp mark; overall colors visible include shades of brown, tan,-stock-foto
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Portrait of Józef Piłsudski, Łopieński, Ignacy (1865–1941), graphic artist; Piłsudski, Józef (1867–1935) — iconography; male portrait; head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm, A rectangular metal plate with rounded corners fills the image, showing a worn, scratched surface in shades of brown and copper with areas of darker brown patina and a few small dark spots, set against a light gray background visible as a narrow border around the plate; near one corner there is a small piece of frayed fabric or paper adhered to the plate in beige with-stock-foto
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Portrait of Józef Piłsudski; Ignacy Łopieński (1865–1941), graphic artist; Józef Piłsudski (1867–1935) — iconography; male portrait, head turned to the right; 1937; Warsaw, Poland; graphic plate; height 15 cm, width 10 cm., A worn rectangular metal plate with rounded corners occupies most of the image, showing a mottled surface in shades of copper, bronze, pink, purple, and gray with visible scratches and scuff marks across it; there is a narrow black border around the plate and a small dark rectangular patch near one corner with rough edges; the plate surface shows areas of darker-stock-foto
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Portrait of Józef Orłowski; Ignacy Chełmicki (fl. 1867–post 1890), graphic artist; woodcut (graphic matrix, woodcut block), circa 1873?; publisher: Drzeworytnia Warszawska; male portrait of Józef Orłowski (1819–1880); subject: architects, illustrations, 1880–1881, Warsaw; dimensions: height 14.1 cm, width 12.1 cm, thickness 2.4 cm., A low rectangular wooden block with a dark, irregular top surface sits on a smooth reflective surface. The wood shows warm brown tones with darker brown and black streaks and worn areas along the sides and corners. The top has a rough, uneven texture in deep-stock-foto
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Portrait of Józef Orłowski; Chełmicki, Ignacy (fl. 1867–post 1890), graphic artist; woodcut (graphic matrix, woodcut block), 1873?; male portrait; Orłowski, Józef (1819–1880) — iconography; architects; illustrations, 1880–1881; Warsaw; height 14.1 cm, width 12.1 cm, thickness 2.4 cm., A rectangular wooden block with rounded corners sits on a smooth, reflective surface, featuring a dark, irregular top surface that appears rough and slightly glossy and edges that transition to a warm brown wood tone; the wood shows natural grain, knots, and some darker smudges and worn areas, while the-stock-foto
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Portrait of Józef Orłowski; Chełmicki, Ignacy (fl. 1867–post 1890), graphic artist; woodcut; 1873?; publisher; male portraits; Orłowski, Józef (1819–1880) — iconography; architects; illustrations; 1880–1881; Warsaw; graphic matrix, woodcut block; height 14.1 cm, width 12.1 cm, thickness 2.4 cm, A grayscale engraved portrait of a man shown from the chest up on a rectangular dark plate, featuring a face with wavy hair and sideburns, a mustache‑less mouth, and focused eyes; he wears a dark jacket, a bow or cravat at the collar, and a textured shirt beneath. The image shows a few scuffed and worn-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages, illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm, width 12.7 cm, thickness 2.2 cm, A worn rectangular surface made of a coarse brown material with a vertical split near the center, showing areas of darker and lighter brown staining and rough textured patches; a bold rough blue mark stretches across both sides forming angular strokes and a curved loop; pale beige and off-white scuffs and peeled spots interrupt the brown texture in several places; the object rests against a neutral gray background and overall shows-stock-foto
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Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A low, rectangular object rests on a smooth surface with a reflective sheen, composed of two joined blocks with a visible gap between them. The top surfaces are dark and textured with carved circular patterns and rough irregularities, while the vertical faces show a worn, coarse texture in a brownish-golden color. The gap between the blocks reveals an inner surface in a lighter yellowish-gold tone. The overall scene is set against a-stock-foto
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Carriage; Maj, Aleksander (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, A carved wooden block with a rough rectangular shape rests on a smooth reflective surface, showing a worn top with carved circular and linear patterns and a jagged chipped edge; the block displays natural wood grain and textured, uneven sides with signs of wear. The visible colors include brown tones in the wood, darker brown and gray on the carved areas, and a muted gray background and reflective surface.-stock-foto
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Carriage; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 7.2 cm; width 12.7 cm; thickness 2.2 cm, The image shows a carved wooden block with an engraved outline of a carriage or wagon spanning the surface; the wood appears dark brown with areas of lighter brown where the grain and wear show, and there are visible gray tones in the background. The carved lines form two large circular wheels with spokes, a rectangular body section with paneling, and a raised seat or box area; the carvings present a slightly recessed darker brown-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; subject: carriages; illustration; after 1900; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A rectangular block with a rough, worn surface sits on a smooth reflective plane; the block shows a carved top with wheel-like circular motifs and groove patterns, and its sides display chipped, eroded textures. The visible colors include shades of brown and tan on the block, dark gray and black in the carved recesses, and a soft gray background with subtle bluish-gray reflections on the surface beneath.-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm; width 12.5 cm; thickness 2.3 cm, A rectangular block with worn, rough surfaces sits on a smooth reflective plane, showing a palette of brown, beige, gray, and muted black tones; the top surface features circular wheel-like raised shapes and carved linear patterns in darker gray and black, with edges and corners that appear chipped and weathered revealing lighter beige and brown beneath, while the surrounding background is a uniform soft gray.-stock-foto
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Carriage wagonette; Aleksander Maj (1883–1952), graphic artist; carriages; illustrations; after 1900; Warsaw; woodcut block; height 8.5 cm, width 12.5 cm, thickness 2.3 cm, A worn rectangular wooden panel with a textured grain surface showing a mix of brown and tan tones, darker brown patches and smudges, and areas of lighter beige wear; prominent broad strokes of bright blue pigment form bold marks across the center; a small spot of white paint with a tiny speck of red is near the middle; faint darker scribbles and smudges are visible beneath and around the blue marks; the surrounding border-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of a bookplate; Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist; Polish bookplates; medical bookplates; illustrative bookplates; snakes (zool.); Aesculapian snake (mythological); chalices; jugs; on the reverse of the block there is the lower fragment of another bookplate crossed out and cut into two parts EX LIBRIS negatively engraved by Ludwik Tyrowicz, 1940, Lviv; bookplate; graphic; graphic matrix; woodcut block; height 6.0 cm; width 4.2 cm; thickness 2.2 cm., A small rectangular wooden box sits on a-stock-foto
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Bookplate of Zygmunt Grünstein; verso: fragment of another bookplate crossed out and cut into two parts EX LIBRIS, MVZEVM POKUCKIE. Łopieński, Ignacy (1865–1941), graphic artist; Tyrowicz, Ludwik (1901–1958), graphic artist. Negatively engraved by Ludwik Tyrowicz, 1940, Lviv. Bookplate, graphic matrix, woodcut block; woodcut block height 6.0 cm, width 4.2 cm, thickness 2.2 cm. Motifs: illustrative medical bookplate featuring snakes (zool.), Aesculapian snake (mythological), chalices, jugs., A rectangular dark gray block with carved incised lines forms an abstract design; the surface shows worn-stock-foto
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